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Art Gallery Case Study
The document provides case studies and standard analyses of several art gallery projects including the Liberation War Museum in Dhaka, Bangladesh, the Shadhinota Tower monument in Dhaka, and the Louvre Museum in Paris, France. For each project, the summary includes the location, key architects, concepts, forms, plans, and photographs of the sites. It then analyzes the standard requirements for various functional areas of an art gallery like parking, exhibition spaces, kitchens, washrooms, restaurants, libraries, and amphitheaters.
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Art Gallery Case Study
- 1. CASE STUDY of ARTGALLERY Design Studio V Group 3 Tofayel Ahmed (19228013) Md Sadek Ahmed (18228006) Chadni Akter (17228008) Nishat Tasnim Tithy (18228001)
- 2. 2 Contents of theProject Case Study National Project 1. Liberation War Museum Agarga, Dhaka 2. SHADHINOTA TOWER Sohrawardi Uddan, Dhaka International Project Louvre Museum Paris, France Standard Analysis of Art Gallery
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- 24. LIBERATION WAR MUSEUM LiberationWar Museum Plot : F11/A & F11/B Sher-e Bangla Nagar Civic Centre, Agargaon, Dhaka The Liberation War Museum was started on the initiative of an eight-member board of trustees to commemorate the liberation war of 1971. ARCHITECT: Ar. Nahid Farzana Ar. Tanzim Hosen Salim Status: National competition 2009, 1st prize. Assoc consultant: Vistaara Architects Structural Consultant: TDM Total Land: 55 Katha/ 39327.40 sqft. Built Area: 2884.50 sqft. Green Area :5917.73 sqft. Ground Floor + 5 Storied + 3 basement Floor
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- 26. 26 Concept • The heartof the project is the chamber of remembrance and realization • The exterior of the form is austere & humble marked by bullet marks, representing the ravages of war. • The vertical column like elements puncturing through the gallery and shooting out of the building poetically celebrates not only the elation of victory. • The expression also signifies normal people transforming to freedom fighters through the rising of Bangabandhu's fist. • Seven pillars in front of the complex are in memory of the seven highest martyrs (BIR SRESHSTHOs). • A circular wall of red hue depicting murals and mots are a reminder to the void of dislocation of refugees, victims of war and all who has lost their beloved. • It represents the freedom of human mind and spirit, hanging in between the physical and the metaphysical. A person is reminded of the past but Is forced towards the future and a sense of libeaion. • The charnel of water has a dual meaning of invitation & the deltaic nature of Bangladesh. The red wall behind the flame depicts the peoples’ struggle and plight of our history by means cut-out murals & mots. The wall of the auditorium would hold digital panels to display contributors' names.
- 27. 27 Form Analysis Rectangle, Circularand Interlocking forms can bee seen in the structure.
- 28. AREA & ACCESSIBILITY MainFunctions in the project 1. Open Ampitheater 2. Auditorium 3. Canteen 4. Library 5. Multipurpose hall 6. Office 7. Exhibition 8. Disable Accessibility
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- 34. 34 1st Floor Plan– Views
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- 38. SITE PHOTO The galleries beginwith coverage of the early history of Bangladesh and of India's independence movement against the British Raj in Bengal.
- 39. 39 Floor Details Lighting MetodsUsed: • Natural Lighting • Light from Above • Lateral Lighting Office & Conference Room Auditorium Sitting Distance- 3’-4’
- 40. 40 Other Functions Kitchen: 340sqft Lobby/ Coridor: • Lift Lobby - 10’-6” • Stair Lobby – 5’-0” • Corridor – 5’0” Canteen: 1072 sqft
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- 42. SHADHINOTA STAMBHA ATSURAWARDY UDDAN General information Status Complete Type Public monument Location Dhaka, Bangladesh Construction started 1999 Completed 2013 Design and construction Architect Marina Tabassum, Kashef Mahboob Chowdhury
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- 44. 44 Concept Government of Bangladeshtook the initiative to build the monument in 1996. The construction began in 1999. Kashef Mahboob Chowdhury and Marina Tabassum designed the project. The main attraction of the project is a 50-meter high tower composed of stacked glass panels, which stands at the place where the Pakistani Instrument of Surrender was signed at the end of the war. The foundation stone of the Swadhinata Stambha was laid in 1999. The construction of the project began in the same year. The construction was completed in two phases. The main attraction of the Swadhinata Stambha is the Stambha itself. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. A large photograph of the historical 7th March Speech of Sheikh Mujibur Rahman is the main attraction of the underground museum. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theatre. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs.
- 45. 45 Form Analysis Shadhinata Stambha Rectengleform The main Stambha is built in square shape. The base or the sorrounding area of the structure is on a rectengle form, in this case interlocking can bee seen between square and rectengle forms. The Stambha
- 46. 46 Master Plan ofShadhinata Stambha
- 47. SITE PHOTO In 1996,the Bangladesh government decided to erect a monument at Suhrawardy Udyan in Dhaka to restore the memory of the Bangladesh Liberation War.
- 48. SITE PHOTO The foundationstone of Independence Pillar was laid in 1999. Construction of the project began in the same year. Construction work is done in two steps.
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- 52. LOUVRE MUSEUM ATFRANCE The Louvre, or the Louvre Museum, is the world's most-visited museum, and a historic landmark in Paris, France. It is the home of some of the best-known works of art, including the Mona Lisa and the Venus de Milo. Address: Rue de Rivoli, 75001 Paris, France Category: Librairie-Butique du Musée du Louvre Established: August 10, 1793 Director: Laurence des Cars Architects: Pierre Lescot, Louis Le Vau, Claude Perrau Director: Laurence des Cars Public transit access: Palais-Royal - Musée du Louvre, Louvre - Rivoli
- 53. 53 Introduction The Louvre Museum,National Museum of French art, is one of the most important museums in the world. The creation of the Louvre meant, in the history of museums, the transition from private collections to the public for the enjoyment of the whole society. With one of the greatest collections representative, is undoubtedly the most visited art museum in the world. Location: • Louvre Museum is located on the right bank of the river Seine in Paris. • The building that houses it, the Palais du Louvre is one of the largest palaces in the world and occupies the site erected a fortress of the twelfth century. • It occupies a huge site area of 19 hectares.
- 54. 54 Historical Transformation Palais duLouvre (louver palace) was built on the site of a castle from the Middle Ages, which kept the foundations and the moat. This building was based on one of the largest royal palaces across Europe in 1527, Francis I, King of France and great patron of the arts, commissioned the architect Pierre Lescot The taste of the monarch is in favor of the Italian Renaissance style.Premise that Lescot employed to perform a classical building organized around a square courtyard, the Cour Carré. The second round of renovations was in seventeenth century, during which there were alternately abandonment of residence, which became a market full of shacks attached to the walls, and the restoration of the facade ordered by Louis XIV. These works are what make the current aesthetics of the building, subject to strict French Baroque. The architects were Claude Perrault, author of the project and interior designer, Le Vau and Le Brun. The intervention took place between the years 1667 and 1670
- 55. 55 Design Concept The museumwas designed as following public accessibility comfort. The design followed linier formats. The main building is in a square shape, having void space in middle for sufficient light and air consuming. Peistartedfromthepremisethat,ratherthanthatthemuseumbeinglocatedon lya large elongated building, it should organise itself in a U shape around a courtyard. ThenhehadtheideaofdiggingupthecourNapoleon,toprovideenoughspacef or two additional floors underground. He said, entry should have an appropriate scale however, refused to build a solid element that would compete with the presence of the baroque buildings. At the centre of the courtyard he designed a glass and steel pyramid to serve as entrance which was mirrored by another inverted pyramid underneath, to reflect sunlight into the rooms.
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- 62. 62 Pyramid or NapoleonHall and Entrance
- 63. THANK YOU This projectis prepared for Ummehani Binte Ahmed Ma'am of FIU. The presentation has been created by the students of Group 3 of Design Studio V subject, from FIU. Thanks again for taking a part to view the presentation.