The document summarizes the design of the new Holocaust museum (Yad Vashem) in Jerusalem, Israel. Architect Moshe Safdie designed a triangular underground structure situated on Mount Remembrance. The 180 meter long structure allows natural light in through a skylight and has artificial lighting at the base. Safdie's design aims to sensitively guide visitors through the evolving narrative of the Holocaust in a way that preserves the character of the memorial site.
Museum Case Studies
http://en.wikipedia.org/wiki/Museum
A museum is an institution that cares for (conserves) a collection of artifacts and other objects of scientific, artistic, cultural, or historical importance and makes them available for public viewing through exhibits that may be permanent or temporary.[1] Most large museums are located in major cities throughout the world and more local ones exist in smaller cities, towns and even the countryside. Museums have varying aims, ranging from serving researchers and specialists to serving the general public. The continuing acceleration in the digitization of information, combined with the increasing capacity of digital information storage, is causing the traditional model of museums (i.e. as static "collections of collections" of three-dimensional specimens and artifacts) to expand to include virtual exhibits and high-resolution images of their collections for perusal, study, and exploration from any place with Internet.[citation needed] The city with the largest number of museums is Mexico City with over 128 museums. According to The World Museum Community, there are more than 55,000 museums in 202 countries.[2]
Museum Case Studies
http://en.wikipedia.org/wiki/Museum
A museum is an institution that cares for (conserves) a collection of artifacts and other objects of scientific, artistic, cultural, or historical importance and makes them available for public viewing through exhibits that may be permanent or temporary.[1] Most large museums are located in major cities throughout the world and more local ones exist in smaller cities, towns and even the countryside. Museums have varying aims, ranging from serving researchers and specialists to serving the general public. The continuing acceleration in the digitization of information, combined with the increasing capacity of digital information storage, is causing the traditional model of museums (i.e. as static "collections of collections" of three-dimensional specimens and artifacts) to expand to include virtual exhibits and high-resolution images of their collections for perusal, study, and exploration from any place with Internet.[citation needed] The city with the largest number of museums is Mexico City with over 128 museums. According to The World Museum Community, there are more than 55,000 museums in 202 countries.[2]
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Architecture is needed. The designed museum should provide spatial variety and inspire a sense
of visual excitement, thus contributing to the overall concept of entertainment and learning.
Architecture can be traced in history since the beginning of civilization. It is an ancient discipline
and the results of its thinking and endeavor provide us with some of the most lasting examples of
our culture. Our monuments, cities, and village speak of our culture over the longest span of
time. Yet, the representation of architecture and its role in our society has not flowered. To
bridge this gap in understating between the profession and society, a National Museum of
Architecture is needed. The designed museum should provide spatial variety and inspire a sense
of visual excitement, thus contributing to the overall concept of entertainment and learning.
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Although Tehran is not Iran, but without this great metropolis, which is the focal point of Iran’s transportation network and the center in which more than 40% of the nation’s economic activities takes place, it would not be possible to fully comprehend the ever changing Iran. Tehran is the mirror of Iran. Those who inhabit this young metropolis have come from around the country with different beliefs, cultures, languages and life styles and live in a national and international context together. It can be noted that modern societies take form in large cities, and therefore, Iran’s future is being formed in Tehran.
Moshe Safdie CC FAIA FRAIC (Hebrew: משה ספדיה; born July 14, 1938) is an Israeli-Canadian architect, urban designer, educator, theorist, and author. He is most identified with designing Marina Bay Sands and Jewel Changi Airport, as well as his debut project Habitat 67, which was originally conceived as his Master's thesis while studying at McGill University and paved the way for his international career.
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The new holocaust history museum 2
1. The New Holocaust History
Museum
-Moshe Safdie
Rafay Ahmad | Rizvi College of Architecture
Rafay Ahmad | Rizvi College of Architecture
2. Introduction …
• The new Holocaust museum (Yad Vashem) spreads over an area of
4,200 sq mts….ovr the har Hazikaron (the Mount of Rememberance) in
Jerusalem, Israel..
• Its at a height of 800 mts above the sea level.
• The museum is built in remembrance of the martyrs and the innocent
Jews who lost their lives during the reign of Nazism.
Rafay Ahmad | Rizvi College of Architecture
Rafay Ahmad | Rizvi College of Architecture
3. DeSiGn CoNcEpT
The basic guidelines for the museum’s design was to create a visitor’s route
dictated by evolving narrative, with a beginning, middle and end such that
it could emphasize the unique human stories of the jewish populationin in
europe during those days
SaFdie ‘s design
Safdie during designing felt that the story of holocaust has no equal , and it
could not be accommodated in a conventional building.
To preserve the character of
Mount remembrance keeping
In mind its delicate site and
Profound surroundings
He concived a prisim like triangular
Structure.
The museum within the earth, allowing little
More than its elongated , angular spine to
Convey a sense of its true scale.
Rafay Ahmad | Rizvi College of Architecture
4. DeSign
The design of every space is done keeping in mind the
experience of every individual.
The museum is sensitively designed so as to be easily
accessible to people with physical disabilities.
The triangular form of the structure was chosen to
support the pressure of the earth above the prism
while bringing in daylight from above through a 200
meter-long glass skylight.
The warped surface formed by this variation, amplified
by a gently sloping floor, creates a changing
sequence of spaces and gives the illusion of
descending deep into the mountain.
As the route nears its northern exit, the floor begins
to ascend and the triangle opens up again, with the
exit bursting forth from the mountain’s slope to a
dramatic view of modern-day Jerusalem
Rafay Ahmad | Rizvi College of Architecture
5. 1. Visitors center
2. Book and Resource Ceneter
3. Cafeteria
4. Avenue of the Righteous Among the Nations
5. Holocaust History Museum
6. Hall of Names
7. Square of Hope
8. Holocaust Art Museum
9. Synagogue
10. Exhibitions Pavilion
11. Visual Center
12. Learning Center
13. Hall of Remembrance
14 Pillar of Heroism
15 Children’s Memorial
16 Janusz Korczak Square
17 Archives and Library Building
18 Family Plaza
19 International School for Holocaust Studies
20 Administration and Research Building
21 Monument to the Jewish Soldiers and Partisan
22 Partisans’ Panorama
23 Valley of the Communities
24 Cattle Car - Memorial to the Deportees
25 Warsaw Ghetto Square
26 Swedish Ambulance
27 Monument to Le Chambon-sur-Lignon
28 Nieuwlande Monument
29 Garden of the Righteous Among the NationRafay Ahmad | Rizvi College of Architecture
7. This is a triangular structure situated in the middle
of the Yad vashem. This is the structure which was
built by moshe safdie when he was renovating the
yad vashem .
Holocaust history
museum
Rafay Ahmad | Rizvi College of Architecture
8. Lightinings
The lighting in the museum is
natural as well as artificial.
The 180 mtr long triangular
structure has a ventilation on
top throught, which serves as
natural light provider.
It Also has light at the bottom
corner of the triangle.
Rafay Ahmad | Rizvi College of Architecture
9. 6. The Hall of names has the
pictures of those who lost their
lives under Nazism.
7. The square of hopes
Rafay Ahmad | Rizvi College of Architecture
12. Site
North
Jerusalem
The site is on an height of 800
meters
The central 180 meter long
structure is partly beneath the
ground.
The rest of the buildings are
spread out on the site
Contour lines
Rafay Ahmad | Rizvi College of Architecture
15. Materials used
• The entire structure of the museum floor,
walls interiors and exterior have reinforced
concrete and glass.
• The concrete walls are not painted, as the
grey concrete symbolizing the destruction…
Rafay Ahmad | Rizvi College of Architecture
16. Most of the bus lines
can be accessed
from the Central
Bus Station in
Jerusalem, as well
as from many
locations around
the city.
A free bus service
runs between
Mount Herzl and
Yad Vashem during
the opening hours
of Yad Vashem.
Rafay Ahmad | Rizvi College of Architecture