SlideShare a Scribd company logo
Collapsus signals a new experience in transmedia storytelling that combines interactiv-
ity, animation, fiction, and documentary. This pioneering approach blends real documen-
tary footage with mini-games and movie fragments, inviting you to choose your own
perspective as the story unfolds. Interact and make decisions to avoid further blackouts;
get a broader perspective by listening to the experts; or observe the consequences for
everyday people through the fictional story.
Collapsus looks into the near future and shows you how the imminent energy transition
affects a group of ten young people, who appear to be caught up in an energy conspiracy.
What will their world look like after the turbulent transition from fossil fuels to alternative
energy sources?
Following the adventures of Vera, Jack, Tony and Amir, you are lead into a world of con-
spiracy, treason and, most alarmingly, failing energy supplies. In this story, set in the
near future, the international powers try to cope with a transition from fossil to alterna-
tive fuels, while dealing with political dissension, uprisings and a population terrified by
increasingly frequent black-outs. As a player, you are required to make decisions that
leave their mark on a national and a global scale, in your quest to find solutions to the
energy crisis.
What is Collapsus.com?
Links and Downloads
Trailer - Quicktime 720p
Collapsus Walk-through with Director Tommy Pallotta
High resolution stills - zip file
You will be placed in crucial moments in time, and be tak-
en to a series of locations such as London, the Ukraine,
Teheran and Colorado. Live action footage combined with
animation will help you understand the current political
situation – as well the characters’ course of destiny. In your
journey you’ll be accompanied and guided by the vlog posts
of Vera and her friends as they attempt to figure out not only
their personal problems, but also what is happening in their
collapsing world - and what they can do to create a livable
future world.
Collapsus aims to provide you with a deeper insight into the
complex issues surrounding global energy politics. You are
able to explore these issues by viewing the story, accessing
additional information, and making difficult choices that
influence the world’s energy production. With this immer-
sive approach, Collapsus.com uses internet capabilities to
draw astonishing international contrasts and connections,
between disparate countries and organizations, around the
central theme of energy politics. Behind every energy re-
lated article you might read in the paper lies a compelling,
globally-relevant story. Collapsus tells this story.
High resolution stills - zip file
The audience for documentary is dying. The average age of a television documentary
viewer is 55 and up. Dutch broadcaster VPRO came to Submarine with the concept of
making a simulation game in which the player experiences the impending world’s en-
ergy problems. The goal was to attract a different audience than traditional documentary
viewers.
What emerged from this experiment is the transmedia experience, Collapsus. Subma-
rineChannel, the producers of Collapsus, has over a decade of experience with documen-
tary storytelling and with making games and animations, but their real passion lies in
creating a cross-over between these genres. Collapsus combines the three elements in a
unitary interface, telling this rather complex story in a contemporary manner. Producer
Bruno Felix says, “We always try to approach complex issues in appealing and engaging
ways. It was very interesting to produce a transmedia project because it is an emerging
genre that is still in development and experimentation is still possible”. 
Production notes
Director, Tommy Pallotta brought an annotated approach to the narrative
structure of a story. “We crafted a multitasking and multi-linear experience
and we blended genres like animation, documentary, fiction and interactivity
all together in one story.
This hybrid approach allows us to look at a serious documentary subject, but
also to shift from the usual talking head approach to something that better
reflects our time.” Pallotta has been making hybrid live action/animation
films for years. He co-developed a technique that allows artist to rotoscope
(draw) over real images. He produced the features, Waking Life and A Scan-
ner Darkly using this method and assembled a small team from his past
productions to give Collapsus its unique look.
As much as Collapsus is hybrid of documentary and interactive experience,
the approach was really about story and characters.
“The scientific perspective about the future of energy is basically horrific,
no matter what scenario you look at”. Pallotta elaborates, “At the heart of
this experience though are characters, not data. This was very important to
us; to tell a story from a human perspective and experience that we can all
understand.”
Submarinechannel.com is a distribution and a production platform for
transmedia productions such as short digital films, innovative online
games, interactive animations, web documentaries, online graphic
novels and other new formats.
SubmarineChannel gathers the most stylish, offbeat, original and arrest-
ingartworksfortheinternetintooneplace.You’llfindlinearandinteractive
works,becausethebottomlineisusingnewmediatocreatenewexperiences.
What’s unique about SubmarineChannel is the range and scope of its
activities. From design to internet, from short digital films to animations
and interactive graphic novels, SubmarineChannel provides a showcase
for work aimed at a young but critical audience, one with a global
perspective on digital culture.
About SubmarineChannel
Although based in mainland Europe, SubmarineChannel is
global in scope, bringing inspiring and original work from
Asia, North America and Europe together under one roof.
It uses a range of possibilities for assembling this con-
tent, from exclusive licensing to acting as an agent and
creating distribution deals with other web sites and media.
SubmarineChannel syndicates work not just to other web
portals, but to TV companies, mobile services operators
and other media, both traditional and novel. The 20-strong
company has full, transmedia production capabilities, from
print and video to film and TV, and represents a grow-
ing stable of creative talent. These resources can also be
used to take existing work and re-format and re-edit it, for
example making made-for-Net films TV broadcast-ready.
Unlike most existing channels, SubmarineChannel offers a mix
of magazine and content delivery. By profiling artists and re-
porting on digital culture, SubmarineChannel puts works into
perspective rather than just streaming as many as possible.
Founders of Submarinechannel
Submarinechannel.com is an initiative of the Amsterdam
based production company Submarine. Submarine’s founding
partners, Bruno Felix and Femke Wolting, are pioneers in the
transmedia world.
Femke Wolting has produced and directed many TV and transmedia
programs. She is the initiator of Exploding Cinema, Rotterdam Film
Festival’s annual look at the future of media, organizing exhibitions,
conferences and master classes for media makers. Besides managing
Submarine and SubmarineChannel, she just finished with co-director
Jorien van Nes a new documentary film about virtual worlds: Another
Perfect World.
Bruno Felix is the former director of VPRO Digital, where he developed
a number of prototype media formats, such as the popular online radio
station3voor12, an online movie database and he produced several
websites for the VPRO organization. He has been a consultant to the
Dutch government on policy issues surrounding media and culture.
For more information regarding Submarine please go to:
www.submarine.nl
Submarine / SubmarineChannel
Rapenburgerstraat 109
1011 VL Amsterdam
The Netherlands
T: +31 (0)20 330 1226
F: +31 (0)20 330 1227
E: info@submarine.nl
www.submarinechannel.com
www.submarine.nl
DIRECTOR
TOMMY PALLOTTA
PRODUCERS
BRUNO FELIX
FEMKE WOLTING
CAST
VERA - NANETTE DRAZIC
JACK - MICK DE LINT
TONY - JAMES R. KIRKLAND
CHEN - PHI NGUYEN
ELENA - KATARINA JUSTIC
ESPERANCA - LISETTE MERENCIANA
AMIR - FAHD LARHZAOUI
ALI - HOSSEIN MARDANI
MARIANNE - JOY EHRLICH
LIANA - KIKO DE PATER
LINE PRODUCER
MATTHIJS VERMOTEN
D.O.P.
MARTIJN VAN BEENEN
VISUAL EFFECTS, COMPOSITING & ANIMATION
CHRISTIAAN DE ROOIJ
VISUAL EFFECTS & ANIMATION
CHUN SEE DANIEL LIM
ILLUSTRATIONS & ROTOSCOPE
AARON SACCO
NATHAN JENSEN
LEAH LOVISE
TOM VAN DER HEIDEN
WEB DEVELOPMENT & GAMES
KAREL BRASCAMP
JORRIT DE VRIES
PASCAL STRIJBOS
NANCY WUTTKE
NIELS ‘T HOOFT
INTERFACE DESIGN
JURRIAAN ESMEIJER
CHRISTIAAN DE ROOIJ
PROJECT INITIATIVE & DOCUMENTARY BACKSTORY
SHUCHEN TAN
WILLIAM DE BRUIJN
SCRIPT
LANCE WEILER & CHUCK WENDIG
META-SCENARIO
WILBUR PERLOT & SHAILOH PHILIPS
PRODUCTION MANAGER
OLIVIA VAN LEEUWEN
STORYBOARDING
GUSTAVO GARCIA
DATA PULLER
RAM VAN MEEL
SOUND ENGINEER
SANDER DEN BROEDER
SOUND ASSIST
SOPHIE DETERMEYER
GAFFER
EMILE GROENEWOUD
LIGHT ASSIST
RICARDO STROOSNIJDER
SECOND LIGHT ASSIST
IWAN CVITKO
MAKE-UP ARTIST
MIRJAM VENEMA
PRODUCTION ASSIST
NIKKI SMIT
2ND PRODUCTION ASSIST
MARAH HAAN
EDITING
MANUEL ROMBLEY
EDITING ASSIST
RIZKY GERILYA
CREATIVE CONSULTANT
JAY BENNETT
FONT DESIGN LOGO
RENÉ KNIP
AUDIO POST PRODUCTION
SOUND ADVENTURE
SOUND DESIGNER
EVELIEN VAN DER MOLEN
ADR RECORDIST
RENÉ OVERHORST
SOUND SUPERVISOR
JAN WILLEM VAN DEN BRINK
MUSIC
MICHEL BANABILA
VOICES
ELLIOTT EISENBERG
ZHENG WHANG
ELWIN DE GROOT
LEILA AHMED
PUBLICITY VPRO
MIEKE MANDERS
MARINA ALINGS
SUBMARINECHANNEL PRODUCER
WILLEKE STEENBEEKE
THIS PRODUCTION WAS MADE WITH
THE SUPPORT OF
DUTCH CULTURAL MEDIA FUND
SNS REAAL FUND
VSB FUND
GASTERRA
SPECIAL THANKS TO
HELEEN GROENENDIJK
SVERRE FREDRIKSEN
LYAN VAN FURTH
REMCO VLAANDEREN
LOTJE SODDERLAND
GEERT VAN DE WETERING
ARTHUR GERAERTS
KOOP REYNDERS
CHRISTEL RIENKS
LIEKE VAN DEN OUWELANT
JOEY GROLLEMAN
BIBI BLEEKEMOLEN
SJORS PEERDEMAN
NALDEN
A SUBMARINECHANNEL PRODUCTION
IN COPRODUCTION WITH VPRO
© 2010 SUBMARINECHANNEL
All Rights Reserved

More Related Content

What's hot

NATIVE VML September 2016 Trends Report
NATIVE VML September 2016 Trends ReportNATIVE VML September 2016 Trends Report
NATIVE VML September 2016 Trends Report
VML South Africa
 
TV in the 21st Century
TV in the 21st CenturyTV in the 21st Century
TV in the 21st Century
Spencer97
 
On-Demand Media Consumption: Diminishing Sociability?
On-Demand Media Consumption: Diminishing Sociability?On-Demand Media Consumption: Diminishing Sociability?
On-Demand Media Consumption: Diminishing Sociability?
Nathalia Chua
 
multiplatform_essay_vanessacavalcante
multiplatform_essay_vanessacavalcantemultiplatform_essay_vanessacavalcante
multiplatform_essay_vanessacavalcanteVanessa Cavalcante
 
2014 #Canneslions Review : "Big Emotion"
2014 #Canneslions Review : "Big Emotion"2014 #Canneslions Review : "Big Emotion"
2014 #Canneslions Review : "Big Emotion"
Bridget Jung
 
2013 #Canneslions Review by DigitasLBi
2013 #Canneslions Review by DigitasLBi2013 #Canneslions Review by DigitasLBi
2013 #Canneslions Review by DigitasLBi
Bridget Jung
 
Disney hp-tron
Disney  hp-tronDisney  hp-tron
Disney hp-tronmatt lan
 

What's hot (8)

NATIVE VML September 2016 Trends Report
NATIVE VML September 2016 Trends ReportNATIVE VML September 2016 Trends Report
NATIVE VML September 2016 Trends Report
 
TV in the 21st Century
TV in the 21st CenturyTV in the 21st Century
TV in the 21st Century
 
On-Demand Media Consumption: Diminishing Sociability?
On-Demand Media Consumption: Diminishing Sociability?On-Demand Media Consumption: Diminishing Sociability?
On-Demand Media Consumption: Diminishing Sociability?
 
Storydoing
StorydoingStorydoing
Storydoing
 
multiplatform_essay_vanessacavalcante
multiplatform_essay_vanessacavalcantemultiplatform_essay_vanessacavalcante
multiplatform_essay_vanessacavalcante
 
2014 #Canneslions Review : "Big Emotion"
2014 #Canneslions Review : "Big Emotion"2014 #Canneslions Review : "Big Emotion"
2014 #Canneslions Review : "Big Emotion"
 
2013 #Canneslions Review by DigitasLBi
2013 #Canneslions Review by DigitasLBi2013 #Canneslions Review by DigitasLBi
2013 #Canneslions Review by DigitasLBi
 
Disney hp-tron
Disney  hp-tronDisney  hp-tron
Disney hp-tron
 

Similar to Case study: Collapsus

Openness Workshop at Luiss i-Lab
Openness Workshop at Luiss i-Lab Openness Workshop at Luiss i-Lab
Openness Workshop at Luiss i-Lab
Salvatore Iaconesi
 
STORY TRIBES
STORY TRIBESSTORY TRIBES
STORY TRIBES
Nick DeMartino
 
Danish Film Institute Keynote
Danish Film Institute KeynoteDanish Film Institute Keynote
Danish Film Institute KeynoteLizRosenthal
 
Transmedia storytelling & photojournalism - En
Transmedia storytelling & photojournalism - EnTransmedia storytelling & photojournalism - En
Transmedia storytelling & photojournalism - En
Gerald Holubowicz
 
Should We? Could We? Would We? Films in the Age of Cross-Media Production
Should We? Could We? Would We? Films in the Age of Cross-Media ProductionShould We? Could We? Would We? Films in the Age of Cross-Media Production
Should We? Could We? Would We? Films in the Age of Cross-Media Production
Christy Dena
 
Transmedia Ready Masterclass San Sebastian Film Festival 2011 bis
Transmedia Ready Masterclass San Sebastian Film Festival 2011 bisTransmedia Ready Masterclass San Sebastian Film Festival 2011 bis
Transmedia Ready Masterclass San Sebastian Film Festival 2011 bis
Karine Halpern
 
Internship Report Submarine Channel - Joshua Jansma COMPLETE
Internship Report Submarine Channel - Joshua Jansma COMPLETEInternship Report Submarine Channel - Joshua Jansma COMPLETE
Internship Report Submarine Channel - Joshua Jansma COMPLETEJoshua Jansma
 
THE STORY CUBE. Understanding the many dimensions of today's storytelling.
THE STORY CUBE. Understanding the many dimensions of today's storytelling.THE STORY CUBE. Understanding the many dimensions of today's storytelling.
THE STORY CUBE. Understanding the many dimensions of today's storytelling.
Nick DeMartino
 
Expository Essays Example
Expository Essays ExampleExpository Essays Example
Expository Essays Example
Paper Writing Service Cheap
 
Team energy presentation
Team energy presentationTeam energy presentation
Team energy presentationmikezkay
 
Team energy presentation
Team energy presentationTeam energy presentation
Team energy presentationkazzyfriday
 
Wolf.com - LINK777.pdf
Wolf.com - LINK777.pdfWolf.com - LINK777.pdf
Wolf.com - LINK777.pdf
Vograce
 
After The Break Television Theory Today
After The Break  Television Theory TodayAfter The Break  Television Theory Today
After The Break Television Theory Today
Renee Lewis
 
Cinema in the Digital Age - Thesis
Cinema in the Digital Age - ThesisCinema in the Digital Age - Thesis
Cinema in the Digital Age - Thesis
Beatriz Cebas
 
Task 7 - Eastenders
Task 7 - EastendersTask 7 - Eastenders
Task 7 - Eastenders
mariasuelaa
 
Transmedia storytelling - some basics
Transmedia storytelling - some basicsTransmedia storytelling - some basics
Transmedia storytelling - some basics
docwho210
 
Creative Possibilities for Cross-Platform Documentaries
Creative Possibilities for Cross-Platform DocumentariesCreative Possibilities for Cross-Platform Documentaries
Creative Possibilities for Cross-Platform Documentaries
Christy Dena
 
A Postmodern Audience S Need For Multi-Stranded Narratives
A Postmodern Audience S Need For Multi-Stranded NarrativesA Postmodern Audience S Need For Multi-Stranded Narratives
A Postmodern Audience S Need For Multi-Stranded Narratives
Finni Rice
 
Contextual studies New & emerging industries
Contextual studies New & emerging industriesContextual studies New & emerging industries
Contextual studies New & emerging industries
Marc Atkinson
 

Similar to Case study: Collapsus (20)

Openness Workshop at Luiss i-Lab
Openness Workshop at Luiss i-Lab Openness Workshop at Luiss i-Lab
Openness Workshop at Luiss i-Lab
 
STORY TRIBES
STORY TRIBESSTORY TRIBES
STORY TRIBES
 
Danish Film Institute Keynote
Danish Film Institute KeynoteDanish Film Institute Keynote
Danish Film Institute Keynote
 
Transmedia storytelling & photojournalism - En
Transmedia storytelling & photojournalism - EnTransmedia storytelling & photojournalism - En
Transmedia storytelling & photojournalism - En
 
Should We? Could We? Would We? Films in the Age of Cross-Media Production
Should We? Could We? Would We? Films in the Age of Cross-Media ProductionShould We? Could We? Would We? Films in the Age of Cross-Media Production
Should We? Could We? Would We? Films in the Age of Cross-Media Production
 
Transmedia Ready Masterclass San Sebastian Film Festival 2011 bis
Transmedia Ready Masterclass San Sebastian Film Festival 2011 bisTransmedia Ready Masterclass San Sebastian Film Festival 2011 bis
Transmedia Ready Masterclass San Sebastian Film Festival 2011 bis
 
Keynotes
KeynotesKeynotes
Keynotes
 
Internship Report Submarine Channel - Joshua Jansma COMPLETE
Internship Report Submarine Channel - Joshua Jansma COMPLETEInternship Report Submarine Channel - Joshua Jansma COMPLETE
Internship Report Submarine Channel - Joshua Jansma COMPLETE
 
THE STORY CUBE. Understanding the many dimensions of today's storytelling.
THE STORY CUBE. Understanding the many dimensions of today's storytelling.THE STORY CUBE. Understanding the many dimensions of today's storytelling.
THE STORY CUBE. Understanding the many dimensions of today's storytelling.
 
Expository Essays Example
Expository Essays ExampleExpository Essays Example
Expository Essays Example
 
Team energy presentation
Team energy presentationTeam energy presentation
Team energy presentation
 
Team energy presentation
Team energy presentationTeam energy presentation
Team energy presentation
 
Wolf.com - LINK777.pdf
Wolf.com - LINK777.pdfWolf.com - LINK777.pdf
Wolf.com - LINK777.pdf
 
After The Break Television Theory Today
After The Break  Television Theory TodayAfter The Break  Television Theory Today
After The Break Television Theory Today
 
Cinema in the Digital Age - Thesis
Cinema in the Digital Age - ThesisCinema in the Digital Age - Thesis
Cinema in the Digital Age - Thesis
 
Task 7 - Eastenders
Task 7 - EastendersTask 7 - Eastenders
Task 7 - Eastenders
 
Transmedia storytelling - some basics
Transmedia storytelling - some basicsTransmedia storytelling - some basics
Transmedia storytelling - some basics
 
Creative Possibilities for Cross-Platform Documentaries
Creative Possibilities for Cross-Platform DocumentariesCreative Possibilities for Cross-Platform Documentaries
Creative Possibilities for Cross-Platform Documentaries
 
A Postmodern Audience S Need For Multi-Stranded Narratives
A Postmodern Audience S Need For Multi-Stranded NarrativesA Postmodern Audience S Need For Multi-Stranded Narratives
A Postmodern Audience S Need For Multi-Stranded Narratives
 
Contextual studies New & emerging industries
Contextual studies New & emerging industriesContextual studies New & emerging industries
Contextual studies New & emerging industries
 

More from power to the pixel

The Pixel Lab 2015 | What Are We Learning? - Michel Reilhac
The Pixel Lab 2015 | What Are We Learning? - Michel ReilhacThe Pixel Lab 2015 | What Are We Learning? - Michel Reilhac
The Pixel Lab 2015 | What Are We Learning? - Michel Reilhac
power to the pixel
 
The Pixel Lab 2015 | Don't lose heart - Sean Coleman
The Pixel Lab 2015 | Don't lose heart - Sean Coleman The Pixel Lab 2015 | Don't lose heart - Sean Coleman
The Pixel Lab 2015 | Don't lose heart - Sean Coleman
power to the pixel
 
The Pixel Lab 2015 | Designing the new narratives - Adam Sigel
The Pixel Lab 2015 | Designing the new narratives - Adam Sigel The Pixel Lab 2015 | Designing the new narratives - Adam Sigel
The Pixel Lab 2015 | Designing the new narratives - Adam Sigel
power to the pixel
 
The Pixel Lab 2015 | It's all about the money - Nuno Bernardo
The Pixel Lab 2015 | It's all about the money - Nuno Bernardo The Pixel Lab 2015 | It's all about the money - Nuno Bernardo
The Pixel Lab 2015 | It's all about the money - Nuno Bernardo
power to the pixel
 
The Pixel Lab 2015 | Commissioning Innovation - Voyelle Acker
The Pixel Lab 2015 | Commissioning Innovation - Voyelle Acker The Pixel Lab 2015 | Commissioning Innovation - Voyelle Acker
The Pixel Lab 2015 | Commissioning Innovation - Voyelle Acker
power to the pixel
 
The Pixel Lab 2015 | How does understanding more about my audience affect pro...
The Pixel Lab 2015 | How does understanding more about my audience affect pro...The Pixel Lab 2015 | How does understanding more about my audience affect pro...
The Pixel Lab 2015 | How does understanding more about my audience affect pro...
power to the pixel
 
The Pixel Lab 2015 | Extending story through play - Nick Fortugno
The Pixel Lab 2015 | Extending story through play - Nick FortugnoThe Pixel Lab 2015 | Extending story through play - Nick Fortugno
The Pixel Lab 2015 | Extending story through play - Nick Fortugno
power to the pixel
 
The Pixel Lab 2015 | 'I Need a Dollar' - Where's your ROI? - Jennifer Wilson
The Pixel Lab 2015 | 'I Need a Dollar' - Where's your ROI? - Jennifer Wilson The Pixel Lab 2015 | 'I Need a Dollar' - Where's your ROI? - Jennifer Wilson
The Pixel Lab 2015 | 'I Need a Dollar' - Where's your ROI? - Jennifer Wilson
power to the pixel
 
The Pixel Lab 2015 | Innovation in Book Publishing - Eric Huang
The Pixel Lab 2015 | Innovation in Book Publishing - Eric Huang The Pixel Lab 2015 | Innovation in Book Publishing - Eric Huang
The Pixel Lab 2015 | Innovation in Book Publishing - Eric Huang
power to the pixel
 
The Pixel Lab 2015 | Dealing with Disputes: Who has the power - and when does...
The Pixel Lab 2015 | Dealing with Disputes: Who has the power - and when does...The Pixel Lab 2015 | Dealing with Disputes: Who has the power - and when does...
The Pixel Lab 2015 | Dealing with Disputes: Who has the power - and when does...
power to the pixel
 
The Pixel Lab 2015 | Loc Dao's Lessons Learned in Interactive Documentary
The Pixel Lab 2015 | Loc Dao's Lessons Learned in Interactive Documentary The Pixel Lab 2015 | Loc Dao's Lessons Learned in Interactive Documentary
The Pixel Lab 2015 | Loc Dao's Lessons Learned in Interactive Documentary
power to the pixel
 
The Pixel Lab 2014_Sean Coleman_Are We Being Watched?
The Pixel Lab 2014_Sean Coleman_Are We Being Watched?The Pixel Lab 2014_Sean Coleman_Are We Being Watched?
The Pixel Lab 2014_Sean Coleman_Are We Being Watched?
power to the pixel
 
The Pixel Lab 2014_Michel Reilhac_What Are We Learning?
The Pixel Lab 2014_Michel Reilhac_What Are We Learning?The Pixel Lab 2014_Michel Reilhac_What Are We Learning?
The Pixel Lab 2014_Michel Reilhac_What Are We Learning?
power to the pixel
 
The Pixel Lab 2014_Adam Sigel_Understanding Narrative Techniques Across Platf...
The Pixel Lab 2014_Adam Sigel_Understanding Narrative Techniques Across Platf...The Pixel Lab 2014_Adam Sigel_Understanding Narrative Techniques Across Platf...
The Pixel Lab 2014_Adam Sigel_Understanding Narrative Techniques Across Platf...
power to the pixel
 
The Pixel Lab 2014_Alain Bieber_ARTE Creative
The Pixel Lab 2014_Alain Bieber_ARTE CreativeThe Pixel Lab 2014_Alain Bieber_ARTE Creative
The Pixel Lab 2014_Alain Bieber_ARTE Creative
power to the pixel
 
The Pixel Lab 2014_Nuno Bernardo_Setting Up A Cross-Media Path To Success
The Pixel Lab 2014_Nuno Bernardo_Setting Up A Cross-Media Path To SuccessThe Pixel Lab 2014_Nuno Bernardo_Setting Up A Cross-Media Path To Success
The Pixel Lab 2014_Nuno Bernardo_Setting Up A Cross-Media Path To Success
power to the pixel
 
The Pixel Lab 2014_Eric Huang_Book Publishing For The 22nd Century
The Pixel Lab 2014_Eric Huang_Book Publishing For The 22nd CenturyThe Pixel Lab 2014_Eric Huang_Book Publishing For The 22nd Century
The Pixel Lab 2014_Eric Huang_Book Publishing For The 22nd Century
power to the pixel
 
The Pixel Lab 2014_Loc Dao_Lessons Learned In Interactive Documentary
The Pixel Lab 2014_Loc Dao_Lessons Learned In Interactive DocumentaryThe Pixel Lab 2014_Loc Dao_Lessons Learned In Interactive Documentary
The Pixel Lab 2014_Loc Dao_Lessons Learned In Interactive Documentary
power to the pixel
 
The Pixel Lab 2014_Lance Weiler_Empathy, Story & Code - Part 2
The Pixel Lab 2014_Lance Weiler_Empathy, Story & Code - Part 2The Pixel Lab 2014_Lance Weiler_Empathy, Story & Code - Part 2
The Pixel Lab 2014_Lance Weiler_Empathy, Story & Code - Part 2
power to the pixel
 
The Pixel Lab 2014_Lance Weiler_Empathy, Story & Code - Part 1
The Pixel Lab 2014_Lance Weiler_Empathy, Story & Code - Part 1The Pixel Lab 2014_Lance Weiler_Empathy, Story & Code - Part 1
The Pixel Lab 2014_Lance Weiler_Empathy, Story & Code - Part 1
power to the pixel
 

More from power to the pixel (20)

The Pixel Lab 2015 | What Are We Learning? - Michel Reilhac
The Pixel Lab 2015 | What Are We Learning? - Michel ReilhacThe Pixel Lab 2015 | What Are We Learning? - Michel Reilhac
The Pixel Lab 2015 | What Are We Learning? - Michel Reilhac
 
The Pixel Lab 2015 | Don't lose heart - Sean Coleman
The Pixel Lab 2015 | Don't lose heart - Sean Coleman The Pixel Lab 2015 | Don't lose heart - Sean Coleman
The Pixel Lab 2015 | Don't lose heart - Sean Coleman
 
The Pixel Lab 2015 | Designing the new narratives - Adam Sigel
The Pixel Lab 2015 | Designing the new narratives - Adam Sigel The Pixel Lab 2015 | Designing the new narratives - Adam Sigel
The Pixel Lab 2015 | Designing the new narratives - Adam Sigel
 
The Pixel Lab 2015 | It's all about the money - Nuno Bernardo
The Pixel Lab 2015 | It's all about the money - Nuno Bernardo The Pixel Lab 2015 | It's all about the money - Nuno Bernardo
The Pixel Lab 2015 | It's all about the money - Nuno Bernardo
 
The Pixel Lab 2015 | Commissioning Innovation - Voyelle Acker
The Pixel Lab 2015 | Commissioning Innovation - Voyelle Acker The Pixel Lab 2015 | Commissioning Innovation - Voyelle Acker
The Pixel Lab 2015 | Commissioning Innovation - Voyelle Acker
 
The Pixel Lab 2015 | How does understanding more about my audience affect pro...
The Pixel Lab 2015 | How does understanding more about my audience affect pro...The Pixel Lab 2015 | How does understanding more about my audience affect pro...
The Pixel Lab 2015 | How does understanding more about my audience affect pro...
 
The Pixel Lab 2015 | Extending story through play - Nick Fortugno
The Pixel Lab 2015 | Extending story through play - Nick FortugnoThe Pixel Lab 2015 | Extending story through play - Nick Fortugno
The Pixel Lab 2015 | Extending story through play - Nick Fortugno
 
The Pixel Lab 2015 | 'I Need a Dollar' - Where's your ROI? - Jennifer Wilson
The Pixel Lab 2015 | 'I Need a Dollar' - Where's your ROI? - Jennifer Wilson The Pixel Lab 2015 | 'I Need a Dollar' - Where's your ROI? - Jennifer Wilson
The Pixel Lab 2015 | 'I Need a Dollar' - Where's your ROI? - Jennifer Wilson
 
The Pixel Lab 2015 | Innovation in Book Publishing - Eric Huang
The Pixel Lab 2015 | Innovation in Book Publishing - Eric Huang The Pixel Lab 2015 | Innovation in Book Publishing - Eric Huang
The Pixel Lab 2015 | Innovation in Book Publishing - Eric Huang
 
The Pixel Lab 2015 | Dealing with Disputes: Who has the power - and when does...
The Pixel Lab 2015 | Dealing with Disputes: Who has the power - and when does...The Pixel Lab 2015 | Dealing with Disputes: Who has the power - and when does...
The Pixel Lab 2015 | Dealing with Disputes: Who has the power - and when does...
 
The Pixel Lab 2015 | Loc Dao's Lessons Learned in Interactive Documentary
The Pixel Lab 2015 | Loc Dao's Lessons Learned in Interactive Documentary The Pixel Lab 2015 | Loc Dao's Lessons Learned in Interactive Documentary
The Pixel Lab 2015 | Loc Dao's Lessons Learned in Interactive Documentary
 
The Pixel Lab 2014_Sean Coleman_Are We Being Watched?
The Pixel Lab 2014_Sean Coleman_Are We Being Watched?The Pixel Lab 2014_Sean Coleman_Are We Being Watched?
The Pixel Lab 2014_Sean Coleman_Are We Being Watched?
 
The Pixel Lab 2014_Michel Reilhac_What Are We Learning?
The Pixel Lab 2014_Michel Reilhac_What Are We Learning?The Pixel Lab 2014_Michel Reilhac_What Are We Learning?
The Pixel Lab 2014_Michel Reilhac_What Are We Learning?
 
The Pixel Lab 2014_Adam Sigel_Understanding Narrative Techniques Across Platf...
The Pixel Lab 2014_Adam Sigel_Understanding Narrative Techniques Across Platf...The Pixel Lab 2014_Adam Sigel_Understanding Narrative Techniques Across Platf...
The Pixel Lab 2014_Adam Sigel_Understanding Narrative Techniques Across Platf...
 
The Pixel Lab 2014_Alain Bieber_ARTE Creative
The Pixel Lab 2014_Alain Bieber_ARTE CreativeThe Pixel Lab 2014_Alain Bieber_ARTE Creative
The Pixel Lab 2014_Alain Bieber_ARTE Creative
 
The Pixel Lab 2014_Nuno Bernardo_Setting Up A Cross-Media Path To Success
The Pixel Lab 2014_Nuno Bernardo_Setting Up A Cross-Media Path To SuccessThe Pixel Lab 2014_Nuno Bernardo_Setting Up A Cross-Media Path To Success
The Pixel Lab 2014_Nuno Bernardo_Setting Up A Cross-Media Path To Success
 
The Pixel Lab 2014_Eric Huang_Book Publishing For The 22nd Century
The Pixel Lab 2014_Eric Huang_Book Publishing For The 22nd CenturyThe Pixel Lab 2014_Eric Huang_Book Publishing For The 22nd Century
The Pixel Lab 2014_Eric Huang_Book Publishing For The 22nd Century
 
The Pixel Lab 2014_Loc Dao_Lessons Learned In Interactive Documentary
The Pixel Lab 2014_Loc Dao_Lessons Learned In Interactive DocumentaryThe Pixel Lab 2014_Loc Dao_Lessons Learned In Interactive Documentary
The Pixel Lab 2014_Loc Dao_Lessons Learned In Interactive Documentary
 
The Pixel Lab 2014_Lance Weiler_Empathy, Story & Code - Part 2
The Pixel Lab 2014_Lance Weiler_Empathy, Story & Code - Part 2The Pixel Lab 2014_Lance Weiler_Empathy, Story & Code - Part 2
The Pixel Lab 2014_Lance Weiler_Empathy, Story & Code - Part 2
 
The Pixel Lab 2014_Lance Weiler_Empathy, Story & Code - Part 1
The Pixel Lab 2014_Lance Weiler_Empathy, Story & Code - Part 1The Pixel Lab 2014_Lance Weiler_Empathy, Story & Code - Part 1
The Pixel Lab 2014_Lance Weiler_Empathy, Story & Code - Part 1
 

Recently uploaded

A TO Z INDIA Monthly Magazine - JUNE 2024
A TO Z INDIA Monthly Magazine - JUNE 2024A TO Z INDIA Monthly Magazine - JUNE 2024
A TO Z INDIA Monthly Magazine - JUNE 2024
Indira Srivatsa
 
This Is The First All Category Quiz That I Made
This Is The First All Category Quiz That I MadeThis Is The First All Category Quiz That I Made
This Is The First All Category Quiz That I Made
Aarush Ghate
 
高仿(nyu毕业证书)美国纽约大学毕业证文凭毕业证原版一模一样
高仿(nyu毕业证书)美国纽约大学毕业证文凭毕业证原版一模一样高仿(nyu毕业证书)美国纽约大学毕业证文凭毕业证原版一模一样
高仿(nyu毕业证书)美国纽约大学毕业证文凭毕业证原版一模一样
9u08k0x
 
The Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docx
The Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docxThe Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docx
The Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docx
Xtreame HDTV
 
DIGIDEVTV A New area of OTT Distribution
DIGIDEVTV  A New area of OTT DistributionDIGIDEVTV  A New area of OTT Distribution
DIGIDEVTV A New area of OTT Distribution
joeqsm
 
Skeem Saam in June 2024 available on Forum
Skeem Saam in June 2024 available on ForumSkeem Saam in June 2024 available on Forum
Skeem Saam in June 2024 available on Forum
Isaac More
 
Tom Selleck Net Worth: A Comprehensive Analysis
Tom Selleck Net Worth: A Comprehensive AnalysisTom Selleck Net Worth: A Comprehensive Analysis
Tom Selleck Net Worth: A Comprehensive Analysis
greendigital
 
I Know Dino Trivia: Part 3. Test your dino knowledge
I Know Dino Trivia: Part 3. Test your dino knowledgeI Know Dino Trivia: Part 3. Test your dino knowledge
I Know Dino Trivia: Part 3. Test your dino knowledge
Sabrina Ricci
 
_7 OTT App Builders to Support the Development of Your Video Applications_.pdf
_7 OTT App Builders to Support the Development of Your Video Applications_.pdf_7 OTT App Builders to Support the Development of Your Video Applications_.pdf
_7 OTT App Builders to Support the Development of Your Video Applications_.pdf
Mega P
 
Emcee Profile_ Subbu from Bangalore .pdf
Emcee Profile_ Subbu from Bangalore .pdfEmcee Profile_ Subbu from Bangalore .pdf
Emcee Profile_ Subbu from Bangalore .pdf
subran
 
哪里买(osu毕业证书)美国俄勒冈州立大学毕业证双学位证书原版一模一样
哪里买(osu毕业证书)美国俄勒冈州立大学毕业证双学位证书原版一模一样哪里买(osu毕业证书)美国俄勒冈州立大学毕业证双学位证书原版一模一样
哪里买(osu毕业证书)美国俄勒冈州立大学毕业证双学位证书原版一模一样
9u08k0x
 
Snoopy boards the big bow wow musical __
Snoopy boards the big bow wow musical __Snoopy boards the big bow wow musical __
Snoopy boards the big bow wow musical __
catcabrera
 
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Love
Meet Dinah Mattingly – Larry Bird’s Partner in Life and LoveMeet Dinah Mattingly – Larry Bird’s Partner in Life and Love
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Love
get joys
 
Hollywood Actress - The 250 hottest gallery
Hollywood Actress - The 250 hottest galleryHollywood Actress - The 250 hottest gallery
Hollywood Actress - The 250 hottest gallery
Zsolt Nemeth
 
Treasure Hunt Puzzles, Treasure Hunt Puzzles online
Treasure Hunt Puzzles, Treasure Hunt Puzzles onlineTreasure Hunt Puzzles, Treasure Hunt Puzzles online
Treasure Hunt Puzzles, Treasure Hunt Puzzles online
Hidden Treasure Hunts
 
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdfMatt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
Azura Everhart
 
Christina's Baby Shower Game June 2024.pptx
Christina's Baby Shower Game June 2024.pptxChristina's Baby Shower Game June 2024.pptx
Christina's Baby Shower Game June 2024.pptx
madeline604788
 
240529_Teleprotection Global Market Report 2024.pdf
240529_Teleprotection Global Market Report 2024.pdf240529_Teleprotection Global Market Report 2024.pdf
240529_Teleprotection Global Market Report 2024.pdf
Madhura TBRC
 
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardom
Young Tom Selleck: A Journey Through His Early Years and Rise to StardomYoung Tom Selleck: A Journey Through His Early Years and Rise to Stardom
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardom
greendigital
 
Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Modern Radio Frequency Access Control Systems: The Key to Efficiency and SafetyModern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
AITIX LLC
 

Recently uploaded (20)

A TO Z INDIA Monthly Magazine - JUNE 2024
A TO Z INDIA Monthly Magazine - JUNE 2024A TO Z INDIA Monthly Magazine - JUNE 2024
A TO Z INDIA Monthly Magazine - JUNE 2024
 
This Is The First All Category Quiz That I Made
This Is The First All Category Quiz That I MadeThis Is The First All Category Quiz That I Made
This Is The First All Category Quiz That I Made
 
高仿(nyu毕业证书)美国纽约大学毕业证文凭毕业证原版一模一样
高仿(nyu毕业证书)美国纽约大学毕业证文凭毕业证原版一模一样高仿(nyu毕业证书)美国纽约大学毕业证文凭毕业证原版一模一样
高仿(nyu毕业证书)美国纽约大学毕业证文凭毕业证原版一模一样
 
The Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docx
The Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docxThe Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docx
The Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docx
 
DIGIDEVTV A New area of OTT Distribution
DIGIDEVTV  A New area of OTT DistributionDIGIDEVTV  A New area of OTT Distribution
DIGIDEVTV A New area of OTT Distribution
 
Skeem Saam in June 2024 available on Forum
Skeem Saam in June 2024 available on ForumSkeem Saam in June 2024 available on Forum
Skeem Saam in June 2024 available on Forum
 
Tom Selleck Net Worth: A Comprehensive Analysis
Tom Selleck Net Worth: A Comprehensive AnalysisTom Selleck Net Worth: A Comprehensive Analysis
Tom Selleck Net Worth: A Comprehensive Analysis
 
I Know Dino Trivia: Part 3. Test your dino knowledge
I Know Dino Trivia: Part 3. Test your dino knowledgeI Know Dino Trivia: Part 3. Test your dino knowledge
I Know Dino Trivia: Part 3. Test your dino knowledge
 
_7 OTT App Builders to Support the Development of Your Video Applications_.pdf
_7 OTT App Builders to Support the Development of Your Video Applications_.pdf_7 OTT App Builders to Support the Development of Your Video Applications_.pdf
_7 OTT App Builders to Support the Development of Your Video Applications_.pdf
 
Emcee Profile_ Subbu from Bangalore .pdf
Emcee Profile_ Subbu from Bangalore .pdfEmcee Profile_ Subbu from Bangalore .pdf
Emcee Profile_ Subbu from Bangalore .pdf
 
哪里买(osu毕业证书)美国俄勒冈州立大学毕业证双学位证书原版一模一样
哪里买(osu毕业证书)美国俄勒冈州立大学毕业证双学位证书原版一模一样哪里买(osu毕业证书)美国俄勒冈州立大学毕业证双学位证书原版一模一样
哪里买(osu毕业证书)美国俄勒冈州立大学毕业证双学位证书原版一模一样
 
Snoopy boards the big bow wow musical __
Snoopy boards the big bow wow musical __Snoopy boards the big bow wow musical __
Snoopy boards the big bow wow musical __
 
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Love
Meet Dinah Mattingly – Larry Bird’s Partner in Life and LoveMeet Dinah Mattingly – Larry Bird’s Partner in Life and Love
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Love
 
Hollywood Actress - The 250 hottest gallery
Hollywood Actress - The 250 hottest galleryHollywood Actress - The 250 hottest gallery
Hollywood Actress - The 250 hottest gallery
 
Treasure Hunt Puzzles, Treasure Hunt Puzzles online
Treasure Hunt Puzzles, Treasure Hunt Puzzles onlineTreasure Hunt Puzzles, Treasure Hunt Puzzles online
Treasure Hunt Puzzles, Treasure Hunt Puzzles online
 
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdfMatt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
 
Christina's Baby Shower Game June 2024.pptx
Christina's Baby Shower Game June 2024.pptxChristina's Baby Shower Game June 2024.pptx
Christina's Baby Shower Game June 2024.pptx
 
240529_Teleprotection Global Market Report 2024.pdf
240529_Teleprotection Global Market Report 2024.pdf240529_Teleprotection Global Market Report 2024.pdf
240529_Teleprotection Global Market Report 2024.pdf
 
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardom
Young Tom Selleck: A Journey Through His Early Years and Rise to StardomYoung Tom Selleck: A Journey Through His Early Years and Rise to Stardom
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardom
 
Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Modern Radio Frequency Access Control Systems: The Key to Efficiency and SafetyModern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
 

Case study: Collapsus

  • 1.
  • 2. Collapsus signals a new experience in transmedia storytelling that combines interactiv- ity, animation, fiction, and documentary. This pioneering approach blends real documen- tary footage with mini-games and movie fragments, inviting you to choose your own perspective as the story unfolds. Interact and make decisions to avoid further blackouts; get a broader perspective by listening to the experts; or observe the consequences for everyday people through the fictional story. Collapsus looks into the near future and shows you how the imminent energy transition affects a group of ten young people, who appear to be caught up in an energy conspiracy. What will their world look like after the turbulent transition from fossil fuels to alternative energy sources? Following the adventures of Vera, Jack, Tony and Amir, you are lead into a world of con- spiracy, treason and, most alarmingly, failing energy supplies. In this story, set in the near future, the international powers try to cope with a transition from fossil to alterna- tive fuels, while dealing with political dissension, uprisings and a population terrified by increasingly frequent black-outs. As a player, you are required to make decisions that leave their mark on a national and a global scale, in your quest to find solutions to the energy crisis. What is Collapsus.com? Links and Downloads Trailer - Quicktime 720p Collapsus Walk-through with Director Tommy Pallotta High resolution stills - zip file
  • 3. You will be placed in crucial moments in time, and be tak- en to a series of locations such as London, the Ukraine, Teheran and Colorado. Live action footage combined with animation will help you understand the current political situation – as well the characters’ course of destiny. In your journey you’ll be accompanied and guided by the vlog posts of Vera and her friends as they attempt to figure out not only their personal problems, but also what is happening in their collapsing world - and what they can do to create a livable future world.
  • 4. Collapsus aims to provide you with a deeper insight into the complex issues surrounding global energy politics. You are able to explore these issues by viewing the story, accessing additional information, and making difficult choices that influence the world’s energy production. With this immer- sive approach, Collapsus.com uses internet capabilities to draw astonishing international contrasts and connections, between disparate countries and organizations, around the central theme of energy politics. Behind every energy re- lated article you might read in the paper lies a compelling, globally-relevant story. Collapsus tells this story.
  • 6.
  • 7.
  • 8. The audience for documentary is dying. The average age of a television documentary viewer is 55 and up. Dutch broadcaster VPRO came to Submarine with the concept of making a simulation game in which the player experiences the impending world’s en- ergy problems. The goal was to attract a different audience than traditional documentary viewers. What emerged from this experiment is the transmedia experience, Collapsus. Subma- rineChannel, the producers of Collapsus, has over a decade of experience with documen- tary storytelling and with making games and animations, but their real passion lies in creating a cross-over between these genres. Collapsus combines the three elements in a unitary interface, telling this rather complex story in a contemporary manner. Producer Bruno Felix says, “We always try to approach complex issues in appealing and engaging ways. It was very interesting to produce a transmedia project because it is an emerging genre that is still in development and experimentation is still possible”.  Production notes
  • 9. Director, Tommy Pallotta brought an annotated approach to the narrative structure of a story. “We crafted a multitasking and multi-linear experience and we blended genres like animation, documentary, fiction and interactivity all together in one story. This hybrid approach allows us to look at a serious documentary subject, but also to shift from the usual talking head approach to something that better reflects our time.” Pallotta has been making hybrid live action/animation films for years. He co-developed a technique that allows artist to rotoscope (draw) over real images. He produced the features, Waking Life and A Scan- ner Darkly using this method and assembled a small team from his past productions to give Collapsus its unique look. As much as Collapsus is hybrid of documentary and interactive experience, the approach was really about story and characters. “The scientific perspective about the future of energy is basically horrific, no matter what scenario you look at”. Pallotta elaborates, “At the heart of this experience though are characters, not data. This was very important to us; to tell a story from a human perspective and experience that we can all understand.”
  • 10. Submarinechannel.com is a distribution and a production platform for transmedia productions such as short digital films, innovative online games, interactive animations, web documentaries, online graphic novels and other new formats. SubmarineChannel gathers the most stylish, offbeat, original and arrest- ingartworksfortheinternetintooneplace.You’llfindlinearandinteractive works,becausethebottomlineisusingnewmediatocreatenewexperiences. What’s unique about SubmarineChannel is the range and scope of its activities. From design to internet, from short digital films to animations and interactive graphic novels, SubmarineChannel provides a showcase for work aimed at a young but critical audience, one with a global perspective on digital culture. About SubmarineChannel
  • 11. Although based in mainland Europe, SubmarineChannel is global in scope, bringing inspiring and original work from Asia, North America and Europe together under one roof. It uses a range of possibilities for assembling this con- tent, from exclusive licensing to acting as an agent and creating distribution deals with other web sites and media. SubmarineChannel syndicates work not just to other web portals, but to TV companies, mobile services operators and other media, both traditional and novel. The 20-strong company has full, transmedia production capabilities, from print and video to film and TV, and represents a grow- ing stable of creative talent. These resources can also be used to take existing work and re-format and re-edit it, for example making made-for-Net films TV broadcast-ready. Unlike most existing channels, SubmarineChannel offers a mix of magazine and content delivery. By profiling artists and re- porting on digital culture, SubmarineChannel puts works into perspective rather than just streaming as many as possible. Founders of Submarinechannel Submarinechannel.com is an initiative of the Amsterdam based production company Submarine. Submarine’s founding partners, Bruno Felix and Femke Wolting, are pioneers in the transmedia world.
  • 12. Femke Wolting has produced and directed many TV and transmedia programs. She is the initiator of Exploding Cinema, Rotterdam Film Festival’s annual look at the future of media, organizing exhibitions, conferences and master classes for media makers. Besides managing Submarine and SubmarineChannel, she just finished with co-director Jorien van Nes a new documentary film about virtual worlds: Another Perfect World. Bruno Felix is the former director of VPRO Digital, where he developed a number of prototype media formats, such as the popular online radio station3voor12, an online movie database and he produced several websites for the VPRO organization. He has been a consultant to the Dutch government on policy issues surrounding media and culture. For more information regarding Submarine please go to: www.submarine.nl Submarine / SubmarineChannel Rapenburgerstraat 109 1011 VL Amsterdam The Netherlands T: +31 (0)20 330 1226 F: +31 (0)20 330 1227 E: info@submarine.nl www.submarinechannel.com www.submarine.nl
  • 13. DIRECTOR TOMMY PALLOTTA PRODUCERS BRUNO FELIX FEMKE WOLTING CAST VERA - NANETTE DRAZIC JACK - MICK DE LINT TONY - JAMES R. KIRKLAND CHEN - PHI NGUYEN ELENA - KATARINA JUSTIC ESPERANCA - LISETTE MERENCIANA AMIR - FAHD LARHZAOUI ALI - HOSSEIN MARDANI MARIANNE - JOY EHRLICH LIANA - KIKO DE PATER LINE PRODUCER MATTHIJS VERMOTEN D.O.P. MARTIJN VAN BEENEN VISUAL EFFECTS, COMPOSITING & ANIMATION CHRISTIAAN DE ROOIJ VISUAL EFFECTS & ANIMATION CHUN SEE DANIEL LIM ILLUSTRATIONS & ROTOSCOPE AARON SACCO NATHAN JENSEN LEAH LOVISE TOM VAN DER HEIDEN WEB DEVELOPMENT & GAMES KAREL BRASCAMP JORRIT DE VRIES PASCAL STRIJBOS NANCY WUTTKE NIELS ‘T HOOFT INTERFACE DESIGN JURRIAAN ESMEIJER CHRISTIAAN DE ROOIJ PROJECT INITIATIVE & DOCUMENTARY BACKSTORY SHUCHEN TAN WILLIAM DE BRUIJN SCRIPT LANCE WEILER & CHUCK WENDIG META-SCENARIO WILBUR PERLOT & SHAILOH PHILIPS PRODUCTION MANAGER OLIVIA VAN LEEUWEN STORYBOARDING GUSTAVO GARCIA DATA PULLER RAM VAN MEEL SOUND ENGINEER SANDER DEN BROEDER SOUND ASSIST SOPHIE DETERMEYER GAFFER EMILE GROENEWOUD LIGHT ASSIST RICARDO STROOSNIJDER SECOND LIGHT ASSIST IWAN CVITKO MAKE-UP ARTIST MIRJAM VENEMA PRODUCTION ASSIST NIKKI SMIT 2ND PRODUCTION ASSIST MARAH HAAN EDITING MANUEL ROMBLEY EDITING ASSIST RIZKY GERILYA CREATIVE CONSULTANT JAY BENNETT FONT DESIGN LOGO RENÉ KNIP AUDIO POST PRODUCTION SOUND ADVENTURE SOUND DESIGNER EVELIEN VAN DER MOLEN ADR RECORDIST RENÉ OVERHORST SOUND SUPERVISOR JAN WILLEM VAN DEN BRINK MUSIC MICHEL BANABILA VOICES ELLIOTT EISENBERG ZHENG WHANG ELWIN DE GROOT LEILA AHMED PUBLICITY VPRO MIEKE MANDERS MARINA ALINGS SUBMARINECHANNEL PRODUCER WILLEKE STEENBEEKE THIS PRODUCTION WAS MADE WITH THE SUPPORT OF DUTCH CULTURAL MEDIA FUND SNS REAAL FUND VSB FUND GASTERRA SPECIAL THANKS TO HELEEN GROENENDIJK SVERRE FREDRIKSEN LYAN VAN FURTH REMCO VLAANDEREN LOTJE SODDERLAND GEERT VAN DE WETERING ARTHUR GERAERTS KOOP REYNDERS CHRISTEL RIENKS LIEKE VAN DEN OUWELANT JOEY GROLLEMAN BIBI BLEEKEMOLEN SJORS PEERDEMAN NALDEN A SUBMARINECHANNEL PRODUCTION IN COPRODUCTION WITH VPRO © 2010 SUBMARINECHANNEL All Rights Reserved