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Web documentary media
language
Nelson Zagalo, Universidade do Minho
Conference “Webdocumentário”
Universidade da Beira Interior, Covilhã, 31 Março 2016
“The audience for documentary is dying. The average age of a television
documentary viewer is 55 and up. Dutch broadcaster VPRO came to
Submarine with the concept of making a simulation game in which the
player experiences the impending world’s energy problems. The goal
was to attract a different audience than traditional documentary viewers.”
Tommy Pallotta
WHAT? WHY?
WHAT?
“Energy Risk” (2010) (VPRO Backlight)
https://www.youtube.com/watch?v=Z3HVC7DOyC4
TV documentary
“Collapsus: The Energy Risk Conspiracy” (2010)
http://www.collapsus.com/
Multimedia, interactive and game
• interactive docu-fiction hybrid
• hybrid documentary game
• cross-media project
• semi-gamish narrative
• transmedia
• online experience
http://www.collapsus.com
Collapsus, 2010
http://alma.arte.tv/en/webdoc
Alma, a Tale of Violence, 2012
http://hesaidshesaiddoc.com
He Said/She Said, 2015
Television
linear
Web
multilinear
content
evolution
Branched stories Deleuzeane rhizome
Post-modern fragmentation Receptor connects the dots
“Infinite Jest” (1996)
David Foster Wallace
“Fight Club” (1999) “Inception” (2010)
“Inception” (2010) de Christopher Nolan
WHY?
Motivation*
CompetenceAutonomy Relatedness
Choice Skills Others
* Self-determination theory (Deci e Ryan, 1985)
“Choice among humans increases the likelihood of compliance. And
choice isn't important, it's the appearance of choice that's important.
Having real choice is not the issue, humans don't feel too strongly about
that, but having the feeling that you have a choice makes a difference.”
Alan Kazdin
Autonomy & Choice
“Mass Effect” (2007)
Main problems
Overchoice Responsibility Anxiety
Overchoice
Responsibility
Anxiety
Web documentary media language
Nelson Zagalo, Universidade do Minho
nzagalo@ics.uminho.pt
http://nelsonzagalo.googlepages.com
http://virtual-illusion.blogspot.com

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Web documentary media language