Trailer analysis
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1) The trailer is for the horror film "Insidious Chapter 2" and promotes a supernatural story of a family whose home is terrorized by an evil spirit possessing the father. 2) Various scenes from the trailer use music, camerawork, and on-screen text to set an atmosphere of tension, fear, and a looming threat to the family by contrasting happiness with darkness and danger. 3) Quick cuts, scary imagery, and loud sounds in the latter half of the trailer work to startle and adrenalize the audience in order to attract their interest in the film's secret and what the evil spirit wants.
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Trailer analysis
1) The trailer is for the horror film "Insidious Chapter 2" and promotes a story where an evil spirit possesses a father and turns their family home into a terrifying place.
2) The trailer uses ominous music, jump scares, and cryptic text overlays to build tension and mystery about what secret threat the family faces from the supernatural entity.
3) Fast-paced editing, dark cinematography, and unsettling sounds and voices are employed to frighten and intrigue the audience, culminating in a loud sting that reveals the film's Friday the 13th release date and leaves viewers unsettled.
The conjuring analysis
The document provides an analysis of the trailer for the horror film "The Conjuring". It summarizes the film's storyline, about paranormal investigators Ed and Lorraine Warren helping a family dealing with demonic activity in their new home. It then analyzes aspects of the trailer, including its 53 cuts, use of music and sound to build tension, and cinematography and editing to create an intense atmosphere. Key elements like darkness, children's laughter and a jump scare involving hands on a woman's shoulders left a lasting impression on audiences.
Presentation3
The trailer is divided into three sections that build tension. In the first section, ending at 0.33, the music stops when a wardrobe door opens, giving the first glimpse of the haunting presence. In the second section, picture frames fall and the director's past works are shown. The woman is then engulfed in darkness as she screams, leaving the audience curious. Heavy breathing is heard during a child's game, building anticipation of a supernatural discovery.
My chosen movie genre 1
The document provides an analysis of three horror movie trailers: The Blair Witch Project, Insidious, and The Woman in Black. It summarizes the key techniques each trailer uses to scare audiences and make them want to watch the full movie, such as using dark colors, a fearful voiceover, quick cuts between scary scenes and loud music. The document examines how these elements build tension, fear and excitement in viewers. It also notes the intended target audiences for each trailer based on their scare factors.
Opening sequence analysis 2
The opening sequence of the film Scream establishes an atmosphere of horror and tension. It begins with the movie title against a black background in jagged white text with added visual effects like flashing red and the sound of a heartbeat. The first scene shows a woman answering the phone at home while wearing casual clothes, speaking to an unknown caller with a deep voice. As the conversation continues, the atmosphere becomes more unsettling with strange noises and the revelation that the caller is watching her. Camera techniques like close-ups, zooms and pans track her increasing fear and sense of being threatened by someone outside her home.
Shontelle impossible
The video tells a narrative story of a relationship that has ended. It shows the singer arriving alone at a new place and experiencing unhappy memories through a series of flashbacks to happier times with her ex-boyfriend. These are contrasted with shots of her upset while looking out a window or writing in a diary. The video climaxes with an argument between the couple before ending with the singer leaving a CD and kissing her ex while he sleeps, taking a final look at a photo of them together before walking away.
Annie
The document analyzes techniques used in movie trailers for Wonder Woman, The Other Woman, and Baby Driver. It discusses how the trailers build tension and excitement through increasing the pace of non-diegetic music, editing shots to drum beats, using dialogue to bridge scenes, and including revealing dialogue to hint at the plot without fully explaining it. Transitional techniques like fades, flashes, and slides between scenes are also analyzed for their effectiveness. Overall, the document finds that pacing, music, and selective revealing of information through editing and transitions are key components of compelling movie trailers across genres.
The woman in black
The opening scene of the film The Woman in Black introduces mystery and fear. It shows three young girls mysteriously and suddenly kill themselves for no apparent reason, leaving the viewer on edge. This scene sets up the central plot of the film - unexplained deaths of children. While it does not reveal characters or backstories, it hints at links between the girls, the main characters, and the ghost of the Woman in Black, who is responsible for the deaths. The scene uses unsettling music and the strange behavior of the girls to build tension and signal to the viewer that this is a horror film. It hooks the viewer by leaving them with mixed emotions and many questions about what will be explained, keeping them invested to find out
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Trailer analysis
1) The trailer is for the horror film "Insidious Chapter 2" and promotes a story where an evil spirit possesses a father and turns their family home into a terrifying place.
2) The trailer uses ominous music, jump scares, and cryptic text overlays to build tension and mystery about what secret threat the family faces from the supernatural entity.
3) Fast-paced editing, dark cinematography, and unsettling sounds and voices are employed to frighten and intrigue the audience, culminating in a loud sting that reveals the film's Friday the 13th release date and leaves viewers unsettled.
The conjuring analysis
The document provides an analysis of the trailer for the horror film "The Conjuring". It summarizes the film's storyline, about paranormal investigators Ed and Lorraine Warren helping a family dealing with demonic activity in their new home. It then analyzes aspects of the trailer, including its 53 cuts, use of music and sound to build tension, and cinematography and editing to create an intense atmosphere. Key elements like darkness, children's laughter and a jump scare involving hands on a woman's shoulders left a lasting impression on audiences.
Presentation3
The trailer is divided into three sections that build tension. In the first section, ending at 0.33, the music stops when a wardrobe door opens, giving the first glimpse of the haunting presence. In the second section, picture frames fall and the director's past works are shown. The woman is then engulfed in darkness as she screams, leaving the audience curious. Heavy breathing is heard during a child's game, building anticipation of a supernatural discovery.
My chosen movie genre 1
The document provides an analysis of three horror movie trailers: The Blair Witch Project, Insidious, and The Woman in Black. It summarizes the key techniques each trailer uses to scare audiences and make them want to watch the full movie, such as using dark colors, a fearful voiceover, quick cuts between scary scenes and loud music. The document examines how these elements build tension, fear and excitement in viewers. It also notes the intended target audiences for each trailer based on their scare factors.
Opening sequence analysis 2
The opening sequence of the film Scream establishes an atmosphere of horror and tension. It begins with the movie title against a black background in jagged white text with added visual effects like flashing red and the sound of a heartbeat. The first scene shows a woman answering the phone at home while wearing casual clothes, speaking to an unknown caller with a deep voice. As the conversation continues, the atmosphere becomes more unsettling with strange noises and the revelation that the caller is watching her. Camera techniques like close-ups, zooms and pans track her increasing fear and sense of being threatened by someone outside her home.
Shontelle impossible
The video tells a narrative story of a relationship that has ended. It shows the singer arriving alone at a new place and experiencing unhappy memories through a series of flashbacks to happier times with her ex-boyfriend. These are contrasted with shots of her upset while looking out a window or writing in a diary. The video climaxes with an argument between the couple before ending with the singer leaving a CD and kissing her ex while he sleeps, taking a final look at a photo of them together before walking away.
Annie
The document analyzes techniques used in movie trailers for Wonder Woman, The Other Woman, and Baby Driver. It discusses how the trailers build tension and excitement through increasing the pace of non-diegetic music, editing shots to drum beats, using dialogue to bridge scenes, and including revealing dialogue to hint at the plot without fully explaining it. Transitional techniques like fades, flashes, and slides between scenes are also analyzed for their effectiveness. Overall, the document finds that pacing, music, and selective revealing of information through editing and transitions are key components of compelling movie trailers across genres.
The woman in black
The opening scene of the film The Woman in Black introduces mystery and fear. It shows three young girls mysteriously and suddenly kill themselves for no apparent reason, leaving the viewer on edge. This scene sets up the central plot of the film - unexplained deaths of children. While it does not reveal characters or backstories, it hints at links between the girls, the main characters, and the ghost of the Woman in Black, who is responsible for the deaths. The scene uses unsettling music and the strange behavior of the girls to build tension and signal to the viewer that this is a horror film. It hooks the viewer by leaving them with mixed emotions and many questions about what will be explained, keeping them invested to find out
Real media research
The opening scene of the movie Lucy depicts the first human, Lucy, through animation set in the natural landscapes of Earth. Scarlett Johansson provides narration as Lucy, asking the audience a rhetorical question about humanity's impact on the world in a moment that may foreshadow later events. The opening uses bright colors and a long shot to set the scene before the fast-paced action of the film. Production logos are shown prior to the animated opening sequence featuring Lucy.
One missed call trailer analysis
The trailer summarizes a horror film called "One Missed Call" about women receiving mysterious phone calls from the dead. It establishes intrigue by showing a woman receiving a worrying call and questioning why one shouldn't answer their phone. Through intercut shots and unsettling music, it builds tension as the women try to solve the mystery of the calls while facing increasing danger, culminating in a final shot of a man being dragged away.
The sixth sense analysis
In the opening scene of The Sixth Sense, the director establishes that the main characters Malcolm and his wife are wealthy through their smart clothing and large home. Camera work zooms in on the wife's face to emphasize her expression of unease. The long 43-second take between Malcolm and his wife shows they have a serious relationship. Unsettling music and the wife's searching looks hint that something is amiss. The scene reveals Malcolm is a child psychologist who was unsuccessful in helping a patient named Vincent Grey, who later shot Malcolm.
Storyboard
This document outlines 18 scenes from a storyboard for a horror movie trailer. The scenes progress from establishing shots to build tension, without revealing details. Key events shown include Riley getting ready, a message left for her in red lipstick, her discovery of the villains in the bathroom mirror, a chase scene in the dark forest, and a cliffhanger of Riley screaming while being attacked. The storyboard aims to intrigue audiences and leave them wanting more without giving away the entire plot.
Perks of being a wallflower presentation
This trailer summarizes the plot of the film "Perks of Being a Wallflower". It introduces the main character Charlie, who is described as an outsider and friendless at the beginning. The trailer shows Charlie struggling to fit in at school and being bullied. However, he eventually finds friendship with Patrick and Sam, who help him accept himself. Charlie goes through a coming-of-age journey with their help, experiencing new things like dancing, romance with a love interest, and overcoming his shy personality. The trailer builds anticipation for seeing how Charlie achieves happiness by the end of the film after struggling as an outsider at the start.
Textual Analysis of Carrie Trailer
This trailer summarizes the 2013 remake of the horror film Carrie. It establishes the film is set in a typical suburban American town and follows Carrie White, a shy high school girl who lives with her deeply religious mother and is constantly bullied by her peers. Throughout the trailer, tensions escalate as Carrie struggles to fit in at school while dealing with her religious mother and discovering she has mysterious powers. The trailer uses ominous music, quick cuts between scenes, and Carrie's voiceovers to build suspense and show her desire for normalcy before things spiral out of her control.
Texas chainsaw massacare trailer analysis
The trailer begins by introducing the main protagonists of the film who are shown to be a loving couple in the front of the van. Their companions in the back are portrayed as more reckless and likely to be killed off. The trailer then establishes a sense of calm and normalcy for the group's getaway before ominously revealing that others who came before them have died. Disturbing and mysterious images are shown as the group explores an unsettling house and property. They realize someone or something is stalking them. The trailer builds immense tension through its unsettling soundtrack and visuals before providing a sudden jump scare of a chainsaw bursting through a door. It ends by teasing the mysterious killer Leatherface.
2 opening scenes analysis
1) The opening scene depicts a cartoon-like forest with singing flowers and a pink bird, seeming like a fairytale. However, the scene suddenly turns dark when the elf is stopped, revealing the actual opening.
2) The opening titles of Lord of the Rings are in a font related to fantasy. A narrator describes the history of rings of power given to elves, dwarves, and men. It then introduces Sauron as the antagonist who created a ring to enslave the other races. Villages are shown burning as Sauron's forces attack, showing he is a great threat.
3 opening scenes
1) The opening scene depicts a cartoon-like forest with singing flowers and a pink bird. A laughing elf is shown dancing through the forest. However, the tone quickly turns dark and ominous as the screen goes black.
2) The opening titles for Lord of the Rings are in a font related to fantasy. A narrator describes the history of rings of power given to elves, dwarves and men. When Sauron creates a ring to rule them all, the music becomes louder and more ominous. Scenes of villages burning and people being killed show Sauron is a great force not to be challenged.
Analysis of 'The Woman in Black' Opening title sequence
The opening title sequence of 'The Women in Black' sets an ominous and disturbing tone through its visuals and audio. Close-up shots of creepy dolls and dim lighting in a plain room establish an unsettling mood. Three young girls are shown playing with dolls until suddenly changing and jumping from a window. Slow, dark music plays throughout, becoming more ominous as the girls' behavior changes. Their screams and a woman crying "my baby" leave the audience unsettled about what will happen in the mysterious story to come.
Opening sequences 4
The document analyzes the opening sequences of four films - Watchmen, Jaws, Napoleon Dynamite, and Scream. It discusses elements like cinematography, lighting, shots, sound, and how they establish genre and set the tone for each film. Specific techniques highlighted include the use of zooms and silhouettes in Watchmen to create a dark atmosphere, point-of-view shots from the shark's perspective in Jaws to build tension, the comedic presentation of titles in Napoleon Dynamite, and the use of screams and phone calls to signal horror in Scream.
After effects research and title design
The document summarizes and analyzes the opening sequences of several films through their use of visual and audio techniques:
- Watchmen establishes the dark, gloomy tone through low key lighting and blue/grey color palette. Shots show a TV broadcast and the turning of a doomsday clock to convey importance of media and sense of impending danger.
- Jaws uses an underwater point of view and ominous music to build tension and portray the shark as a lurking threat. Shots show an isolated swimming girl to make her seem vulnerable against the vast sea.
- Napoleon Dynamite establishes the comedy genre through its titles presented on food and objects implying silliness. Shot types and locations within a house create familiar
SCENE ANALYSIS
The document provides a scene analysis of a car crash scene and subsequent hospital scene from a film. In the car crash scene, tensions rise as the mother notices her husband seems distant just before a car appears suddenly and crashes into them, killing the daughter. In the hospital scene, the mother Sarah wakes up traumatized and distressed, running through the dark hospital corridors in search of an escape from her new reality. The document then analyzes scenes of a group of women exploring a cave, where one falls and badly breaks her leg, complicating their situation.
House Of Wax Presentation
The document provides a detailed summary and analysis of the opening scenes of a film. It describes various shots that establish themes of a messy and dysfunctional lifestyle, a woman making a wax mask, a young boy happily eating breakfast, and tension building through ominous music. When the boy's father brings in another child screaming, the boy does not want to sit in his high chair. This disruption is shown through the wax mask falling and smashing on the floor. The final scenes depict the boy losing his freedom as he is strapped into the high chair, fighting back, and getting slapped by his mother.
Representation of ethnicity
The document analyzes representation of ethnicity in the film Hotel Babylon through examination of camera work, sound, editing, and mise-en-scene in select scenes. Specifically, it notes how camera shots and movement convey power dynamics and discomfort. Background music reflects apprehension of characters. Diegetic sounds make kitchen scenes immersive. Fast editing ties to a maid's hesitation. Costuming and props suggest hierarchies, with women in heels and suits signaling more power and confidence than kitchen staff. Ethnic minorities are shown in servile roles.
Fallout boy
This document provides a detailed shot-by-shot analysis of the music video for the song "Alone Together" by Fall Out Boy. It analyzes how various shots use lighting, camera angles, settings and characters to convey a dark, isolated and panicked atmosphere. Key conventions of the rock genre and male gaze are employed through stereotypical female characters and implied violence. The analysis suggests the video uses an episodic structure to show each band member experiencing distress in different ways. Music and visuals are closely linked to build tension and intensity throughout the video.
Film trailer analysis 2
The document summarizes 6 movie trailers:
1) Barely Lethal shows a woman fighting and training from a young age to be exquisite. The trailer shows fast-paced action with tense then enjoyable music.
2) Casino Royale opens with violence establishing Bond's power. It shows the villain and Bond fighting adversaries. Tension builds with music and a car crash leaves the outcome uncertain.
3) Momentum instantly builds tension around a vulnerable woman agent holding a drive. It uses rapid cuts and a woman protagonist atypically holding a gun. Tension continually builds through fast edits.
4) Free Fall introduces a worried woman who looks unequipped for her job.
The wolverine
This trailer for The Wolverine provides analysis of its key features and techniques used to engage audiences. It has around 116 cuts over 2.5 minutes, showing the increased pacing of modern trailers. Sound design uses voiceovers, music, and diegetic effects to set the scene and build tension. Mise-en-scene establishes locations and reveals plot details through costumes, props, and flashbacks. Cinematography employs various shots including close-ups, establishing shots, and disorienting angles to immerse viewers and hint at the story. Through its editing, sound, visuals and other cinematic techniques, the trailer aims to intrigue audiences and make them want to experience the full film.
The possession trailer analysis
The trailer is for the supernatural horror film "The Possession". It follows a young girl, Em, who buys an mysterious box at a garage sale. She begins acting strangely after opening the box, distancing herself from friends and family. Her concerned parents seek help from a priest, who warns that Em is being possessed by an evil spirit. Her behavior becomes more aggressive and medical exams reveal the spirit inside her. The trailer builds suspense without revealing whether Em survives or remains possessed.
Evaluation advanced portfolio
The document discusses the evaluation of a horror promotional package including a trailer, poster, and magazine. It describes how the package uses conventions of real media products in the horror genre. Color, imagery, text, and layout were employed to effectively convey horror and tension. Feedback from the target audience confirmed the package was generally successful in attracting their attention and interest through its use of scary imagery and a consistent symbolic link between pieces. Minor revisions to the trailer and a date on the poster were suggested based on audience responses.
Target audience questionnaire anaylsis
The document summarizes the results of a questionnaire given to the target audience for a new horror film trailer. It found that the audience is primarily female (79%), between the ages of 18-25 (60%), and either in full-time education (52%) or working class (40%). Additionally, 45% watch movies often and 90% enjoy the horror genre. Understanding the audience's interests like socializing (25%), music (19%), and fears of the unknown (35%) will help craft a trailer that appeals to them.
The pitch
The document discusses plans for a possession horror movie targeting an audience aged 18-30 who want something more sophisticated than typical horror films. It will focus on possession as the sub-genre since those films are becoming increasingly relevant and allow for various narrative possibilities. The style of the film will be modern and sophisticated to appeal to its targeted audience. It outlines an initial plot where a child unlocks an ancient jack-in-the-box that unleashes a demon, and he becomes possessed in his bedroom at night.
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What's hot
Real media research
The opening scene of the movie Lucy depicts the first human, Lucy, through animation set in the natural landscapes of Earth. Scarlett Johansson provides narration as Lucy, asking the audience a rhetorical question about humanity's impact on the world in a moment that may foreshadow later events. The opening uses bright colors and a long shot to set the scene before the fast-paced action of the film. Production logos are shown prior to the animated opening sequence featuring Lucy.
One missed call trailer analysis
The trailer summarizes a horror film called "One Missed Call" about women receiving mysterious phone calls from the dead. It establishes intrigue by showing a woman receiving a worrying call and questioning why one shouldn't answer their phone. Through intercut shots and unsettling music, it builds tension as the women try to solve the mystery of the calls while facing increasing danger, culminating in a final shot of a man being dragged away.
The sixth sense analysis
In the opening scene of The Sixth Sense, the director establishes that the main characters Malcolm and his wife are wealthy through their smart clothing and large home. Camera work zooms in on the wife's face to emphasize her expression of unease. The long 43-second take between Malcolm and his wife shows they have a serious relationship. Unsettling music and the wife's searching looks hint that something is amiss. The scene reveals Malcolm is a child psychologist who was unsuccessful in helping a patient named Vincent Grey, who later shot Malcolm.
Storyboard
This document outlines 18 scenes from a storyboard for a horror movie trailer. The scenes progress from establishing shots to build tension, without revealing details. Key events shown include Riley getting ready, a message left for her in red lipstick, her discovery of the villains in the bathroom mirror, a chase scene in the dark forest, and a cliffhanger of Riley screaming while being attacked. The storyboard aims to intrigue audiences and leave them wanting more without giving away the entire plot.
Perks of being a wallflower presentation
This trailer summarizes the plot of the film "Perks of Being a Wallflower". It introduces the main character Charlie, who is described as an outsider and friendless at the beginning. The trailer shows Charlie struggling to fit in at school and being bullied. However, he eventually finds friendship with Patrick and Sam, who help him accept himself. Charlie goes through a coming-of-age journey with their help, experiencing new things like dancing, romance with a love interest, and overcoming his shy personality. The trailer builds anticipation for seeing how Charlie achieves happiness by the end of the film after struggling as an outsider at the start.
Textual Analysis of Carrie Trailer
This trailer summarizes the 2013 remake of the horror film Carrie. It establishes the film is set in a typical suburban American town and follows Carrie White, a shy high school girl who lives with her deeply religious mother and is constantly bullied by her peers. Throughout the trailer, tensions escalate as Carrie struggles to fit in at school while dealing with her religious mother and discovering she has mysterious powers. The trailer uses ominous music, quick cuts between scenes, and Carrie's voiceovers to build suspense and show her desire for normalcy before things spiral out of her control.
Texas chainsaw massacare trailer analysis
The trailer begins by introducing the main protagonists of the film who are shown to be a loving couple in the front of the van. Their companions in the back are portrayed as more reckless and likely to be killed off. The trailer then establishes a sense of calm and normalcy for the group's getaway before ominously revealing that others who came before them have died. Disturbing and mysterious images are shown as the group explores an unsettling house and property. They realize someone or something is stalking them. The trailer builds immense tension through its unsettling soundtrack and visuals before providing a sudden jump scare of a chainsaw bursting through a door. It ends by teasing the mysterious killer Leatherface.
2 opening scenes analysis
1) The opening scene depicts a cartoon-like forest with singing flowers and a pink bird, seeming like a fairytale. However, the scene suddenly turns dark when the elf is stopped, revealing the actual opening.
2) The opening titles of Lord of the Rings are in a font related to fantasy. A narrator describes the history of rings of power given to elves, dwarves, and men. It then introduces Sauron as the antagonist who created a ring to enslave the other races. Villages are shown burning as Sauron's forces attack, showing he is a great threat.
3 opening scenes
1) The opening scene depicts a cartoon-like forest with singing flowers and a pink bird. A laughing elf is shown dancing through the forest. However, the tone quickly turns dark and ominous as the screen goes black.
2) The opening titles for Lord of the Rings are in a font related to fantasy. A narrator describes the history of rings of power given to elves, dwarves and men. When Sauron creates a ring to rule them all, the music becomes louder and more ominous. Scenes of villages burning and people being killed show Sauron is a great force not to be challenged.
Analysis of 'The Woman in Black' Opening title sequence
The opening title sequence of 'The Women in Black' sets an ominous and disturbing tone through its visuals and audio. Close-up shots of creepy dolls and dim lighting in a plain room establish an unsettling mood. Three young girls are shown playing with dolls until suddenly changing and jumping from a window. Slow, dark music plays throughout, becoming more ominous as the girls' behavior changes. Their screams and a woman crying "my baby" leave the audience unsettled about what will happen in the mysterious story to come.
Opening sequences 4
The document analyzes the opening sequences of four films - Watchmen, Jaws, Napoleon Dynamite, and Scream. It discusses elements like cinematography, lighting, shots, sound, and how they establish genre and set the tone for each film. Specific techniques highlighted include the use of zooms and silhouettes in Watchmen to create a dark atmosphere, point-of-view shots from the shark's perspective in Jaws to build tension, the comedic presentation of titles in Napoleon Dynamite, and the use of screams and phone calls to signal horror in Scream.
After effects research and title design
The document summarizes and analyzes the opening sequences of several films through their use of visual and audio techniques:
- Watchmen establishes the dark, gloomy tone through low key lighting and blue/grey color palette. Shots show a TV broadcast and the turning of a doomsday clock to convey importance of media and sense of impending danger.
- Jaws uses an underwater point of view and ominous music to build tension and portray the shark as a lurking threat. Shots show an isolated swimming girl to make her seem vulnerable against the vast sea.
- Napoleon Dynamite establishes the comedy genre through its titles presented on food and objects implying silliness. Shot types and locations within a house create familiar
SCENE ANALYSIS
The document provides a scene analysis of a car crash scene and subsequent hospital scene from a film. In the car crash scene, tensions rise as the mother notices her husband seems distant just before a car appears suddenly and crashes into them, killing the daughter. In the hospital scene, the mother Sarah wakes up traumatized and distressed, running through the dark hospital corridors in search of an escape from her new reality. The document then analyzes scenes of a group of women exploring a cave, where one falls and badly breaks her leg, complicating their situation.
House Of Wax Presentation
The document provides a detailed summary and analysis of the opening scenes of a film. It describes various shots that establish themes of a messy and dysfunctional lifestyle, a woman making a wax mask, a young boy happily eating breakfast, and tension building through ominous music. When the boy's father brings in another child screaming, the boy does not want to sit in his high chair. This disruption is shown through the wax mask falling and smashing on the floor. The final scenes depict the boy losing his freedom as he is strapped into the high chair, fighting back, and getting slapped by his mother.
Representation of ethnicity
The document analyzes representation of ethnicity in the film Hotel Babylon through examination of camera work, sound, editing, and mise-en-scene in select scenes. Specifically, it notes how camera shots and movement convey power dynamics and discomfort. Background music reflects apprehension of characters. Diegetic sounds make kitchen scenes immersive. Fast editing ties to a maid's hesitation. Costuming and props suggest hierarchies, with women in heels and suits signaling more power and confidence than kitchen staff. Ethnic minorities are shown in servile roles.
Fallout boy
This document provides a detailed shot-by-shot analysis of the music video for the song "Alone Together" by Fall Out Boy. It analyzes how various shots use lighting, camera angles, settings and characters to convey a dark, isolated and panicked atmosphere. Key conventions of the rock genre and male gaze are employed through stereotypical female characters and implied violence. The analysis suggests the video uses an episodic structure to show each band member experiencing distress in different ways. Music and visuals are closely linked to build tension and intensity throughout the video.
Film trailer analysis 2
The document summarizes 6 movie trailers:
1) Barely Lethal shows a woman fighting and training from a young age to be exquisite. The trailer shows fast-paced action with tense then enjoyable music.
2) Casino Royale opens with violence establishing Bond's power. It shows the villain and Bond fighting adversaries. Tension builds with music and a car crash leaves the outcome uncertain.
3) Momentum instantly builds tension around a vulnerable woman agent holding a drive. It uses rapid cuts and a woman protagonist atypically holding a gun. Tension continually builds through fast edits.
4) Free Fall introduces a worried woman who looks unequipped for her job.
The wolverine
This trailer for The Wolverine provides analysis of its key features and techniques used to engage audiences. It has around 116 cuts over 2.5 minutes, showing the increased pacing of modern trailers. Sound design uses voiceovers, music, and diegetic effects to set the scene and build tension. Mise-en-scene establishes locations and reveals plot details through costumes, props, and flashbacks. Cinematography employs various shots including close-ups, establishing shots, and disorienting angles to immerse viewers and hint at the story. Through its editing, sound, visuals and other cinematic techniques, the trailer aims to intrigue audiences and make them want to experience the full film.
The possession trailer analysis
The trailer is for the supernatural horror film "The Possession". It follows a young girl, Em, who buys an mysterious box at a garage sale. She begins acting strangely after opening the box, distancing herself from friends and family. Her concerned parents seek help from a priest, who warns that Em is being possessed by an evil spirit. Her behavior becomes more aggressive and medical exams reveal the spirit inside her. The trailer builds suspense without revealing whether Em survives or remains possessed.
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Analysis of 'The Woman in Black' Opening title sequence
Analysis of 'The Woman in Black' Opening title sequence
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Evaluation advanced portfolio
The document discusses the evaluation of a horror promotional package including a trailer, poster, and magazine. It describes how the package uses conventions of real media products in the horror genre. Color, imagery, text, and layout were employed to effectively convey horror and tension. Feedback from the target audience confirmed the package was generally successful in attracting their attention and interest through its use of scary imagery and a consistent symbolic link between pieces. Minor revisions to the trailer and a date on the poster were suggested based on audience responses.
Target audience questionnaire anaylsis
The document summarizes the results of a questionnaire given to the target audience for a new horror film trailer. It found that the audience is primarily female (79%), between the ages of 18-25 (60%), and either in full-time education (52%) or working class (40%). Additionally, 45% watch movies often and 90% enjoy the horror genre. Understanding the audience's interests like socializing (25%), music (19%), and fears of the unknown (35%) will help craft a trailer that appeals to them.
The pitch
The document discusses plans for a possession horror movie targeting an audience aged 18-30 who want something more sophisticated than typical horror films. It will focus on possession as the sub-genre since those films are becoming increasingly relevant and allow for various narrative possibilities. The style of the film will be modern and sophisticated to appeal to its targeted audience. It outlines an initial plot where a child unlocks an ancient jack-in-the-box that unleashes a demon, and he becomes possessed in his bedroom at night.
Sub genre
- The document discusses five sub-genres of horror: supernatural, psychological, slasher, possession, and gothic.
- Supernatural horror features paranormal events occurring in everyday locations that protagonists cannot escape or fight. Psychological horror manipulates the audience's mind through disturbed antagonists rather than gore.
- Slasher films usually include a "final girl" survivor and involve teenage victims of a masked, physically imposing killer.
- Possession films depict abnormal behavior through possessed objects or people, using religious imagery and settings with dark histories.
- Gothic horror draws on mythical creatures in isolated settings of the past, employing shadows and lighting for effect. The author chooses possession
Questionnaire results
This document appears to contain the results of a survey about music magazine readership. It includes data on the respondents' gender, whether they buy music magazines, how often, the types of content they are interested in, how much they are willing to pay, their preferred music genres, concert attendance, preferences for image vs text layouts, features that grab their attention, and whether they consider themselves a music fan. The graphs provide percentages or counts for each multiple choice answer.
Front cover analyses
The document summarizes the front cover of two magazines.
1) The first magazine features Katy Perry as the main focus. Its simple color scheme and use of bold fonts and enlarged keywords are meant to clearly deliver its message and draw in readers.
2) The second magazine features Kelly Clarkson as the main focus. Its structured layout and bold masthead positioned at the top are meant to identify the brand and grab attention. The main article previews the content to entice readers.
Locations
The document discusses common imagery used in magazines and media to portray R&B artists. Images of artists on a blank background with their pose as the main focus are used to contrast the artist from the background and portray them as high status. Pictures taken of artists mid-performance on stage or in the recording studio in flashy outfits are meant to establish them as performers and present them in their natural habitat, heightening the audience's desire to be like them.
Magazine overview
Miriana Younan analyzes horror movie magazine covers to understand how to attract audiences. The typical conventions seen across covers include a masthead, dominant central image providing cues about the film's narrative, and sell lines enticing audiences. Nearly all feature horrific female characters, with images aiming to make audiences uncomfortable or draw them in. Placement of film titles and use of bold, dark colors like black and red create a sinister mood. Analyzing established magazine designs informs Miriana's creation of an effective horror film cover that will appeal to niche audiences.
Case study
Billboard is an international music magazine established in 1894 that covers music and the music industry. It was originally called Billboard but had name changes in the 1960s before reverting to just Billboard. The magazine publishes music charts and was the first to publish a music hit parade in 1936. It is aimed at music fans aged 18-30 and focuses on genres like R&B and pop music. The magazine covers music news, reviews, and artist lifestyle in a modern visual style.
The pitch 1
The document discusses targeting a sophisticated audience aged 18-30 for a new possession horror movie. It describes the target audience as bored of typical horror films and seeking something more sophisticated. It then explains that possession horror was chosen as the subgenre because it has many conventions to explore while still appealing to a wide audience. Finally, it provides a 3 sentence summary of the movie's plot where a family is tormented by an evil jack-in-the-box that possessed the father as a child and now threatens his son.
Trailer analysis 3
The trailer is for the horror film "The Devil Inside" which depicts a mother who is possessed by demons and forced to kill people. The trailer uses real footage from the actual case that inspired the film to make the events seem realistic. Various shots are designed to unsettle the audience, such as a quick flash of a woman in an unnatural position. The daughter tries to help her mother by taking her to an exorcism, but the mother's condition seems to worsen, attacking the characters and singing a disturbing version of "Itsy Bitsy Spider". The trailer aims to scare the audience by suggesting that no one is safe from possession and increasing the sense of realism through found footage techniques.
Trailer analysis 3
The trailer is for the horror film "The Devil Inside" which depicts a mother who is possessed by demons and forced to kill people. The trailer uses real footage from the actual case that inspired the film to make the events seem realistic. Quick cuts between disturbing images like a woman in an unnatural position are used to unsettle the audience. Shots of characters discussing an exorcism and a possessed girl levitating build suspense. The trailer culminates in the daughter trying to free her possessed mother but being warned that she will be possessed next, leaving the audience frightened about the dangers of possession.
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Trailer analysis 2
This trailer analysis document discusses the trailer for the horror film "The Possession" in three paragraphs. It summarizes that the trailer establishes a normal family atmosphere before ominously introducing a mysterious box that possesses the young daughter when opened. Scary imagery and accelerated editing is used to show the daughter's deterioration and the family's attempts to save her from the unknown evil spirit. Religious symbols represent the fight between good and evil. Overall, the unanswered question of what the spirit is keeps audiences engaged and wanting to see the full movie for answers.
Trailer analysis 2
This trailer analysis document summarizes and analyzes the trailer for the horror film "The Possession". It notes that the trailer uses effective editing techniques like speeding up shots to build tension. It describes how the trailer establishes a normal family atmosphere initially and then a disruption when the young daughter opens an ancient box. The analysis explains how religious imagery and the daughter exhibiting strange possessed behaviors are used to suggest she is being taken over by an evil spirit. It concludes that the trailer is successful at leaving the audience with questions about the unknown evil spirit and wanting to see the film for answers.
Horror Genre Analysis
The document analyzes the trailers for three horror films - Insidious 2, The Cabin in the Woods, and One Missed Call. It examines the shots, mise-en-scene, sound, and conventions used in each trailer. For the shots, it looks at things like camera angles, lighting, and editing pace. It finds that all three trailers use dark lighting, suspenseful pacing, and special effects to create tension. They also incorporate the horror subgenre of romance to make the audience emotionally invested in the characters. Overall, the document concludes that the trailers effectively employ typical conventions of the horror genre to attract audiences.
Analyse and codal presentation
This document provides an analysis of horror film openings and their use of conventions and codes. It summarizes three horror film openings: Women in Black, Se7en, and American Horror Story. For each opening it discusses the visual codes, audio codes, narrative structures, and how they establish tension, mystery, and fright to immerse the audience in the horror genre. Overall, the document examines how these openings effectively utilize techniques like lighting, music, pacing, and symbolism to set the tone for their respective horror films.
Anaylse and codal presentation
This document provides an analysis of horror film openings and their use of conventions and codes. It summarizes three horror film openings: Women in Black, Se7en, and American Horror Story. For each opening it discusses the visual codes, audio codes, narrative structures, and how they establish tension, mystery, and fear to engage audiences in the horror genre. Overall, the document examines the techniques these openings use to effectively set the tone and draw viewers into the world of the horror story.
Insidious Trailer Analysis
The trailer summarizes the plot of Insidious: Chapter 2, a horror sequel about a family haunted by demons. It shows happy family scenes interrupted by frightening supernatural events. Jump scares and creepy images build suspense. References to popular horror franchises Saw and Paranormal Activity aim to attract audiences. The trailer leaves viewers curious by teasing an unrevealed "terrifying secret" and ends with a disturbing confrontation involving a stolen baby, intensifying fear and curiosity to see the full film.
Analysis of three trailers
The student analyzed three horror movie trailers: Annabelle, The Conjuring, and The Woman in Black. For each trailer, the student examined elements like lighting, sound editing, camera work, and mise-en-scene. Key techniques highlighted included the use of jump scares, ominous music, and mysterious shots to build tension and intrigue audiences. Overall, the analysis showed how trailers employ various cinematic techniques over short durations to effectively tease horror movie plots.
Analysis of three trailers
The student analyzed three horror movie trailers: Annabelle, The Conjuring, and The Woman in Black. For each trailer, the student examined elements like lighting, sound editing, camera work, and mise-en-scene. Key techniques highlighted included the use of jump scares, ominous music, and mysterious shots to build tension and intrigue audiences. Overall, the analysis showed how trailers employ various cinematic techniques over short durations to effectively tease horror movie plots.
The conjuring trailer analysis
The document analyzes the trailer for the horror film "The Conjuring". It summarizes that the trailer effectively builds tension and atmosphere for a horror film through techniques like silence, ambient sounds, and the use of lighting, camera angles, and mise en scene. While showing enough to understand the family is being haunted, it leaves enough mystery about the haunting that the viewer is curious to learn more by seeing the full film. The analysis of the trailer's techniques provides lessons for creating an engaging horror trailer.
Dsc 0076
The document provides an analysis of horror film openings, discussing conventions used in three example openings:
1) "Women in Black" uses vulnerable young victims, eerie sounds, Victorian costumes, antique props, and a possessed doll to establish horror conventions.
2) "Se7en" uses quick cuts, dark lighting, tense sounds, a cryptic scrapbook, and the color red to create mystery and tension.
3) "American Horror Story" features flames, blood credits on a newspaper background, a fierce tiger, and a recurring silhouette to invoke danger and mystery.
The analysis identifies conventions like death, ghosts, possessed characters, darkness, mystery, and tension-building editing and sound as
Media language investigation
The trailer uses lighting, sound, editing and shots of the characters' fearful expressions to build tension and convey the psychological horror genre. Dark colors and shadows create an unsettling atmosphere in the family's home. Non-diegetic heartbeats and strategic use of silence heighten the tension. Fast-paced editing and fades between clips immerse viewers in the family's escalating terror as supernatural events threaten their son.
Scream (1996) analysis
1) The opening scene of the film Scream establishes the horror genre through non-diegetic screaming sounds and a red title card implying blood and death.
2) A woman receives mysterious phone calls from a man who apologizes at first but then threatens her, saying he wants to see what's inside of her. She becomes frightened and locks her doors.
3) When the doorbell rings, the woman answers in terror, crying and asking who is there. Tension and suspense are built through the woman's fear, threatening dialogue, and ominous music throughout the phone calls.
Trailer analysis 3
The trailer for the film Insidious uses various techniques to build tension and intrigue in the audience. It begins with a title sequence that cryptically rearranges the letters in the film's title. The rest of the trailer slowly ramps up ominous sounds and unsettling imagery, such as a ticking pendulum and shots of a sick child in the hospital. Scenes cut together quickly to disorient the viewer as mysterious events seem to terrorize the family. The trailer culminates in a reveal that the child's possession is paranormal in nature and leaves the audience with one final jump scare. The various editing techniques and use of sound and lighting aim to unsettle and excite viewers about the horror that awaits in
Trailer analysis of specific genre (horror) Haunting In Connecticut
The trailer for the horror film Haunting in Connecticut uses various film techniques to build suspense and engage the audience. It begins with cheerful music before revealing the film's true genre. Through the use of point-of-view shots, music, and a "based on a true story" message, the audience learns of strange events at the family's new home linked to its history. Flashbacks show the past violence and ghosts that remain. Throughout, quick cuts, musical cues, and glimpses of supernatural occurrences keep viewers unsettled without revealing the entire plot. The trailer's goal is to terrify and intrigue the audience into wanting to see the full film.
Codal analysis
The trailer uses various visual, audio, narrative and technical codes to tell the story of a woman grieving the loss of her husband, and the adventures he plans for her from beyond the grave.
Shots show the couple arguing then reconciling, followed by black screens announcing his death but also a new life of presents from him. Narration describes his gifts being for her life without him. Music shifts from upbeat to sorrowful during his death but joyful again as she experiences his surprises. Enigma codes of the mysterious adventures intrigue viewers to learn more. Technical codes use natural colors and slow motion to signify his passing while still celebrating his memory.
Media language investigation
The document analyzes three horror movie trailers through their use of cinematography, sound, editing, and mise-en-scene. It first analyzes The Purge trailer, noting the close-ups used to show expressions and build tension. It discusses the lighting used to outline villains and suggest someone is following. It also notes the empty street establishes a lack of safety. For cinematography, it discusses the various shot types and angles used. It describes the editing as setting the scene then cutting to tension and speeding up at the end. Voiceovers and music are used for sound. Dark and low lighting is used for mise-en-scene throughout The Purge trailer.
Trailer analysis 1
This trailer summary provides an analysis of how genre is signaled in the trailer for the supernatural horror film "One Missed Call." It analyzes the trailer's use of mise-en-scene, sound, editing, and other techniques to establish mood and build tension. Key details that signal the supernatural genre include ominous music, shadowy lighting, strange phone sounds, and characters seeing things that aren't there. The summary examines specific scenes and editing choices to demonstrate how the trailer immerses viewers in the film's scary world.
The Conjuring - Trailer Analysis
The trailer effectively builds tension and atmosphere for a horror film using sound, cinematography, and mise-en-scene. It follows a family that moves into a new home in the 1970s. Strange events begin to occur, with unexplained noises and things moving on their own, terrifying the mother. The trailer leaves the viewer wondering what supernatural force is haunting the family through the use of silence, ambient sounds, and mysterious visuals without revealing too much of the plot.
Film research
The document summarizes and analyzes trailers for three horror films - Chucky, Annabelle, and It. For Chucky, it describes shots used in the trailer and how they build suspense. It analyzes how Annabelle's trailer uses sound, editing techniques, and flashing images to create fear. For It, it discusses the opening shot, use of sound effects, black screens between shots, and a closing shot of the antagonist running at the camera to scare the audience.
Insidious movie trailer analysis
The trailer for the horror movie "Insidious" uses several techniques to build suspense and intrigue without revealing too much of the plot. It establishes the dark, ominous tone of the film through its logo design and musical score. Quick cuts show glimpses of the disruption to a family's life but raise more questions than answers. The trailer hints that something is haunting the family's son but does not explain what. This lack of resolution, paired with unsettling imagery and sounds, leaves viewers wanting to learn more and see the full story unfold.
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Trailer analysis of specific genre (horror) Haunting In Connecticut
Trailer analysis of specific genre (horror) Haunting In Connecticut
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Pitch feedback
1) The group pitched their ideas for a horror film trailer to classmates, including their narrative and subgenres.
2) Classmates provided feedback on improving the ideas, such as suggesting the possessed father not keep the possessed jack-in-the-box near him and his family.
3) It was also suggested that at the end, the evil spirit should remain in the house after being removed from the son, causing a new family to move in and become possessed.
History of horror
The document traces the history and evolution of horror films from the early 20th century to present day. It discusses how the genre has reflected societal fears over time, from mystical monsters in the silent era to threats of radiation and science experiments in the 1950s to human monsters and disturbed families in the 1970s. More recent trends include "found footage" films, remakes, and horrors exploring post-9/11 fears and the rise of technology. The genre continues to adapt based on changing audience fears and interests.
The pitch 1
The document discusses targeting an audience for a possession horror movie. It aims to attract sophisticated 18-30 year olds who want something more clever than typical horror films. The film will follow possession genre conventions to appeal to fans of movies like Insidious 2 and The Possession. It will tell the story of a family whose son becomes possessed after finding his father's old jack-in-the-box, which had previously possessed the father as a child.
The pitch 1
The document discusses targeting an audience for a possession horror movie. It aims to attract sophisticated 18-30 year olds who want something more clever than typical horror films. Since the target audience prefers more sophisticated genres, the document proposes a possession horror movie to engage their interests. Possession films are becoming increasingly relevant and could appeal to a wide range of audiences.
Trailer overview
The document analyzes seven film trailers for possession horror movies to understand how to effectively promote a possession horror film trailer. All seven trailers featured typical conventions like glimpses of the narrative, music, and horrific imagery. Specifically, they all showed normal family life disrupted by terror, without revealing the full resolution. They used fast cuts between shots to build tension without revealing too much of the plot. Elements like dark colors, religious props, isolated settings, and manipulated sounds and speech were used to create an atmosphere of fear. Analyzing these common techniques will help the author incorporate effective elements into their own possession horror film trailer.
Poster analysis 3
1) The poster promotes the horror film "The Last Exorcism" about a little girl who is possessed by an evil spirit.
2) The main image shows the possessed girl in a terrifying contorted pose, covered in blood, intended to attract viewers to the film.
3) The analysis finds that religious symbols, a disturbing image, and ambiguous taglines effectively draw attention and create intrigue about whether God can save the girl's soul.
Poster analysis 2
1) The poster promotes the horror film "The Devil Inside" about a woman who is possessed by an evil spirit.
2) It uses an image of a possessed nun with unnatural white eyes and a sinister smile to represent the film's theme of possession.
3) The black and red colors symbolize evil and death and help the image stand out, drawing the audience's attention to convey the battle between good and evil in the film's narrative.
Poster analysis
This document provides an analysis of a movie poster for the film "The Possession". The poster features an image of a young girl with a dark, scabbed hand emerging from her mouth. The analysis discusses several aspects of the poster's design including the image composition, colors, text, and how they work together to convey the film's supernatural horror theme. Specifically, it notes how the image grabs attention, the colors suggest darkness and evil, and the title and image link to represent the battle between good and innocence versus the evil spirit inhabiting the girl's body. Overall, the analysis concludes the poster will successfully intrigue audiences and leave them with questions that only watching the film can answer.
Poster ideas
The document discusses two potential film posters for a horror movie about a possessed child. The first poster concept features only the jack-in-the-box prop from the center of the frame against a black and red background. This was meant to connote danger and flames emerging from the box. The second concept places the main character child in the center holding the jack-in-the-box while making eye contact with the audience. Test audiences preferred this second idea, finding the direct eye contact with the possessed child to be a more compelling visual that would draw them to the film.
Front cover ideas
The document discusses redesigning the front cover of a film magazine to better promote an upcoming horror film called "Devil's Toy". The original design did not look professional enough, so the designers analyzed front covers from Empire magazine for inspiration. They were influenced by a cover featuring the Joker in bright colors representing the character, and another incorporating elements from the movie Inception into the background. For their redesign, they featured the main character Isaac holding the film's central object, a jack-in-the-box, to better convey the plot and grab readers' attention. Audience feedback confirmed the new cover was more effective.
Narrative
1. The family lives in suburban equilibrium until Nicholas' sister gives him an old jack-in-the-box that holds bad memories.
2. The jack-in-the-box disrupts the family when it returns and possesses their son Isaac.
3. Nicholas recognizes the disruption when Isaac starts acting strangely and tells his wife the box possessed him as a child.
Magazine overview
Miriana Younan analyzes horror film magazine covers to better understand how to attract audiences. The typical conventions seen across covers include a dominant masthead, central image representing the film's narrative, and sell lines describing what to expect. Nearly all feature horrific female characters, with images taken from actual films to draw readers in and reinforce the niche horror audience. Common colors like black and red create a dark, sinister mood. Placement of title at the bottom beneath the image is also standard, with minimal text allowing the bold, central image to stand out. These conventions inspired Miriana's own magazine cover design.
Poster overview
1) The document analyzes 7 film posters from the possession horror genre to understand effective techniques. It finds most feature a child protagonist suffering possession and threatening their family.
2) Colors like red, black, and white create a sinister feel, while titles stand out in bold fonts and images dominate to grab attention. Taglines and slogans reinforce the disturbing images.
3) Analyzing these posters provided insights into crafting an effective possession horror movie poster, including using a terrifying image that sends a clear message about the genre.
Sub genre2
The document discusses various horror film subgenres and their common conventions. It analyzes supernatural, psychological, slasher, possession and gothic subgenres. For each, it identifies common narrative structures, character tropes, locations, and visual/audio techniques. For example, it notes possession films typically feature religious imagery and are set in isolated places with dark histories. The author's group chose the possession subgenre for their film due to its complexity, relevance and opportunities for creative expression.
Narrative
1. The family lives in suburban equilibrium until Nicholas' sister gives him an old jack-in-the-box that holds bad memories.
2. The jack-in-the-box disrupts the family when it returns and possesses their son Isaac.
3. Nicholas recognizes the disruption when Isaac starts acting strangely and tells his wife the box possessed him as a child.
Narrative
Todorov proposed a narrative theory where all stories follow five stages: equilibrium, disruption, recognition of disruption, attempt to repair disruption, and new equilibrium. This film applies that structure, beginning with a family's normal life that is disrupted when an evil jack-in-the-box possesses the son. The parents recognize the possession and seek an exorcism to repair the problem, restoring a new normal for the family.
Target audience questionnaire
This document is a questionnaire aimed at understanding what scares and draws the attention of a target horror film audience. It asks respondents questions about their horror film viewing habits and preferences, including how often they watch films, their ratings of sample possession films, what aspects most impact or scare them, and what they think makes for a successful horror film poster, trailer, and magazine. The goal is to gain insight into how to effectively market horror films to the target audience.
Trailer overview
The document analyzes seven film trailers for possession horror movies to understand how to effectively promote a possession horror film trailer. All seven trailers featured typical conventions like glimpses of the narrative, music, and horrific imagery. Specifically, they all showed normal family life disrupted by terror, without revealing the full resolution. They used fast cuts between shots to build tension without revealing too much of the story. Elements like dark colors, religious props, isolated settings, and manipulated sounds and speech were used to create an atmosphere of fear. Analyzing these common techniques will help in creating a successful trailer that attracts audiences through tension and mystery.
Ideas for title tagline and magazine name
The document discusses testing various potential film titles, taglines, and magazine names through surveys. For the film title, "Devil's Toy" tested best as it suggests the main character is a toy in the devil's plan. The tagline "When evil comes to play" was most effective as it links to the film narrative about a child playing with a possessed toy. For the magazine name, "Motion" was chosen over "Studio" as it is a simple yet effective term related to cinema and filmmaking.
Sub genre
The document discusses various horror subgenres and their conventions. It analyzes the conventions of supernatural, psychological, slasher, possession and gothic subgenres. Key conventions discussed include common settings like homes and isolated locations, characters like the final girl in slashers and themes involving curses or haunted places. The author and their group chose the possession subgenre for their film due to its interesting narrative possibilities and relevance to modern audiences. They believe it will allow them to creatively challenge conventions and engage a sophisticated audience.
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
Divertidamente SLIDE muito lindo e criativo, pptx
Slide criativo e muito lindo, apenas editar, muito simples
定制(uow毕业证书)卧龙岗大学毕业证文凭学位证书原版一模一样
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
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In the early 20
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Trailer analysis
- 1. Trailer Analysis By: Miriana Younan The trailer above is promoting ‘Insidious Chapter 2’, a horror film that could be placed within a supernatural or possession sub genre. When watching this horror film the audience can see that the father has been possessed by an evil spirit and turning a family home into a terrifying and unsafe place. I picked this trailer because the music they use within this trailer is effective and really adds the terror to the trailer and also keeps the audience hearts racing. The film trailer starts with the normal regulatory warning message that all film trailers start with, this message will warn the audience against some of the content which is about to appear giving them the chance not to watch if they wish. The message is has a bright green background and is written in a white font, therefore making it very eye-catching to the audience, making sure they do not avoid or miss the important message. There is no sound whilst this message is being displayed, giving the audience a chance to read it. Straight after the message is displayed, the logo of the film production company that made this film is displayed; this makes the audience aware of who made the film.
- 2. Trailer Analysis By: Miriana Younan The next part of the trailer you see an over the shoulder shot of the family, the dad playing with his son and the mum watching them. Usually you would see the film title first but they go straight into the trailer narrative because this is the second chapter of Insidious so the audience would have seen the first film. While this scene is on you get non- diagetic music over the top of the shot, the music is soft and slow, it gives off the impression of happiness of the family. This is the equilibrium of the film. After this the trailer fades into a black screen and non-diagetic text appears on screen which is called a strap. The text says “It began two years ago”, this is explaining the narrative of the film. The background is black which hints fear and death and the font is white which creates the contrast, the contrast between good and evil. With the soft music still playing, the next scene cuts to an establishing shot of the front of the house the location where the family are staying. The audience can see the location is in the suburbs and the house is quite big and doesn’t look as modern as other house you would see. After this scene it cuts into the house and we see the family arriving and the dad saying they will be staying at grandma’s house, we still have the same music playing throughout this scene. This shows the family is happy up until now.
- 3. Trailer Analysis By: Miriana Younan The scene again fades to a black background and we get another strap on screen saying “Their child inherited a gift”, this suggests to the audience that the children could be the ones in trouble. Again black background suggests death and fear and the white font contrasting with the background the fight between good and evil. The music slowly fades out and you hear diagetic sound which babies lullaby coming from the baby walker. You see a close up of the mother and a long shot of the baby walker, the audience see the baby walker coming into the room on its own with no baby inside it to move it, this suggests that the supernatural evil spirit has come back and this is the start of the disruption. The lullaby creates an innocent object like the baby walker to look horrific and scary to the audience. As the lullaby slows down you get a long shot of the mother in the living room looking around and as she is walking back a women in a white gown appears. The contrapuntal music the lullaby is contrasting what is happening on the scene. The women in the back wearing white is contrasting again the fight between evil and good as she is evil and she is wearing white. The lullaby stops as the women in white gets up and walks and then you hear a women’s voice coming from the baby monitor singing row row your boat really quietly the camera zooms into the baby monitor and when it gets closer you get a bang at the door and the shot cuts to the mother running upstairs to her baby. This shows the audience the disruption has started but don’t know what’s going on yet.
- 4. Trailer Analysis By: Miriana Younan The scene cuts to a black background with a hint of white/grey, with white and red writing on the screen. The red text being linked to danger and blood and the white going back to contrasting good and evil. This shot informs the audience that the same film company made the other popular horror films ‘saw’ and ‘paranormal activity’. The audience will recognise the films and will be drawn to watch ‘Insidious 2’. On top of this screen you get a woman singing another children’s lullaby she keeps repeating merrily over and over again she starts quite and gets louder. Once again use of contrapuntal sound to add tension to the trailer even more. After this shot the editing speeds up to add tension. On this shot you can still hear the women saying ‘merrily’ over and over again and you get more non-diagetic sounds add on top of that you hear someone breathing slowly the breathing fades in and out this causes more tension and fear to the audience as the music gets more intensified. On this shot you really a warning alarm sound on top of the breathing and the women singing, the warning alarm as been slowed down this suggests to the audience the family is in terrible and the audience should be terrified as there is more horror coming up in the trailer. In this shot you get a long shot of family and ..... trying to get answer for why the women is haunting the family. In the mise-en-scene you see a lot of candles symbolising light in the darkness the family is looking for hope. You also see lots of red and black colours in the mise-en-scene, the red suggests danger and blood within this scene and black the darkness and how the family is lost.
- 5. Trailer Analysis By: Miriana Younan Now we are getting a fast montage of quick cuts and the music playing alongside these cuts is a woman saying some sort of words which you can’t really tell what she is saying and on top of that you hear a non-diagetic sound that sounds like evacuation sound, this suggests to the audience that you need to get out here quick and danger lurks there. Now the edits are at a very fast paced to create that tension and adrenaline with the audience. The audience are seeing horrific imagery with the dead corpses and with the women’s face as she pops up on the screen to create that jumpy moment gets the audience jumping out their sits. For the straps the same background is used all the time even for the title and the release date, the straps are telling the audience that there is a secret which gets the audience asking questions which will make them want to find out the secret. Right at the end when you see the title of the film, the non-diagetic sound stops and you only hear the women again and then you get a sting when the release date appears this scares the audience as the sound that accompanies the shot is extremely loud, the audience think is all over then they see the title and they relax but then you get the sting which catches them out and also as the release date is
- 6. Trailer Analysis By: Miriana Younan Friday the 13th, this scares the audience even more as they believe that day is bad luck so the date becomes more memorisable as it is the last thing they see and it is Friday the 13th. Overall, I think this trailer is successful with luring the audience in as it uses great straps to get the audience thinking what this film is about what is the secret and what does this evil spirit want from the family. You need to make the audience think about the film and this trailer does, it doesn’t give too much away but it shows enough to lure the audiences to watch the film. This trailer inspires me as the music and sounds it uses is great and really gets my heart racing and creates a lots of fear and tension. From this trailer I will consider using the same effects that they have applied as it will create a successful trailer.