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John Miller, Opposite Day, 1998
“Radical Stakes in Contemporary Indian Art: On Vivan Sundaram’s Late Style”
Tuesday, September 17, 2013 // 6pm
LECTURE
Saloni Mathur
This program is sponsored by Howard and Donna Stone and Jeff Stokols and Daryl Gerber Stokols.
FREE and open to ALL
Gallery 400 Lecture Room
Art and Exhibition Hall
400 South Peoria Street
312 996 6114
gallery400.uic.edu
Vivan Sundaram, Metal Box, 2008, archival pigment print, 39 1/2 x 74 1/4 in.
Saloni Mathur, Associate Professor of Art History at UCLA, brings both art historical and anthropological
perspectives to her teaching and research. Her areas of interest include the visual cultures of modern
South Asia and its diasporas, colonial studies and post-colonial criticism, the history of anthropological
ideas, museum studies in a global frame, and modern and contemporary South Asian art.
In this lecture Mathur discusses the work of the contemporary Indian artist Vivan Sundaram, whose work
refers to social problems, popular culture, perception, memory, and history and whose recent installations
and videos refer to Dadaism, Surrealism, and Fluxus.

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Voices

  • 1. John Miller, Opposite Day, 1998 “Radical Stakes in Contemporary Indian Art: On Vivan Sundaram’s Late Style” Tuesday, September 17, 2013 // 6pm LECTURE Saloni Mathur This program is sponsored by Howard and Donna Stone and Jeff Stokols and Daryl Gerber Stokols. FREE and open to ALL Gallery 400 Lecture Room Art and Exhibition Hall 400 South Peoria Street 312 996 6114 gallery400.uic.edu Vivan Sundaram, Metal Box, 2008, archival pigment print, 39 1/2 x 74 1/4 in. Saloni Mathur, Associate Professor of Art History at UCLA, brings both art historical and anthropological perspectives to her teaching and research. Her areas of interest include the visual cultures of modern South Asia and its diasporas, colonial studies and post-colonial criticism, the history of anthropological ideas, museum studies in a global frame, and modern and contemporary South Asian art. In this lecture Mathur discusses the work of the contemporary Indian artist Vivan Sundaram, whose work refers to social problems, popular culture, perception, memory, and history and whose recent installations and videos refer to Dadaism, Surrealism, and Fluxus.