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CITIES
A R T 1 0 0
U n d e r s t a n d i n g V i s u a l C u l t u r e
agenda 4.21.16
• we can "read" the visual pattern of the city just like we can
"read" the composition of a painting or photograph it has
a formal, visual organization that opens up a set of
semiotic readings
• early cities: characteristic features of cities
• an early example of "urban planning"
• modern discipline of urban planning
• what principles should guide our planning today?
first key feature: site
Q: what makes one site better than another?
Q: what makes one site better than another?
A: proximity to water
• freshwater supply/basic sanitation system
• transportation and trade
ritual bathing in the Ganges River, India
source of water for:
drinking
cooking
bathing
washing clothes
Li River, China: traditional bamboo fishing boats
commercial uses of water:
• fishing
• transport of passengers and goods
• local, regional, and international trade
what else do you need?
• food supply (imported from surrounding agricultural areas)
• place of protection (often built where "natural" fortifications
exist or walled in)
satellite photo
of Beijing
showing
surrounding
mountains
natural mountain barrier enhanced with additional fortifications
fortress/palace on hilltop with churches, houses, and shops cascading downhill
outer fortification
summary
Physical geography—the shape
of the earth, the location of rivers,
coasts and navigable harbors—
will be the primary factor dictating
the placement of cities.
city characteristics
• size/density of population
• structure of society
• artisans, craftsman, builders (making useful things)
• people who buy, sell, trade, and finance (merchants and
bankers)
• record-keeping and communication
• public buildings and spaces (for civic and religious
spaces)
social structures tend to grow "deep" or "tall" over time
teacher
student student student student student student
relatively "flat" hierarchy: minimal numbers of steps on the ladder
between you and the person in charge
These are oil paintings from the 1830s
made by US artist George Catlin during
one of his Western trips.
what typical physical features of cities do you notice in this city?
what signs of hierarchy can you observe in this painting?
mounds at Cahokia, IL
physical evidence of prior civilization
physical evidence of previous
society
• St. Louis was called “Mound City” in the 19th century, but
almost all mounds were gone by turn of 20th century.
• There is only one mound left, and a road called “Mound
St.”
• Cahokia also was partially destroyed, but with 4,000 acres
still remaining, it is largest archaeological site in the US.
who were the people who built this massive earthen structure?
what was their civilization like?
Cahokia facts
• located in fertile bottomland around Mississippi River
• largest structure is 16 acres at the base—larger footprint
than the Pyramid of Khufu—and 10 stories high
• constructed from 22 million cubic feet of earth (deposited
by the basketful by a huge workforce)
• plaza oriented to cardinal directions
• large outlying agricultural areas and suburbs
• 1050-1150 population and building boom in “downtown”
Cahokia, approx. 20,000 inhabitants (larger than London
at the time)
• stockade fence 2 miles in circumference surrounding the
complex; from tree ring dating we know when this was
built and it corresponds to a time of food scarcity.
“The idea that American Indians could have built something
resembling a city was so foreign to European settlers, that when they
encountered the mounds of Cahokia—the largest of which is a ten-
story earthen colossus composed of more than 22 million cubic feet of
soil—they commonly thought they must have been the work of a
foreign civilization: Phoenicians or Vikings or perhaps a lost tribe of
Israel.”
—Glenn Hodges, “America’s Forgotten
City” (National Geographic, January 2011)
Monk’s Mound, Cahokia, IL
burial excavation showing position of bodies, Cahokia, IL
what is beneath the ground?
• hundreds of thousands
of objects, suggesting
the presence of a large
agricultural society
• many are functional like
farming implements
• but there are also
musical instruments,
games, and sculptures,
suggesting a high level
of social
organization/stratificatio
n
Nursing Mother
ceramic figure/bottle
c. 1100
“Birger Figurine”
c. 1100
carved from bauxite
aerial view, Monk’s Mound, Cahokia, IL
reconstruction of what Cahokia might have looked like
artist’s rendering of the Grand Plaza at Cahokia with surrounding housing
artist’s rendering of family housing in Cahokia

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UVCSP16Module13.1

  • 1. CITIES A R T 1 0 0 U n d e r s t a n d i n g V i s u a l C u l t u r e
  • 2. agenda 4.21.16 • we can "read" the visual pattern of the city just like we can "read" the composition of a painting or photograph it has a formal, visual organization that opens up a set of semiotic readings • early cities: characteristic features of cities • an early example of "urban planning" • modern discipline of urban planning • what principles should guide our planning today?
  • 3. first key feature: site Q: what makes one site better than another?
  • 4.
  • 5.
  • 6.
  • 7.
  • 8. Q: what makes one site better than another? A: proximity to water • freshwater supply/basic sanitation system • transportation and trade
  • 9. ritual bathing in the Ganges River, India source of water for: drinking cooking bathing washing clothes
  • 10. Li River, China: traditional bamboo fishing boats
  • 11. commercial uses of water: • fishing • transport of passengers and goods • local, regional, and international trade
  • 12. what else do you need? • food supply (imported from surrounding agricultural areas) • place of protection (often built where "natural" fortifications exist or walled in)
  • 14. natural mountain barrier enhanced with additional fortifications
  • 15. fortress/palace on hilltop with churches, houses, and shops cascading downhill outer fortification
  • 16. summary Physical geography—the shape of the earth, the location of rivers, coasts and navigable harbors— will be the primary factor dictating the placement of cities.
  • 17. city characteristics • size/density of population • structure of society • artisans, craftsman, builders (making useful things) • people who buy, sell, trade, and finance (merchants and bankers) • record-keeping and communication • public buildings and spaces (for civic and religious spaces)
  • 18. social structures tend to grow "deep" or "tall" over time
  • 19.
  • 20.
  • 21. teacher student student student student student student relatively "flat" hierarchy: minimal numbers of steps on the ladder between you and the person in charge
  • 22. These are oil paintings from the 1830s made by US artist George Catlin during one of his Western trips.
  • 23. what typical physical features of cities do you notice in this city?
  • 24. what signs of hierarchy can you observe in this painting?
  • 25. mounds at Cahokia, IL physical evidence of prior civilization
  • 26. physical evidence of previous society • St. Louis was called “Mound City” in the 19th century, but almost all mounds were gone by turn of 20th century. • There is only one mound left, and a road called “Mound St.” • Cahokia also was partially destroyed, but with 4,000 acres still remaining, it is largest archaeological site in the US.
  • 27. who were the people who built this massive earthen structure? what was their civilization like?
  • 28. Cahokia facts • located in fertile bottomland around Mississippi River • largest structure is 16 acres at the base—larger footprint than the Pyramid of Khufu—and 10 stories high • constructed from 22 million cubic feet of earth (deposited by the basketful by a huge workforce) • plaza oriented to cardinal directions
  • 29. • large outlying agricultural areas and suburbs • 1050-1150 population and building boom in “downtown” Cahokia, approx. 20,000 inhabitants (larger than London at the time) • stockade fence 2 miles in circumference surrounding the complex; from tree ring dating we know when this was built and it corresponds to a time of food scarcity.
  • 30. “The idea that American Indians could have built something resembling a city was so foreign to European settlers, that when they encountered the mounds of Cahokia—the largest of which is a ten- story earthen colossus composed of more than 22 million cubic feet of soil—they commonly thought they must have been the work of a foreign civilization: Phoenicians or Vikings or perhaps a lost tribe of Israel.” —Glenn Hodges, “America’s Forgotten City” (National Geographic, January 2011)
  • 32. burial excavation showing position of bodies, Cahokia, IL
  • 33. what is beneath the ground? • hundreds of thousands of objects, suggesting the presence of a large agricultural society • many are functional like farming implements • but there are also musical instruments, games, and sculptures, suggesting a high level of social organization/stratificatio n
  • 36. aerial view, Monk’s Mound, Cahokia, IL
  • 37. reconstruction of what Cahokia might have looked like
  • 38. artist’s rendering of the Grand Plaza at Cahokia with surrounding housing
  • 39. artist’s rendering of family housing in Cahokia

Editor's Notes

  1. Creator: Mississippian (American) Culture: Pre-Columbian American Title: Cahokia Mounds, Woodhenge Reconstruction Title: general view Work Type: Designed Landscapes Date: 11th century Site: Collinsville, Illinois, United States Style Period: Pre-Colombian (American) Description: Photographer: Rogers, Elizabeth Barlow, 1936- Collection: Foundation for Landscape Studies ID Number: 3900025 Source: Image and original data provided by the Foundation for Landscape Studies Rights: © Elizabeth Barlow Rogers Rights: Contact Information: Elizabeth Barlow Rogers, President, Foundation for Landscape Studies, 7 West 81st Street, New York, NY 10024; Tel.: (212) 595-8049; Fax: (212) 579-4487; Email: elizabethbarlowrogers@gmail.com Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  2. Culture: American Title: Cahokia Title: Monks Mound Title: general view Work Type: Designed Landscapes Date: 650-1400 CE Site: Collinsville, Illinois, United States Style Period: Mississippian Description: Photographer: Grossman, Art Subject: mounds Collection: Foundation for Landscape Studies ID Number: 3900008 Source: Image and original data provided by the Foundation for Landscape Studies Rights: © Elizabeth Barlow Rogers, Foundation for Landscape Studies Rights: Contact Information: Elizabeth Barlow Rogers, President, Foundation for Landscape Studies, 7 West 81st Street, New York, NY 10024; Tel.: (212) 595-8049; Fax: (212) 579-4487; Email: elizabethbarlowrogers@gmail.com Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  3. Title: Monk's Mound Title: View Description: general view, Oblique view of southside Title: Cahokia Mounds, Illinois Work Type: Mound Date: 900-1350 Location: Cahokia, Illinois, United States Style Period: Cahokia Style Period: Mississippian Related Item: Source of information: Collection Subject: Burial mounds Subject: Pyramids (Tombs) Subject: Cities and towns Subject: archaeological sites Subject: Native Americans Subject: stairs Subject: terraces Subject: Platforms Collection: SAHARA ID Number: Record: AVRN080911_0010 Source: Photographer: Wilson, Richard Guy Source: University of Virginia Rights: R.G. Wilson Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility. Rights: Copyrighted image; restricted to educational and scholarly use Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  4. Title: Various articles; bone, pipe frags, glass, porcelain; historic. Work Type: Ceramic Work Type: Pipe Discovery Site: 1-3 feet in depth; from ruins of a recent house on the mound Discovery Site: Cahokia Mound, Small mound near Discovery Site: Madison County Discovery Site: Illinois Discovery Site: United States Material: Ceramic Measurements: 4.3 cm x 2.2 cm x 2.5 cm Description: Ceramic, kaolin pipe stem fragment, possible cast of pipe bowl, molded decoratio Repository: Peabody Museum of Archaeology and Ethnology Accession Number: 78-38-10/14753 Collection: Peabody Museum of Archaeology and Ethnology (Harvard University) Collection: http://www.peabody.harvard.edu/ Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  5. Title: Nursing-Mother-Effigy Bottle Mississippian period: det.: front Date: 1200-1400 Material: ceramic Subject: Bottles--Cahokia Subject: Breast feeding Subject: Ceramics Subject: Effigies--Cahokia Subject: Special Societal Groups--North America (Southeast): Cahokia Collection: ARTstor Slide Gallery Source: Data from: University of California, San Diego
  6. Title: Birger figurine: Stirling phase, Mississippian period Date: 1000-1250 Material: bauxite Measurements: h.13cm, diam.9.7cm Subject: Figurines--Cahokia Subject: Mississippian period Subject: Special Societal Groups--North America (Southeast): Cahokia Collection: ARTstor Slide Gallery Source: Data from: University of California, San Diego
  7. Work Type: Designed Landscapes Date: 11th century Site: Collinsville, Illinois, United States Style Period: Pre-Colombian (American) Description: Photographer: Rogers, Elizabeth Barlow, 1936- Collection: Foundation for Landscape Studies ID Number: 3900014 Source: Image and original data provided by the Foundation for Landscape Studies Rights: © Elizabeth Barlow Rogers Rights: Contact Information: Elizabeth Barlow Rogers, President, Foundation for Landscape Studies, 7 West 81st Street, New York, NY 10024; Tel.: (212) 595-8049; Fax: (212) 579-4487; Email: elizabethbarlowrogers@gmail.com Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  8. Title: Earth mounds and wooden structures: Central Cahokia, East St. Louis, Illinois: Ref.: reconstruction Subject: Architecture: Culture--Cahokia Subject: Earthworks (Art)--Cahokia Subject: Reference Subject: Special Societal Groups--North America (Southeast): Cahokia Collection: ARTstor Slide Gallery Source: Data from: University of California, San Diego
  9. Culture: American Title: Cahokia Title: drawing Work Type: Designed Landscapes Date: 650-1400 CE Site: Collinsville, Illinois, United States Style Period: Mississippian Description: Photographer: Townsend, Lloyd K. Subject: mounds Collection: Foundation for Landscape Studies ID Number: 3900010 Source: Image and original data provided by the Foundation for Landscape Studies Rights: © Elizabeth Barlow Rogers, Foundation for Landscape Studies Rights: Contact Information: Elizabeth Barlow Rogers, President, Foundation for Landscape Studies, 7 West 81st Street, New York, NY 10024; Tel.: (212) 595-8049; Fax: (212) 579-4487; Email: elizabethbarlowrogers@gmail.com Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
  10. Creator: Mississippian (American) Culture: Pre-Columbian American Title: Cahokia Mounds, Community Activities Title: general view Work Type: Designed Landscapes Date: 11th century Site: Collinsville, Illinois, United States Style Period: Pre-Colombian (American) Description: Photographer: Rogers, Elizabeth Barlow, 1936- Collection: Foundation for Landscape Studies ID Number: 3900018 Source: Image and original data provided by the Foundation for Landscape Studies Rights: © Elizabeth Barlow Rogers Rights: Contact Information: Elizabeth Barlow Rogers, President, Foundation for Landscape Studies, 7 West 81st Street, New York, NY 10024; Tel.: (212) 595-8049; Fax: (212) 579-4487; Email: elizabethbarlowrogers@gmail.com Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.