SlideShare a Scribd company logo
presents With the support of
Creative Possibilities for  Cross-Platform Documentaries A special presentation by Christy Dena (Universe Creation 101) for  Reboot: The Documentary Organization of Canada web conference 16-19th Feb 2010
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Timothy deWaal Malefyt, Vice President/Director of Cultural Discoveries,  BBDO Advertising Worldwide  “ Reason is Out, Emotion is In”
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http://www.abc.net.au/longjourney/ Long Journey, Young Lives
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http://gdp.nfb.ca/
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http://gdp.nfb.ca/
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http://www.freeflo.org/ http://flowthefilm.com/
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http://www.abc.net.au/science/catchmentdetox/ “ Play Catchment Detox to see if you successfully manage a river catchment and create a sustainable and thriving economy.” Catchment Detox
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http://www.usmob.com.au/
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10 Canoes / feature film “ Many, many canoes”: 11 Canoes / Mini-Documentaries Training 12 Canoes / Broadband Website 13 Canoes / Gallery Exhibition 14 Canoes / Photo Publishing Project 15 Canoes / Music Preservation Project 16 Canoes / Closed-Circuit Television Station  17 Canoes / Cultural Exchange Program 18 Canoes / Making Of Documentary Rolf De Heer: http://www.vertigoproductions.com.au/10canoes.htm http://www.tencanoes.com.au/
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“ In a nearby future we can assume that media will move freely across different technological platforms, across different media formats and across different networks. Media will in this sense appear more as a liquid than solids.”  Mikael Wiberg,  2007, 63 “ Fluids travel easily. They ‘flow’, ‘spill’, ‘run out’, ‘splash’, ‘pour over’, ‘leak’, ‘flood’, ‘spray’, ‘drip’, ‘seep’, ‘ooze’; unlike solids they are not easily stopped—they pass around some obstacles, dissolve some others and bore or soak their ways through others still.”  Zygmunt Bauman, 2000, 1-2
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Ruddy Morgan’s  Flatland
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www.InADreamMovie.com
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“ Taking something like  Brothers in Arms  and making it into a historically accurate documentary, is awesome. We made two hour and a half shows in three and a half months, with gameplay and cinematics together. We took these games and made them into a property in line with the main message.” Gregg Backer, President Foglight Entertainment, Hollywood and Games Summit [ G ]
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http://www.beethovenshair.ca/haunting/
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Gone Gitmo “ With USC Interactive Media adjunct professor Peggy Weil, Nonny De al Peña created a virtual Guantánamo Bay Prison, called  Gone Gitmo . Here, users can experience first-hand - through their personal avatar-what it might feel like to don the orange jumpsuit and have your rights indefinitely suspended. Using writings and testimonials of actual detainees to shape the virtual world, the project aims at new means of connecting viewers to the issues.”  International Documentary Association’s  Documentary Magazine
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http://www.worldwithoutoil.org/
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Reliving the Revolution   ,[object Object],“ To play the game, participants try to figure out who fired the first shot at the Battle of Lexington—a mystery that still remains today.”
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REXplorer ,[object Object],Rafael “Tico” Ballagas and Steffen P. Walz http://www.rexplorer.de/
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You Are Not Here ,[object Object],http://www.youarenothere.org/ (Mushon Zer-Aviv, Dan Phiffer, Kati London, Thomas Duc, Ran Tao, Charles Joseph, 2006 ) Photo by Aaron Straup Cope
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augmented reality history tour
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Creative Possibilities for Cross-Platform Documentaries

  • 1. presents With the support of
  • 2. Creative Possibilities for Cross-Platform Documentaries A special presentation by Christy Dena (Universe Creation 101) for Reboot: The Documentary Organization of Canada web conference 16-19th Feb 2010
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  • 12. Timothy deWaal Malefyt, Vice President/Director of Cultural Discoveries, BBDO Advertising Worldwide “ Reason is Out, Emotion is In”
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  • 31. http://www.abc.net.au/science/catchmentdetox/ “ Play Catchment Detox to see if you successfully manage a river catchment and create a sustainable and thriving economy.” Catchment Detox
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  • 37. 10 Canoes / feature film “ Many, many canoes”: 11 Canoes / Mini-Documentaries Training 12 Canoes / Broadband Website 13 Canoes / Gallery Exhibition 14 Canoes / Photo Publishing Project 15 Canoes / Music Preservation Project 16 Canoes / Closed-Circuit Television Station 17 Canoes / Cultural Exchange Program 18 Canoes / Making Of Documentary Rolf De Heer: http://www.vertigoproductions.com.au/10canoes.htm http://www.tencanoes.com.au/
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  • 41. “ In a nearby future we can assume that media will move freely across different technological platforms, across different media formats and across different networks. Media will in this sense appear more as a liquid than solids.” Mikael Wiberg, 2007, 63 “ Fluids travel easily. They ‘flow’, ‘spill’, ‘run out’, ‘splash’, ‘pour over’, ‘leak’, ‘flood’, ‘spray’, ‘drip’, ‘seep’, ‘ooze’; unlike solids they are not easily stopped—they pass around some obstacles, dissolve some others and bore or soak their ways through others still.” Zygmunt Bauman, 2000, 1-2
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  • 43. Ruddy Morgan’s Flatland
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  • 51. “ Taking something like Brothers in Arms and making it into a historically accurate documentary, is awesome. We made two hour and a half shows in three and a half months, with gameplay and cinematics together. We took these games and made them into a property in line with the main message.” Gregg Backer, President Foglight Entertainment, Hollywood and Games Summit [ G ]
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  • 61. Gone Gitmo “ With USC Interactive Media adjunct professor Peggy Weil, Nonny De al Peña created a virtual Guantánamo Bay Prison, called Gone Gitmo . Here, users can experience first-hand - through their personal avatar-what it might feel like to don the orange jumpsuit and have your rights indefinitely suspended. Using writings and testimonials of actual detainees to shape the virtual world, the project aims at new means of connecting viewers to the issues.” International Documentary Association’s Documentary Magazine
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Editor's Notes

  1. Online documentary on the impact of the Canadian economic crisis – how can you resuse short pieces from your long-form documentary to create a website & extend it? How can you adapt your online documentary into a long-form piece that includes people’s responses? Could the experience of the online documentary be the long-form documentary spine?