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The short story
The short story –– Alice Munro an exception, (perhaps) –– is an illustration of one facet of human
nature. Often a character undergoes some event and experiences something which offers him
change. This is why it's said that short stories usually "say something", often a narrow or small
something, but sometimes delivered with such precision that the effect is exquisite, even a life–
moment for the reader, something akin to a religious experience or seeing a never–to–be–repeated
scene in nature.
For a minute, let me remind you that, for me, the perfect short story is written with a poet's feel for
language, with a poet's precision, and that the shape and sounds and rhythms of the words are more
commonly part of the work's ... Show more content on Helpwriting.net ...
 Develop a resolution: How does the main character come to terms – or not – with his or her
problem?
Source: Lessons that Change Writer, Nancie Atwell, 2002 Short Story Terminology
Atmosphere – the general mood, feeling or spirit of a story.
Characterization – the way that the author creates characters.
Protagonist – the main character that is faced with a problem.
Antagonist – the person, place, idea or physical force against the protagonist.
Climax – the point of the highest dramatic intensity; the turning point.
External conflict – happens outside the character.
Internal conflict – happens inside the character
Foreshadowing – clues of hints which prepare the reader for Future action or events.
Irony – contrast or contradiction of what is expected and what Results.
Verbal irony – occurs when a character or narrator says one thing But means the opposite.
Dramatic irony – occurs when the reader knows more than the Character.
Situational irony – occurs when the contrast between what Appears to be and what actually exists.
Plot – action of the story.
Chronological – places events in order of time from first to last.
Flashback – looks back at events that have already occurred.
Point of View – the angle from which the author tells the story.
First Person Narrative – the narrator uses "I" and participates in The action.
Third Person Narrative – the narrator uses "he" and "she" and is an
... Get more on HelpWriting.net ...

BOOK REVIEW ON Emergence of a new nation In a multipolar...
BOOK REVIEW
ON
Emergence of a new nation
In a multipolar world: Bangladesh
Written by
Dr. Mizanur Rahman Shelly
Cover Page:
The Book at a Glance:
Title: Emergence of a new nation in a multipolar world: Bangladesh
Edition: 4th Expanded Edition, April'2007.
Published by: Academic Press & Publishers Library.
Cover Design by: Golam Kabir
Price: TK 375.00
ISBN:984–08–0147–3
All Pages are offset.
Dedication: To his wife and beloved sons.
About the Author:
Dr. Mizanur Rahman Shelly
Born in 1943, Munshigonj.
Social Scientist, Educationist and Literature. Joined CSP On 1967.
Was minister for information and later for irrigation, flood control and water resource development.
Has been working ... Show more content on Helpwriting.net ...
During 1953–1957 the United State was busily making collective security arrangements in an
attempt to recruit 'Allies' for her confrontation with the communist camp. In south–east Asia the
United State sponsor and encouraged the formation of SEATO (The South East Asian Treaty
Organization) and CENTO (The Central Treaty Organization).
The arrangement was originally viewed by the United States & Thailand as underpinning the
inherently with Geneva agreement which recognized the communist–ruled North Vietnam. CENTO
also began as a regional security grouping at the behest of Iraq and Britain, but the participation of
those northern states of Asia sharing frontiers with the Soviet Union such as Iran, Turkey, Pakistan

and the reinsurance, as it were, provided by the United Sates, made CENTO no less than SEATO, a
US weapon against her Global adversary, Soviet Union.
The birth of Bangladesh–the first state to be born in blood and fire in a polycentric world has been a
unique case, as the following analysis shows. There is hypothesis that political factors, rather than
economic, ethnic and cultural one, were catalyst of Bangladesh revolution.
Chapter –2
From autonomy to secession
1. A brief history about the Muslim rules in India from the late 1200 century to 1957 is described
here.

Women Role in Indian Cinema
| Women
Significant Women Roles in Indian CinemaInnovative women roles in Indian films, especially
mainstream cinema, are few and far between. Some creative directors, working within the
mainstream format, however have given us some meaty characters. Several women–significant
films were made in the early days of Indian cinema like "Achchyut Kanya," which touched the
theme of untouchability. Bimal Roy made a few films inspired by the novels of Sarat Chatterjee like
"Biraj Bou", "Devdas" and "Parineeta." "Biraj Bou" was a film based on a selfless Indian woman,
who endured hardship and pain for the sake of her husband. Films like "Ramer Sumoti," based on a
Sarat Chaterjee work, were remarkable and depicted the love and warmth which ... Show more
content on Helpwriting.net ...
The latest talent on the Kolkata filmmaking scene, Rituparno Ghosh, has women–related subjects as
theme in all three of his award–winning films "Unishe April", "Dahan" and "Asookh" and his latest
"Bariwali" (featuring Kiron Kher). The women characters in the films of Gautam Ghose &
Buddhadeb Dasgupta are equally intriguing. In Gautam Ghose's "Antarjali Jatra" a young bride is
forcibly married off to a dying Brahmin, while marital disharmony was the subject of films like
Buddhadeb Dasgupta's "Griha Yuddha" and "Lal Darja" and Aparna Sen's "Yugant". Sanat
Dasgupta's "Janani" featuring Rupa Ganguly was a poignant Bengali film about a woman who was
ostracized and labeled a "witch," but in the end sacrificed her life for her son.
Ordinary women characters, rising to extraordinary levels, were witnessed in films like Sushant
Mishra's "Aasha" (Oriya), Arinbam Shyam Sharma's "Imagi Ningtem" (Manipuri) and Sanjeev
Hazarika's "Meemansxa" (Assamese). "Aasha" dealt with a courageous lady journalist hounded by
corrupt politicians. "Meemansxa," dealt with the agony faced by a woman when she moves to court
after being molested by

Amit Chaudhuri Diasporic Themes
DIASPORIC CONSCIOUSNESS IN AMIT CHAUDHURI'S "A NEW WORLD"
Abstract
Diaspora is a displacement of a community or individual from one geographical region to another
geographical region. Indian English Fiction is repleted with several instance of diasporic issues
where the artist makes an effective endeavour to present India's rich varied culture, tradition, and
heritage while living in abroad. Like Amit Chaudhuri's fourth novel "A New World" under the
prespective of diasporic issues such as rootlessness, identity crisis, nostalgia, homesickness, conflict
between tradition, and modernity etc., He is not a diaspora writer. Amit Chaudhuri is writing in the
great Bengali tradition. Chaudhuri differ in almost everything realities being portrayed to their
intellectual mooring, narrative concerns and use of language. The central character Jayojit
Chatterjee, ... Show more content on Helpwriting.net ...
The new worlds emerging from such phenomena go beyond the personal, for the country they left
behind is changed as well as the one to which they go. The Indian diaspora contains a high number
of professionals, making for a global expatriate community with a strong measure of influence and
clout. Chaudhuri's novel is a gently told, convincing glimpse into the life of one ordinary non–
resident Indian, stated in deceptively simple, elegantly rendered.
Works cited: Chaudhuri, Amit A New World. Picador, 2000. Ganguly, Dabjani. "Of Unremarkable,
Un–Rushdie–like Lives: the Diasporic 'Local' in the Latest Fiction of Amit Chaudhuri." Crnle
Journal (2000): 84–95. Gokhale, Namita. "The Business of Living." Rev. of "A New World". The
Book Review 24.8 (Aug 2000):35. Gerenin, James. Rev. of "A New World". World Literature Today
75.2 (Spr 2001): 316–317. Khair, Tabish. Rev. of "A New World". Wasafiri 32(Aut 2000):62–64.
http://books.google.co.in/books isbn=339658061.

Critique Of Bhojohari Manna
Oh! Calcutta Located in Mumbai, Delhi, Hyderabad, Bengaluru, Gurgaon and, of course, Kolkata,
this restaurant chain promises to serve the long lost dishes that speak volumes about Kolkata's
Bengali, Nawabi and colonial cuisine. Some may find the prices a bit stiff but the regulars swear by
its 'authentic' style of cooking. Address No.10/3, 4th Floor, Forum Shopping Mall, Elgin Road
Contacts 033–2283 7161 Website http://www.speciality.co.in/ Oh Calcutta Typical IndianLobsters
Bhojohari Manna The restaurant created a stir when they chose to bring to the table long–lost tastes
such as Dak Bangla Chicken and Goalondo Steamer Curry (a mutton dish). The restaurant takes its
name from a song by Manna Dey where he talks about the chef Bhojohari Manna who goes around
the world learning all types of cuisine. The very name of this restaurant – 'Bhojohori Manna' –
brings forth nostalgia in every Bengali, familiar with the popular rendition by Manna De with its
amusing lyrics," Ami Sri Sri Bhojohori Manna" The core founding team includes film director
Goutam Ghose. BesidesKolkata, it is also present in Bengaluru, Mumbai, Siliguri and Puri. The
popularity of their cuisine rests on the recipes of 'pice' hotels which were frequented by all and
sundry even a few decades ago. "Our very first outlet at Hazra, Salt Lake was at Ekdalia and we
worked out from a ... Show more content on Helpwriting.net ...
The Park Circus branch situated right in front of the Park Circus crossing has the best servings in
terms of taste. It is not much expensive. Inside the restaurant, it is difficult to find a person who does
not have a plate of Biryani apart from other dishes. There is no competition faced by this eatery
despite so any other places and it continues to attract people every day. A tip would be to order a
plate of Arsalan Special Biryani. Nothing on earth tastes

Symbols In Mr. Sen, By Mrs. C. Lahiri
Once upon a time, she was a wealthy woman in Bengali, theere, she feed the poor on festival days.
But after came to calcatta, she did not have any wealth, even, she does have good food to eat, wear
dirty clothes and sleep on the old newspapers. Lahiri used ,some metaphors in this story, cocunut
trees, cattle, rosewood and women with saries. Using metaphors described about not only person
and also thing. She has given a plase by the Bengali people and every day, she sleep unter the letter
box. Bengali people of those appartments give her food and other items but still, they considers her
"as a refuge" and she consiter her herself also " an outsider". She feels herself, she has no place in
the world. She faced double trouble, that is, she is not Indian and also belongs to the lower caste.
According to Gayatri C.Spivak, the caste system of India is worse than "racism" of other countries
and calls both India and United states "bad, but in different ways."(13) She interpret her own
identity and class status. Much of her ... Show more content on Helpwriting.net ...
But in her one of the collection, Mrs.Sen's is bviously dealt with the pain of culturaly alienation and
nostalgic feeling of the migrated people in a foriegn land, through out the character Mrs. Sen. She is
the protagonist of the story, mistress of the University professor, a thirty year old home maker. She
migrated from Calcutta to Boston with her husband mistress who teaches in the university of
Boston. This not only the changes of location but also facing the problem of traditional and cultural
conflict where they were migrated as well as they injured by socialy and psychologically causing a
strong sense of lonliness and segregation. Mrs. sen coud not adopt by hostculturalwhere she
missings her own traditional. Lahiri mentioned in an interview that she depicted the character of
Mrs. Sen while in her mind, she keeping about her mother and women of her

Khudiram Bose
–––––––––––––––––––––––––––––––––––––––––––––––––
Khudiram Bose
From Wikipedia, the free encyclopedia | This article needs additional citations for verification.
Please help improve this article by adding citations to reliable sources. Unsourced material may be
challenged and removed.(January 2010) |
| Khudiram Bose | Born | December 3, 1889
Habibpur, Midnapur | Died | 11 August 1908 (aged 18) | Nationality | Indian | Known for | Indian
freedom fighter |
Khudiram Bose (Bengali: ক্ষু দিরাম বসু Khudiram Boshu) (3 December 1889 – 11 August 1908) was
a Bengali revolutionary, one of the youngest revolutionaries early in the Indian independence
movement. At the time of his hanging, he was 18 years, 7 months 11 days old–barely a legal ...
Show more content on Helpwriting.net ...
Immediately after settling down, they started planning and preparing for the attack. They gave
themselves a few days time to closely observe the daily routine, activities and movements of their
target, Kingsford–taking note of his timings at the court, the club and his house. They did not want
to risk the lives of innocent people by making an attack at the court during working hours. That led
to the passing of a few more days, and finally they decided that Kingsford had to be attacked either
during his ride from his house to the club, or vice–versa, when he would be alone. During this time,
the two of them wrote to one of their mentors, Barindra Kumar Ghosh, the eminent revolutionary
and the younger brother of Sri Aurobindo, whenever they needed money, addressing the Barindra
with the code–name "Sukumar" for safety. to assassinate Kingsford, the Calcutta Presidency
Magistrate, and later, magistrate of Muzaffarpur, Bihar.
On the evening of 30 April 1908, the duo waited in front of the gate of the European Club for the
carriage of Kingsford to come. The time was around 8.30 pm. When the carriage came out, they
responded quickly, holding their pistols in one hand as back–up and throwing their bombs. The hit
was a success and the carriage blew up and started burning. The duo immediately left the place,
covered themselves in the darkness, and reached the railways station, where they parted to escape
any suspicion, boarding trains towards opposite directions. But

Analysis Of Lahiri 's The Third And Final Continent
Memory and Relationships in Lahiri's The Third and Final Continent
Each piece of diaspora literature is laced with several underlying themes that make themselves
visible in unique ways. Memory and family are two of these themes that seem to take root in several
pieces. These themes enable the author to add dynamics and depth to anything that they write. A
prime example of these dynamics can be found in Jhumpa Lahiri's The Third and Final Continent.
Lahiri flawlessly uses both of these themes to bring her writing to the next level. In fact, the
relationships, both familial and otherwise, formed in The Third and Final Continent are based
heavily on shared memory and routine. Lahiri proves that shared memories play a huge part in ...
Show more content on Helpwriting.net ...
Luckily, he did not have to overcome his journey alone. Lahiri incorporates his family life in
Calcutta with his family life in America. His life in Calcutta was not the best that it could have been,
he quite literally watched his mother die. He had to take on a mature role in her passing as he
explains that, "and then, because my brother could not bear it, I had assumed the role of the eldest
son and had touched the flame to her temple, to release her tormented soul to heaven," (Lahiri, 5).
All of the familial memories associated with Calcutta seem to be very dark and deep in contrast with
the familial memories the narrator makes in America. Lahiri most likely did this in an effort to show
the bettering and renewal of a life. A very minute detail of this story that resonates deeply would be
the narrator's son. Though he is only mentioned on the last page and not even given a name, he
seems to hold a lot of the weight of the story and underlying themes on his back. The son grows up
fully in Massachusetts and lives life as a Bengali submerged in an American culture. The narrator
grows afraid of his son losing his sense of Bengali pride after the passing of himself and his wife,
Mala, and makes it a point to incorporate Bengali tradition into everyday life as much as possible, as
shown on page 14: "So we drive to Cambridge to visit him, or bring him home for a weekend, so
that he can eat rice with us with his hands, and speak Bengali, things we worry he will no longer do

Analysis Of Jhumpa Lahiri's Novel 'The Namesake'
Jhumpa Lahiri's novel The Namesake (2003) is a culture–oriented, more precisely, a Bengali
diasporic culture–oriented novel. As a diasporic novel it represents the diasporic themes like
displaced, dislocated and deterritorised feelings of the first generation expatriates like Ashima
Ganguli, the female protagonist of the novel; assimilated, translational and transcultural tendency
among the diasporic people, especially among the second generation immigrants in the novel like
Gogol Ganguli, Sonali Ganguli and Moushumi Mazoomdar; a feeling of nostalgia towards the
natal/imaginary homeland by the first generation expatriates like Ashima Ganguli; the community
feeling among the diasporic people; the familial, human relationships within a diasporic family in a
diasporic land and other traits. Ashima Ganguli is moored in diasporic land with her feelings of
rootlessness/uprooting/re–rooting/tracking root and also finds routes to discover her at home in
many homes in the world. The Bengali diasporic cultures are amalgamated dexterously in the
texture of the novel. Lahiri's The Namesake was adapted as a film in 2006, released on March 9,
2007, following screenings at film festivals in Toronto and New York City. The film is directed by
an Indian born filmmaker Mira Nair, living in the US. Sooni Taraporevala adapted the novel into a
screenplay. The film received positive reviews/acclaims from American critics and won 'Love is
Folly International Film Festival' (Bulgaria)–"Golden

The Cultural Capital Of India
ABOUT PHOTOGRAPHY
Photography is the symbolization, science and practice of making tough pictures by recording light
or other electromagnetic radiation, either artificially by method for a light–sensitive material, for
example, photographic film, or electronically by method for a picture sensor. Ordinarily, a lens is
utilized to center the light reflected or emitted from items into a true picture on the light–touchy
surface inside a Polaroid amid a timed introduction. The result in an electronic picture sensor is an
electrical charge at every pixel, which is electronically handled and put away in an advanced picture
document for ensuing show or handling.
The result in a photographic emulsion is an imperceptible inert picture, which is later artificially
"created" into an unmistakable picture, either negative or positive relying upon the reason for the
photographic material and the system for transforming. A negative picture on film is customarily
used to photographically make a positive picture on a paper base, known as a print, either by
utilizing an enlarger or by contact printing.
ABOUT KOLKATA
Kolkata is the Cultural Capital of India. It has long been known for its abstract, aesthetic and
progressive legacy. As the previous capital of India, not just Kolkata, West Bengal was the
origination of present day Indian artistic, masterful and educational thought. Bengalis have a
tendency to have a unique thankfulness for craft and writing; its custom of inviting new ability

Themes Of Ashima
Cultural Dislocation and the Sense of Loss: A Study of Ashima's Predicament in The Namesake
Abstract
Due to increasing urbanization, dislocation and migration, a person's identity is caught up in many
contradictions. While trying to locate oneself in–between their root and their new existence, the
sense of belonging to a particular place often gets blurred. Modern and postmodern fiction bears a
true reflection of this universal human condition in the present world. With the diasporic writers
these issues find the most powerful, striking and convincing expression. Narrating the story of a
Hindu middle–class Bengali couple that settles in the US, Jhumpa Lahiri's The Namesake depicts
the vexing issues of diasporic identities, predicament of assimilation ... Show more content on
Helpwriting.net ...
She chronicles dislocation and its resulting sense of loss in a strikingly powerful manner. She blends
the two cultures and creates inner turmoil for many of her characters who struggle to balance the
Western and Indian influence. To sum up, one must acknowledge that the story beautifully portrays
the postmodern predicament in the multicultural juncture. Ashima's sense of loss and trauma, the
vacuum in her heart, speaks of the universal fate of an immigrant life. Though not easily acceptable,
this painful experience is an inextricable part in expatriate life.
REFERENCES
Asnani, Shyam M. "Identity Crisis of Indian Immigrants: A Study of Three Novels." Writers of the
Indian Diaspora: Theory and Practice. Ed. Jasbir Jain. New Delhi: Rawat Publications, 1998. 73.
Brah, Avter. Cartographies of Diaspora; Contesting Identities. New Delhi: Routledge, 1997.
Indira, S. "Splintered Self: An Approach to Bharati Mukherjee's Wife." Commonwealth Writing: A
Study in Expatriate Experience. Eds. R.K. Dhawan and L.S.R. Krishna Sastry. New Delhi: Prestige
Books, 1994.

The Emergence Of Nationalism In The Nineteenth Century
Introduction: Nationalism is the most potent factor conducting in the political ground. In the
nineteenth century it was almost universally accepted as a injunction for religion. Though in the
middle age religious view had prominent influence but in the first half of 16th century more
emphasis was given to geographic and national unity and field of national sovereign state was
established. At that time strong central national government was established in England, French,
Spain. French revolution has been considered the first emergence of nationalism. On the other hand
Renaissance and Protestant reformation movement significant role in the rise of European
nationalism. "Machiavelli believed that the uniformity of tradition, language and law are the main
element of nationalism" (Ayesuddin,1976, in bengali). Besides these it is also necessary to
understand clearly the implication of the trend of nationalist movement. The recorded history of
Bangladesh is found from around the first century of the Christian era. Until the coming of muslims
in the early 13th century the region was ruled by the Hindu and Buddhist kings. The muslim rule in
Bangladesh began early in the 13th century and continued until the coming of East India Company.
It had been seen a seat of political influence in the history of south Asia, especially 19th and 20th
centuries. All major freedom movements against the British rule and 'Sipahi Bidroha' in 1857, was
the first counterblasts against them by the

Rabindranath Tagore Poem
Rabindranath Tagore (1861–1941) was the youngest son of Debendranath Tagore. Tagore had early
success as a writer in his native Bengal. With his translations of some of his poems he became
rapidly known in the West. In fact his fame attained a luminous height, taking him across continents
on lecture tours and tours of friendship. For the world he became the voice of India's spiritual
heritage and for India, especially for Bengal, he became a great living institution.
Although Tagore wrote successfully in all literary genres, he was first of all a poet. Among his fifty
and odd volumes of poetry are Manasi (1890) , Sonar Tari (1894) , Gitanjali (1910) , and many more
.Gitanjali , Song Offerings (1912), the most acclaimed of them, contains poems from other works
besides its namesake. Tagore's major plays ... Show more content on Helpwriting.net ...
"The frail vessel thou emptiest again and again and fillest it ever with fresh life" . It suggests the
empty and destitute life of a man. Through this symbol the poet means to suggest that life without
the grace of God is as worthless as a pitcher without water. "The day is no more; the shadow is upon
the earth. It is time that I go to the stream to fill my pitcher." Here, the poet is eager to fill the empty
pitcher with virtuous activities. The poet is always afraid that one day when terrible Death knocks at
his door, he will be able to welcome the guest with the full vessel. Rabindrnath Tagore certainly is
one of the greatest poets of the world. His achievement as a poet rests mainly on his English
Gitanjali. Gitanjali is a proof of Tagore's towering genius and marvellous artistic powers. Tagore's
Gitanjali shows apart from many other things, a fine use of symbolism which is a blend of
mysticism and music, religion and poetry. The list of the symbols used by Tagore for explaining the
meaning of the objects, mostly of sublime complexion, is

has picked up from "examinations centred upon...
has picked up from "examinations centred upon Shakespeare's dramatization and Byron's verse or
more all... the extensive hearted progressivism of nineteenth–century English legislative issues. The
disaster, as Tagore saw it, originated from the way that what "was genuinely best in their own
particular development, the maintaining of pride of human connections, has no spot in the British
organization of this nation. If in its place they have made, stick under control, a rule of 'lawfulness,'
or at the end of the day a policeman's principle, such a joke of civilization can assert no appreciation
Rabindranath defied the determinedly patriot structure that the autonomy development frequently
took, and this made him forgo taking an especially ... Show more content on Helpwriting.net ...
In the novel, Nikhil, who is enthusiastic about social change, including ladies' liberation, however
cool to patriotism, steadily loses the regard of his vivacious wife, Bimala, in light of his
disappointment to be eager about against British disturbances, which she sees as an absence of
energetic responsibility. Bimala gets intrigued with Nikhil's patriot companion Sandip, who talks
splendidly and acts with devoted militancy, and she falls head over heels in love for him. Nikhil
declines to change his perspectives: I am eager to serve my nation; yet my love I hold for Right
which is far more stupendous than my nation. To love my nation as a divine being is to carry a
condemnation upon it.
As the story unfolds, Sandip gets irate with some of his comrades for their disappointment to join
the battle as promptly as he supposes they might as well (Some Mohamedan merchants are still
resolute). He orchestrates to manage the recalcitrants by smoldering their pitiful exchanging stocks
and physically striking them. Bimala need to recognize the association between Sandip's energizing
nationalistic assumptions and his partisan – and at last brutal activities. The sensational occasions
that accompany (Nikhil endeavors to help the victimized people, taking a chance with his life)
incorporate the close of Bimala's political sentiment.
This is a troublesome subject, and Satyajit Ray's lovely film of The Home and the World splendidly
carries out

The Book ' The Namesake ' By Jhumpa Lahiri
The Struggle of Find a Cultural Identity
Many people of different ethnicity have passed over many obstacles and difficult experiences where
growing up in a new country has been like a great wall where you cannot exceed to the other side by
much effort can put. Growing up in the United States may differ between types of culture and
education given by parents. Over the years many people like me with double identity can struggle to
be two person at the time where you communicate and experience new cultures in other family or
persons. At home, you are the other person where you communicate with your first native language;
you interact with family regularly with manners, traditions and culture. It 's really difficult to have
two identities and do not know who you really are, in the book "The Namesake" by Jhumpa Lahiri
author, demonstrates the theme of how hard it is to find an identity in America. The protagonist of
the book Gogol, during his childhood went through many difficult stages related to his identity and
find himself like another characters that passed the same way.
Additionally, immigrants have been always tried to live with their same beliefs, traditions, manners,
and food. This may be due to the fact that most immigrants think that they could be betraying the
roots of ethnicity. According to Bagchi, Amitabha and Chatterji, Dejajyoti researches Bengalis
immigration began during the 1950s where the Immigration Act of 1965 opened the doors to many
professionals to

Footwear International
Case Study: Footwear International
Footwear International: Bangladesh – History, Development, and Growth In order to investigate
how a company's can maneuver though present situations it is important to map critical incidents in
its past. Historically, the country in which Footwear International resides, Bangladesh, has seen
major political upheaval in a short period of time. In the 1940s the government transitioned to
British–ruled to that of a providence of Pakistan called East Pakistan. Due to political unrest, in the
early 1970s power transferred again, thanks to the help of India, where they gained independence
and became known as the country of Bangladesh (Lane, Distaefano, & Maznevski, 2006). Despite
their independence, ... Show more content on Helpwriting.net ...
Footwear Bangladesh also employs local businessmen as their Board of Directors who are bound to
help the company abide by Bangladesh laws (Lane, Distaefano, & Maznevski, 2006).
| SWOT Analysis |
|Footwear International: Bangladesh |
|STRENGTHS |WEAKNESSES |
|300 new products introduced annually. |Managing Director of Footwear Bangladesh, John Carlson,
is a foreigner |
|1,800 employees of Bangladeshi decent. |to the country. |
|Financially, a medium contributor within the Footwear organization. |Managers of production,
marketing and sales were also not from |
|Publically traded and largest private–sector foreign investment in the |Bangladesh. |
|country. |Design on insole of shoes changes "often" as a marketing feature. |

The Namesake Short Story
Millions of people immigrate to the United States from various parts of the world. In the Namesake,
Ashoke and Ashima Ganguli moved to America from India. After moving to America, they gave
birth to their two children Gogol and Sonali. In America, the Ganguli family had to face many
obstacles such as language barrier, cultural barrier, and loneliness.
For many immigrants, in America, language barrier is one of the many obstacles that they have to
face. Ashima encountered this barrier when she was at the hospital for Gogol's birth. "Patty smiles, a
little too widely, and suddenly Ashima realizes her error, knows she should have said "fingers" and
"toes."" Ashima realized that she made a mistake. This hurts Ashima because she tried hard to learn
English like many other immigrants. Immigrants not only have to worry about learning another
language but they also have to worry about teaching their kids their native language. Usually, when
people move and have kids in America, the kids have a hard time learning their parent's native
language. Ashima and Ashoke wanted to avoid this problem so they sent Gogol and Sonia to
Bengali language and culture lessons every other Saturday because it failed "to unsettle them that
their children sound just like Americans, expertly conversing in a language that still at times
confounds them in accents they are accustomed not to trust." This shows the language barrier
between the parents and the kids. When Gogol and Sonia speak they sound American

The Between Pakistan And Pakistan
After the battle of Palashi in 1757, the English set their colony throughout the indian sub–continent
and they ruled 190 (1757–1947) years through great colonial impressions. In 1947 due to movement
over all india and their own egarness to free india from their rule they gave the independence as two
sovereign state named india and Pakistan where Pakistan had two parts– east Pakistan (todays
Bangladesh ) and west Pakistan (todays Pakistan) Background of language movement: After the
division, the two sovereign country became separated. Pakistan was consisted with two parts East
Pakistan and West Pakistan with the distance of 5600 square miles, but the two parts were different
from one another in many sectors including regional differences, political dissimilar, religious
belief, economic importance and other sectors. Where East Pakistan was economically more solvent
than West Pakistan and most of the people of west Pakistan were Muslim where the maximum
inhabitants of east Pakistan were Hindu. On the other hand, there were various language talked in
westPakistan, but the common language of east Pakistan was Bengali yet the autocratic ruler of west
Pakistan wanted to make Urdu as the state language of Pakistan, then the political, economic,
language related clashes took places in many times and one of them is the language movement of
1952. The reasons of Language movement: There were many legal reason behind the valiant
movement for language in 1952, they are economic,

The Media Representation Of The Collective Action By...
Statement of Purpose It is essential in an increasingly globalised world, to have a deep
understanding of nation–states, political and economic institutions that govern, and the cultural
backgrounds and values of its citizens. My interest in sociology has thus far entailed studying of the
indigenous communities of Chittagong Hill Tracts (CHT), Bangladesh. For my MA thesis, I propose
to study the media representation of the collective action by the Indigenous nationalism against the
backdrop of Bengali nationalism in CHT. My Master of Social Science (M.S.S) degree in sociology
has developed my skills in interpretation and analysis as well as in constructing reasoned arguments.
I have gathered experience as a social activist and journalist and have also worked with several
Swedish teacher groups in Rural Bangladesh Study Projects. Those projects focused on cultures,
value systems, economic structure, religion, political participation, organizational attachment,
etc.Apart from improving my sense of freedom and work ethic, this has given me numerous
valuable experiences dealing with different type of people and communities. As I believe in citizen
rights, I am immensely interested in community backgrounds, their political history, cultural
diversities and interactions towards others. I have keenly observed community problems and various
forms of collective actions like political movements as well as armed resistance. My experience as a
media employee enlightened me about

Common Themes In The House Of The Scorpions
In the novel House of the Scorpions by Nancy Farmer, the memoir, Where Am I Wearing by Kelsey
Timmerman, and the short story The Scholarship Jacket by Martha Salinas, the common theme is
that a person is always a person, no matter their wealth, their skin color, or even their birth
circumstances. In the House of the Scorpions, an instance that shows this is when Matt finally
listens to what all of his friends have been telling him, about how he is not inferior to them. Another
example that accentuates the theme from Where Am I Wearing is where the reader learns about the
terrible conditions Bangladeshi workers have to suffer through. A final example of the theme in The
Scholarship Jacket is when Martha is denied the jacket because she's poor and Mexican. A common
theme similarly found in The House of the Scorpions by Nancy Farmer, The Scholarship Jacket by
Martha Salinas, and Where Am I Wearing by Kelsey Timmerman is that everyone is human, no
matter their financial status, ethnicity, not to mention circumstances of birth, and all deserve to be
treated the same. In the novel, The House of the Scorpions, an example of how the theme is aptly
portrayed is when Matt understands that he is not inferior to other humans because he is a clone. A
quote from this moment states, "Matt had to swallow hard to keep the tears from rolling down his
face. He wasn't alone after all. With friends like these, he would triumph, as El Patron had
triumphed over death and poverty and death so

Essay on How My Spoken Language Changes in Different...
Spoken Language Although I have my own idiolect, the way I speak constantly changes. This is
because I try to adapt my spoken language to suit the situation I am in. There are many reasons for
why I try to adapt my spoken language some of the main reasons being that I am fearful of the
judgements and perceptions that others may make because of the way I speak also being afraid of
exclusion or not being able to fit in and sometimes I feel pressurised into speaking in a certain way.
With my parents I often codeswitch between Bengali (my mother tongue) and English. 'Aboo money
lagé' (Dad I need money). Notice how I go from speaking Bengali to English and then once more
back to Bengali. I use more Bengali to show my parents that even ... Show more content on
Helpwriting.net ...
This is to show my parents that I am in touch with me Muslim heritage, and to show that I am proud
of my religion. Also by using Arabic terms it shows my parents that I enjoy learning and practising
my religion which in turn would make them proud. However when I am at school, it is a different
context so I automatically change the way I speak. For example I use phatic talk, which I would
never use in front of my parents because it would show that I am lazy and I am not bothered about
the way I speak. However I use it now to show my friends that I am relaxed and do not take things
too seriously which is a good thing in this context as it makes me seem 'cool'. Also sometimes I use
slang words when speaking with my friends. The slang words I use are usually words I pick up from
friends. I use these words when I am speaking so I feel closer to them and l accepted, as I speak like
one of them. I would never use slang in front of my parents because of the way I fear they may see
me. In culture using slang words gives the impression that you are unintelligent and uneducated.
However these stereotypical views are also view that I fear my friends may have if I was to speak in
my mother tongue Bengali. Although we all speak it I find it difficult because my friends may see
me as what society calls today a 'freshi'. A word used to describe illiterate and uneducated people.
When I speak with my friends we all usually speak informal.

The Strengths Of Sita In Ramayana
Traditionally, a woman has been called 'abala'. In Sanskrit and many other Indian languages 'bala'
means strength and 'abala' means one without strength. If by strength we do not mean brutish
strength, but strength of character, steadfastness, endurance, she should be called 'sabala', strong.
When a woman, whom we call 'abala', becomes 'sabala', all those who are helpless will become
powerful. Such empowering may not be bestowed upon them by legislation or assistance only
offered by men. The women who think of themselves as weak must gather strength to survive with
self–esteem. In all branches of folk literature and Bengali literature, we see that the Bengali women
are 'abala', helpless, deprived of their basic rights and tortured ... Show more content on
Helpwriting.net ...
Nazrul expected that women would break up their veils and chains into pieces and come out raising
the voice against all forms of discriminatory issues regarding men and women. It may be stated here
that though Rokeya's dream is unflinching and time–winning, many instances in South
Asia especially in Bangladesh augment depression. We may refer to the harrowing story of Arzina
who became the victim of the claws of her husband. The story was published in The Daily Star on 6
August 2008:
Her husband, Kamruzzaman Kamu, who teaches at a college, set fire to Arzina chasing in the
kitchen and locked the room to ensure death. Before being freed with the help of neighbors, she had
already 57% burns of her body. Suffering serious burns in her face, breast, abdomen, both arms,
back and part of thighs and struggling for life at DMCH, Arzina, a master in Geography from
Rajshahi College who passed the 27 th BCS exams in 2007, turned a victim of a beast incarnate.
(Ashraf and Mollah 16)
As Arzina raised her voice against her husband's adultery, she had to face a holocaust like this.
Arzina is fit educationally and free economically; she has educated herself in higher institution. Yet
she can not escape

Essay On Sri Aurobindo
Political Life
Sri Aurobindo's life can be divided into two clear phases. The first relates to political activism and
the second to spiritual activism.
Aurobindo's political career lasted only four years, from 1906 to 1910. Though he had been active
behind the scene surveying, organizing and supporting the nationalist cause, ever since his return to
India, especially during his excursions to Bengal.
In 1905 an event occurred that changed the course of Indian history and the freedom movement.
This was the Partition of Bengal by Lord Curzon, known as Banga bhanga, which immediately
created a tremendous reaction in the whole of India and particularly in Bengal. The whole of Bengal
galvanised into activity.
Sri Aurobindo resigned his job in Baroda and moved to Calcutta. For five years, from 1905 to 1910,
he shone like a meteor in ... Show more content on Helpwriting.net ...
Having returned to India to join the Baroda service, Sri Aurobindo immediately set about writing on
politics. A brilliant writer, his first series of articles was published in a journal called Indu Prakash,
in which he castigated the moderate leadership of the Congress. He said that their policy of prayer,
petition and protest would lead nowhere. What was needed was a revolutionary movement against
the British. A born revolutionary, Sri Aurobindo revolted against the British and the Congress
leadership
This change was affected by the advent of the aggressive nationalist thought of Lokmanya Tilak
who declared that swaraj was his birthright and Bipin Chandra Pal who demanded "complete
autonomy" from Britain. However none went as far as Aurobindo in articulating the legitimacy and
necessity of complete independence. He "based his claim for freedom for India on the inherent right
to freedom, not on any charge of misgovernment or

Hannah Seneesh Research Paper
Hannah Senesh was born in Budapest, Hungary, on July 17, 1921. She had a younger brother and
her parents were an author and a journalist. She was always very talented in writing. Throughout her
life, she kept a diary and wrote many poems. She was Jewish, and in 1939, she moved to Israel with
her brother because of anti–semitism in Hungary. In Israel, she attended an agricultural school, and
later settled at the Kibbutz Sdot Yam. Hannah Senesh was brave, and stood her ground for what she
thought was right. She did what she knew what good for other people, even if it hurt her. In 1943,
Hannah Senesh joined the British Army. She volunteered to be parachuted into Europe to help
Jewish communities under siege. She was one of 33 people chosen to

Analysis Of Jhumpa Lahiri 's The Namesake The Question Raises
A cultural identity is something that in a way defines who we are to other people. Cultural and
ethnic identity is not only our background, it also showcases our parents and relatives background
which connects us through familiarity of customs. In Jhumpa Lahiri's The Namesake the question
raises, does one's cultural identity change? In this formal writing I will discuss Ashima's journey
through life and how she came to accept America and its customs. Ashima Ganguli is the mother of
our protagonist Gogol and one of the more interesting characters in the book. Ashima is a typical
Bengali in a sense of staying loyal to her customs and way of life. She grew up in Calcutta where
she was pursuing a college degree before she was married to Ashoke. Ashima was 19 at the time she
met Ashoke, "the third in as many months," marriage meeting which her mother set up for the slight
chance she would marry. Ashoke was different from the others, the way he dressed and presented
himself was foreign to her. Ashoke's shoes opened a bit of curiosity within Ashima when she saw
them. Ashima stated, "she noticed... a pair of men's shoes that were not like any she'd seen on the
streets, trams and buses of Calcutta... she saw the size... and the initials U.S.A... unable to resist a
sudden and overwhelming urge, stepped into the shoes at her feet." Ashima was unable to resist the
foreign element that Ashoke had around him. Quickly after meeting him, she was married and,
"eight thousand miles away in

International Mother Language Day
Our Mother Language Day
(21st February)
UNESCO's declaration of 21st February as the International Mother Language Day has brought
fresh glory and prestige to Bangladesh which is making significant strides towards peace, progress
and prosperity at home and discharging international obligations abroad. After 1952, the people of
Bangladesh have been observing every year the 21st day of February as their glorious and
unforgettable Language Martyrs Day. What happened on 21st February 1952 is widely known. Still
let us very briefly recount the fateful happenings of that day and the circumstances that led to and
followed them.
In August 1947, a new state called Pakistan, comprising two far–flung wings in the west and east,
separated by ... Show more content on Helpwriting.net ...
Yet so long, it has been mainly a national event of Bangladesh. But with the declaration of 21st
February as the International Mother Language Day, it has transcended the national borders of
Bangladesh and acquired an international significance and a global dimension.
International Mother Language Day is particularly significant in the sense that it has a cultural
importance. From now on, 21st February – so long observed in Bangladesh as the Bangla Language
Martyrs' Day – will be observed here simultaneously as the Bangla Language Martyrs' Day and the
International Mother Language Day. And in nearly 200 countries of the world, various peoples
speaking various languages and belonging to various national cultures will observe 21st February as
the International Mother Language Day. They will naturally celebrate their own mother languages,
but while doing so, it is more than likely that they will refer to Bangladesh and the Language
Movement launched by her people that reached a climactic point on 21st February 1952.
The declaration made by the UNESCO in November 1999 designating 21st February as the
International Mother Language Day has placed Bangladesh on the cultural map of the world with a
highly positive image. We, people of Bangladesh, should now do all that we can to further develop
our mother language Bangla in all branches of knowledge so that it can play a worthy role in the
community of world languages. We shall love, cherish and promote Bangla,

Does Film Play An Important Role On The Way People...
ABSTRACT:
Religion often plays an important role in film, but does film play an important role in religion?
Perhaps the better question is, "Does film play an important role in the way people understand
religious concepts? And the answer to these questions is YES. Films or movies do play an important
role in shaping the mind sets of people in a certain way. There are various traditions and beliefs that
have been followed by Hindu Indians since ancient times. Also, many movies are made based on
these customs and traditions which are mentioned below in the article. Also, religion is present.
There are many religion–based movies made and these movies also receive a good response from
the people. But, like a coin has two sides, similarly there are also negative effects of these. People
also opposed to some parts of the movie made on it. But the main thing that they DO AFFECT the
society.
All this is included in this article. And not only religion but also other areas like culture, rituals,
customs, traditions, family, etc is shown through movies and all these are also as important as
religion and which play a significant role in movies... History of Indian Cinema
The Indian film industry is the largest in the world in terms of ticket sales and number of films
produced annually (877 feature films and 1177 short films were released in the year 2003 alone).
India accounts for 73% of movie admissions in the Asia–Pacific region, and earnings are currently
estimated at US$8.9

Culture of Bangladesh
 Introduction to the country: "Bangladesh" is a combination of the Bengali words, Bangla and
Desh, meaning the country or land where the Bangla language is spoken. The country formerly was
known as East Pakistan.  What is Culture: o The set of shared attitudes, values, goals, and
practices that characterizes an institution, organization or group. o The sum of attitudes, customs,
and beliefs that distinguishes one group of people from another. o Culture has been taken as
constituting the way of life of an entire society, including the codes of manners, language, rituals,
norms of behavior, and systems of belief.  Geographical location of Bangladesh: Bangladesh, a
country in South Asia, bordering the ... Show more content on Helpwriting.net ...
Language differences mirror social and religious divisions. Bangla is divided into two fairly distinct
forms: sadhu basha, learned or formal language, and cholit basha, common language. Sadhu basha is
the language of the literate tradition, formal essays and poetry, and the well educated Cholit basha is
the spoken vernacular, the language of the great majority of Bengalis. There are also small usage
variations between Muslims and Hindus, along with minor vocabulary differences.  Symbolism:
The most important symbol of national identity is the Bangla language. The flag is a dark green
rectangle with a red circle just left of center. Green symbolizes the trees and fields of the
countryside; red represents the rising sun and the blood spilled in the 1971 war for liberation. The
national anthem was taken from a poem by Nobel laureate Rabindranath Tagore and links a love of
the natural realm and land with the national identity.  Food in daily life: Rice and fish are the
foundation of the diet; a day without a meal with rice is nearly inconceivable. Fish, meats, poultry,
and vegetables are cooked in spicy curry ( torkari ) sauces that incorporate cumin, coriander, cloves,
cinnamon, garlic, and other spices. Muslims do not consume pork and Hindus do not consume beef.
Increasingly common is the preparation of ruti, a whole wheat circular flatbread, in the morning,
which is eaten with curries from the

Ideas: The Devdas Metaphor
Devdas as the word comes to mind it conjures up the visage of a haggard, world–weary, lovelorn
soul, driving himself to drink and hurtling on relentlessly on the path to self–destruction. The
'Devdas Metaphor', a time–honoured, enduring tragic symbol of unfulfilled love, has captivated
readers and film–going audiences for the better part of a century now. Devdas has several
adaptations and translations and therefore it is good to look at the specific ways in which the Devdas
metaphor has engaged our imagination over several generations. Saratchandra Chattopadhyay's
Devdas was published in Bengali in 1917. It was also a time when the forty–year old writer has just
experienced his meteoric rise to fame. Saratchandra Chattopadhyay ... Show more content on
Helpwriting.net ...
The first official screen adaptation, a 1928 silent film directed by Naresh Chandra Mitra starring
Phani Sharma. However, in 1935 came Bengali film directed by Pramathesh Barua. It stars Barua
himself as Devdas and he even succeed in making the impact as the love–torn tragic hero. Barua
followed the success of the 1935 Bengali version with a Hindi adaptation the following year in 1936
starring K.L.Saigal. Further there was last of three language versions, by Barua first being in
Bengali and the second in hindi and the third one in Assamese in 1937 starring Phani Sharma. Then
Devadasu a 1953 film directed by Vedantam Raghavaiah, film was shot simultaneously in Telgu and
Tamil with slightly different casts. The most prominent version after Barua's masterpiece was
undoubtedly Bimal Roy's 1955 Hindi film, starring Dilip Kumar in title role, Vyjayanthimala as
Chandramukhi and Suchitra Sen as Parvati in lead (which followed the novel closely) and
considered by many to be the most faithful adaptation of the novella is still considered a classic of
the celluloid screen. The power and effectiveness of the early scenes between Devdas and Parvati,
are the scene where she proposes marriage to him, or their meeting on the riverbank just before her
marriage enhanced drama by some telling touches– that blows out during Devdas's last talk with
Parvati, signaling the closing of their days, even as Devdas asks her chillingly futile question, "Can
you run away with me tonight"; or the scenes between Devdas and Chandramukhi are etched out so
beautifully that it seems equivalent as reading novel. In 1965 Devdas an Urdu film, directed by
Kawaja

The Idea Of Nationalism And The Indigo Planting Mirror
Introduction on The idea of nationalism in the colonial world in Deenabandhu Mitra's Neel –Darpan
Neel Darpan; or The Indigo Planting Mirror is a Bengali play written by Dinabandhu
Mitra in 1858–1859. The play was essential to Neelbidraha, or Indigo revolt of
February– March 1859 in Bengal, when farmers refused to plant indigo in their fields as a protest
against exploitative farming under the British Raj.
The preface to the play addresses the numerous indigo planters who are offered the neel darpan (the
indigo mirror), 'so that they may take a look reflected in it'. In this play it reflects the social, political
and economic situations affected by the tyranny of the indigo planters which exploits the Indian
peasants.
The play is based on Mitra's experience as a postmaster in rural areas of Orissa and
Bengal. He saw the indigo farmer's oppression very closely. The trials of the peasants were not only
unjust but inhuman and exploitative in nature. Mitra wrote this play to raise a voice against the
indigo planters, jamindars and British officials. Gradually the message spread all around and the
voices of the peasants became the voice of the masses against the imperialism. This play's central
theme is the exploitation of

West Pakistan Genocide
"Kill three million of them, and the rest will eat out of our hands" (qtd. in Hensher). In keeping with
this declaration of General Yahya Khan, West Pakistani soldiers began a campaign in 1971 to torture
and kill millions of Bengalis and Hindus in East Pakistan. West Pakistan had significant concerns
regarding the unrest of the independence movement in East Pakistan, and had decided to halt the
protests by force. After the first attacks at Dhaka University on the night of March 25, 1971, until
the surrender of Pakistani forces to the Indian military on December 16, West Pakistan succeeded in
their plan to inflict extreme suffering on the Bengali ethnicity. The East Pakistan genocide of 1971
involving West and East Pakistan was a result of the ... Show more content on Helpwriting.net ...
Instead of brutally exterminating nearly three million people, West Pakistan should have sought
non–violent negotiations to defuse the tense situation in East Pakistan. Also, outside powers such as
the US could have discontinued their support of West Pakistan and condemned the horrific events in
East Pakistan to discourage the perpetrators of the genocide. In the future, international cooperation
and diplomacy must be implemented to prevent the extreme suffering of millions of people and halt
the causes of genocide before murder and military intervention are necessary. Currently, one
particular conflict strongly resembles the East Pakistan genocide, namely the war in Syria. The civil
war in Syria has caused 60,000 deaths, mostly rebel soldiers and Sunni civilians, as the oppressive
government of Bashar al–Assad continues to halt uprisings and murder citizens (Genocide Watch).
In order to stop further suffering, determined international negotiations and increased understanding
between religious groups will be necessary. Situations such as the events in Syria often begin with
events in which a group of people are viewed as inferior and unworthy of living. In the East
Pakistan genocide, these events were evident through the statements of the main perpetrators such as
Yahya Khan, as they portrayed the Bengalis as lesser beings and unworthy of living. In order to
prevent senseless suffering and the countless loss of lives in the future, and also to ensure a
successful and harmonious society, individuals must accept the differences of others, and regard all
people as equally deserving of a fulfilling

Adapting Culture Shock By Noah Webster
Mannat Shukla
Dr. Andrea Bell
English 202
07 December 2014 Adapting To Culture Shock
According to Noah Webster, "Culture means the customary beliefs, social forms, and material traits
of a racial, religious, or social group also the characteristic features of everyday existence shared by
people in a place or time." When people accustomed to a particular culture enter a foreign land with
different practice, they are bound to experience cultural shock. Culture shock is personal
incomprehension a person may feel or experience when in an unfamiliar culture or way of life as a
result of a visit to a new place or immigration. It is most prominent among immigrants. As Paul
Pederson has mentioned in his book, "It is a process that an individual undergoes in experiencing a
new environment; it can be categorized into five stages, the honeymoon stage, the disintegration
stage, the reintegration stage, the autonomy stage and the interdependence stage." And according to
John J. Macionis and Linda Gerber, "The common problems associated with it are language barrier,
generation gap, homesickness, information overload, boredom, technology gap and cultural
response ability among many others." Cultural differences affect individuals differently. Therefore,
there is no definite way of preventing culture shock. Jhumpa Lahiri in her work The Namesake very
beautifully depicts the journey of Ganguly family in order to throw light upon the

Application Of A Handwriting From A
Abstract :
The Objective of this project is to recognise english handwriting from a given document image. In
this report we have used 40point feature extraction to extract pattern from the characters and then
use this data to train artificial neural network.This system is very successful in recognition of
handwritten characters. Hence this system will be suitable to convert handwritten text into text
document.
Introduction :
Optical Character Recognition is one of the most researching field in recent years. It has numerous
applications in the field of automation and advancement of machine interface with man.
Handwritten recognition is one of the challenging and fascinating area for research in Optical
Character Recognition. Online and Offline are two modes for handwritten recognition. In Offline
method, writing is captured by scanner and final text is formed. The data formed from 40point
feature extraction is used to feed artificial neural network to train it and produce more accurate
result. Several applications such as document reading, mail sorting, postal address recognition and
bank processing require offline handwritten recognition. As a result, offline method is very active
area for research for more accurate solutions. In this project we used english alphabet characters to
train artificial neural network and test its accuracy of character recognition.
Previous Works :
In recent years, many research papers have been published in the field of optical character

The Cultural Appreciation Of A Tribute Syed Rabius Shams...
Bernicat's Cultural Appreciation to BD: A tribute Syed Rabius Shams Ambassador Marcia Stephens
Bloom Bernicat was designated to emissary to Bangladesh in 2014 as the 15th US Ambassador
Extraordinary and Plenipotentiary (Officially titled) nominated by President Barack Obama. Her
Excellency arrived in Dhaka on January 25, 2015 and presented her credentials to President Md.
Abdul Hamid on February 4. That's the start of her diplomatic assignment in this country. With
regard to the envoy's Public Diplomacy effort, she has been greeting in Bangla and wearing sarees
in several occasions that have notched into peoples ' minds. The Diplomat's first appearance that
spotlighted by Bangladeshi Media when she attended in BNP chief Begum Khaleda Zia's Eid–ul–
Fitr greetings exchange programme and she turned up donning a saree held at the Bangabandhu
International Conference Centre in next to her arrival year 2016 (July 16). Begum Khaleda praised
the envoy saying that she looked amazing. Marcia Bernicat also admired Khaleda's cream color
saree. Earlier, on the day she also met and greeted President Abdul Hamid adorning the same green
colored saree. Ms. Marcia Bernicat also came on public eye on February 21, the International
Mother Language Day, this year through the US Embassy's video honouring language martyrs. In
the footage, the American staff honoured those who sacrificed their lives to preserve the Bangla
language. They wished the people of the country saying 'Amar Ekushey'

Renaissance Dbq
Renaissance DBQ During the Renaissance time period, each man and woman needed to strive to
meet the "ideal" image that was expected by society. If this image was not met, the person would be
judged by society. Both males and females had different goals that they needed to meet in education,
as well as in their lives. While there was an "ideal" image, some people disagreed with them. There
was always a distinct role for both women and men, but within those roles, there could be
controversy. The most controversy could occur over the education that the males and females were
getting, there were clear roles and ideals for men and women in the beginning of the Renaissance
time period, but as time went on, people became more skeptical of the ... Show more content on
Helpwriting.net ...
There were certain aspects of learning that he emphasized more than the others. Not only did he
focus on major works that the people should know but also on "...writing in verse and prose..." (3)
Castiglione had the ideal image in his mind of exactly what people needed to be and the way they
should act. When he said this, it was greatly respected because of his writing of his well–known
conduct book. However, people began to veer away from this ideal of a needed education; it became
a major change for society. Later on, in the Letter to the Parlement of Dijon concerning the
reopening of a French Jesuit school, it was explicitly said that all men do not need an education.
Some men need to do work that is not based off of education; they need to do the basics that make
society properly function. "The study of literature is appropriate only to a small minority of men."
This statement explicitly says that an education is not for everyone, boldly going against
Castiglione. (11) This was a bold statement to make, because it showed a drastic change in people's
point of view of a proper man. Along with saying not all people needed to be educated, there was
also the vast criticism of the school system and the way it was teaching. The concepts being learned
in school needed to be more readily applied into real life situations, and this did not seem to be the
true goal. (8) While there was vast change in the view of the education of

Critical Analysis Of Gitanjali
Monika Pareek
Professor Smita Gandotra
Modern Indian Writing in English Translation
31st March, 2016
Tagore's Gitanjali: Experiments in Modern Indian Poetry India's struggle for Independence had
acquired a new dimension with the Revolt of 1857 and at around the same time, in 1861, one of
India's most celebrated poets Rabindranath Tagore was born in Bengal. The time in which Tagore is
born and later begins his literary career becomes important in understanding the politics of his
writing; the poets and writers who wrote before him and also how he begins to experiment with the
forms, styles and images in modern Indian poetry. This paper seeks to explore the relationship
between the time in which Tagore is writing, specifically with reference ... Show more content on
Helpwriting.net ...
This frail vessel thou emptiest again and again, and fillest it ever with fresh life.
The human body is a temple of the soul, the human soul is temple of God. The human soul has no
significance unless it is inhibited of "filled" by the Supreme. Birth and death are but the filling and
emptying of the soul by the Supreme, and the individual, insignificant as he may seem to be, in this
way partakes of God's endless life, His immortality. Hence sings Tagore:
This little flute of a reed thou hast carried over hills and dales, and hast breathed through it melodies
eternally new.
For Tagore, the lifeless flute comes to life when the Lord of Brindavan plays it – forever piping
songs that are forever new. The human soul is not only God's temple, it is also Krishna's flute. Life's
vicissitudes are but new melodies played by the Lord. The poet, therefore, concludes –
At the immortal touch of thy hands my little heart loses its limit in joy and gives birth to utterance
ineffable.
Thy infinite gifts come to me only on these very small hands of mine. Ages pass and still thou
pourest, and still there is room to

Devdas Metaphor Essay
Devdas as the word comes to mind it conjures up the visage of a haggard, world–weary, lovelorn
soul, driving himself to drink and hurtling on relentlessly on the path to self–destruction. The
'Devdas Metaphor', a time–honoured, enduring tragic symbol of unfulfilled love, has captivated
readers and film–going audiences for the better part of a century now. Devdas has several
adaptations and translations and therefore it is good to look at the specific ways in which the Devdas
metaphor has engaged our imagination over several generations. Saratchandra Chattopadhyay's
Devdas was published in Bengali in 1917. It was also a time when the forty–year old writer has just
experienced his meteoric rise to fame. Saratchandra Chattopadhyay ... Show more content on
Helpwriting.net ...
The first official screen adaptation, a 1928 silent film directed by Naresh Chandra Mitra starring
Phani Sharma. However, in 1935 came Bengali film directed by Pramathesh Barua. It stars Barua
himself as Devdas and he even succeed in making the impact as the love–torn tragic hero. Barua
followed the success of the 1935 Bengali version with a Hindi adaptation the following year in 1936
starring K.L.Saigal. Further there was last of three language versions, by Barua first being in
Bengali and the second in hindi and the third one in Assamese in 1937 starring Phani Sharma. Then
Devadasu a 1953 film directed by Vedantam Raghavaiah, film was shot simultaneously in Telgu and
Tamil with slightly different casts. The most prominent version after Barua's masterpiece was
undoubtedly Bimal Roy's 1955 Hindi film, starring Dilip Kumar in title role, Vyjayanthimala as
Chandramukhi and Suchitra Sen as Parvati in lead (which followed the novel closely) and
considered by many to be the most faithful adaptation of the novella is still considered a classic of
the celluloid screen. The power and effectiveness of the early scenes between Devdas and Parvati,

Analysis Of Kobitar Khoje 's Goal
Kobitar Khoje's goal is to encourage and motivate young poets through releasing a solo album of
their poems by an eminent recitation Artist. The event will patronize these poetry enthusiasts by
offering them big platform and canvas, simultaneously the opportunity to record their recitation
poem and publish in CD along with publishing a souvenir with your biographic information. This
will be a bridge between young poets and eminent poets. The criteria of poems will be Love,
creation, rebel, independence and native.
Such kind of first–ever opportunity will give young poets to flourish their skill and make them feel
deep magnetism on the writing art that profoundly affected their poems. Nowadays, the practice of
poem writing is becoming increasingly popular day by day. There are lots of young and energetic
poem writers in and around the Bangladesh. But, they do not have platform and canvas for blooming
their skills. So, they might be loose their hope and faith on writing motivation. In this circumstance,
Kobitar Khoje's initiative may bring betterment in the cultural ecosystem in Bangladesh. We see that
all the poem recitation CD albums are released with the poetry of famous poets. This time, we are
working to promote the young and new poets to encourage them in their writes. The poems should
be in Bengali Language. We have planned to publish 1000 CDs with small booklet and 1000
souvenir and we expect that this will lead to development and encourage 100 young and new

Role Of Fatma Begum
Bengal could show the way to lessen gender imbalance in Indian film industry One might not have
heard the name of Fatma Begum. Indeed, she isn't quite the household name. But her achievement
as the very first Indian woman to ever single–handedly direct a movie is engraved in stone, and will
always be. The year was 1926, at a time when world cinema was still experimenting with the
science and technology of motion pictures. Indian cinema had already taken long strides by then, but
produced only acting roles for women. Yet, breaking the mould, Fatma Begum established her own
production company – Fatma Films – and went on to direct Bulbule Paristan! Perhaps without even
realising the effect of her achievement, Fatma laid the foundation stone for a generation of women,
who sought to be employed by the burgeoning film industry in a role other than that of an actress.
The Southern film industry – encompassing three major languages: Tamil, Telugu, and Kannada –
did not see its own female–driven films until the 1960s, when Savitri Ganesan – the spouse of the
iconic Gemini Ganesan – directed Chinnari Papalu. When one reads about it, it seems like a rosy
story. But women had to make unimaginable strides and struggles to even tread on the path that was
paved by Fatma Begum forty years earlier. Savitri Ganesan herself ... Show more content on
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And the other industries have been graciously receptive of the quality of art that is produced by
Bengali makers. It is important that the entire country learns to accept the strides that the women
filmmakers of Bengal have made, and only have a more sustained belief in their own daughters.
Move over the days where women were only meant to be actresses, models and item number girls.
It's high time women are given the opportunities that men have considered a

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