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Theology & Film
Latino Religion & Spirituality
Course
Loyola Marymount University
Sr Rose Pacatte, FSP
SisterRoseMovies.net
January 18, 2018
Slideshare.net/rosepacatte
Andre’ Bazin (1918-1958)
 “Cinema has always been interested in
God.”
Coco
Story: narrative
 Content – parts, elements, separate
 Context – whole: narrative, words,
actions, characters; the world in which the
story unfolds
 God is in the messiness of life
Transcendence
 The Transcendent is beyond normal sense
experience: God
 Holy, ideal in itself
 “The Wholly Other”
 That which points to the Transcendent
 Cinema is an audio-visual language that
points, signs, another reality (analogy)
 Transcendence – human religious
experience
Men with Guns
 John Sayles
Theology: faith seeking
understanding
 Faith in God
 God’s self-revelation
 God becoming one of us, incarnated
human and divine in the person of Jesus
Christ,
 Grace, God’s divine action in the world
through the Holy Spirit.
Fools Rush In
 “If we think of
theology as rooted in
story, it should come
as no surprise that
some of the most
profoundly theological
works of the past
century have been
movies."
 Teresa Sanders
“Celluloid Saints”
Theology
 Christian theology refers to God’s self-
revelation as it relates to
 God’s nature
 God’s Word
 creation
 humanity
 incarnation
 Problem of evil
 Existence
Theology
 Not religious studies
 Not the catechism
 Not comparative religions
 But to study faith from the inside
Theology
 To engage in faith seeking to understand
God more deeply from one’s personal
experience of God
 or from the community’s experience of
God.
Theological thinking:
ways “to do theology”
 Aquinas: questions, dialogue
 Embedded theology: to seek to know God
God from what we have learned and
experienced at home, school, church
 Deliberative theology: the understanding
of faith that emerges from a process of
carefully reflecting upon embedded
theological convictions
Deliberative theology
 Sometimes prompted by a crisis
(existential)
 It means to ask theological questions
about experiences in one’s own beliefs,
life, world events, education, family,
worship, morals, behavior, and so forth
Theology and Art
 God’s revelation takes place in the here
and now
 It does not have to be religious to be an
experience of God
 The need for mystics in a pluralistic world:
to find the good – and God – in all things
– Ignatius of Loyola
Karl Rahner
 “Theology is to be understood as the total
and conscious self-expression of the
human being, insofar as this self-
expression arises out of God’s self-
communication to us through grace.”
The Milagro Beanfield War
Theology
 Insofar as the arts are an expression of
the human person and human experience
they are connected to the Mystery of God
 Especially if art awakens in the person the
whole question of existence.
Theology and Art
 Theology is incomplete without the arts
 God is the source of human existence and
therefore theology and art are compatible
Spirituality
 Rooted in faith, beliefs
 Based in values, faith, hope, love of
others, self-sacrifice
 Supported by theology
 Spirituality is that which gives life to faith
 Spirituality is a way of life
Latino cinema characterized by
 Catholic religious, faith, practices
 Influenced by colonization by countries
and culture
 A history of oppression and struggle for
freedom and human rights
 Practices: reading the Bible and saints, the
rosary and prayer
 The community
 Religious images: Our Lady of Guadalupe
and the crucifix (crown of thorns)
 A nun and a priest in everything (Coco)
 Cultural values, spiritual perspectives,
religious practices play out in Latino
cinema
Protestant Influence
Latino culture
At Play in the Fields of the Lord
 “We’ve come to save you.”
 “What are you saving us from? We have
everything we need, we are at peace.”
Protestant Theology: Verbal
theology
Catholic Theology: at home with
verbal and non verbal theology
Where is theology (the
transcendent) in Desperado?
Grindhouse: Exploitation films
 Sacrifice story, characters, production
values
 Gore, sex, killing, violence and anything
that shocks
Machete
Nacho Libre
Ineffable transcendence in
The Shawshank Redemption

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Theology & Film LMU 2018

  • 1. Theology & Film Latino Religion & Spirituality Course Loyola Marymount University Sr Rose Pacatte, FSP SisterRoseMovies.net January 18, 2018
  • 3. Andre’ Bazin (1918-1958)  “Cinema has always been interested in God.”
  • 5. Story: narrative  Content – parts, elements, separate  Context – whole: narrative, words, actions, characters; the world in which the story unfolds  God is in the messiness of life
  • 6. Transcendence  The Transcendent is beyond normal sense experience: God  Holy, ideal in itself  “The Wholly Other”  That which points to the Transcendent  Cinema is an audio-visual language that points, signs, another reality (analogy)  Transcendence – human religious experience
  • 7. Men with Guns  John Sayles
  • 8. Theology: faith seeking understanding  Faith in God  God’s self-revelation  God becoming one of us, incarnated human and divine in the person of Jesus Christ,  Grace, God’s divine action in the world through the Holy Spirit.
  • 10.  “If we think of theology as rooted in story, it should come as no surprise that some of the most profoundly theological works of the past century have been movies."  Teresa Sanders “Celluloid Saints”
  • 11. Theology  Christian theology refers to God’s self- revelation as it relates to  God’s nature  God’s Word  creation  humanity  incarnation  Problem of evil  Existence
  • 12. Theology  Not religious studies  Not the catechism  Not comparative religions  But to study faith from the inside
  • 13. Theology  To engage in faith seeking to understand God more deeply from one’s personal experience of God  or from the community’s experience of God.
  • 14. Theological thinking: ways “to do theology”  Aquinas: questions, dialogue  Embedded theology: to seek to know God God from what we have learned and experienced at home, school, church  Deliberative theology: the understanding of faith that emerges from a process of carefully reflecting upon embedded theological convictions
  • 15. Deliberative theology  Sometimes prompted by a crisis (existential)  It means to ask theological questions about experiences in one’s own beliefs, life, world events, education, family, worship, morals, behavior, and so forth
  • 16. Theology and Art  God’s revelation takes place in the here and now  It does not have to be religious to be an experience of God  The need for mystics in a pluralistic world: to find the good – and God – in all things – Ignatius of Loyola
  • 17. Karl Rahner  “Theology is to be understood as the total and conscious self-expression of the human being, insofar as this self- expression arises out of God’s self- communication to us through grace.”
  • 19. Theology  Insofar as the arts are an expression of the human person and human experience they are connected to the Mystery of God  Especially if art awakens in the person the whole question of existence.
  • 20. Theology and Art  Theology is incomplete without the arts  God is the source of human existence and therefore theology and art are compatible
  • 21. Spirituality  Rooted in faith, beliefs  Based in values, faith, hope, love of others, self-sacrifice  Supported by theology  Spirituality is that which gives life to faith  Spirituality is a way of life
  • 22. Latino cinema characterized by  Catholic religious, faith, practices  Influenced by colonization by countries and culture  A history of oppression and struggle for freedom and human rights  Practices: reading the Bible and saints, the rosary and prayer  The community
  • 23.  Religious images: Our Lady of Guadalupe and the crucifix (crown of thorns)  A nun and a priest in everything (Coco)  Cultural values, spiritual perspectives, religious practices play out in Latino cinema
  • 25. At Play in the Fields of the Lord  “We’ve come to save you.”  “What are you saving us from? We have everything we need, we are at peace.”
  • 26. Protestant Theology: Verbal theology Catholic Theology: at home with verbal and non verbal theology
  • 27. Where is theology (the transcendent) in Desperado?
  • 28. Grindhouse: Exploitation films  Sacrifice story, characters, production values  Gore, sex, killing, violence and anything that shocks
  • 31. Ineffable transcendence in The Shawshank Redemption

Editor's Notes

  1. Coco
  2. To only look at a film by its content isolates words and actions from the overall story. Viewers and film critics who judge the film by content usually count up how many offensive words or actions are in the film without taking into account how language and actions can serve – or not – a character’s development or the film taken as a whole. I suggest that to focus on words and actions taken out of context is too easy. This approach can separate us from the messiness of life when it is precisely in this messiness that God can speak to us.
  3. The transcendent points somewhere else; at times it is ineffible
  4. Men with Guns
  5. Fools Rush In
  6. From a distance, questioning what we assume to be true
  7. Illness, breakup, world event, personal event – you start to question what you believe and seek answers
  8. Grace and the messiness of life, human dignity
  9. It is not I who live but Christ who lives in me – the whole Christ as he defined himself as Way, Truth and Life
  10. Indigenous people, Protestant missionaries, mercenaries, resident Catholic priest
  11. Films of Cark Dryer
  12. Or more recently Machete?
  13. Lucha Libre
  14. The Shawshank Redemption: this is what Rahner means