An unbiased view of traditional publishing, self publishing, and emerging hybrid publishing options for fiction and nonfiction writers. Presented at BARN (Bainbridge Artisan Resource Network), June 17, 2017
The document summarizes changes in book publishing between 1907 and 2015, including a rise in self-published books. It then discusses factors authors should consider for traditional versus self-publishing, such as control, timelines, financial arrangements, and required skill levels. Key details include over 300,000 traditionally published books in 2014, 725,000 self-published in 2015, and the total number of books in print reaching 13 million.
You Wrote a Book: Now What? Understanding Your Paths to PublicationBeth Jusino
This workshop, taught at the Bainbridge Artisan Resource Network (BARN) in June 2019, took an unbiased and unvarnished look at a modern writer’s publishing options, from “Big 5” traditional publishers to small presses to self publishing (with or without the support of service companies) to “hybrid” and other emerging models. Because I am a publishing professional who works on and appreciates both sides of the fence, we got past the hype and examined pros and cons of each choice, realistic costs and income potential, as well as scams and pitfalls to avoid. Most importantly, we helped writers seeking publication understand their own goals, strengths, and how to make a decision that's best for them.
You Wrote a Book: Now What? Understanding Your Paths to PublicationBeth Jusino
This workshop takes an unbiased and unvarnished look at a modern writer’s publishing options, from “Big 5” traditional publishers to small presses to self publishing (with or without the support of service companies) to “hybrid” and other emerging models. Taught by a publishing professional who appreciates both sides of the fence, this class gets past the hype and examines pros and cons of each choice, realistic costs and income potential, as well as scams and pitfalls to avoid. Most importantly, it helps writers seeking publication understand their own goals, strengths, and how to make a decision that's best for them.
You wrote (or are writing) a book, but what happens after that? Should you self publish? Do you need an agent? Do you even have a chance to land a publishing contract?
In this online, interactive class, hosted in July 2021 by my friends at Hugo House, we’ll take an unbiased, unvarnished, fast-paced, and up-to-date look at a modern writer’s publishing options, from “Big 5” traditional publishers to small presses to self publishing (with or without the support of service companies) to “hybrid” and other emerging models.
Taught by a publishing professional who works on and appreciates both sides of the publishing fence, this class gets past the hype and examines pros and cons of each choice, realistic costs and income potential, as well as scams and pitfalls to avoid. Most importantly, it helps writers seeking publication understand their own goals, strengths, and how to make a decision that’s best for them.
WaveCloud's Wednesday Webinar Series. This webinar is intended to introduce self-publishing authors to the industry standards and requirements for well received published books.
Business Strategy Plan for Indie Authors Publishers } Plenary PresentationiGO eBooks®
This document provides guidance on creating a business strategy plan for authors pursuing independent publishing. It emphasizes that writing is an art but publishing is a business, so authors must treat their work as a business and have a plan. The plan should clarify the publishing path, serve as a roadmap, and help track results. Key components of an effective plan include defining the target audience, assessing competition, outlining marketing and promotional strategies, considering costs and pricing, and creating a timeline. Developing a solid business strategy plan from the start can help authors succeed in building a writing career.
Creating a book publishing online and in printDanica Winters
This document provides an overview of the book publishing process from concept to publication, including self-publishing and traditional publishing routes. It discusses the types of publishers such as large houses, small presses, vanity presses and self-publishing. It covers the advantages and disadvantages of each type of publisher as well as typical royalty rates and average book sales numbers. The document also touches on topics such as contracts, marketing, distribution and the professional services involved in publishing.
The document summarizes changes in book publishing between 1907 and 2015, including a rise in self-published books. It then discusses factors authors should consider for traditional versus self-publishing, such as control, timelines, financial arrangements, and required skill levels. Key details include over 300,000 traditionally published books in 2014, 725,000 self-published in 2015, and the total number of books in print reaching 13 million.
You Wrote a Book: Now What? Understanding Your Paths to PublicationBeth Jusino
This workshop, taught at the Bainbridge Artisan Resource Network (BARN) in June 2019, took an unbiased and unvarnished look at a modern writer’s publishing options, from “Big 5” traditional publishers to small presses to self publishing (with or without the support of service companies) to “hybrid” and other emerging models. Because I am a publishing professional who works on and appreciates both sides of the fence, we got past the hype and examined pros and cons of each choice, realistic costs and income potential, as well as scams and pitfalls to avoid. Most importantly, we helped writers seeking publication understand their own goals, strengths, and how to make a decision that's best for them.
You Wrote a Book: Now What? Understanding Your Paths to PublicationBeth Jusino
This workshop takes an unbiased and unvarnished look at a modern writer’s publishing options, from “Big 5” traditional publishers to small presses to self publishing (with or without the support of service companies) to “hybrid” and other emerging models. Taught by a publishing professional who appreciates both sides of the fence, this class gets past the hype and examines pros and cons of each choice, realistic costs and income potential, as well as scams and pitfalls to avoid. Most importantly, it helps writers seeking publication understand their own goals, strengths, and how to make a decision that's best for them.
You wrote (or are writing) a book, but what happens after that? Should you self publish? Do you need an agent? Do you even have a chance to land a publishing contract?
In this online, interactive class, hosted in July 2021 by my friends at Hugo House, we’ll take an unbiased, unvarnished, fast-paced, and up-to-date look at a modern writer’s publishing options, from “Big 5” traditional publishers to small presses to self publishing (with or without the support of service companies) to “hybrid” and other emerging models.
Taught by a publishing professional who works on and appreciates both sides of the publishing fence, this class gets past the hype and examines pros and cons of each choice, realistic costs and income potential, as well as scams and pitfalls to avoid. Most importantly, it helps writers seeking publication understand their own goals, strengths, and how to make a decision that’s best for them.
WaveCloud's Wednesday Webinar Series. This webinar is intended to introduce self-publishing authors to the industry standards and requirements for well received published books.
Business Strategy Plan for Indie Authors Publishers } Plenary PresentationiGO eBooks®
This document provides guidance on creating a business strategy plan for authors pursuing independent publishing. It emphasizes that writing is an art but publishing is a business, so authors must treat their work as a business and have a plan. The plan should clarify the publishing path, serve as a roadmap, and help track results. Key components of an effective plan include defining the target audience, assessing competition, outlining marketing and promotional strategies, considering costs and pricing, and creating a timeline. Developing a solid business strategy plan from the start can help authors succeed in building a writing career.
Creating a book publishing online and in printDanica Winters
This document provides an overview of the book publishing process from concept to publication, including self-publishing and traditional publishing routes. It discusses the types of publishers such as large houses, small presses, vanity presses and self-publishing. It covers the advantages and disadvantages of each type of publisher as well as typical royalty rates and average book sales numbers. The document also touches on topics such as contracts, marketing, distribution and the professional services involved in publishing.
The document provides tips for marketing a self-published book. It begins by emphasizing the importance of knowing your audience and book, as well as having a clear marketing plan. It then discusses tools like Helix Review that provide data on a book's strengths and comparable titles. Key recommendations are spending several hours per week on marketing through avenues like blogs, social media, and selling platforms. Resources from the publisher Lulu are highlighted.
The book provides strategies for building strong HR practices that inspire employees. It discusses developing your own HR career by finding passion and fit in your work. The first part focuses on lessons learned, including dealing with critics, developing trust with managers, and knowing when to leave a job. It emphasizes continuous learning, questioning authority respectfully, and taking a stand for what is right. The book provides guidance on reviewing your career progress annually and knowing it's time to leave if you are no longer growing in your current role. It aims to help HR professionals build rewarding careers and create engaging workplaces.
Book cover design course by Shannon Bodie of BookWise Design, includes details on how to assure your book cover design has strong impact and works for your target audience.
Business Strategy Plan for Authors & PublishersiGO eBooks®
Following iGO eBooks plenary presentation on the subject of things to consider in such a Plan this is an actual production template to tangibly demonstrate the content that should be considered for inclusion in such a Business Strategy Plan for Authors & Publishers including those who choose to become a Social Enterprise. It takes into consideration the following subject headings and laid out contextually for cohesive presentation to readers, authors, publishers, sponsors, and other stakeholders.
Writing / Before Publishing - Producing for an Audience / Creating for yourself? - Publishing Path & Road Map? / Writing & Vision - Traditional business strategy plans have components - Vital Plan / Selling Book - What Makes your book so Special? - Who will want to buy your work? - Competition - Format(s) of your Book - How do you plan to promote your product (Book/eBook) - Marketing Strategies? – Budgets/Projections- Timetable for writing, editing, book production, marketing etc?
This document provides guidance on developing a business strategy plan for authors considering publishing a book or eBook. It outlines key areas for the plan to address, such as the target audience, competition, marketing strategies, pricing considerations, production timelines and promotional activities. Developing a thorough business strategy plan is presented as important for treating writing as a business and guiding authors from initial planning through publication and promotion in order to build a successful writing career.
Once you have some idea of what might be negotiable in a book publishing contract, it is time to do some serious sleuthing. Negotiations are ultimately influenced by which side knows the most about the other side’s positions. The editor starts this contest with an advantage gained from experience in the market, experience doing other similar deals (undoubtedly many more than you have done), and the benefits of your perspective as reflected in your proposal. The way you get on an even footing with your editor and publisher is by knowing what to ask, and just as importantly, when to ask it.
This document discusses key aspects of developing a strong brand identity, including brand names, logos, mission statements, and legal trademark protection. It provides tips for creating an effective brand name and mission statement, and emphasizes focusing the brand message and ensuring legal protection of the brand identity. Examples are given of famous brand mission statements and logos. The document encourages brainstorming ways to convey a company's mission through its corporate culture and customer experiences.
You wrote (or are writing) a book, but what happens after that? Should you self publish? Do you need an agent? Do you even have a chance to land a publishing contract?
In this class, hosted on Bainbridge Island by my friends at the Bainbridge Artisan Resource Network (BARN), we’ll take an unbiased, unvarnished, fast-paced, and up-to-date look at a modern writer’s publishing options, from “Big 5” traditional publishers to small presses to self publishing (with or without the support of service companies) to “hybrid” and other emerging models.
Taught by a publishing professional who works on and appreciates both sides of the publishing fence, this class gets past the hype and examines pros and cons of each choice, realistic costs and income potential, as well as scams and pitfalls to avoid. Most importantly, it helps writers seeking publication understand their own goals, strengths, and how to make a decision that’s best for them.
In this age of Kindles, iPads, and 99-cent e-books, the publishing industry is in a state of turmoil. So what does that mean for aspiring authors who hope to share their stories with the world? It means that there are more options than ever before for publishing your book.
How to become a non fiction author and grow your businessBhavna Dalal
This document provides guidance on how to become an author and grow your business. It discusses why writing a book can benefit your credibility, brand, and business. Key steps include coming up with an idea, planning the writing process with outlines and deadlines, and considering self-publishing or traditional publishing options. Author Bhavna Dalal emphasizes gaining a support network, committing to daily writing, and leveraging various marketing channels to promote the published book.
Webinar - How To Be An Author An Grow Your BusinessBhavna Dalal
This document provides guidance on how to become an author and grow your business. It discusses why writing a book can benefit your credibility, brand, and business. Key steps include coming up with an idea, planning the writing process with outlines and deadlines, and considering self-publishing or traditional publishing options. Author Bhavna Dalal emphasizes gaining a support network, committing to daily writing, and leveraging various marketing channels to promote the published book.
Ready to take publishing into your own hands, but overwhelmed by all of the options and decisions involved?This class will walk you through the nitty-gritty decisions of the self-publishing process (without trying to sell you on any particular service or path).One size does not fit all when it comes to self publishing.
Publish to profits: Supercharge your business with a bookJacqui Pretty
Writing a book is often marketed as the holy grail in business - the one thing that will solve all your business problems and create the success you crave. Unfortunately, it isn't as simple as that. You need to write the right book, publish it in the right way, and then leverage it to grow your business. This presentation shows you how.
A Step-by-Step Guide to Self PublishingBeth Jusino
The document provides information and guidance for self-publishing a book. It discusses trends in self-publishing, the self-publishing process which includes development and copy editing, choosing a format and distribution method, designing a cover and interior, formatting for print and ebooks, setting pricing and accounts, and marketing. Key steps outlined are choosing between DIY self-publishing or working with a publishing service, and evaluating subsidy publishers based on criteria like mission, costs, services provided, and author experiences.
Have you decided to take publishing into your own hands, and independently release your work to the world? Or are you wondering if this is a good choice for you? This is a growing market, and things change quickly. We will walk, step by step, through the self-publishing process, examining current opportunities and realities of independent publishing from a variety of perspectives. We’ll discuss content, formatting choices (print? ebook? audio? translations?), hiring freelancers, pricing, distribution options, and how to evaluate what options are best for your unique project. This class gets past the hype and examines the practical decisions that need to be made, realistic costs and income potential, as well as pitfalls to avoid. Most importantly, it helps writers evaluate self publishing in light of their own goals, strengths, and audience.
A Step-by-Step Guide to Self PublishingBeth Jusino
Ready to take publishing into your own hands, but overwhelmed by all of the options and decisions involved?This class walks you through the nitty-gritty decisions of the self-publishing process (without trying to sell you on any particular service or path).One size does not fit all when it comes to self publishing.
We talk about:
Format decisions: should you have an e-book? A print book? Both?
Book formatting: tips and tricks for creating a clean, professional looking ebook and print design
The legalities: ISBNs, copyright registration, and more.
Cover design: Don’t try this at home. (Or if you’re a DIY artist, follow these guidelines.)
Cover Copy: The most important 200 words you’ll write as a self-publishing author
We’ll also talk about when and how to hire freelancers, what research says about the best pricing strategies, and how to avoid the scams and pitfalls that trap self-publishing authors along the way.
Path to Traditional Pub - BookFest 2024 presentation - 03-23-2024.pdfContent Strategy Inc.
This document provides an overview of Kathy Wagner's journey to traditional publication and lessons learned. It discusses the pros and cons of both traditional publishing and self-publishing. Key steps outlined include establishing an author platform and credibility, preparing a high-quality manuscript, assembling a proposal package, targeting agents or publishers, handling the contract and publication process, and marketing the book. The overall message is that traditional publication involves a rigorous process but can provide more support and reach, while the best approach depends on each author's goals.
Ready to turn your manuscript into a book? This will walk you, step by step, through the self-publishing process, from deciding your format to checking the details of the final files.
Presented at the Seattle Business of Books Bootcamp, hosted by The Author's Guild.
As a 21st century writer, you have more ways than ever before to get your book in front of readers, but navigating the options can be overwhelming. Let’s get past the hype and take an unbiased and unvarnished look at a modern writer’s publishing options, from large traditional publishers, to small presses, to self publishing (with or without the support of service companies), to hybrid and other emerging models.
Speakers, coaches, consultants and trainers and often told they need to write a book, but what is a book's true value to these experts and thought leaders?
The document provides tips for marketing a self-published book. It begins by emphasizing the importance of knowing your audience and book, as well as having a clear marketing plan. It then discusses tools like Helix Review that provide data on a book's strengths and comparable titles. Key recommendations are spending several hours per week on marketing through avenues like blogs, social media, and selling platforms. Resources from the publisher Lulu are highlighted.
The book provides strategies for building strong HR practices that inspire employees. It discusses developing your own HR career by finding passion and fit in your work. The first part focuses on lessons learned, including dealing with critics, developing trust with managers, and knowing when to leave a job. It emphasizes continuous learning, questioning authority respectfully, and taking a stand for what is right. The book provides guidance on reviewing your career progress annually and knowing it's time to leave if you are no longer growing in your current role. It aims to help HR professionals build rewarding careers and create engaging workplaces.
Book cover design course by Shannon Bodie of BookWise Design, includes details on how to assure your book cover design has strong impact and works for your target audience.
Business Strategy Plan for Authors & PublishersiGO eBooks®
Following iGO eBooks plenary presentation on the subject of things to consider in such a Plan this is an actual production template to tangibly demonstrate the content that should be considered for inclusion in such a Business Strategy Plan for Authors & Publishers including those who choose to become a Social Enterprise. It takes into consideration the following subject headings and laid out contextually for cohesive presentation to readers, authors, publishers, sponsors, and other stakeholders.
Writing / Before Publishing - Producing for an Audience / Creating for yourself? - Publishing Path & Road Map? / Writing & Vision - Traditional business strategy plans have components - Vital Plan / Selling Book - What Makes your book so Special? - Who will want to buy your work? - Competition - Format(s) of your Book - How do you plan to promote your product (Book/eBook) - Marketing Strategies? – Budgets/Projections- Timetable for writing, editing, book production, marketing etc?
This document provides guidance on developing a business strategy plan for authors considering publishing a book or eBook. It outlines key areas for the plan to address, such as the target audience, competition, marketing strategies, pricing considerations, production timelines and promotional activities. Developing a thorough business strategy plan is presented as important for treating writing as a business and guiding authors from initial planning through publication and promotion in order to build a successful writing career.
Once you have some idea of what might be negotiable in a book publishing contract, it is time to do some serious sleuthing. Negotiations are ultimately influenced by which side knows the most about the other side’s positions. The editor starts this contest with an advantage gained from experience in the market, experience doing other similar deals (undoubtedly many more than you have done), and the benefits of your perspective as reflected in your proposal. The way you get on an even footing with your editor and publisher is by knowing what to ask, and just as importantly, when to ask it.
This document discusses key aspects of developing a strong brand identity, including brand names, logos, mission statements, and legal trademark protection. It provides tips for creating an effective brand name and mission statement, and emphasizes focusing the brand message and ensuring legal protection of the brand identity. Examples are given of famous brand mission statements and logos. The document encourages brainstorming ways to convey a company's mission through its corporate culture and customer experiences.
You wrote (or are writing) a book, but what happens after that? Should you self publish? Do you need an agent? Do you even have a chance to land a publishing contract?
In this class, hosted on Bainbridge Island by my friends at the Bainbridge Artisan Resource Network (BARN), we’ll take an unbiased, unvarnished, fast-paced, and up-to-date look at a modern writer’s publishing options, from “Big 5” traditional publishers to small presses to self publishing (with or without the support of service companies) to “hybrid” and other emerging models.
Taught by a publishing professional who works on and appreciates both sides of the publishing fence, this class gets past the hype and examines pros and cons of each choice, realistic costs and income potential, as well as scams and pitfalls to avoid. Most importantly, it helps writers seeking publication understand their own goals, strengths, and how to make a decision that’s best for them.
In this age of Kindles, iPads, and 99-cent e-books, the publishing industry is in a state of turmoil. So what does that mean for aspiring authors who hope to share their stories with the world? It means that there are more options than ever before for publishing your book.
How to become a non fiction author and grow your businessBhavna Dalal
This document provides guidance on how to become an author and grow your business. It discusses why writing a book can benefit your credibility, brand, and business. Key steps include coming up with an idea, planning the writing process with outlines and deadlines, and considering self-publishing or traditional publishing options. Author Bhavna Dalal emphasizes gaining a support network, committing to daily writing, and leveraging various marketing channels to promote the published book.
Webinar - How To Be An Author An Grow Your BusinessBhavna Dalal
This document provides guidance on how to become an author and grow your business. It discusses why writing a book can benefit your credibility, brand, and business. Key steps include coming up with an idea, planning the writing process with outlines and deadlines, and considering self-publishing or traditional publishing options. Author Bhavna Dalal emphasizes gaining a support network, committing to daily writing, and leveraging various marketing channels to promote the published book.
Ready to take publishing into your own hands, but overwhelmed by all of the options and decisions involved?This class will walk you through the nitty-gritty decisions of the self-publishing process (without trying to sell you on any particular service or path).One size does not fit all when it comes to self publishing.
Publish to profits: Supercharge your business with a bookJacqui Pretty
Writing a book is often marketed as the holy grail in business - the one thing that will solve all your business problems and create the success you crave. Unfortunately, it isn't as simple as that. You need to write the right book, publish it in the right way, and then leverage it to grow your business. This presentation shows you how.
A Step-by-Step Guide to Self PublishingBeth Jusino
The document provides information and guidance for self-publishing a book. It discusses trends in self-publishing, the self-publishing process which includes development and copy editing, choosing a format and distribution method, designing a cover and interior, formatting for print and ebooks, setting pricing and accounts, and marketing. Key steps outlined are choosing between DIY self-publishing or working with a publishing service, and evaluating subsidy publishers based on criteria like mission, costs, services provided, and author experiences.
Have you decided to take publishing into your own hands, and independently release your work to the world? Or are you wondering if this is a good choice for you? This is a growing market, and things change quickly. We will walk, step by step, through the self-publishing process, examining current opportunities and realities of independent publishing from a variety of perspectives. We’ll discuss content, formatting choices (print? ebook? audio? translations?), hiring freelancers, pricing, distribution options, and how to evaluate what options are best for your unique project. This class gets past the hype and examines the practical decisions that need to be made, realistic costs and income potential, as well as pitfalls to avoid. Most importantly, it helps writers evaluate self publishing in light of their own goals, strengths, and audience.
A Step-by-Step Guide to Self PublishingBeth Jusino
Ready to take publishing into your own hands, but overwhelmed by all of the options and decisions involved?This class walks you through the nitty-gritty decisions of the self-publishing process (without trying to sell you on any particular service or path).One size does not fit all when it comes to self publishing.
We talk about:
Format decisions: should you have an e-book? A print book? Both?
Book formatting: tips and tricks for creating a clean, professional looking ebook and print design
The legalities: ISBNs, copyright registration, and more.
Cover design: Don’t try this at home. (Or if you’re a DIY artist, follow these guidelines.)
Cover Copy: The most important 200 words you’ll write as a self-publishing author
We’ll also talk about when and how to hire freelancers, what research says about the best pricing strategies, and how to avoid the scams and pitfalls that trap self-publishing authors along the way.
Path to Traditional Pub - BookFest 2024 presentation - 03-23-2024.pdfContent Strategy Inc.
This document provides an overview of Kathy Wagner's journey to traditional publication and lessons learned. It discusses the pros and cons of both traditional publishing and self-publishing. Key steps outlined include establishing an author platform and credibility, preparing a high-quality manuscript, assembling a proposal package, targeting agents or publishers, handling the contract and publication process, and marketing the book. The overall message is that traditional publication involves a rigorous process but can provide more support and reach, while the best approach depends on each author's goals.
Ready to turn your manuscript into a book? This will walk you, step by step, through the self-publishing process, from deciding your format to checking the details of the final files.
Presented at the Seattle Business of Books Bootcamp, hosted by The Author's Guild.
As a 21st century writer, you have more ways than ever before to get your book in front of readers, but navigating the options can be overwhelming. Let’s get past the hype and take an unbiased and unvarnished look at a modern writer’s publishing options, from large traditional publishers, to small presses, to self publishing (with or without the support of service companies), to hybrid and other emerging models.
Speakers, coaches, consultants and trainers and often told they need to write a book, but what is a book's true value to these experts and thought leaders?
Self-publishing vs Traditional Publishing, and the Options in BetweenRicardo Fayet
If you've written a book and are unsure whether to self-publish it or seek a publisher, this presentation is for you! I go over the main benefits and drawbacks of self-publishing and traditional publishing. I also explain how to make the most of each route, and go over a few alternative and hybrid options.
Made by https://reedsy.com
The document outlines 7 ways for authors to launch their book and boost sales. It discusses identifying the target audience and their characteristics. It then details the 7 ways as: 1) leveraging personal relationships, 2) encouraging fans, 3) attending industry events, 4) hosting grassroots events, 5) developing a website and Amazon author page, 6) using social media, and 7) engaging traditional media. The author emphasizes starting small with relationships and local events, then expanding efforts to larger audiences and platforms over time.
This document discusses self-publishing a book to raise your personal brand and drive your business. Some key points made are:
- Self-publishing a book establishes you as an expert and solution provider, acting as a business card that isn't thrown away.
- Producing a professionally made book with elements like an editor, cover design, and printing requires an investment of $4,000-$8,000 but can yield speaking opportunities and customer leads.
- The goal of writing the book should be to solve a problem or change how people think in order to engage readers and drive traffic to your business.
- Producing an initial run of 100-200 books is recommended to promote the book and raise awareness
Self Editing Your Memoir Lesson 4: Structure and ScenesBeth Jusino
Good writing focuses on active moments, not summaries. So let’s look at how the individual events you choose to write about work together to support the plot and keep the reader turning pages.
Self Editing Your Memoir 3: Who's Telling Your StoryBeth Jusino
The document provides guidance for writing a memoir, focusing on developing the narrator's voice and perspective. It discusses making the narrator feel human and relatable by acknowledging flaws and complexity. It emphasizes achieving truth through engaging with experience in a way that reflects on the self, rather than just recounting facts. The document suggests questions for writers to consider their narrator's emotional tone, perspective over time, and ability to consistently craft a compelling story for readers.
Self Editing Your Memoir, Lesson 2: Who Are These People?Beth Jusino
Evaluating how friends, family, and foes are treated both fairly and realistically
“Plot is what keeps you going when you read a story, character is what stays with you.” Ann Charters
Self Editing Your Novel, Lesson 2: Who Are These People?Beth Jusino
Who Are These People? Lesson 2 is all about the characters in your novel.
“Plot is what keeps you going when you read a story, character is what stays with you.” - Ann Charters
Self Editing Your Novel 1: What's Your Story?Beth Jusino
This document provides an overview of a 6-month writing workshop that meets monthly. Each month focuses on a different aspect of the writing process: plot development in January, character development in February, narrative voice in March, story structure in April, line editing in May, and copy editing in June. Attendees are asked to discuss where they are in their writing process and what questions or concerns they hope to address. Genres of novels are also listed for reference. Key elements of plot like premise, promise, and protagonist instability are defined. Feedback is provided on reading your full draft as a finished book and assessing the overall work in progress.
Self Editing Your Memoir Class 1: What's Your Story?Beth Jusino
Class 1 of Self Editing Your Memoir: What's your story? (Stepping back and charting the premise and reader-friendly hook of your memoir)
Taught at BARN, January 13, 2024
Pitch Your Book So Publishers Pay AttentionBeth Jusino
Agents report that they’re flooded with more queries and proposals than ever before, even as publishers cut back the number of books they produce each year. How can you break through the noise and get your project noticed?
This workshop, hosted by my friends at Bainbridge Artisan Resource Network (BARN), will help you step back and see your fiction or nonfiction work through fresh eyes and a business-based perspective. We’ll identify the things that make your work unique, marketable, and irresistible to publishing gatekeepers, and then with lots of examples and time for practice and personal feedback, we’ll work on verbal “elevator pitches,” one-paragraph hooks, and query letters.
Pitch Your Book So Publishers Pay AttentionBeth Jusino
Agents and publishers are flooded with more queries than ever before. How can you cut through the noise and get noticed? In this class, we'll step back and look at your fiction or nonfiction work with fresh eyes and get publishers to pay attention.
Author Marketing That Won't Make You MiserableBeth Jusino
This class explores the author’s role in marketing their books. We’ll look at when to use (and when to ignore) social and traditional media, events, influencers, contests, and other creative ways so that you’re prepared to build an author platform, promote a new release, or put life back into a book that’s been out for a while. Most importantly, this discussion will show you how to use your own unique strengths and passions, rather than following someone else’s formula.
Pitch Your Book So Publishers Pay Attention -- BARN September 2021Beth Jusino
Agents report that they’re flooded with more queries and proposals than ever before, even as publishers cut back the number of books they produce each year. How can you break through the noise and get your project noticed? This class will help you step back and see your fiction or nonfiction work through fresh eyes and a business-based perspective. We’ll identify the things that make your work unique, marketable, and irresistible to publishing gatekeepers, and then with lots of examples and time for practice and personal feedback, we’ll work on verbal “elevator pitches,” the short hooks that are also great for query letters. We’ll also cover the structure of a query letter, and some tips and tricks for getting an agent or publisher’s attention.
This is also a valuable class for self-publishing writers who want to pitch their books so that readers pay attention.
Pitch Your Book So Publishers Pay AttentionBeth Jusino
Agents and publishers are flooded with more queries than ever before. How can you cut through the noise and get noticed? Let’s step back and look at your fiction or nonfiction work with fresh eyes. We’ll identify what makes your project unique, marketable, and irresistible to publishing gatekeepers, and then, with lots of examples and time for practice and feedback, work on verbal “elevator pitches,” one-paragraph hooks, and 1-2 page synopses. Shared July 31, 2021
Pitch Your Book So Publishers Pay AttentionBeth Jusino
The document provides information on publishing and pitching books to agents. It notes that 305,000 traditionally published books were released last year and one would be applying against 10,000 other people. It offers tips on reverse engineering competitors' successful titles and publishers to understand what is being sought. The document provides examples of book pitches and summaries, emphasizing hooks, premises, and why the author is credible. Publishers are looking for ideas that feel timely and for authors who can convey their book's essence concisely.
46 Self Editing Tips for Your Work in ProgressBeth Jusino
Presented to the Bainbridge Artisan Resource Network, February 22, 2020
You’ve written a book…but are you ready to share it with readers (if you're self publishing) or agents and publishers (if you're going the traditional route)? This energy-filled class walks both fiction and nonfiction writers through a practical, easy-to-apply checklist of 46 things to look for in their own work, from first draft to final layout. Following the production cycle of a book, we’ll talk about how to consider your work in progress the way a professional editor would, and how to recognize everything from pacing problems to formatting issues. We’ll talk about when you should tackle something yourself and when you might need outside support to help get to the next level. Get ready to look at your Work In Progress in a whole new way!
The 740-kilometer section of the Camino that begins in Le Puy-en-Velay is one of the oldest recorded pilgrim routes to Santiago, and it passes through some of the most beautiful villages and countryside of France, but it’s still uncharted territory for many Americans. In this session, we will explore the Chemin du Puy, also known as the Via Podiensis – the history and spiritual significance; the practicalities of housing, guidebooks, and food; and what sets it apart from other, more familiar parts of the Camino trail network.
6 ways for writers to grow their audience and build their platform while they're still writing their first book. Appropriate for writers planning to self publish or traditionally publish.
Presented for The Seattle Public Library's #SeattleWrites program, September 24, 2017
We know that published authors (both traditional and self published) need to "do marketing." But what does that mean, and how can a novelist approach marketing in a way that they might actually (gasp) enjoy? Let's take the mystery out of marketing and sell some books.
Presented to the Mystery Writers of America, Northwest in June 2017.
Collapsing Narratives: Exploring Non-Linearity • a micro report by Rosie WellsRosie Wells
Insight: In a landscape where traditional narrative structures are giving way to fragmented and non-linear forms of storytelling, there lies immense potential for creativity and exploration.
'Collapsing Narratives: Exploring Non-Linearity' is a micro report from Rosie Wells.
Rosie Wells is an Arts & Cultural Strategist uniquely positioned at the intersection of grassroots and mainstream storytelling.
Their work is focused on developing meaningful and lasting connections that can drive social change.
Please download this presentation to enjoy the hyperlinks!
Mastering the Concepts Tested in the Databricks Certified Data Engineer Assoc...SkillCertProExams
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XP 2024 presentation: A New Look to Leadershipsamililja
Presentation slides from XP2024 conference, Bolzano IT. The slides describe a new view to leadership and combines it with anthro-complexity (aka cynefin).
This presentation by OECD, OECD Secretariat, was made during the discussion “Competition and Regulation in Professions and Occupations” held at the 77th meeting of the OECD Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found at oe.cd/crps.
This presentation was uploaded with the author’s consent.
This presentation, created by Syed Faiz ul Hassan, explores the profound influence of media on public perception and behavior. It delves into the evolution of media from oral traditions to modern digital and social media platforms. Key topics include the role of media in information propagation, socialization, crisis awareness, globalization, and education. The presentation also examines media influence through agenda setting, propaganda, and manipulative techniques used by advertisers and marketers. Furthermore, it highlights the impact of surveillance enabled by media technologies on personal behavior and preferences. Through this comprehensive overview, the presentation aims to shed light on how media shapes collective consciousness and public opinion.
Suzanne Lagerweij - Influence Without Power - Why Empathy is Your Best Friend...Suzanne Lagerweij
This is a workshop about communication and collaboration. We will experience how we can analyze the reasons for resistance to change (exercise 1) and practice how to improve our conversation style and be more in control and effective in the way we communicate (exercise 2).
This session will use Dave Gray’s Empathy Mapping, Argyris’ Ladder of Inference and The Four Rs from Agile Conversations (Squirrel and Fredrick).
Abstract:
Let’s talk about powerful conversations! We all know how to lead a constructive conversation, right? Then why is it so difficult to have those conversations with people at work, especially those in powerful positions that show resistance to change?
Learning to control and direct conversations takes understanding and practice.
We can combine our innate empathy with our analytical skills to gain a deeper understanding of complex situations at work. Join this session to learn how to prepare for difficult conversations and how to improve our agile conversations in order to be more influential without power. We will use Dave Gray’s Empathy Mapping, Argyris’ Ladder of Inference and The Four Rs from Agile Conversations (Squirrel and Fredrick).
In the session you will experience how preparing and reflecting on your conversation can help you be more influential at work. You will learn how to communicate more effectively with the people needed to achieve positive change. You will leave with a self-revised version of a difficult conversation and a practical model to use when you get back to work.
Come learn more on how to become a real influencer!
Carrer goals.pptx and their importance in real lifeartemacademy2
Career goals serve as a roadmap for individuals, guiding them toward achieving long-term professional aspirations and personal fulfillment. Establishing clear career goals enables professionals to focus their efforts on developing specific skills, gaining relevant experience, and making strategic decisions that align with their desired career trajectory. By setting both short-term and long-term objectives, individuals can systematically track their progress, make necessary adjustments, and stay motivated. Short-term goals often include acquiring new qualifications, mastering particular competencies, or securing a specific role, while long-term goals might encompass reaching executive positions, becoming industry experts, or launching entrepreneurial ventures.
Moreover, having well-defined career goals fosters a sense of purpose and direction, enhancing job satisfaction and overall productivity. It encourages continuous learning and adaptation, as professionals remain attuned to industry trends and evolving job market demands. Career goals also facilitate better time management and resource allocation, as individuals prioritize tasks and opportunities that advance their professional growth. In addition, articulating career goals can aid in networking and mentorship, as it allows individuals to communicate their aspirations clearly to potential mentors, colleagues, and employers, thereby opening doors to valuable guidance and support. Ultimately, career goals are integral to personal and professional development, driving individuals toward sustained success and fulfillment in their chosen fields.
This presentation by Professor Alex Robson, Deputy Chair of Australia’s Productivity Commission, was made during the discussion “Competition and Regulation in Professions and Occupations” held at the 77th meeting of the OECD Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found at oe.cd/crps.
This presentation was uploaded with the author’s consent.
23. 1. Targets specific audiences
2. Follows traditional publishing model (advance and
royalty, profits from book sales)
24. 1. Targets specific audiences
2. Follows traditional publishing model (advance and
royalty, profits from book sales)
3. Publishing quality varies
25. 1. Targets specific audiences
2. Follows traditional publishing model (advance and
royalty)
3. Publishing quality varies
4. More personal, level of attention varies
26. 1. Targets specific audiences
2. Follows traditional publishing model (advance and
royalty)
3. Publishing quality varies
4. More personal, level of attention varies
5. 6-18 months to publication
27. 1. Follows traditional publishing model (advance and
royalty)
2. Publishing quality varies
3. More personal, level of attention varies
4. Target specific audiences
5. 6-18 months to publication
6. May not require agent
28. 1. Follows traditional publishing model (advance and
royalty)
2. Publishing quality varies
3. More personal, level of attention varies
4. Target specific audiences
5. 6-18 months to publication
6. May not require agent
7. Modest sales, lower advances
29. 1. Follows traditional publishing model (advance and
royalty)
2. Publishing quality varies
3. More personal, level of attention varies
4. Target specific audiences
5. 6-18 months to publication
6. May not require agent
7. Modest sales, lower advances
8. Open to more risk
30. If your priorities are to…
Work with professionals who can make and distribute books
Work with a partner that will invest resources in turning an
idea into a product
Have better access to brick and mortar bookstores
Share marketing tasks
AND you are…
Willing to share the profits
Patient
Eager for professional collaboration
31.
32. Paper Book:
Retailer: 50%
Author: 10-15% hardcover; 7.5% paperback (Small
press: 10-15% net)
Publisher: 35-42%
◦ Includes hard costs of paper, printing, binding, shipping,
and storing
Ebook:
Retailer: 30%
Author: 17.5% (25% of net)
Publisher: 52.5%
Note: These are averages for comparison only. Specific contracts may vary.
33. Hardcover: $24.00
Retailer: $12.00
Author: $3.00 (minus $.45 agent commission)
Publisher: $9.00
◦ Includes hard costs of paper, printing, binding, shipping,
and storing: $3-5
Ebook: $9.99
Retailer: $2.99
Author: $1.75
Publisher: $5.25
Note: These are averages for comparison only. Specific contracts
may vary.
45. Steep learning curve
Publishing quality varies
Control of pricing, discounts, and profit
46. Steep learning curve
Publishing quality varies
Control of pricing, discounts, and profit
Control of design
47. Steep learning curve
Publishing quality varies
Control of pricing, discounts, and profit
Control of design
Control of timing (24-48 hours after files
uploaded; 1 week with print proof copy)
50. Supportive experts
Some stigma (less with independent imprint)
Ability to adapt quickly
51. Helpful, supportive, knowledgeable
contractors
Some stigma (less with independent imprint)
Ability to adapt quickly
Highest dollar return per book
52. Paper Book:
Retailer: 50%
POD Printer (IngramSpark): $.90 + $.013/page
◦ Includes hard costs of paper, printing, binding, and
shipping
Author/Publisher gets the rest
Ebook:
Retailer: 30%
Author/Publisher: 70%
Note: These are averages for comparison only.
53. Paper Book: 300 pages, list price $15.99
Retailer: $7.99
POD Printer (IngramSpark): $4.80
◦ Includes hard costs of paper, printing, binding, and shipping
Author/Publisher: $3.20
CreateSpace: Amazon sale nets Author/Publisher $5.14;
through other vendors: $1.94
Ebook: $2.99
Retailer: $.90
Author/Publisher: $2.09
Note: These are averages for comparison only.
58. Are they selective?
Are they publishing books that you would
read?
59. Are they selective?
Are they publishing books that you would
read?
Are their costs competitive?
60. Are they selective?
Are they publishing books that you would
read?
Are their costs competitive?
Are their book prices competitive?
61. Are they selective?
Are they publishing books that you would
read?
Are their costs competitive?
Are their book prices competitive?
Do you trust their staff and leadership?
62. Are they selective?
Are they publishing books that you would
read?
Are their costs competitive?
Are their book prices competitive?
Do you trust their staff and leadership?
Are they trying to upsell or pressure you?
63. Are they selective?
Are they publishing books that you would
read?
Are their costs competitive?
Are their book prices competitive?
Do you trust their staff and leadership?
Are they trying to upsell or pressure you?
How responsive are they?
64. Are they selective?
Are they publishing books that you would
read?
Are their costs for services competitive?
Are their book prices competitive (if relevant)?
Do you trust their staff and leadership?
Are they trying to upsell or pressure you?
How responsive are they?
Is there a clear way to end the contract?