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The 󰈲󰉉󰈻󰈏󰇸
of
Cor󰇷󰈎󰈘l󰇵󰈸a
Prepared by Ms. Bridget Nicole B. Masalta
At 󰉃󰈋e 󰈩n󰇷 󰈢󰇿 t󰈊e 󰈼󰈩s󰈻󰈏o󰈞, t󰈊󰈩 󰈼t󰉊󰇷e󰈞t󰈻 󰉓󰈎l󰈗 󰇻󰇵
ab󰈗󰈩 󰉄󰈢:
● Demonstrates understanding of the musical characteristics
of representative music from the lowlands of Luzon.
● Performs music of the lowlands with appropriate pitch,
rhythm, expression and style.
● Describes the musical characteristics of representative
music selections from the lowlands of Luzon after listening.
● Explain the distinguishing characteristics of representative
music from Cordillera in relation to its culture
The 󰈚󰉉󰈼󰈏c o󰇾 󰉄h󰈩 󰈊󰈏󰈈h󰈗a󰈞d󰈻 󰈡󰇿 L󰉊zo󰈝
(Cor󰇷󰈎󰈘l󰇵󰈸a) 󰈋󰈩l󰈥󰈼 󰉊s 󰇷i󰈼c󰈡󰉏󰇵󰈹 t󰈊e 󰉓󰈀y
of 󰈗󰈎󰇿󰇵 of 󰉃󰈋󰈩 C󰈢r󰇷i󰈘l󰈩󰈸󰇽 󰈦e󰈡p󰈗󰇵 󰉄h󰈸o󰉉󰈈h
t󰈊e󰈛󰈩s 󰇽󰇼o󰉉󰉄 n󰇽󰉃u󰈹󰈩, f󰇽󰈚i󰈘y 󰈗󰈎󰇿󰇵,
wo󰈸󰈕s 󰈎󰈝 󰉄h󰇵 fie󰈗󰇶 󰈀s 󰉒󰇵󰈘l a󰈻 󰉄h󰈩
s󰈥i󰈹󰈎t󰉊a󰈗 󰈛󰈀󰉅󰇵r󰈻.
OV󰉋󰈤󰈍󰈽EW:
In addition to songs and chanted poetry, Cordillera
music is distinctively made up of two sound
characteristics of instruments based on their respective
materials - the first, made of bamboo (flutes, percussion
instruments), and the second, made of metal (gongs).
In the highlands of Luzon, music is related
to different occasions such as life cycle
events and occupational activities and
various rituals. During the agricultural
cycle, peace pacts courtship, marriage
and death rites, musical performances
may be witnessed in the region.
Mus󰈎󰇹 󰈢󰇿 Cor󰇷󰈎󰈘l󰇵󰈸a:
Voc󰈀󰈗 󰈛󰉊si󰇹
01
In󰈻󰉄ru󰈚󰈩󰈞t󰇽󰈗 Mu󰈼󰈎c
02
Voc󰈀󰈗 E󰈞s󰇵󰈚󰇻le 󰉒󰈎󰉄h
in󰈻󰉄r󰉉󰈚󰇵󰈞ta󰈗
ac󰇹󰈡󰈛p󰇽󰈝i󰈛󰈩n󰉃
03
Mus󰈎󰇹 󰈢󰇿 t󰈊e C󰈡󰈹d󰈏󰈗󰈘er󰈀 󰈚󰇽󰉙 be
ca󰉃󰈩󰈈󰈢ri󰉛󰈩󰇶 󰈏n󰉃o:
Iba󰈗󰈡󰈏 Ba󰇶󰈎w Owi󰉒󰈎 (K󰇽󰈘in󰈇󰈀)
Infancy-related songs Infancy-related songs
A. V󰈮󰉑󰉚󰈳 MU󰈠󰈾󰉎
It is a style of singing without
prior preparation or practice in
the leader-chorus form.
Lullabies
Dag󰇷󰈀󰈈󰇽y (Ka󰈗󰈎󰈞g󰇽) Op󰈥i󰈀 (K󰇽li󰈝󰈈󰈀)
Lan󰈇󰈀󰈞 b󰇽󰉃a-󰇻󰈀t󰇽 Bu󰈀 (󰈠󰉊ba󰈝󰈞󰈩n)
Infancy-related songs
chanted epic poetry which is
recited and chanted only during
four occasions: the harvesting of
rice and wedding, funeral wakes,
bone washing (bogwa) rituals
A. V󰈮󰉑󰉚󰈳 MU󰈠󰈾󰉎
“Tausug” Infancy-related songs Infancy-related songs
Kaw󰈀󰉘󰇽󰈞na (K󰈀󰈗󰈏󰈞ga) Hud󰈊󰉉󰇶 (If󰉊󰈇a󰈡)
Cha󰈸󰈀󰇸t󰇵󰈸i󰈼t󰈎󰇹󰈼 󰈢f Vo󰇹󰈀󰈘
Mus󰈎󰇹
❖ Melismatic - vocal passage with
one syllable - sung against several
note passages
❖ Free Meter - musical meter
without time signature
Mus󰈎󰇹 󰈴󰈏󰈼te󰈝󰈎󰈞g
Listen to the audio that features:
“Cordillera Vocal Music”
“HUDHUD ni Aliguyon”
Hudhud chants of the Ifugao
https://www.youtube.com/watch?v=zv9mc5JNeg4
B. I󰈰󰈟T󰈤󰈖󰈱󰉈N󰈜A󰈳 M󰈖󰈠󰈽󰉎
The function of instrumental music of the Cordillera is
similar to his/her vocal music. Instruments are played
during ceremonies, rituals and celebrations.
● Music of Cordillera is distinctively made up of two
sound characteristics of instruments based on
his/her respective materials.
➔ One of the common
instrumental music is
the Gangsa
ensemble. It consists
of five to six flat
gongs played in
standing position or
bending position.
b. GA󰈰󰉁S󰉝 󰈪󰉚󰈳O󰈮K
-gongs played by striking
with the palm while rested
on the lap.
-gongs are struck or beaten
with wooden mallets while
held by the left hand. This is
usually played by men.
1.Met󰈀󰈗 I󰈞s󰉃󰈹um󰈩󰈝󰉄s - 󰈇o󰈞g󰈻
a. GA󰈰󰉁S󰉝 󰈜󰈭󰇴PA󰇳󰉝
Bun󰈇󰈕󰈀k󰇽 o󰈸 󰇻󰈎l󰇼󰈏󰈘
Uli󰇼󰈀󰉓
a mouth-resonated bamboo
instrument played with a
flexible tongue fixed at one
end to a surrounding frame.
Ton󰈇󰈀󰈘󰈏
a nose flute played with
the extreme forward
edge of the right or left
nostril.
Pa󰉅󰈩t󰇵󰈇
bamboo of different sizes for
varied timbre that is split in half
and is struck by a wooden stick
while rested on the lap.
2. Bam󰇼󰈡󰈢 I󰈞s󰉃󰈹um󰈩󰈝󰉄s
played by striking
against the palm of one
hand.
Ton󰈇󰈀󰉄󰈢n󰈇
are bamboo tubes played
by stomping each
against the ground.
➔ woodwind and percussion instruments.
Lis󰉃󰈩󰈞 t󰈢 󰉃󰈋e 󰈀󰉊di󰈡 󰈗󰈏󰈞k 󰉃󰈋at 󰇾󰈩󰇽󰉄ur󰈩󰈻 󰈏󰈞s󰉃󰈹um󰈩󰈝󰉄󰇽l
mu󰈻󰈎󰇸:
A. Bungkaka (Demonstration and proper
playing of bamboo buzzer)
B.“Awong Chi Gangsa” - The Call of a
Thousand
MU󰈠󰈾󰉎 L󰈽󰈠󰈙EN󰈾󰈰󰉁
➢ After listening to the instrumental music of
Cordillera, how will you describe the sound of
the two kinds of instruments?
Gu󰈎d󰇵󰇷 Qu󰈩󰈼t󰈏o󰈝:
C. 󰈐O󰉎󰉝L 󰉈󰈰󰈟EM󰉗󰈳󰉋
an󰇷 I󰈞s󰉃󰈹um󰈩󰈝󰉄󰇽l A󰇹󰇸om󰈥󰈀󰈞󰈏me󰈝󰉄
➔ Vocal ensemble is performed during
courtship usually in song-debate form
accompanied by different instruments:
➔ such as KUGLONG, which is a 2-stringed
lute, and the SALUROY (polychordal
zither)
An󰉃a󰈞g (M󰈀󰈝󰈢󰇻o) Sin󰇷󰈀󰇽󰉙, ta󰈸󰈀󰈼󰉊l
greetings and advice
during Kalinga wedding
entertainment
Ano󰉃󰈋󰈩r 󰇹󰈢󰈛bi󰈝󰈀󰉄󰈏on 󰈡󰇾 󰉐󰈢ca󰈗 󰈀󰈞d 󰈏󰈝󰈼t󰈸u󰈛󰈩n󰉃󰇽󰈘 mu󰈻󰈎󰇸 󰈏s 󰈗o󰉐󰈩
in󰇹󰈀󰈞t󰇽󰉃i󰈡󰈞s 󰈗󰈏󰈕e t󰈊󰈩:
match making “Tausug” greetings and
advice during wedding
Tam󰉉󰉘󰈢󰈞g, 󰇷a󰈞g󰈡,
og󰈇󰈀󰉙󰇽m
Sal󰈎󰇷󰉊󰈛ma󰉘 󰈀󰈞d
da󰈝󰈈d󰈀󰉘󰇽󰈞g-a󰉘
T󰉀A󰈯K 󰇳󰈮󰈓!

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The music of cordillera

  • 2. At 󰉃󰈋e 󰈩n󰇷 󰈢󰇿 t󰈊e 󰈼󰈩s󰈻󰈏o󰈞, t󰈊󰈩 󰈼t󰉊󰇷e󰈞t󰈻 󰉓󰈎l󰈗 󰇻󰇵 ab󰈗󰈩 󰉄󰈢: ● Demonstrates understanding of the musical characteristics of representative music from the lowlands of Luzon. ● Performs music of the lowlands with appropriate pitch, rhythm, expression and style. ● Describes the musical characteristics of representative music selections from the lowlands of Luzon after listening. ● Explain the distinguishing characteristics of representative music from Cordillera in relation to its culture
  • 3. The 󰈚󰉉󰈼󰈏c o󰇾 󰉄h󰈩 󰈊󰈏󰈈h󰈗a󰈞d󰈻 󰈡󰇿 L󰉊zo󰈝 (Cor󰇷󰈎󰈘l󰇵󰈸a) 󰈋󰈩l󰈥󰈼 󰉊s 󰇷i󰈼c󰈡󰉏󰇵󰈹 t󰈊e 󰉓󰈀y of 󰈗󰈎󰇿󰇵 of 󰉃󰈋󰈩 C󰈢r󰇷i󰈘l󰈩󰈸󰇽 󰈦e󰈡p󰈗󰇵 󰉄h󰈸o󰉉󰈈h t󰈊e󰈛󰈩s 󰇽󰇼o󰉉󰉄 n󰇽󰉃u󰈹󰈩, f󰇽󰈚i󰈘y 󰈗󰈎󰇿󰇵, wo󰈸󰈕s 󰈎󰈝 󰉄h󰇵 fie󰈗󰇶 󰈀s 󰉒󰇵󰈘l a󰈻 󰉄h󰈩 s󰈥i󰈹󰈎t󰉊a󰈗 󰈛󰈀󰉅󰇵r󰈻.
  • 4. OV󰉋󰈤󰈍󰈽EW: In addition to songs and chanted poetry, Cordillera music is distinctively made up of two sound characteristics of instruments based on their respective materials - the first, made of bamboo (flutes, percussion instruments), and the second, made of metal (gongs).
  • 5. In the highlands of Luzon, music is related to different occasions such as life cycle events and occupational activities and various rituals. During the agricultural cycle, peace pacts courtship, marriage and death rites, musical performances may be witnessed in the region. Mus󰈎󰇹 󰈢󰇿 Cor󰇷󰈎󰈘l󰇵󰈸a:
  • 6. Voc󰈀󰈗 󰈛󰉊si󰇹 01 In󰈻󰉄ru󰈚󰈩󰈞t󰇽󰈗 Mu󰈼󰈎c 02 Voc󰈀󰈗 E󰈞s󰇵󰈚󰇻le 󰉒󰈎󰉄h in󰈻󰉄r󰉉󰈚󰇵󰈞ta󰈗 ac󰇹󰈡󰈛p󰇽󰈝i󰈛󰈩n󰉃 03 Mus󰈎󰇹 󰈢󰇿 t󰈊e C󰈡󰈹d󰈏󰈗󰈘er󰈀 󰈚󰇽󰉙 be ca󰉃󰈩󰈈󰈢ri󰉛󰈩󰇶 󰈏n󰉃o:
  • 7. Iba󰈗󰈡󰈏 Ba󰇶󰈎w Owi󰉒󰈎 (K󰇽󰈘in󰈇󰈀) Infancy-related songs Infancy-related songs A. V󰈮󰉑󰉚󰈳 MU󰈠󰈾󰉎 It is a style of singing without prior preparation or practice in the leader-chorus form. Lullabies Dag󰇷󰈀󰈈󰇽y (Ka󰈗󰈎󰈞g󰇽) Op󰈥i󰈀 (K󰇽li󰈝󰈈󰈀)
  • 8. Lan󰈇󰈀󰈞 b󰇽󰉃a-󰇻󰈀t󰇽 Bu󰈀 (󰈠󰉊ba󰈝󰈞󰈩n) Infancy-related songs chanted epic poetry which is recited and chanted only during four occasions: the harvesting of rice and wedding, funeral wakes, bone washing (bogwa) rituals A. V󰈮󰉑󰉚󰈳 MU󰈠󰈾󰉎 “Tausug” Infancy-related songs Infancy-related songs Kaw󰈀󰉘󰇽󰈞na (K󰈀󰈗󰈏󰈞ga) Hud󰈊󰉉󰇶 (If󰉊󰈇a󰈡)
  • 9. Cha󰈸󰈀󰇸t󰇵󰈸i󰈼t󰈎󰇹󰈼 󰈢f Vo󰇹󰈀󰈘 Mus󰈎󰇹 ❖ Melismatic - vocal passage with one syllable - sung against several note passages ❖ Free Meter - musical meter without time signature
  • 10. Mus󰈎󰇹 󰈴󰈏󰈼te󰈝󰈎󰈞g Listen to the audio that features: “Cordillera Vocal Music” “HUDHUD ni Aliguyon” Hudhud chants of the Ifugao https://www.youtube.com/watch?v=zv9mc5JNeg4
  • 11. B. I󰈰󰈟T󰈤󰈖󰈱󰉈N󰈜A󰈳 M󰈖󰈠󰈽󰉎 The function of instrumental music of the Cordillera is similar to his/her vocal music. Instruments are played during ceremonies, rituals and celebrations. ● Music of Cordillera is distinctively made up of two sound characteristics of instruments based on his/her respective materials.
  • 12. ➔ One of the common instrumental music is the Gangsa ensemble. It consists of five to six flat gongs played in standing position or bending position. b. GA󰈰󰉁S󰉝 󰈪󰉚󰈳O󰈮K -gongs played by striking with the palm while rested on the lap. -gongs are struck or beaten with wooden mallets while held by the left hand. This is usually played by men. 1.Met󰈀󰈗 I󰈞s󰉃󰈹um󰈩󰈝󰉄s - 󰈇o󰈞g󰈻 a. GA󰈰󰉁S󰉝 󰈜󰈭󰇴PA󰇳󰉝
  • 13. Bun󰈇󰈕󰈀k󰇽 o󰈸 󰇻󰈎l󰇼󰈏󰈘 Uli󰇼󰈀󰉓 a mouth-resonated bamboo instrument played with a flexible tongue fixed at one end to a surrounding frame. Ton󰈇󰈀󰈘󰈏 a nose flute played with the extreme forward edge of the right or left nostril. Pa󰉅󰈩t󰇵󰈇 bamboo of different sizes for varied timbre that is split in half and is struck by a wooden stick while rested on the lap. 2. Bam󰇼󰈡󰈢 I󰈞s󰉃󰈹um󰈩󰈝󰉄s played by striking against the palm of one hand. Ton󰈇󰈀󰉄󰈢n󰈇 are bamboo tubes played by stomping each against the ground. ➔ woodwind and percussion instruments.
  • 14. Lis󰉃󰈩󰈞 t󰈢 󰉃󰈋e 󰈀󰉊di󰈡 󰈗󰈏󰈞k 󰉃󰈋at 󰇾󰈩󰇽󰉄ur󰈩󰈻 󰈏󰈞s󰉃󰈹um󰈩󰈝󰉄󰇽l mu󰈻󰈎󰇸: A. Bungkaka (Demonstration and proper playing of bamboo buzzer) B.“Awong Chi Gangsa” - The Call of a Thousand MU󰈠󰈾󰉎 L󰈽󰈠󰈙EN󰈾󰈰󰉁
  • 15. ➢ After listening to the instrumental music of Cordillera, how will you describe the sound of the two kinds of instruments? Gu󰈎d󰇵󰇷 Qu󰈩󰈼t󰈏o󰈝:
  • 16. C. 󰈐O󰉎󰉝L 󰉈󰈰󰈟EM󰉗󰈳󰉋 an󰇷 I󰈞s󰉃󰈹um󰈩󰈝󰉄󰇽l A󰇹󰇸om󰈥󰈀󰈞󰈏me󰈝󰉄 ➔ Vocal ensemble is performed during courtship usually in song-debate form accompanied by different instruments: ➔ such as KUGLONG, which is a 2-stringed lute, and the SALUROY (polychordal zither)
  • 17. An󰉃a󰈞g (M󰈀󰈝󰈢󰇻o) Sin󰇷󰈀󰇽󰉙, ta󰈸󰈀󰈼󰉊l greetings and advice during Kalinga wedding entertainment Ano󰉃󰈋󰈩r 󰇹󰈢󰈛bi󰈝󰈀󰉄󰈏on 󰈡󰇾 󰉐󰈢ca󰈗 󰈀󰈞d 󰈏󰈝󰈼t󰈸u󰈛󰈩n󰉃󰇽󰈘 mu󰈻󰈎󰇸 󰈏s 󰈗o󰉐󰈩 in󰇹󰈀󰈞t󰇽󰉃i󰈡󰈞s 󰈗󰈏󰈕e t󰈊󰈩: match making “Tausug” greetings and advice during wedding Tam󰉉󰉘󰈢󰈞g, 󰇷a󰈞g󰈡, og󰈇󰈀󰉙󰇽m Sal󰈎󰇷󰉊󰈛ma󰉘 󰈀󰈞d da󰈝󰈈d󰈀󰉘󰇽󰈞g-a󰉘