Prehistoric Art
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The Jeulmun Pottery Period in Korean prehistory spans from around 8000 BC to 1500 BC. This period is named for the comb-patterned pottery vessels that were commonly found across sites from 4000-2000 BC. Excavations since the 1990s have revealed that the Jeulmun Period was one of hunting, gathering, and small-scale plant cultivation. People lived in semi-permanent settlements with pit-houses.
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SCIENTIFIC VERSION
- The first inhabitants of Japan arrived around 30,000 BC during the Paleolithic era, with the Jomon period beginning around 14,000 BC featuring a hunter-gatherer culture characterized by pit dwellings and early pottery.
- The Yayoi period began around 300 BC, bringing wet-rice farming, iron/bronze-making, and new pottery styles from China/Korea that marked a shift from the Jomon hunter-gatherer lifestyle.
- The first Japanese state referenced in Chinese texts from the 3rd century AD was called Yamataikoku.
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The document discusses the prehistory of humans, outlining the major periods including the Paleolithic (lower, middle, upper), Neolithic, and Copper, Bronze, and Iron Ages. It notes that early humans had to adapt as they moved from Africa to Europe and Asia, facing glacial periods, and that nomadic humans would move seasonally, living outdoors in summer but taking shelter in caves during winter. The document also briefly touches on prehistoric art forms like cave paintings and portable art objects.
2
The document discusses the Paleolithic and Neolithic periods in human prehistory. The Paleolithic period saw the development of primitive stone tools. The Neolithic period began around 10,200 BC in the Middle East and later in other regions, lasting until between 4,500-2,000 BC. It was characterized by the beginning of agriculture, sedentary society, and new towns and villages in farmland, marking the transition from a hunter-gatherer to an agricultural way of life.
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The document discusses the prehistory of humans, outlining the major periods including the Paleolithic (lower, middle, upper), Neolithic, and Copper, Bronze, and Iron Ages. It notes that early humans had to adapt as they moved from Africa to Europe and Asia, facing glacial periods, and that nomadic humans would move seasonally, living outdoors in summer but taking shelter in caves during winter. The document also briefly touches on prehistoric art forms like cave paintings and portable art objects.
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This document provides an overview of the history of art from prehistoric times through contemporary art. It begins with prehistoric cave paintings from the Stone Age and then discusses the art of early civilizations like Mesopotamia, Egypt, Greece, and Rome. Key periods and styles of art discussed include Mesopotamian art from 5000-2000 BC, Egyptian art from 2700-1100 BC divided into the Old, Middle, and New Kingdoms, Greek sculpture and culture from around 2000 BC, Roman art, Medieval art, Renaissance art beginning in Italy in the early 15th century, Baroque art, Neoclassicism, Romanticism, and contemporary art. The document examines the major developments and influences in art
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This document provides context and information about prehistoric art from the Paleolithic era, including a timeline of key periods and types of artworks. It discusses early sculptures from 230,000-700,000 BCE and notes the earliest known cave paintings date back to around 30,000 BCE, featuring images of humans, animals and abstract patterns. Venus figurines from the Gravettian period between 20,000-40,000 BCE depicting exaggerated female forms have been found across Europe. The document also mentions the oldest known Philippine petroglyphs located in Rizal province dating to the late Neolithic period.
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Prehistoric art developed over millions of years from the earliest humans to the Neolithic period. The Paleolithic period saw the first known artworks created with stone tools, including cave paintings between 30,000-13,000 BCE depicting animals and humans. The Mesolithic and Neolithic periods saw the development of agriculture and permanent settlements, with art becoming more representational of humans and used for ornamentation and architecture. Key characteristics of Neolithic art included figurines, pottery with designs, and megalithic constructions.
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1. The document discusses prehistoric art from the Stone Age, including cave paintings from Lascaux Cave in France dating back 15,000-13,000 BCE depicting animals.
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Gaurav kotak (humanities) a1318 fyba
This document provides information about prehistoric cultures and art from various regions including Europe, Asia, Africa, and the Americas. It discusses time periods such as the Lower Paleolithic and Mesolithic eras. Examples of prehistoric art discussed include petroglyphs, pictographs, megalithic art, and ceramic vessels. Architectural structures from prehistory mentioned include Stonehenge, European megalithic tombs, and tipis used by Native Americans.
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Week 13 Post Modernism
Postmodernism emerged in the late 20th century as a departure from modernism in various arts like architecture and literature. It involves skeptical interpretations of culture and history. Postmodern architecture began in the 1950s but truly became a movement in the late 1970s, rejecting the simplicity and uniformity of modernist architecture in favor of incorporating historical elements, color, and symbolism. Some key characteristics of postmodern architecture include the use of non-orthogonal angles, unusual surfaces, references to historical styles, and ambiguity of meaning.
Week 13 Contemporary Art (Deconstructivism)
Deconstructivism began in the late 1980s as a development of postmodern architecture influenced by deconstruction theory. It is characterized by buildings with unpredictable and chaotic visual appearances. A 1988 MoMA exhibition featuring works by Gehry, Libeskind, Koolhaas, Eisenman, Hadid, Coop Himmelblau, and Tschumi brought the movement fame. Deconstructivism was influenced by minimalism, cubism, and analytical cubism through dissecting forms from different perspectives, as well as expressionist movements through non-linear and abstracted structures.
Week 12 Pop Art
Pop art emerged in the mid-1950s in Britain and late 1950s in the US as a reaction to abstract expressionism. It utilized popular imagery from mass culture like advertisements and comic books. The Independent Group in London in 1952 is considered the precursor, exploring popular culture through discussions on topics like advertising and product design. Major American pop artists of the 1960s like Andy Warhol and Roy Lichtenstein used imagery from popular culture through techniques like parody to comment on consumerism and everyday life. Their work employed bright colors and flat imagery inspired by comics and photos.
Week 12 Mid Century Modern Design
Mid-Century Modern Design emerged in the mid-20th century between 1933-1965, drawing influence from the International Style and Bauhaus movements. The style is characterized by clean simplicity and integration with nature. Frank Lloyd Wright was highly influential with his residential architectural designs. Scandinavian design also had a large impact with simplicity, democratic designs, and natural shapes seen in glassware, ceramics, tableware, lighting and furniture from brands like Iittala, Arabia, Georg Jensen, and Poul Henningsen. Printed materials from this era demonstrate the transformations in urban development, architecture and design through the use of offset lithography printers like Curt Teich.
Week 12 abstract expressionism
Abstract Expressionism was a post-World War II art movement developed in New York in the 1940s. It involved expressing oneself purely through form and color, combining emotional intensity with anti-figurative styles. The movement is divided into Action Painting, which stresses physical painting action and broad gestures, and Color Field Painting, which explores the effects of pure color overlapping on huge canvases. Key artists included Jackson Pollock, Willem de Kooning, and Mark Rothko.
Week 9 de stijl
De Stijl was a Dutch artistic movement founded in 1917 that advocated for ultimate simplicity and abstraction in art through the use of horizontal and vertical lines and primary colors. The movement was centered around the journal of the same name published by Theo van Doesburg to propagate the group's theories. Key members included painters Piet Mondrian, Vilmos Huszar, and Bart van der Leck as well as architects Gerrit Rietveld, Robert van 't Hoff, and J.J.P. Oud. De Stijl influenced architectural and design styles like the Bauhaus and International styles through its emphasis on clean lines and geometric forms.
Week 9 bauhaus
Bauhaus was an influential art school in Germany from 1919 to 1933 that combined crafts, fine arts, architecture and design. It aimed to unify art, craft and technology through its curriculum and interdisciplinary approach. The Bauhaus style went on to have a profound impact on modern design, architecture and art education. Key workshops included cabinetmaking, textiles, metalworking and typography, which developed functional prototypes and emphasized clarity, minimalism and mass production.
Always Coffee
1) Always Coffee produces a range of sugar-free coffee drinks in cans and juice boxes to target health-conscious consumers.
2) It analyzes the large coffee drinking market in Malaysia and segments its target as coffee lovers, health-conscious individuals, tourists, and general customers.
3) The marketing plan includes competitive pricing, promotions emphasizing health benefits, and advertising on television and social media to position Always Coffee as a healthy alternative.
Always coffee 28082014
This is our assignment for English subject. This product is created by me where you can't actually find this product in the market. Everything has a "but" and "maybe", so do I. So, maybe in future it will, but, not sure. ^^
Week 8 Art Nouveau
Art Nouveau was an artistic movement between 1890-1910 that influenced decorative art and architecture through elegant organic and geometric designs. Known as "new art" in French, Art Nouveau was a total style that included architecture, graphics, interior design, and more. Artists drew inspiration from both nature and geometry to create flowing yet angular designs. The advent of Art Nouveau stemmed from William Morris and Japanese woodblock prints. Though replaced by modernist styles, Art Nouveau paved the way for modernism.
Week 8 art deco 1920
Art Deco emerged as an influential visual arts style after World War I that combined traditional motifs with modern imagery and materials. It represented luxury, glamour, and faith in social progress. A group of French artists are said to have influenced its principles, which were also inspired by Cubism, Constructivism, and other 'isms'. An important 1925 Paris exhibition featured prominent French artists and designers and focused on the emerging Art Deco movement in France. Additionally, the discovery of King Tut's tomb in 1922 sparked worldwide interest in Egyptian styles, further shaping Art Deco aesthetics through motifs like the ziggurat. Art Deco emphasized geometric forms, symmetrical patterns, and vivid colors, often using modern materials like aluminum and pl
14. art deco in the 1920s
The 1920s saw a period of optimism following World War I. New technologies like radio and skyscrapers emerged during this boom time. Women gained more freedom as flappers and gained the right to vote. An exhibition in Paris in 1925 showcased the emerging Art Deco style, which was influenced by various artistic movements. The discovery of King Tut's tomb in 1922 also sparked interest in Egyptian styles that further influenced Art Deco designs globally.
Week 7 Arts and Crafts Movement
The Arts and Crafts Movement was a design movement that originated in England in the 1860s led by artist and writer William Morris. It emphasized simple forms without excessive decoration and using materials' natural qualities. The movement was a reaction against styles of mass production and a desire to return to handcrafting. It spread across Europe and North America influencing architecture, painting, furniture and other decorative arts with a focus on craftsmanship over machine-made design.
Week 7 19th Century Art
The 19th century saw the rise of several major art movements:
1) Romanticism focused on emotion over rationality and the individual over society through brighter colors and expressive brushwork.
2) Realism sought to represent subjects truthfully and avoid artistic conventions through works depicting ordinary contemporary life.
3) Impressionism originated among Paris-based artists and used vivid colors and real-life subjects to capture fleeting visual impressions.
4) Post-Impressionism extended Impressionism through thicker paint application and greater emphasis on geometric forms and unnatural colors.
Egyptian Art/Design
Ancient Egyptian art flourished between 1000 BCE to 100 AD, achieving high levels of development in painting, sculpture, and architecture. Much of what remains comes from tombs and monuments, emphasizing Egyptian beliefs about the afterlife. Art was highly symbolic and stylized, with symbolism representing the pharaoh's power, gods, and social status depicted through relative scale. Ancient Egyptians created varied art forms across media to preserve their present world and provide for the deceased in the afterlife.
Renaissance Art/Design
The document discusses Renaissance art and design. It began in 14th century Italy as a revival of classical Greco-Roman artistic traditions and values. Early Renaissance artists like Giotto and Masaccio advanced techniques like realistic human representation. By the 15th century, Florence and then Rome became centers of Renaissance art. The High Renaissance period saw masters like Leonardo da Vinci, Michelangelo, and Raphael dominate. They employed techniques like perspective, foreshortening, and chiaroscuro to create more naturalistic works. Renaissance architecture also drew from classical orders and symmetry.
Baroque and Rococo Art/Design
Baroque art emerged in the early 17th century in Rome and spread across Europe. It used dramatic styles in painting, sculpture and architecture to convey religious themes promoted by the Catholic Church against the Protestant Reformation. Rococo art developed in 18th century France as a lighter, more playful reaction to the grandeur of Baroque and Versailles. Rococo emphasized asymmetry, natural forms and intimacy over Baroque's dynamism. While both styles centered around elaborate detail and motion, Baroque was grand and serious in service of Catholicism and royalty, whereas Rococo embraced softness and decorativeness during a more relaxed age.
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