The document summarizes two architectural projects: Daniel Libeskind's Jewish Museum in Berlin and the National Museum of Roman Art in Merida. For the Jewish Museum, Libeskind designed it with underground entrances and three axes representing death, exile, and continuity to metaphorically represent the Holocaust. The axes lead to different areas of the museum. For the Roman Art museum, the architect took a modern approach to designing it like a basilica with semi-circular arches, carvings, and a reference to the nearby Roman theater to represent the historicism of Roman architecture. Both projects employ postmodern architecture techniques like deconstruction, metaphor, narrative, and imitation.