SlideShare a Scribd company logo
1 of 17
By: Miriana Younan
 There are many different codes and conventions that make

up the different horror sub genre. Codes and conventions are
things that you recognise, to identify a certain genre, such as
space is known as a convention of a sci-fi film. In order to
understand and highlight each sub genre, we carried out a
research task to identify each sub genre conventions,. So we
can apply it into our film and make it more appealing to the
audience and can related to the sub genre chosen.
 I will be discussing four different sub-genres that exist within
the larger genre of Horror. These sub-genres
include Possession, Slasher, Psychological, Supernatural and
Gothic.
Supernatural



A convention that always occurs in supernatural horror is that it is normally set in
a home or other everyday places. A supernatural presence is not something that
someone can escape from or fight against this is what makes this sub-genre so
terrifying. Supernatural films are usually set at the protagonist's home because it
creates that fear that your safe place is not safe at all and it being supernatural
you don’t know what could happen next. The supernatural object creating fear is a
ghost, spirit or a curse.



There are two common narrative of supernatural horrors that tend to be used.
One revolves around the idea that a new family are moving in a home that turns
out to have a history and to be haunted. Soon they are being tormented by
paranormal events, such as in The Amityville Horror.



The other common narrative that is also used is when a person is either cursed or
a spirit comes after them for example in Drag Me To Hell, where Christine is
cursed.



It is conventional for this sub-genre to use orchestral music as it suits the scenes
presented. Contrapuntal sound is also used to create fear and terrify the audience
for example when something terrible is going to happen by adding sound that is
meant to be sweet and innocent it scares the audience more as your are turning
something innocent into something terrifying, by adding a child's laughter to a
scene it becomes sinister. For example in Amityville horror as the woman walks
past a room you hear a child's laughter.
Conventions


The location for a supernatural film is set where the protagonist is most familiar with or
has spent a proportion of their life in the setting. However this depends on the narrative
of the film. The most common setting is at the home of the protagonist. The main
characters home is usually isolated and excluded. With having a supernatural presence
within a home unwelcomed is not easily accepted. For example in ‘MAMA’ the two girls
are brought to a cabin in the woods where there's nothing around only the woodland.
Which resulted the children not being found for a long time. The isolation of the house
creates an eerie, mysterious atmosphere.. Where it leaves the characters to rely upon
themselves to attempt to overcome the supernatural being and survive. A supernatural
presence isn't easily accepted by a person and it is not something that one can escape
from or fight against, this is what makes this sub genre so terrifying and intriguing.,
supernatural horrors are set in peoples homes because it promotes the fear of
something unwanted and unfriendly entering your own personal space, which frightens
the audience make their home uncomfortable and not safe to be in.
Conventions
 In the supernatural horror one of the leading character is

always being followed by a being or presence that
usually does not reveal itself to others only the one that
they come for. For example in ‘Insidious’ when the
pictures of the father as a young child is shown there is a
being in the form of a women whom appears in every
image that comes close and closer to him. This is when
the audience is informed of the fathers gene being
passed on to the son causing him to be lost in the
alternative place know as the further.
Psychological


A psychological horror does not contain gore and weapons, psychological plays with
the mind of the audience making them feel vulnerable.



The killer normally has a twisted mind and that acts as an instigator of fear and is, in
effect, their ‘weapon’. A disturbed or tormented individual is the main antagonist
who may come back to get revenge on their victims. The may be a child this could be
because it terrifies the audience even more because they are turning an innocent
child into a devil/monster . Most of the times the victims tend to be female and this
could be because the fact the mothers are maternal and the female audiences
watching will be able to relate.



Psychological horror are set normal settings like big houses, schools and hospitals.
These types of settings creates realism for the audience and they are able to relate
to them. They will also feel vulnerable as they feel their safe place ( their home) is
not safe from anything and that danger can invade their safety.



In psychological horrors, the ‘monster’ looks normal too; they are normal and even
attractive sometimes on the outside, but have purely distorted minds. Very often the
evil works of this character is not shown until the end or when the story of the horror
film is fully established. Psychological horrors often feature a really good twist
towards the end.
Conventions
 Psychological horror films will generally rely on the characters

beliefs, fears and any hidden truths about the character or what they
have done. The location of a typical psychological sub genre tends to
be in authentic housing, hospitals, locations that are in the
audiences every day life which in return produces a connection that
the audience has with the film. Very often psychological films will
base its narrative on facts or actual occurrences in real life, this is
true for films such as ‘The Strangers’ which are based on a true story.
Film, markers often like o add if a film is based on true events
because it adds value to the film, and also increase the scare factor
because the audience will realise that there is a real possibility of it
happening in real life to them or anyone close to them.
Slasher


Most slasher films have a final girl which survives till the end. The features of the final girl are suggestive that
she is not very feminine to suggest that she has the kind of qualities required to out wit h killer and survive.
Their costume is generally quite conservative and they are normally the most clever out of the friendship circle.
The final girl always survives to the end, generally she has a chase scene to endure and at the end of this there
will be the confrontation were the killer is defeated, killed or warded off. The final girl will usually be a brunette,
not very sexual and she may be unpopular amongst her circle of friends.



The slasher villains are portrayed as mentally deranged and/or physically deformed individuals who were
traumatized in many instances at an early age. The killer in slasher films is usually male, his identity is often
hidden and unknown, as they usually wear a mask , this gives the effect of not knowing the killer , the killer
staying unknown and the victims always staying aware of who it could be a close friend or an enemy . The
costume that hides their body and makes them look more physically imposing. The killer is usually big and
strong which makes it impossible to kill him. Slasher killers tend to prefer brutal hand held weapons such as
knives, axes, machetes and chainsaws. This gives the killer an up close and personal relation with the victim,
that he will be killing.



Many slasher films feature a group of teenage friends and most of them end up dead which usually leaves one
survivor who is usually the final girl. The group of friends tend to be young, attractive and high school or college
aged.



There are two main types of locations in the majority of horror slasher films, suburban neighbourhoods and
woods. More commonly used is suburbs, this helps to leave the audience with a sense of fear because it is a
place that you would consider to be safe in. The location could be part of the killer’s identity as it could be
associated with a bad childhood or a significant event which the killer was involved in. Examples of existing
major films which take place in surban areas are Halloween and Scream, Casey is home alone in an isolated
mansion in a wealthy suburban – meaning there are plenty of rooms and places for a killer to hide with limited
neighbours or towns nearby. Another location is woods, which is rarely used in slasher films, but it is still used.
An example of this is Friday the Thirteenth, which took place in woods by a lake
Conventions
 The location is quiet and eerie, in a suburban town,
this helps to maintain the sense of fear because the
audience can relate to it ensuring authenticity as its

a safe haven. The location may indicate being a part
of the killers identity, it may even hold a significant
event which the killer was involved in or bad
childhood. The location is often in a small populated
region and is often far from civilization. The killer
destroys his victims means of escape e.g. Their
vehicle which makes their escape impossible and
allows the killer to his victims freely without
interferences.
Possession


Possession films are usually based on an object or a person being possessed by
an evil spirit. This then leads to them showing abnormal, scary and horrific
behaviour as if manipulated by evil itself. Audiences will see characters
levitating, contorting their bodies or speaking in strange voices or languages.
They may even kill animals or eat insects.



Possession films use religious imagery, especially Christian or Jewish religious
artefacts e.g. Crucifix, due to the fact that priests and religious figures are often
drafted in to perform exorcisms or to get rid of the evil present. It also creates
more of a scare factor as people who are religious will be more terrified as they
believe this could happen to them. The great history of the religions featured in
possession films leads the audience to believe that the evil spirit has also been
in existence for a long time, meaning that it is hard to get rid of the evil spirit.



Conventions of location for possession films are usually set in the home or
isolated locations with lots of dark history and the location is normally a large
house or even a place of worship. The place of worship ties in with the religious
imagery convention of the genre. These places are normally old which gives the
the audience a sense that the place has a lot of history and evil has been there
for years and will continue to be there and terrorise its next victims.
Gothic


Gothic horror films were popular in the 1920’s , 30’s and 40’s. Gothic horrors feed on our
darkest fears and desires, and conjure up creatures of the night into being. The monster is
usually mythical, such as vampires, werewolves, headless horsemen and ghosts that either
try to kill or haunt their victims. Gothic films are usually set in a isolated location such as a
dark misty forest or a big house/ mansion in the middle of nowhere in far off mystical lands
that the audience would never visit. Castles and graveyards also feature.



Gothic horrors are often set in the past and use dark shadows and lighting.

Conventions:
o

An atmosphere of doom.

o

Medieval castles with rooms such as dungeons and torture chambers

o

Low key lighting e.g. Women in black uses low key lighting throughout the film; it is
extremely dark.

o

Untamed landscapes which are empty

o

Graveyards and holy relics

o

Beast transformation e.g. Frankenstein we see Frankenstein being created by the professor.

o

Weather is misty it is usually used to darken objects to introduce the terrifying person or
thing.

o

Storms- it is used to accompany important events.
The sub genre chosen by my group
 My Group and I decided to choose the Possession sub-genre because

we believe that it is the most interesting genre to create a film
in. There are many conventions to follow and challenge and there are
also many different narrative possibilities. Since Possession films are
becoming increasingly relevant in today's society, it would make sense
to create a film that will appeal to a wide range of audiences that like
to watch the latest Possession films such as "Insidious 2" and "The
Possession".

 Since the sub-genre is one of the more sophisticated Horror sub-

genres, we can target a sophisticated audience that understands the
many codes and conventions of the genre.
 Not only will the film be interesting for the audience, it will be very
interesting to create the film itself in all stages of production, from
brainstorming narrative ideas to story-boarding to filming and to
editing. We believe as a group that the project will be very interesting
to produce and will allow our creative ideas and thoughts to
flourish. This will allow us to develop as media practitioners because
of the great opportunity for creative ideas.

More Related Content

What's hot

Sub genres of horror
Sub genres of horrorSub genres of horror
Sub genres of horrorcharmitch21
 
Sub genres of horror
Sub genres of horrorSub genres of horror
Sub genres of horrorcharmitch21
 
Narrative theory in halloween (1978)
Narrative theory in halloween (1978)Narrative theory in halloween (1978)
Narrative theory in halloween (1978)Emma Rose
 
SUB-GENRES POWERPOINT
SUB-GENRES POWERPOINT SUB-GENRES POWERPOINT
SUB-GENRES POWERPOINT betsizzle
 
Men Women and Chainsaws
Men Women and ChainsawsMen Women and Chainsaws
Men Women and ChainsawsKarenza Bell
 
Conventions of a slasher film
Conventions of a slasher filmConventions of a slasher film
Conventions of a slasher filmavapetal
 
Writing for motion picture
Writing for motion picture   Writing for motion picture
Writing for motion picture Mutagubya Nelson
 
Conventions of a ‘slasher’ film
Conventions of a ‘slasher’ filmConventions of a ‘slasher’ film
Conventions of a ‘slasher’ filmShuruthi Kamalendran
 
Horror genre research
Horror genre researchHorror genre research
Horror genre researchcsorley
 
The "Revenge" Pitch
The "Revenge" PitchThe "Revenge" Pitch
The "Revenge" PitchMorgan-R
 
introduction to sub genres of horror
introduction to sub genres of horror introduction to sub genres of horror
introduction to sub genres of horror Shauna-Mullen
 
The representation of women in horror
The representation of women in horrorThe representation of women in horror
The representation of women in horrorsophieoldman
 
Introduction Into Sub-Genres
Introduction Into Sub-GenresIntroduction Into Sub-Genres
Introduction Into Sub-GenresShauna-Mullen
 

What's hot (19)

Sub genres of horror
Sub genres of horrorSub genres of horror
Sub genres of horror
 
Sub genres of horror
Sub genres of horrorSub genres of horror
Sub genres of horror
 
Horror Sub-Genres
Horror Sub-Genres Horror Sub-Genres
Horror Sub-Genres
 
Horror sub genres
Horror sub genres Horror sub genres
Horror sub genres
 
Our Pitch
Our PitchOur Pitch
Our Pitch
 
STOKER TRAILER ANALYSIS
STOKER TRAILER ANALYSISSTOKER TRAILER ANALYSIS
STOKER TRAILER ANALYSIS
 
Narrative theory in halloween (1978)
Narrative theory in halloween (1978)Narrative theory in halloween (1978)
Narrative theory in halloween (1978)
 
SUB-GENRES POWERPOINT
SUB-GENRES POWERPOINT SUB-GENRES POWERPOINT
SUB-GENRES POWERPOINT
 
Writing for film
Writing for film  Writing for film
Writing for film
 
The final girl
The final girlThe final girl
The final girl
 
Men Women and Chainsaws
Men Women and ChainsawsMen Women and Chainsaws
Men Women and Chainsaws
 
Conventions of a slasher film
Conventions of a slasher filmConventions of a slasher film
Conventions of a slasher film
 
Writing for motion picture
Writing for motion picture   Writing for motion picture
Writing for motion picture
 
Conventions of a ‘slasher’ film
Conventions of a ‘slasher’ filmConventions of a ‘slasher’ film
Conventions of a ‘slasher’ film
 
Horror genre research
Horror genre researchHorror genre research
Horror genre research
 
The "Revenge" Pitch
The "Revenge" PitchThe "Revenge" Pitch
The "Revenge" Pitch
 
introduction to sub genres of horror
introduction to sub genres of horror introduction to sub genres of horror
introduction to sub genres of horror
 
The representation of women in horror
The representation of women in horrorThe representation of women in horror
The representation of women in horror
 
Introduction Into Sub-Genres
Introduction Into Sub-GenresIntroduction Into Sub-Genres
Introduction Into Sub-Genres
 

Similar to Sub genre2

Introduction To Horror Sub-Genres
Introduction To Horror Sub-GenresIntroduction To Horror Sub-Genres
Introduction To Horror Sub-Genressalinadaniel
 
Sub-Genres of Horror
Sub-Genres of HorrorSub-Genres of Horror
Sub-Genres of HorrorJoshNaughton
 
Conventions of horrorr
Conventions of horrorrConventions of horrorr
Conventions of horrorrMoMedia0043
 
Sub genres of horror
Sub genres of horrorSub genres of horror
Sub genres of horrorchar95
 
Sub-genres of Horror
Sub-genres of Horror Sub-genres of Horror
Sub-genres of Horror rachaeldrake_
 
Horror sub genre
Horror sub genreHorror sub genre
Horror sub genreshani-ross
 
The Horror Genre - Media Studies
The Horror Genre - Media StudiesThe Horror Genre - Media Studies
The Horror Genre - Media StudiesRachel Wood
 
Film study draft done 11
Film study draft done 11Film study draft done 11
Film study draft done 11helenaaa96
 
Media genre research
Media   genre researchMedia   genre research
Media genre researchemmachilton
 
Conventions of horror
Conventions of horrorConventions of horror
Conventions of horrorMoMedia0043
 
Conventions of Horror
Conventions of HorrorConventions of Horror
Conventions of HorrorMoMedia0043
 
Conventions of Chosen Sub-Genre
Conventions of Chosen Sub-GenreConventions of Chosen Sub-Genre
Conventions of Chosen Sub-Genrelaurenwalsh110600
 
Horror genre chart
Horror genre chartHorror genre chart
Horror genre chartaidanbaker96
 
Codes and conventions
Codes and conventionsCodes and conventions
Codes and conventionsJoey Chilton
 
Genre research.
Genre research.Genre research.
Genre research.Jaaaaaaay_
 

Similar to Sub genre2 (20)

Conventions of horror
Conventions of horrorConventions of horror
Conventions of horror
 
Introduction To Horror Sub-Genres
Introduction To Horror Sub-GenresIntroduction To Horror Sub-Genres
Introduction To Horror Sub-Genres
 
Sub-Genres of Horror
Sub-Genres of HorrorSub-Genres of Horror
Sub-Genres of Horror
 
Conventions of horrorr
Conventions of horrorrConventions of horrorr
Conventions of horrorr
 
Sub genres of horror
Sub genres of horrorSub genres of horror
Sub genres of horror
 
Sub-genres of Horror
Sub-genres of Horror Sub-genres of Horror
Sub-genres of Horror
 
Horror sub genre
Horror sub genreHorror sub genre
Horror sub genre
 
The Horror Genre - Media Studies
The Horror Genre - Media StudiesThe Horror Genre - Media Studies
The Horror Genre - Media Studies
 
Film study draft done 11
Film study draft done 11Film study draft done 11
Film study draft done 11
 
Horror Sub-Genres
Horror Sub-GenresHorror Sub-Genres
Horror Sub-Genres
 
Horror Sub-Genres
Horror Sub-GenresHorror Sub-Genres
Horror Sub-Genres
 
Media genre research
Media   genre researchMedia   genre research
Media genre research
 
Horror sub genres
Horror sub genresHorror sub genres
Horror sub genres
 
Conventions of horror
Conventions of horrorConventions of horror
Conventions of horror
 
Conventions of Horror
Conventions of HorrorConventions of Horror
Conventions of Horror
 
Conventions of Chosen Sub-Genre
Conventions of Chosen Sub-GenreConventions of Chosen Sub-Genre
Conventions of Chosen Sub-Genre
 
Genre Analysis
Genre AnalysisGenre Analysis
Genre Analysis
 
Horror genre chart
Horror genre chartHorror genre chart
Horror genre chart
 
Codes and conventions
Codes and conventionsCodes and conventions
Codes and conventions
 
Genre research.
Genre research.Genre research.
Genre research.
 

More from Mirianay

Evaluation advanced portfolio
Evaluation advanced portfolioEvaluation advanced portfolio
Evaluation advanced portfolioMirianay
 
Pitch feedback
Pitch feedbackPitch feedback
Pitch feedbackMirianay
 
History of horror
History of horrorHistory of horror
History of horrorMirianay
 
The pitch 1
The pitch 1The pitch 1
The pitch 1Mirianay
 
The pitch 1
The pitch 1The pitch 1
The pitch 1Mirianay
 
The pitch 1
The pitch 1The pitch 1
The pitch 1Mirianay
 
Trailer overview
Trailer overviewTrailer overview
Trailer overviewMirianay
 
Poster analysis 3
Poster analysis 3Poster analysis 3
Poster analysis 3Mirianay
 
Poster analysis 2
Poster analysis 2Poster analysis 2
Poster analysis 2Mirianay
 
Poster analysis
Poster analysisPoster analysis
Poster analysisMirianay
 
Poster ideas
Poster ideasPoster ideas
Poster ideasMirianay
 
Front cover ideas
Front cover ideasFront cover ideas
Front cover ideasMirianay
 
Magazine overview
Magazine overviewMagazine overview
Magazine overviewMirianay
 
Poster overview
Poster overviewPoster overview
Poster overviewMirianay
 
Trailer analysis
Trailer analysisTrailer analysis
Trailer analysisMirianay
 
Trailer analysis 3
Trailer analysis 3Trailer analysis 3
Trailer analysis 3Mirianay
 
Trailer analysis 2
Trailer analysis 2Trailer analysis 2
Trailer analysis 2Mirianay
 

More from Mirianay (20)

Evaluation advanced portfolio
Evaluation advanced portfolioEvaluation advanced portfolio
Evaluation advanced portfolio
 
Pitch feedback
Pitch feedbackPitch feedback
Pitch feedback
 
History of horror
History of horrorHistory of horror
History of horror
 
The pitch 1
The pitch 1The pitch 1
The pitch 1
 
The pitch 1
The pitch 1The pitch 1
The pitch 1
 
The pitch 1
The pitch 1The pitch 1
The pitch 1
 
Trailer overview
Trailer overviewTrailer overview
Trailer overview
 
Poster analysis 3
Poster analysis 3Poster analysis 3
Poster analysis 3
 
Poster analysis 2
Poster analysis 2Poster analysis 2
Poster analysis 2
 
Poster analysis
Poster analysisPoster analysis
Poster analysis
 
Poster ideas
Poster ideasPoster ideas
Poster ideas
 
Front cover ideas
Front cover ideasFront cover ideas
Front cover ideas
 
Narrative
NarrativeNarrative
Narrative
 
Magazine overview
Magazine overviewMagazine overview
Magazine overview
 
Poster overview
Poster overviewPoster overview
Poster overview
 
Trailer analysis
Trailer analysisTrailer analysis
Trailer analysis
 
Trailer analysis 3
Trailer analysis 3Trailer analysis 3
Trailer analysis 3
 
Trailer analysis 2
Trailer analysis 2Trailer analysis 2
Trailer analysis 2
 
Narrative
NarrativeNarrative
Narrative
 
Narrative
NarrativeNarrative
Narrative
 

Recently uploaded

18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdfssuser54595a
 
Framing an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdf
Framing an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdfFraming an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdf
Framing an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdfUjwalaBharambe
 
Difference Between Search & Browse Methods in Odoo 17
Difference Between Search & Browse Methods in Odoo 17Difference Between Search & Browse Methods in Odoo 17
Difference Between Search & Browse Methods in Odoo 17Celine George
 
CELL CYCLE Division Science 8 quarter IV.pptx
CELL CYCLE Division Science 8 quarter IV.pptxCELL CYCLE Division Science 8 quarter IV.pptx
CELL CYCLE Division Science 8 quarter IV.pptxJiesonDelaCerna
 
Crayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon ACrayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon AUnboundStockton
 
Earth Day Presentation wow hello nice great
Earth Day Presentation wow hello nice greatEarth Day Presentation wow hello nice great
Earth Day Presentation wow hello nice greatYousafMalik24
 
Full Stack Web Development Course for Beginners
Full Stack Web Development Course  for BeginnersFull Stack Web Development Course  for Beginners
Full Stack Web Development Course for BeginnersSabitha Banu
 
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdfEnzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdfSumit Tiwari
 
Solving Puzzles Benefits Everyone (English).pptx
Solving Puzzles Benefits Everyone (English).pptxSolving Puzzles Benefits Everyone (English).pptx
Solving Puzzles Benefits Everyone (English).pptxOH TEIK BIN
 
Roles & Responsibilities in Pharmacovigilance
Roles & Responsibilities in PharmacovigilanceRoles & Responsibilities in Pharmacovigilance
Roles & Responsibilities in PharmacovigilanceSamikshaHamane
 
Introduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher EducationIntroduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher Educationpboyjonauth
 
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTiammrhaywood
 
Hierarchy of management that covers different levels of management
Hierarchy of management that covers different levels of managementHierarchy of management that covers different levels of management
Hierarchy of management that covers different levels of managementmkooblal
 
Gas measurement O2,Co2,& ph) 04/2024.pptx
Gas measurement O2,Co2,& ph) 04/2024.pptxGas measurement O2,Co2,& ph) 04/2024.pptx
Gas measurement O2,Co2,& ph) 04/2024.pptxDr.Ibrahim Hassaan
 
EPANDING THE CONTENT OF AN OUTLINE using notes.pptx
EPANDING THE CONTENT OF AN OUTLINE using notes.pptxEPANDING THE CONTENT OF AN OUTLINE using notes.pptx
EPANDING THE CONTENT OF AN OUTLINE using notes.pptxRaymartEstabillo3
 
Computed Fields and api Depends in the Odoo 17
Computed Fields and api Depends in the Odoo 17Computed Fields and api Depends in the Odoo 17
Computed Fields and api Depends in the Odoo 17Celine George
 
Final demo Grade 9 for demo Plan dessert.pptx
Final demo Grade 9 for demo Plan dessert.pptxFinal demo Grade 9 for demo Plan dessert.pptx
Final demo Grade 9 for demo Plan dessert.pptxAvyJaneVismanos
 

Recently uploaded (20)

18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
 
9953330565 Low Rate Call Girls In Rohini Delhi NCR
9953330565 Low Rate Call Girls In Rohini  Delhi NCR9953330565 Low Rate Call Girls In Rohini  Delhi NCR
9953330565 Low Rate Call Girls In Rohini Delhi NCR
 
Framing an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdf
Framing an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdfFraming an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdf
Framing an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdf
 
Difference Between Search & Browse Methods in Odoo 17
Difference Between Search & Browse Methods in Odoo 17Difference Between Search & Browse Methods in Odoo 17
Difference Between Search & Browse Methods in Odoo 17
 
CELL CYCLE Division Science 8 quarter IV.pptx
CELL CYCLE Division Science 8 quarter IV.pptxCELL CYCLE Division Science 8 quarter IV.pptx
CELL CYCLE Division Science 8 quarter IV.pptx
 
Crayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon ACrayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon A
 
Earth Day Presentation wow hello nice great
Earth Day Presentation wow hello nice greatEarth Day Presentation wow hello nice great
Earth Day Presentation wow hello nice great
 
Full Stack Web Development Course for Beginners
Full Stack Web Development Course  for BeginnersFull Stack Web Development Course  for Beginners
Full Stack Web Development Course for Beginners
 
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdfEnzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
 
Solving Puzzles Benefits Everyone (English).pptx
Solving Puzzles Benefits Everyone (English).pptxSolving Puzzles Benefits Everyone (English).pptx
Solving Puzzles Benefits Everyone (English).pptx
 
Roles & Responsibilities in Pharmacovigilance
Roles & Responsibilities in PharmacovigilanceRoles & Responsibilities in Pharmacovigilance
Roles & Responsibilities in Pharmacovigilance
 
OS-operating systems- ch04 (Threads) ...
OS-operating systems- ch04 (Threads) ...OS-operating systems- ch04 (Threads) ...
OS-operating systems- ch04 (Threads) ...
 
Introduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher EducationIntroduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher Education
 
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
 
Hierarchy of management that covers different levels of management
Hierarchy of management that covers different levels of managementHierarchy of management that covers different levels of management
Hierarchy of management that covers different levels of management
 
Gas measurement O2,Co2,& ph) 04/2024.pptx
Gas measurement O2,Co2,& ph) 04/2024.pptxGas measurement O2,Co2,& ph) 04/2024.pptx
Gas measurement O2,Co2,& ph) 04/2024.pptx
 
EPANDING THE CONTENT OF AN OUTLINE using notes.pptx
EPANDING THE CONTENT OF AN OUTLINE using notes.pptxEPANDING THE CONTENT OF AN OUTLINE using notes.pptx
EPANDING THE CONTENT OF AN OUTLINE using notes.pptx
 
Computed Fields and api Depends in the Odoo 17
Computed Fields and api Depends in the Odoo 17Computed Fields and api Depends in the Odoo 17
Computed Fields and api Depends in the Odoo 17
 
Final demo Grade 9 for demo Plan dessert.pptx
Final demo Grade 9 for demo Plan dessert.pptxFinal demo Grade 9 for demo Plan dessert.pptx
Final demo Grade 9 for demo Plan dessert.pptx
 
TataKelola dan KamSiber Kecerdasan Buatan v022.pdf
TataKelola dan KamSiber Kecerdasan Buatan v022.pdfTataKelola dan KamSiber Kecerdasan Buatan v022.pdf
TataKelola dan KamSiber Kecerdasan Buatan v022.pdf
 

Sub genre2

  • 2.  There are many different codes and conventions that make up the different horror sub genre. Codes and conventions are things that you recognise, to identify a certain genre, such as space is known as a convention of a sci-fi film. In order to understand and highlight each sub genre, we carried out a research task to identify each sub genre conventions,. So we can apply it into our film and make it more appealing to the audience and can related to the sub genre chosen.  I will be discussing four different sub-genres that exist within the larger genre of Horror. These sub-genres include Possession, Slasher, Psychological, Supernatural and Gothic.
  • 3.
  • 4. Supernatural  A convention that always occurs in supernatural horror is that it is normally set in a home or other everyday places. A supernatural presence is not something that someone can escape from or fight against this is what makes this sub-genre so terrifying. Supernatural films are usually set at the protagonist's home because it creates that fear that your safe place is not safe at all and it being supernatural you don’t know what could happen next. The supernatural object creating fear is a ghost, spirit or a curse.  There are two common narrative of supernatural horrors that tend to be used. One revolves around the idea that a new family are moving in a home that turns out to have a history and to be haunted. Soon they are being tormented by paranormal events, such as in The Amityville Horror.  The other common narrative that is also used is when a person is either cursed or a spirit comes after them for example in Drag Me To Hell, where Christine is cursed.  It is conventional for this sub-genre to use orchestral music as it suits the scenes presented. Contrapuntal sound is also used to create fear and terrify the audience for example when something terrible is going to happen by adding sound that is meant to be sweet and innocent it scares the audience more as your are turning something innocent into something terrifying, by adding a child's laughter to a scene it becomes sinister. For example in Amityville horror as the woman walks past a room you hear a child's laughter.
  • 5. Conventions  The location for a supernatural film is set where the protagonist is most familiar with or has spent a proportion of their life in the setting. However this depends on the narrative of the film. The most common setting is at the home of the protagonist. The main characters home is usually isolated and excluded. With having a supernatural presence within a home unwelcomed is not easily accepted. For example in ‘MAMA’ the two girls are brought to a cabin in the woods where there's nothing around only the woodland. Which resulted the children not being found for a long time. The isolation of the house creates an eerie, mysterious atmosphere.. Where it leaves the characters to rely upon themselves to attempt to overcome the supernatural being and survive. A supernatural presence isn't easily accepted by a person and it is not something that one can escape from or fight against, this is what makes this sub genre so terrifying and intriguing., supernatural horrors are set in peoples homes because it promotes the fear of something unwanted and unfriendly entering your own personal space, which frightens the audience make their home uncomfortable and not safe to be in.
  • 6. Conventions  In the supernatural horror one of the leading character is always being followed by a being or presence that usually does not reveal itself to others only the one that they come for. For example in ‘Insidious’ when the pictures of the father as a young child is shown there is a being in the form of a women whom appears in every image that comes close and closer to him. This is when the audience is informed of the fathers gene being passed on to the son causing him to be lost in the alternative place know as the further.
  • 7.
  • 8. Psychological  A psychological horror does not contain gore and weapons, psychological plays with the mind of the audience making them feel vulnerable.  The killer normally has a twisted mind and that acts as an instigator of fear and is, in effect, their ‘weapon’. A disturbed or tormented individual is the main antagonist who may come back to get revenge on their victims. The may be a child this could be because it terrifies the audience even more because they are turning an innocent child into a devil/monster . Most of the times the victims tend to be female and this could be because the fact the mothers are maternal and the female audiences watching will be able to relate.  Psychological horror are set normal settings like big houses, schools and hospitals. These types of settings creates realism for the audience and they are able to relate to them. They will also feel vulnerable as they feel their safe place ( their home) is not safe from anything and that danger can invade their safety.  In psychological horrors, the ‘monster’ looks normal too; they are normal and even attractive sometimes on the outside, but have purely distorted minds. Very often the evil works of this character is not shown until the end or when the story of the horror film is fully established. Psychological horrors often feature a really good twist towards the end.
  • 9. Conventions  Psychological horror films will generally rely on the characters beliefs, fears and any hidden truths about the character or what they have done. The location of a typical psychological sub genre tends to be in authentic housing, hospitals, locations that are in the audiences every day life which in return produces a connection that the audience has with the film. Very often psychological films will base its narrative on facts or actual occurrences in real life, this is true for films such as ‘The Strangers’ which are based on a true story. Film, markers often like o add if a film is based on true events because it adds value to the film, and also increase the scare factor because the audience will realise that there is a real possibility of it happening in real life to them or anyone close to them.
  • 10.
  • 11. Slasher  Most slasher films have a final girl which survives till the end. The features of the final girl are suggestive that she is not very feminine to suggest that she has the kind of qualities required to out wit h killer and survive. Their costume is generally quite conservative and they are normally the most clever out of the friendship circle. The final girl always survives to the end, generally she has a chase scene to endure and at the end of this there will be the confrontation were the killer is defeated, killed or warded off. The final girl will usually be a brunette, not very sexual and she may be unpopular amongst her circle of friends.  The slasher villains are portrayed as mentally deranged and/or physically deformed individuals who were traumatized in many instances at an early age. The killer in slasher films is usually male, his identity is often hidden and unknown, as they usually wear a mask , this gives the effect of not knowing the killer , the killer staying unknown and the victims always staying aware of who it could be a close friend or an enemy . The costume that hides their body and makes them look more physically imposing. The killer is usually big and strong which makes it impossible to kill him. Slasher killers tend to prefer brutal hand held weapons such as knives, axes, machetes and chainsaws. This gives the killer an up close and personal relation with the victim, that he will be killing.  Many slasher films feature a group of teenage friends and most of them end up dead which usually leaves one survivor who is usually the final girl. The group of friends tend to be young, attractive and high school or college aged.  There are two main types of locations in the majority of horror slasher films, suburban neighbourhoods and woods. More commonly used is suburbs, this helps to leave the audience with a sense of fear because it is a place that you would consider to be safe in. The location could be part of the killer’s identity as it could be associated with a bad childhood or a significant event which the killer was involved in. Examples of existing major films which take place in surban areas are Halloween and Scream, Casey is home alone in an isolated mansion in a wealthy suburban – meaning there are plenty of rooms and places for a killer to hide with limited neighbours or towns nearby. Another location is woods, which is rarely used in slasher films, but it is still used. An example of this is Friday the Thirteenth, which took place in woods by a lake
  • 12. Conventions  The location is quiet and eerie, in a suburban town, this helps to maintain the sense of fear because the audience can relate to it ensuring authenticity as its a safe haven. The location may indicate being a part of the killers identity, it may even hold a significant event which the killer was involved in or bad childhood. The location is often in a small populated region and is often far from civilization. The killer destroys his victims means of escape e.g. Their vehicle which makes their escape impossible and allows the killer to his victims freely without interferences.
  • 13.
  • 14. Possession  Possession films are usually based on an object or a person being possessed by an evil spirit. This then leads to them showing abnormal, scary and horrific behaviour as if manipulated by evil itself. Audiences will see characters levitating, contorting their bodies or speaking in strange voices or languages. They may even kill animals or eat insects.  Possession films use religious imagery, especially Christian or Jewish religious artefacts e.g. Crucifix, due to the fact that priests and religious figures are often drafted in to perform exorcisms or to get rid of the evil present. It also creates more of a scare factor as people who are religious will be more terrified as they believe this could happen to them. The great history of the religions featured in possession films leads the audience to believe that the evil spirit has also been in existence for a long time, meaning that it is hard to get rid of the evil spirit.  Conventions of location for possession films are usually set in the home or isolated locations with lots of dark history and the location is normally a large house or even a place of worship. The place of worship ties in with the religious imagery convention of the genre. These places are normally old which gives the the audience a sense that the place has a lot of history and evil has been there for years and will continue to be there and terrorise its next victims.
  • 15.
  • 16. Gothic  Gothic horror films were popular in the 1920’s , 30’s and 40’s. Gothic horrors feed on our darkest fears and desires, and conjure up creatures of the night into being. The monster is usually mythical, such as vampires, werewolves, headless horsemen and ghosts that either try to kill or haunt their victims. Gothic films are usually set in a isolated location such as a dark misty forest or a big house/ mansion in the middle of nowhere in far off mystical lands that the audience would never visit. Castles and graveyards also feature.  Gothic horrors are often set in the past and use dark shadows and lighting. Conventions: o An atmosphere of doom. o Medieval castles with rooms such as dungeons and torture chambers o Low key lighting e.g. Women in black uses low key lighting throughout the film; it is extremely dark. o Untamed landscapes which are empty o Graveyards and holy relics o Beast transformation e.g. Frankenstein we see Frankenstein being created by the professor. o Weather is misty it is usually used to darken objects to introduce the terrifying person or thing. o Storms- it is used to accompany important events.
  • 17. The sub genre chosen by my group  My Group and I decided to choose the Possession sub-genre because we believe that it is the most interesting genre to create a film in. There are many conventions to follow and challenge and there are also many different narrative possibilities. Since Possession films are becoming increasingly relevant in today's society, it would make sense to create a film that will appeal to a wide range of audiences that like to watch the latest Possession films such as "Insidious 2" and "The Possession".  Since the sub-genre is one of the more sophisticated Horror sub- genres, we can target a sophisticated audience that understands the many codes and conventions of the genre.  Not only will the film be interesting for the audience, it will be very interesting to create the film itself in all stages of production, from brainstorming narrative ideas to story-boarding to filming and to editing. We believe as a group that the project will be very interesting to produce and will allow our creative ideas and thoughts to flourish. This will allow us to develop as media practitioners because of the great opportunity for creative ideas.