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PRODUCTION DAY:
AUDIO INTERVIEW
multimedia journalism
PREPRODUCTION
Choose topic, find sources, research,
prep questions, all the logistics
PRODUCTION
Actual interview/shooting
POST-PRODUCTION
Writing, editing, polishing and
publishing
AUDIO PRODUCTION
• QUALITY – does it sound good?
• If you start with subpar raw
material, you’ll have a subpar
product…
• QUANTITY – did I get enough
raw material?
• Do I have enough of what I need
for the story I’m producing?
AUDIO PRODUCTION
• QUALITY –
• Record in a quiet place!
• The subject is the main focus –
position your recording device so
that your subject has optimal
quality!
AUDIO PRODUCTION
• QUALITY –
• Remember the “How…” and “Can
you tell me about…” questions –
they are often the best ones!
• Do NOT cross-talk (talk at the same
time) - if you do, editing will be
much more difficult!
AUDIO PRODUCTION
• QUANTITY –
• Make sure you ask the questions
you prepared (at least 10)!
• Be certain you’re considering
follow-up questions!
• KNOW YOUR STORY!
 AUDIO PRODUCTION
• DETAILS –
• ONE INTERVIEW = ONE FILE
• Once you start recording, DON’T STOP
THE RECORDING TO START OVER –
you’ll edit it down in post-production
• Remember that you’ll be editing your
questions out of the final product so
make sure the answers are self-
contained as much as possible
AUDIO PRODUCTION
• DETAILS –
• Routinely check the device to make
sure it’s still recording
• When the interview is finished but
before you leave, REVIEW/CHECK
THE RECORDING TO MAKE SURE
IT’S THERE AND SOUNDS GOOD
 AUDIO PRODUCTION
• DETAILS –
• Keep your eye on time if limited
• State details on record; who you’re
interviewing, who you’re interviewing
them for, how to spell their name, their
title, etc.
• Last question of any interview should
always be = “What else would you like
to talk about before we wrap up?”
AUDIO PRODUCTION
• SUBMIT/UPLOAD
ENTIRE RAW
INTERVIEW FILE ON
BLACKBOARD BY DUE
DATE!

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WCC Comm 106 production audio interview production day LUTHER

  • 2. PREPRODUCTION Choose topic, find sources, research, prep questions, all the logistics PRODUCTION Actual interview/shooting POST-PRODUCTION Writing, editing, polishing and publishing
  • 3. AUDIO PRODUCTION • QUALITY – does it sound good? • If you start with subpar raw material, you’ll have a subpar product… • QUANTITY – did I get enough raw material? • Do I have enough of what I need for the story I’m producing?
  • 4. AUDIO PRODUCTION • QUALITY – • Record in a quiet place! • The subject is the main focus – position your recording device so that your subject has optimal quality!
  • 5. AUDIO PRODUCTION • QUALITY – • Remember the “How…” and “Can you tell me about…” questions – they are often the best ones! • Do NOT cross-talk (talk at the same time) - if you do, editing will be much more difficult!
  • 6. AUDIO PRODUCTION • QUANTITY – • Make sure you ask the questions you prepared (at least 10)! • Be certain you’re considering follow-up questions! • KNOW YOUR STORY!
  • 7.  AUDIO PRODUCTION • DETAILS – • ONE INTERVIEW = ONE FILE • Once you start recording, DON’T STOP THE RECORDING TO START OVER – you’ll edit it down in post-production • Remember that you’ll be editing your questions out of the final product so make sure the answers are self- contained as much as possible
  • 8. AUDIO PRODUCTION • DETAILS – • Routinely check the device to make sure it’s still recording • When the interview is finished but before you leave, REVIEW/CHECK THE RECORDING TO MAKE SURE IT’S THERE AND SOUNDS GOOD
  • 9.  AUDIO PRODUCTION • DETAILS – • Keep your eye on time if limited • State details on record; who you’re interviewing, who you’re interviewing them for, how to spell their name, their title, etc. • Last question of any interview should always be = “What else would you like to talk about before we wrap up?”
  • 10. AUDIO PRODUCTION • SUBMIT/UPLOAD ENTIRE RAW INTERVIEW FILE ON BLACKBOARD BY DUE DATE!