The commissioning process
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The commissioning process allows independent film directors to pitch their ideas on the BFI website for public funding. Creative England is a large UK organization that provides funding and support to help talented filmmakers realize their visions. Most film applicants seek public funding for their projects, though large studios like Universal typically only consider ideas from experienced professionals they have worked with previously or those already in the industry, while some companies like Lionsgate do not accept unsolicited ideas due to profit risk concerns.
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Q3 REVISED
This document discusses options for producers and distributors of an independent British film called "Reflux". It considers partnering with Warp Films and Studio Canal UK for production and distribution respectively. Warp Films is experienced in producing social realist films like their genre. Studio Canal UK now distributes Warp's content after acquiring another distributor. The document also discusses improvements that could have been made, such as co-producing with other companies to increase budgets and access new markets. The British Film Institute is discussed as a potential source of funding for independent films.
Task 3 regulatory bodies
The document summarizes several regulatory and professional bodies within the UK creative media sector, including the British Board of Film Classification (BBFC) which regulates film content and classifications, PEGI which provides age ratings for video games, the Film Distributors Association which represents UK film distributors, and the Video Standards Council (VSC) which establishes standards for the video industry and administers the PEGI age rating system for video games. It also discusses Ofcom as the communications regulator, Trading Standards for fair markets, the Press Complaints Commission for press regulation, the Advertising Standards Authority for advertising content regulation, and an example of the ASA regulating a controversial Paddy Power advert during the Oscar Pistorius trial.
Media ownership
The document discusses different types of media ownership structures including private, public service, multinational, independent, conglomerate, horizontal integration, and vertical integration. For each type of ownership, it provides one advantage and one disadvantage. It also discusses cross media divergence, synergy, and provides a prompt for the learner to describe the structure and ownership of either the film or music industry in 500 words.
Issued raised by media ownership
The document discusses the differences between independent films like Ill Manors and major studio films like Skyfall. Independent films have smaller budgets and marketing capabilities than large conglomerate productions. Ill Manors had to secure funding from multiple sources while Skyfall benefited from the resources of Sony and MGM for production, distribution, and extensive viral and cross-media marketing campaigns. Both films achieved critical success but Skyfall was a major box office blockbuster due to the promotional power of its large parent companies.
Evaluation question three
This document considers options for distributing a new thriller film. It discusses the advantages and disadvantages of using large Hollywood studios or independent film companies. While studios offer name recognition and distribution networks, they demand a large share of profits and may not appreciate the film's identity. Independent UK company Warp Films is proposed as a good choice since it has successfully distributed identity-focused films before and would preserve the thriller's British character while still gaining cinema exposure. Overall Warp Films is judged to best balance the risks and rewards of distribution.
Issued raised by media ownership
The document discusses the advantages and disadvantages of major media conglomerates versus independent media companies by comparing the 2012 films Skyfall and Ill Manors. Major conglomerates like Sony and MGM, which produced Skyfall, have advantages in production, distribution, and exhibition due to greater resources. However, they take fewer risks. Independent films like Ill Manors have advantages in risk-taking but disadvantages in marketing budgets and distribution deals. The success of Skyfall shows the benefits of cross-media ownership, while Ill Manors found relative success through viral marketing and appealing to niche audiences.
Task 3 regulatory bodies
The document discusses several UK media regulators:
- The BBFC regulates film, video, and video game content and assigns age ratings.
- PEGI assigns age ratings for video games to provide guidance to consumers.
- The FDA represents UK film distributors and works to increase cinema audiences.
- The VSC establishes standards for the video and video game industries and administers the PEGI age rating system.
- Ofcom regulates TV, radio, telecoms, and wireless industries in the UK.
Unit2 task1
This document discusses several regulatory and professional bodies that govern the UK creative media sector, including:
- The British Board of Film Classification (BBFC) which classifies films and videos using rating codes like PG, 12, 15, 18.
- The British Video Association (BVA) which represents video publishers and rights owners.
- The Film Distributors Association (FDA) which represents film distributors for UK cinemas.
- The Video Standards Council (VSC) which establishes standards for video and games industries and administers the PEGI age rating system for video games in the UK.
- Ofcom, the communications regulator for TV, radio, telecoms and wireless trans
Recommended
Q3 REVISED
This document discusses options for producers and distributors of an independent British film called "Reflux". It considers partnering with Warp Films and Studio Canal UK for production and distribution respectively. Warp Films is experienced in producing social realist films like their genre. Studio Canal UK now distributes Warp's content after acquiring another distributor. The document also discusses improvements that could have been made, such as co-producing with other companies to increase budgets and access new markets. The British Film Institute is discussed as a potential source of funding for independent films.
Task 3 regulatory bodies
The document summarizes several regulatory and professional bodies within the UK creative media sector, including the British Board of Film Classification (BBFC) which regulates film content and classifications, PEGI which provides age ratings for video games, the Film Distributors Association which represents UK film distributors, and the Video Standards Council (VSC) which establishes standards for the video industry and administers the PEGI age rating system for video games. It also discusses Ofcom as the communications regulator, Trading Standards for fair markets, the Press Complaints Commission for press regulation, the Advertising Standards Authority for advertising content regulation, and an example of the ASA regulating a controversial Paddy Power advert during the Oscar Pistorius trial.
Media ownership
The document discusses different types of media ownership structures including private, public service, multinational, independent, conglomerate, horizontal integration, and vertical integration. For each type of ownership, it provides one advantage and one disadvantage. It also discusses cross media divergence, synergy, and provides a prompt for the learner to describe the structure and ownership of either the film or music industry in 500 words.
Issued raised by media ownership
The document discusses the differences between independent films like Ill Manors and major studio films like Skyfall. Independent films have smaller budgets and marketing capabilities than large conglomerate productions. Ill Manors had to secure funding from multiple sources while Skyfall benefited from the resources of Sony and MGM for production, distribution, and extensive viral and cross-media marketing campaigns. Both films achieved critical success but Skyfall was a major box office blockbuster due to the promotional power of its large parent companies.
Evaluation question three
This document considers options for distributing a new thriller film. It discusses the advantages and disadvantages of using large Hollywood studios or independent film companies. While studios offer name recognition and distribution networks, they demand a large share of profits and may not appreciate the film's identity. Independent UK company Warp Films is proposed as a good choice since it has successfully distributed identity-focused films before and would preserve the thriller's British character while still gaining cinema exposure. Overall Warp Films is judged to best balance the risks and rewards of distribution.
Issued raised by media ownership
The document discusses the advantages and disadvantages of major media conglomerates versus independent media companies by comparing the 2012 films Skyfall and Ill Manors. Major conglomerates like Sony and MGM, which produced Skyfall, have advantages in production, distribution, and exhibition due to greater resources. However, they take fewer risks. Independent films like Ill Manors have advantages in risk-taking but disadvantages in marketing budgets and distribution deals. The success of Skyfall shows the benefits of cross-media ownership, while Ill Manors found relative success through viral marketing and appealing to niche audiences.
Task 3 regulatory bodies
The document discusses several UK media regulators:
- The BBFC regulates film, video, and video game content and assigns age ratings.
- PEGI assigns age ratings for video games to provide guidance to consumers.
- The FDA represents UK film distributors and works to increase cinema audiences.
- The VSC establishes standards for the video and video game industries and administers the PEGI age rating system.
- Ofcom regulates TV, radio, telecoms, and wireless industries in the UK.
Unit2 task1
This document discusses several regulatory and professional bodies that govern the UK creative media sector, including:
- The British Board of Film Classification (BBFC) which classifies films and videos using rating codes like PG, 12, 15, 18.
- The British Video Association (BVA) which represents video publishers and rights owners.
- The Film Distributors Association (FDA) which represents film distributors for UK cinemas.
- The Video Standards Council (VSC) which establishes standards for video and games industries and administers the PEGI age rating system for video games in the UK.
- Ofcom, the communications regulator for TV, radio, telecoms and wireless trans
What kind of media institute may distribute your media product?
Warp Films would be a suitable distributor for the product. A distributor is responsible for marketing a film through activities like setting the release date and determining how the film is presented or made viewable (e.g. theatrical release or DVD/digital download). Warp Films is an experienced independent film company that distributes low-budget films similar to what is being produced. They distribute films appealing to the target audiences for this product.
Creative critical reflection 3
The document discusses how films are distributed and engage audiences. It explains that distribution involves identifying the target audience, estimating revenue, and getting theaters and video stores to screen the film. Modern distribution relies heavily on digital platforms like social media, websites, and online streaming to reach large audiences. Distributors must work with film influencers to build hype and promote films online to establish fan bases. The industry is facing changes due to new distribution methods from advances in technology and viewers watching films online.
Creative critical reflection 3
The document discusses how films are distributed and engage audiences. It explains that distribution involves identifying the target audience, marketing the film through various platforms like social media, and choosing an appropriate distributor to get the film in theaters and on DVD. Effective distribution relies on attracting the intended viewers through websites, trailers, and influencer screenings. The distributor's role is to determine the best way to sell the film and estimate revenue to plan marketing costs. The film industry is facing changes due to new online distribution methods on streaming platforms.
Task 1 ownership case study
The Walt Disney Company is a global media conglomerate that owns major film, television, and theme park brands. It was founded in 1923 and is now the largest media conglomerate in the world. Disney owns film studios, television networks like ABC and Disney Channel, cable networks like ESPN and A&E, publishing and music divisions, and 14 theme parks globally. Disney Media Networks houses Disney's television assets, including ABC and Disney Channel, which reach over 300 million homes in 168 countries. Disney faces competition from other large conglomerates like 21st Century Fox, Time Warner, and NBCUniversal, which together control over 65% of the media market.
Understand the structure and ownership of the media sector
The document discusses different types of media ownership structures through various case studies:
1) Roc-A-Fella Records is a privately owned record label founded by Jay-Z, Dame Dash, and Biggs Burke. Private ownership allows them freedom but they must turn a profit to survive.
2) The BBC is a publicly owned broadcaster in the UK, funded by license fees. Public ownership means the BBC is accountable to the public but also faces competition from subscription services.
3) Harpo Productions was independently founded and built by Oprah Winfrey, allowing her freedom but also responsibility for success or failure.
Ownership
The document discusses different types of media ownership structures including private, public service, multinational, independent, conglomerate, horizontal and vertical integration, cross media divergence, synergy, and the structure and ownership of the film industry. Private ownership means a company is run independently while public service ownership means the public owns a portion. Multinational ownership operates across countries while independent ownership is small-scale and owned by an individual.
Distribution and marketing
Distribution involves releasing a film and making it available in the market. Major film distribution companies include Fox, Universal, Disney, Sony, and TimeWarner. Marketing is an important part of distribution and is used to advertise films. Common marketing techniques for films include teaser trailers, theatrical trailers, official websites, press junkets, publicity blitzes, product tie-ins, and publicity stunts. When distributing an independent production, lower-budget marketing techniques like trailers, websites, and social media would need to be used.
Task 1 structure and ownership of the media sector
The document provides information on different types of media ownership including private, public service, independent, conglomerate, horizontal integration, vertical integration, cross media convergence, and synergy. It also discusses the structure and ownership of Walt Disney as a case study, noting that it is a large global media conglomerate that owns film studios, TV networks, cable channels, publishing, music, and theme parks. Disney uses horizontal integration to own various TV companies under the Disney Media Networks division. The document also gives some competitor and audience information about Disney and mentions a few historical rumors and scandals related to the company.
Question 3
The document discusses potential distribution methods for a British thriller film with a low initial budget. It considers uploading scenes to YouTube to generate early publicity at low cost. Independent British film companies like the BFI and Microwave Scheme could provide funding and help the film reach its target audience while maintaining its identity. While larger studios like Paramount could ensure wider access, they may demand changes that affect the film's identity or claim a large share of profits. The best option is an independent UK company like Working Title, or generating buzz through film festivals to attract interest from potential distributors.
Short Film Research
This document discusses the short film industry in the UK. It provides information on several UK production companies that specialize in short films, such as The Mob Film Company. Funding for short films comes primarily from government organizations like the UK Film Council and British Film Institute (BFI). The BFI invests over £26 million annually in film development and production in the UK. Short films are made for various reasons by students, young filmmakers, companies testing new ideas, and others wishing to express opinions. The filmmaking process generally involves development, pre-production, production, post-production, distribution and exhibition.
Issued raised by media ownership
The document discusses the differences between independent films like Ill Manors and major studio films like Skyfall in their production, distribution, and exhibition. Independent films have smaller budgets which allow more creative risks but limit marketing spend, while major studios have larger budgets and can use cross-promotion across media but take fewer creative risks. Both films were critically acclaimed British films but Skyfall benefitted from the marketing power of its studio owners Sony and MGM.
Media ownership
This document discusses the advantages and disadvantages of large conglomerate media companies and smaller independent media companies when producing and distributing films. It uses the films Ill Manors and Skyfall as examples. Ill Manors was produced independently by smaller companies like Film London and BBC Films and had a budget of £100,000, while Skyfall was produced by the large conglomerates Sony and MGM. Independent companies can take more creative risks but have less funding for marketing and distribution, while conglomerates have more money but also greater pressure to appeal to mass audiences. Both films utilized viral marketing techniques, but Skyfall benefited more from its parent companies' ability to leverage cross-promotion across media platforms.
Unit 4 sources of finance in media
Big movie studios have established corporate finance systems where they reinvest profits from previous films and can attract investors due to past success. For example, Marvel Studios produces films that are distributed by Disney. Additionally, production companies may sell distribution rights to help fund production costs. Some films also utilize sponsorship, product placement, franchising tie-ins, crowdfunding, private financing through banks, and public financing from organizations like the BBC or British Film Institute.
Media ownership
This document discusses and compares media ownership by large conglomerate companies versus smaller independent companies. It uses the films Ill Manors and Skyfall as examples. Ill Manors had a small budget of £100,000 and was produced independently, while Skyfall had a large budget of $5-10 million and was produced by the major studios Sony and MGM. Independent companies can take more creative risks but have less funding for production and distribution, while conglomerates have more resources but films must appeal to mass audiences. Viral marketing helped the smaller Ill Manors compete with bigger films like Skyfall.
Sam young JWT Kitkat powerpoint
JWT is a global advertising agency founded in 1864 that was acquired by WPP in 1987. It has over 200 offices in 90 countries and 10,000 employees. JWT worked with Nestle and KitKat to create an advertising campaign for Android that portrayed KitKat as a new mobile device, though audience research found it did not clearly communicate the partnership with Android. The campaign targeted teens and young adults through bright, colorful ads across media. It did not receive any complaints from advertising regulators.
Task 1 ownership_case_study
Private media companies rely on advertising revenue, while public service media are funded through license fees. Examples include Channel 5 (private) and BBC (public). Private companies have more freedom but rely on steady advertising, while public media aim to serve all audiences. Large conglomerates like Disney own multiple media across industries through various subsidiaries, pursuing horizontal and vertical integration. Disney specifically owns film studios, parks, consumer products, TV networks, and interactive divisions. It competes with other major conglomerates for market share in television and beyond.
Regulatory issues Joe Duffy
The document discusses several regulatory organizations for different industries in the UK, including the Advertising Standards Authority which regulates advertising but has no legal enforcement powers, the British Board of Film Classification which rates and censors films, and PEGI which provides age ratings for video games. It also mentions Ofcom as the communications regulator, the Performing Right Society which collects royalties for music creators, the Independent Press Standards Organisation which regulates newspapers, and the World Wide Web Consortium which sets standards for the web.
Test shot 7
This scene shows characters running towards the camera near a lake and provides some context for their actions, but it may need to be paired with another shot of them jumping in the lake to make their purpose clear. The shot is also a bit long so it would need to be shortened if used. Overall, it is likely this shot will be used in the production.
Test shot 9
This shot was taken for camera set-up and evaluation purposes. The lighting in the shot was deemed to be bad, and the content cannot be seen clearly. The lighting of the scene will need to be reconsidered for the actual production.
Risk assessment
Risk assessment is the process of identifying and analyzing potential risks that could negatively impact an organization. It involves estimating the likelihood that a risk will occur and potential impact. By understanding risks, organizations can prioritize and mitigate threats to help ensure projects and initiatives are successful.
Test shot 2
This shot shows the character's bedroom and gives insights into their lives and relationship. While the shot is interesting and suitable, it may be shortened for a teaser trailer as long clips are not appropriate. Overall, this shot will likely be used in the production.
Permisiongf
Permission was requested from the school head to film hospital scenes for a student production. The response would indicate if filming could begin and when, and provide evidence of permission for other staff. The document shows that permission to film at the school was granted in response to a previous email requesting it for the student group's production.
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What kind of media institute may distribute your media product?
Warp Films would be a suitable distributor for the product. A distributor is responsible for marketing a film through activities like setting the release date and determining how the film is presented or made viewable (e.g. theatrical release or DVD/digital download). Warp Films is an experienced independent film company that distributes low-budget films similar to what is being produced. They distribute films appealing to the target audiences for this product.
Creative critical reflection 3
The document discusses how films are distributed and engage audiences. It explains that distribution involves identifying the target audience, estimating revenue, and getting theaters and video stores to screen the film. Modern distribution relies heavily on digital platforms like social media, websites, and online streaming to reach large audiences. Distributors must work with film influencers to build hype and promote films online to establish fan bases. The industry is facing changes due to new distribution methods from advances in technology and viewers watching films online.
Creative critical reflection 3
The document discusses how films are distributed and engage audiences. It explains that distribution involves identifying the target audience, marketing the film through various platforms like social media, and choosing an appropriate distributor to get the film in theaters and on DVD. Effective distribution relies on attracting the intended viewers through websites, trailers, and influencer screenings. The distributor's role is to determine the best way to sell the film and estimate revenue to plan marketing costs. The film industry is facing changes due to new online distribution methods on streaming platforms.
Task 1 ownership case study
The Walt Disney Company is a global media conglomerate that owns major film, television, and theme park brands. It was founded in 1923 and is now the largest media conglomerate in the world. Disney owns film studios, television networks like ABC and Disney Channel, cable networks like ESPN and A&E, publishing and music divisions, and 14 theme parks globally. Disney Media Networks houses Disney's television assets, including ABC and Disney Channel, which reach over 300 million homes in 168 countries. Disney faces competition from other large conglomerates like 21st Century Fox, Time Warner, and NBCUniversal, which together control over 65% of the media market.
Understand the structure and ownership of the media sector
The document discusses different types of media ownership structures through various case studies:
1) Roc-A-Fella Records is a privately owned record label founded by Jay-Z, Dame Dash, and Biggs Burke. Private ownership allows them freedom but they must turn a profit to survive.
2) The BBC is a publicly owned broadcaster in the UK, funded by license fees. Public ownership means the BBC is accountable to the public but also faces competition from subscription services.
3) Harpo Productions was independently founded and built by Oprah Winfrey, allowing her freedom but also responsibility for success or failure.
Ownership
The document discusses different types of media ownership structures including private, public service, multinational, independent, conglomerate, horizontal and vertical integration, cross media divergence, synergy, and the structure and ownership of the film industry. Private ownership means a company is run independently while public service ownership means the public owns a portion. Multinational ownership operates across countries while independent ownership is small-scale and owned by an individual.
Distribution and marketing
Distribution involves releasing a film and making it available in the market. Major film distribution companies include Fox, Universal, Disney, Sony, and TimeWarner. Marketing is an important part of distribution and is used to advertise films. Common marketing techniques for films include teaser trailers, theatrical trailers, official websites, press junkets, publicity blitzes, product tie-ins, and publicity stunts. When distributing an independent production, lower-budget marketing techniques like trailers, websites, and social media would need to be used.
Task 1 structure and ownership of the media sector
The document provides information on different types of media ownership including private, public service, independent, conglomerate, horizontal integration, vertical integration, cross media convergence, and synergy. It also discusses the structure and ownership of Walt Disney as a case study, noting that it is a large global media conglomerate that owns film studios, TV networks, cable channels, publishing, music, and theme parks. Disney uses horizontal integration to own various TV companies under the Disney Media Networks division. The document also gives some competitor and audience information about Disney and mentions a few historical rumors and scandals related to the company.
Question 3
The document discusses potential distribution methods for a British thriller film with a low initial budget. It considers uploading scenes to YouTube to generate early publicity at low cost. Independent British film companies like the BFI and Microwave Scheme could provide funding and help the film reach its target audience while maintaining its identity. While larger studios like Paramount could ensure wider access, they may demand changes that affect the film's identity or claim a large share of profits. The best option is an independent UK company like Working Title, or generating buzz through film festivals to attract interest from potential distributors.
Short Film Research
This document discusses the short film industry in the UK. It provides information on several UK production companies that specialize in short films, such as The Mob Film Company. Funding for short films comes primarily from government organizations like the UK Film Council and British Film Institute (BFI). The BFI invests over £26 million annually in film development and production in the UK. Short films are made for various reasons by students, young filmmakers, companies testing new ideas, and others wishing to express opinions. The filmmaking process generally involves development, pre-production, production, post-production, distribution and exhibition.
Issued raised by media ownership
The document discusses the differences between independent films like Ill Manors and major studio films like Skyfall in their production, distribution, and exhibition. Independent films have smaller budgets which allow more creative risks but limit marketing spend, while major studios have larger budgets and can use cross-promotion across media but take fewer creative risks. Both films were critically acclaimed British films but Skyfall benefitted from the marketing power of its studio owners Sony and MGM.
Media ownership
This document discusses the advantages and disadvantages of large conglomerate media companies and smaller independent media companies when producing and distributing films. It uses the films Ill Manors and Skyfall as examples. Ill Manors was produced independently by smaller companies like Film London and BBC Films and had a budget of £100,000, while Skyfall was produced by the large conglomerates Sony and MGM. Independent companies can take more creative risks but have less funding for marketing and distribution, while conglomerates have more money but also greater pressure to appeal to mass audiences. Both films utilized viral marketing techniques, but Skyfall benefited more from its parent companies' ability to leverage cross-promotion across media platforms.
Unit 4 sources of finance in media
Big movie studios have established corporate finance systems where they reinvest profits from previous films and can attract investors due to past success. For example, Marvel Studios produces films that are distributed by Disney. Additionally, production companies may sell distribution rights to help fund production costs. Some films also utilize sponsorship, product placement, franchising tie-ins, crowdfunding, private financing through banks, and public financing from organizations like the BBC or British Film Institute.
Media ownership
This document discusses and compares media ownership by large conglomerate companies versus smaller independent companies. It uses the films Ill Manors and Skyfall as examples. Ill Manors had a small budget of £100,000 and was produced independently, while Skyfall had a large budget of $5-10 million and was produced by the major studios Sony and MGM. Independent companies can take more creative risks but have less funding for production and distribution, while conglomerates have more resources but films must appeal to mass audiences. Viral marketing helped the smaller Ill Manors compete with bigger films like Skyfall.
Sam young JWT Kitkat powerpoint
JWT is a global advertising agency founded in 1864 that was acquired by WPP in 1987. It has over 200 offices in 90 countries and 10,000 employees. JWT worked with Nestle and KitKat to create an advertising campaign for Android that portrayed KitKat as a new mobile device, though audience research found it did not clearly communicate the partnership with Android. The campaign targeted teens and young adults through bright, colorful ads across media. It did not receive any complaints from advertising regulators.
Task 1 ownership_case_study
Private media companies rely on advertising revenue, while public service media are funded through license fees. Examples include Channel 5 (private) and BBC (public). Private companies have more freedom but rely on steady advertising, while public media aim to serve all audiences. Large conglomerates like Disney own multiple media across industries through various subsidiaries, pursuing horizontal and vertical integration. Disney specifically owns film studios, parks, consumer products, TV networks, and interactive divisions. It competes with other major conglomerates for market share in television and beyond.
Regulatory issues Joe Duffy
The document discusses several regulatory organizations for different industries in the UK, including the Advertising Standards Authority which regulates advertising but has no legal enforcement powers, the British Board of Film Classification which rates and censors films, and PEGI which provides age ratings for video games. It also mentions Ofcom as the communications regulator, the Performing Right Society which collects royalties for music creators, the Independent Press Standards Organisation which regulates newspapers, and the World Wide Web Consortium which sets standards for the web.
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What kind of media institute may distribute your media product?
What kind of media institute may distribute your media product?
Understand the structure and ownership of the media sector
Understand the structure and ownership of the media sector
Task 1 structure and ownership of the media sector
Task 1 structure and ownership of the media sector
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Test shot 7
This scene shows characters running towards the camera near a lake and provides some context for their actions, but it may need to be paired with another shot of them jumping in the lake to make their purpose clear. The shot is also a bit long so it would need to be shortened if used. Overall, it is likely this shot will be used in the production.
Test shot 9
This shot was taken for camera set-up and evaluation purposes. The lighting in the shot was deemed to be bad, and the content cannot be seen clearly. The lighting of the scene will need to be reconsidered for the actual production.
Risk assessment
Risk assessment is the process of identifying and analyzing potential risks that could negatively impact an organization. It involves estimating the likelihood that a risk will occur and potential impact. By understanding risks, organizations can prioritize and mitigate threats to help ensure projects and initiatives are successful.
Test shot 2
This shot shows the character's bedroom and gives insights into their lives and relationship. While the shot is interesting and suitable, it may be shortened for a teaser trailer as long clips are not appropriate. Overall, this shot will likely be used in the production.
Permisiongf
Permission was requested from the school head to film hospital scenes for a student production. The response would indicate if filming could begin and when, and provide evidence of permission for other staff. The document shows that permission to film at the school was granted in response to a previous email requesting it for the student group's production.
Teaser trailer and theatrical trailer
A teaser trailer is between 1-2 minutes and reveals interesting but small parts of a film without giving away the ending. This supports Todorov's theory of creating disequilibrium without showing the return to equilibrium. A theatrical trailer is about 4 minutes and reveals most of the plot and footage from the film but may not be finished editing.
Audience profile A2
This document defines the target audience for a film project as predominantly female, aged 15-23, who enjoy cinema, social media, books and socializing. They prefer media like YouTube, Netflix and TV shows and enjoy romance stories and socializing with friends. The target audience dislikes violent content and would likely use smartphones, tablets or laptops. Most would be students or working part-time jobs, located in the UK or Europe.
Similar texts new
The teaser trailer provides context about the plot of If I Stay, which follows a teenage girl named Mia who gets into a car accident and ends up in a coma. During an out-of-body experience, she must decide whether to wake up and live a life different than she imagined or let go. Scenes from the film show Mia's life before the accident, including playing cello, bonding with friends at a bonfire, and falling in love. The trailer uses narration and dialogue to set up Mia's backstory and hint at the choice she faces without revealing too many details.
Test shot 4
This shot is suitable for the production as the camera angle shows another character recording the event. There is good framing and focus on the main character Bethany. The shot length is also suitable for a teaser trailer as it isn't too long. This shot will likely be used in the production.
Character & Casting profiles
The document contains character profiles and casting profiles for the roles of Cara, Hayley, and Wesley. Cara is described as short, dark-haired, and outgoing. Hayley is reserved with dark hair and blue eyes. Wesley is taller than the girls and practically minded. Bethany Lock is cast as Cara since she takes drama and fits the role physically. Holly Fairbairn is cast as Hayley since they fit the role physically and can commit as director. Jack Cooper is cast as Wesley since he is taller and flexible with his time.
Film studio research new
An independent film company is a small company that is not part of a larger conglomerate. They have lower budgets than major studios and target niche markets. In contrast, a conglomerate film company is a large, Hollywood studio that is both horizontally and vertically integrated to control all aspects of film production and distribution. They target mass markets due to their greater resources and funding.
Hey, hayley test shots
This document provides links to test video shots and camera setup information for an upcoming shoot. It includes 10 video links of unlabeled test shots and descriptions of the camera and actor positions for each shot, such as two people positioned on the left and right sides of the frame. The document notes that the test footage may be edited for length and audio if used.
Production proposal
The proposal is for a drama film about a cancer patient who makes a deal with the Devil, where he must commit increasingly bad deeds each day to extend his life but will lose time if he does good. The patient's misdeeds cause him to lose his family and friends, and he must redeem himself to defeat the Devil and decide if sacrificing his loved ones is worth living longer. The proposal outlines the themes of redemption, revenge, and death, as well as locations, costumes, and roles for the producer, director, and camera operator.
Audience profile A2
The target audience for this film is 15-24 year old females in the UK who are students or new workers living at home or at university. They enjoy socializing with friends, music, and activities like going to the cinema or streaming online. The film's themes of friendship and romance would appeal to this demographic.
Test shot 1
Shots 11-17 show a bedroom setting from the camera's perspective and capture both the characters and the object they are focusing on. While suitable for the production, this individual shot is quite long for a teaser trailer and should be paired with close-ups or shortened by combining it with other shots to make the scene more interesting. Overall, the shot type will likely be used since it allows the audience to view both the subjects and object.
key
The document provides a key for setting up camera positions for filming. It lists Jack's position, Bethany's position, location details, and the camera's position to ensure the proper filming set up is achieved. The key aims to efficiently convey the necessary information for capturing video in the designated locations and roles.
Test shot 6
This shot shows characters completing an activity by a lake but the zoom is not successful and the clip is too long for a teaser trailer where clips should be short. While the shot will likely be used in the production, the distance will need adjustment and the zoom will need more care.
Production schedule - Planning
The production schedule assigns tasks for the "TBD" production group to Bethany Lock, Holly Fairbairn, or both members. It includes deadlines for an idea proposal, mood board, character profiles and casting, costumes and props, titles, script, location ideas and assessments, permissions, test camera shots, a shot list, storyboard, shooting schedule, audio clips, and call sheets ranging from September 10 to October 23, 2015.
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Media exam part b – independent film company
The document discusses how large media conglomerates dominate the film industry through owning film studios and platforms. This makes it difficult for smaller, independent film companies like Warp Films to produce successful films. New technologies have impacted film production, distribution and exhibition in ways that benefit smaller companies by making processes cheaper and quicker. The spread of the internet and technologies like smartphones allow independent films to reach wider audiences through online promotion and distribution.
G322 power point
Media conglomerates dominate the film industry, making it difficult for independent films to reach audiences. However, new technologies have helped independent films by making production, distribution, and exhibition cheaper and more accessible. While increased access to films online has hurt sales, it has also helped independent films gain audiences by allowing widespread distribution outside of traditional channels controlled by large studios.
Issues Raised by Media Ownership.
Media ownership refers to the process by which companies can own media outlets. It can be examined by looking at advantages and disadvantages of both large conglomerates and smaller independent companies. Sony and MGM produced the film Skyfall as a large conglomerate, benefiting from cross-promotion across industries, while Ill Manors was produced independently with a smaller budget of £100,000 but greater creative freedom. Independent companies face challenges distributing films on a smaller marketing budget.
Sources of Funding
This document discusses various sources of finance for media products during pre-production. It outlines corporate finance from large successful companies that reinvest profits. It also mentions distribution rights sales, sponsorship from corporate partners in exchange for advertising, product placement in films and TV shows, franchising of derivative works, crowd funding from online campaigns, independent funding from private sources, and public funding from organizations like the BBC and National Lottery.
Independent film company
Working Titles is a British independent film production company that often works with public broadcasters like Film4 and the BBC to help secure funding for their films and guarantee distribution. As an independent company, Working Titles faces difficulties getting support from large media conglomerates for things like advertising and distribution. However, Working Titles tries to benefit from synergies by partnering with conglomerates for promotion, like showing their films on other channels. They have also adapted to new technologies like 3D films and online distribution to broaden their audiences and revenues.
1media ownership
Working Title Films began as a small independent production company in the UK that struggled to find funding until partnering with larger media companies like Channel 4 and Polygram. After Polygram was acquired by Universal Pictures, Working Title became majority owned by Universal Pictures' parent company NBC Universal. While now part of a large conglomerate, Working Title retains creative autonomy and produces films appealing to both UK and global audiences, maintaining their British identity while benefiting from Universal's financial backing and global distribution.
Independent film company
Working Titles is a British independent film production company that often works with larger media organizations like Film 4 and the BBC to help secure funding and distribution for their films. As an independent company, Working Titles faces difficulties in competing with large media conglomerates that have significantly more money for activities like advertising and distribution. However, Working Titles tries to benefit from synergies by partnering with conglomerates - for example, the film Bridget Jones' Diary receives frequent airings on ITV 3 and Channel 4. Working Titles also adapts to new technologies like 3D films and online distribution to expand their audience and increase revenue.
Q3
Warp Films would be well-suited to produce our film given its small budget and focus on creative freedom. Additional funding could come from Film Four and the BFI film fund. Studiocanal would be an ideal distribution partner since they have experience distributing similar independent and British films through previous collaborations with Warp Films and Film Four. Their success in distributing niche films in the UK market makes them a good fit to handle our film.
Creative critical reflection 3
1) The document discusses how to engage an audience and distribute films as real media texts. It explores researching the target audience, creating social media profiles, and working with independent distributors like Warp Films.
2) Distribution allows films to be released in theaters, on DVD, and through emerging online platforms. Distributors must identify the audience, estimate revenue, and ensure cinemas will screen the film.
3) New technologies and online distribution through sites like Netflix, Amazon, and iTunes provide both opportunities and challenges for the film industry.
What kind of media institution might distribute your
The document discusses different types of media institutions that could distribute a media product. It describes media conglomerates as large companies that own many mass media companies and have the financial resources to create high quality, popular films. However, they often recycle old storylines. Independent film companies have more original stories but smaller budgets and distribution. The document concludes that an independent film company would best distribute the media product due to its low budget, less advanced equipment, and unique storyline.
question 3 media evaluation
This document discusses options for distributing a thriller film. It considers using large conglomerate film companies in the US like Warner Brothers, New Line Cinema, and Paramount, which have global reach but may want to change aspects of the film. UK companies like Bedlam Productions, Between the Eyes, and Archer Street Films could keep the film's British identity but not have global distribution. Independent British companies could access lottery funding but films must meet criteria. The conclusion is that Between the Eyes would be the best choice as it has had success and influence to get the film recognized in UK cinemas while maintaining its British identity.
Working title independent
Working Title is a British film production company owned by Universal Remote. If Universal Remote does not want to produce a film, they will pass it to Working Title along with funding. Working Title is owned and funded by Tim Bevan and Sarah Radclyffe. Universal Remote allows Working Title to produce films like Les Miserables that Universal Remote does not want to make, and provides funding, in exchange for a percentage of profits and advertising for Universal. Working Title produces smaller, British films while Universal focuses on larger Hollywood productions.
Creative Media BTEC- Unit 7 – The Media Sector (Television)
Lionsgate Entertainment is a public service media organization that generates income through its television revenue and diverse programming, including reality shows and entertainment shows. While Lionsgate's revenue decreased in 2007, by 2012 it had increased to over $1.59 billion. Lionsgate's organizational objectives include acquisitions to boost distribution and library content. It licenses its video distribution and owns a film library from acquired companies. Its main competitors are AMC Entertainment, Bona Film Group, DreamWorks Animation, and RLJ Entertainment.
Sources of funding
This document discusses different sources of finance for media production. It provides examples and explanations for corporate finance, public funding, independent funding, crowdfunding, sponsorship/product placement, and franchising/merchandising. For corporate finance, it describes the Hollywood studio model and uses Marvel films and 28 Days Later as examples. For public funding, it outlines sources in the UK like the BBC, BFI, and National Lottery. For independent funding, it highlights Kevin Smith's Clerks and Monty Python's Life of Brian. For crowdfunding, it notes the Veronica Mars film project on Kickstarter. For sponsorship/product placement, it analyzes TV shows and films that feature branded products. And
Funding
This document discusses various options for funding an independent film project, including through local councils, competitions, the BFI, banks, crowdfunding, private individuals, and film studios. Each option is analyzed in terms of its pros and cons. The conclusion recommends crowdfunding for a new producer due to its low financial risk and ability to gain feedback and build an audience. It also suggests targeting an independent film company rather than a major studio when seeking approval for a teaser trailer, as an independent company may be more open to niche film ideas.
Film Studio Research A2 Media
This presentation was made for my A2 media coursework. In this task, I looked at film studio's, what make them successful and the differences between independent film companies and conglomerates.
Unit 4 learning aim a
This document discusses various sources of finance for film production, including corporate finance, distribution rights, sponsorship, product placement, franchising, crowdfunding, private financing, and public financing. It provides examples like Marvel studios investing profits from previous films into Avengers: Endgame. Distribution involves a studio licensing a film to a distributor who markets it to theaters. Sponsorship and product placement allow brands to promote themselves in films in exchange for funding. Crowdfunding sites like Kickstarter help fund films. Private and public financing also provide capital for film production.
Creative critical reflection 3
- The document discusses how to engage audiences and distribute films as real media texts. It focuses on identifying the target audience, researching how major brands target audiences, and creating questionnaires to determine demographics.
- Distribution methods discussed include using social media platforms to expand reach, working with independent distributors like Warp Films who specialize in independent cinema, and screening films for exhibitors, influencers, and critics to generate hype and determine release details.
- New technologies and the rise of online viewing have significantly impacted the film industry and changed traditional distribution methods.
Independent film company
Warp Films is an independent British film company that struggles to compete with large conglomerate studios like Disney due to a massive budget gap. For example, the budget for Disney's Pirates of the Caribbean was $300 million, compared to just £1.5 million for Warp Film's 2007 movie This is England. New technologies like HD filming and digital distribution have helped Warp promote and distribute films at a lower cost. However, conglomerates have more resources to combat piracy and reach a much broader audience with big-budget blockbusters aimed at all ages.
Distribution
A film distributor is responsible for marketing a film and arranging for it to be shown in cinemas and on television and digital services. The distributor promotes the film and finds appropriate exhibition outlets to get as many viewers as possible. Distribution is important for a film to earn a profit. For large studio films, the distributor is often affiliated with the production company, while independent films must find a distributor to help finance and promote the film. The distributor handles getting necessary ratings, arranging showings globally, providing prints of the film, and conducting marketing campaigns.
Similar to The commissioning process (20)
What kind of media institution might distribute your
What kind of media institution might distribute your
Creative Media BTEC- Unit 7 – The Media Sector (Television)
Creative Media BTEC- Unit 7 – The Media Sector (Television)
More from aaronmc165
Magazine front cover f inal f
This film magazine highlights several upcoming films including American Gangster, I am Legend, a new James Bond film, The Golden Compass extended cut, Watchmen, Rambo 4, and a potential Rambo remake. It provides world exclusive news and casting details on these films and was voted the best film magazine in 2015 by BFI members.
Magazine front cover f inal
This film magazine discusses several upcoming movies including American Gangster, I Am Legend, a new James Bond film, The Golden Compass extended cut, Watchmen, and a Rambo remake. It provides world exclusive news and casting details on these films and was voted the best film magazine in 2015 by BFI members.
Terms q1
Primary research involves collecting original information to use or share with others, while secondary research uses information from external sources. Qualitative research asks targeted questions to audiences, and quantitative research relies on numerical data from responses. It is important to conduct research before creating media products to learn from similar successful works and ensure effective planning. Research carried out for AS and A2 covered genres, characters, audiences, conventions, legal guidelines, locations, techniques and openings. The most useful form of research was analyzing similar texts to understand audience preferences. Digital media could have been used more in research, such as PowerPoint, to make information stand out. Being creative in media involves using imagination to develop new ideas or build on existing works; the A2 portfolio was
production diary 2
The document describes various post-production editing techniques used on video footage, including:
- Using a razor tool to separate unnecessary footage and add black cuts to make the video more dramatic.
- Aligning footage using a mouse tool to ensure the storyline was coherent and clips did not overlap.
- Applying color correction to add warmth and brightness by increasing the orange tones in some footage.
- Adjusting input and output levels to lighten footage as the day grew darker by increasing the white balance.
- Rendering the finished video to smooth transitions between clips.
Productiion diary 2
The document describes several post-production editing techniques used on video footage:
1) The editor used the razor tool to separate unnecessary footage and added black cuts to make the video more dramatic.
2) Footage was aligned using the mouse tool to ensure the storyline flowed properly and clips did not overlap.
3) The colour corrector tool was used to warm the footage and slightly increase brightness by adding more orange.
Production indesign
The document describes the process of creating a poster layout in InDesign. It discusses:
1. Importing a Photoshop image into InDesign and scaling it to fit within the page borders of an A4 layout.
2. Adding eye-catching bold text using different fonts and positioning the text correctly on the page.
3. Using tools like swatches and the color picker to apply colors and borders to elements like text to make them stand out.
4. Checking that all images and text are within the page borders using rulers and zoom tools to ensure everything will print correctly in the final product.
Q4f
The document discusses the various media technologies used at different stages of a production project. In the planning stage, the internet was used for research on websites like YouTube to explore genres and avoid plagiarism. YouTube provided in-depth research into genres as well as a way to upload videos. Slideshare and Prezi were also used to present information in PowerPoint or customizable layouts. Adobe Premiere was the main software used to create a teaser trailer, while Adobe Effects created titles and Adobe Photoshop could have added more detail. Overall, media technologies helped speed up the process, though more time in Photoshop may have improved the final product.
Q4
The document discusses the various media technologies used at different stages of a production project. In the planning stage, the internet was used for research on websites like YouTube to explore genres and avoid plagiarism. YouTube provided in-depth research into genres as well as a way to upload videos. Slideshare and Prezi were also used to present information in PowerPoint or customizable layouts. Adobe Premiere was the main software used to create a teaser trailer, while Adobe Effects created titles and writing. Overall, using media technologies throughout the process helped speed up production.
Question 3 review of feedback
- The feedback from audiences showed that most recognized the magazine cover and trailer as media products, but some did not recognize the poster. For future products, the poster needs to be more clearly recognizable.
- Audiences identified the target audience as young people or young people and people in their early 40s based on the actors' ages and filming locations. However, one person felt it only targeted boys. Future products should include more props and costumes to entertain a broader target audience.
- Audiences said some dialogue in the trailer was inaudible and continuity needed improvement. But most said the production had few faults and the trailer was the best product overall.
Q4f
The document discusses the various media technologies and software used at different stages of creating a production project. YouTube, SlideShare, and Prezi were used for research and to present work. Adobe Premiere was the main software used to create a teaser trailer, while Adobe Effects was used for titles and text. The internet provided a quick research source for understanding what content and formats would work best. Various tools in Adobe Premiere, like the title tool, were used to edit the trailer and adjust audio. While software like Premiere sped up the process, more time in Adobe Photoshop may have further improved the final product.
Question 3 review of feedback
After reviewing audience feedback, the producer believes the products mostly met expectations but some improvements can be made. Feedback showed the magazine cover and teaser trailer were recognized as products but the poster's type of product was less clear. For future products, the poster will be focused on to ensure all products are easily recognizable. The target audience was identified as young people or those in their early 40s based on relatable actors and campus shooting locations, but one person felt it only targeted boys. Future products will include more props and costumes to entertain the target audience. Feedback also noted some trailer scenes were too quiet and continuity needed improvement in some parts. However, most said the production had no major faults. The audience was unsure if the main
Question 3 review of feedback
After reviewing audience feedback, the producer believes their products mostly met expectations, though the poster was less recognizable. To improve, future posters will be clearer. Feedback also showed the target audience is young people, as scenes took place on a school campus and featured young actors. However, one person felt it only targeted boys. To be more inclusive, future productions will include more props and costumes. Audiences said some dialogue was inaudible and continuity needed improvement. But most felt the trailer was the best product overall. Viewers were unsure if the main character was the hero or villain, fulfilling the producer's goal of creating mystery. The favorite part of the trailer was the suspense that built throughout.
Question 1 (6)
The document discusses how a media production followed and challenged conventions of dramatic trailers. It summarizes that the production used conventional locations, props, costumes, and camerawork that would be familiar and relatable to the target audience. However, it also took some unconventional approaches, like not identifying the main character as clearly a hero or villain and having an unusual storyline about a man who is given powers by the devil to do bad deeds. Audience feedback confirmed that these abstract elements captured their interest and made the trailer stand out compared to others in the genre.
Evaluation questions d
This document outlines an evaluation plan for a teaaser trailer production. It discusses research conducted on genre, audience and what makes a successful teaser. It also addresses post-production techniques used to edit footage and reflects on whether the software and hardware chosen was effective. Additionally, it mentions creating inspirational magazine covers and posters, showing draft designs and explaining the creative process. The evaluation concludes by reflecting on what went well in the production and opportunities for future improvement, and provides an overall summary of the project's success.
Photographic thumbnail
The document summarizes the steps taken to edit a photo in Photoshop for a magazine. First, the photo of two characters, Jack and Connor, was selected as it aligned with the production's storyline. In Photoshop, the background was removed using selection tools. The characters were isolated on a white background. Jack's character was then modified to appear more sinister by changing his color to red. Additional editing included warping the characters to create a shadow effect and feathering for a smoother finish. The result was a modified image suited for the magazine.
Mood board
The mood board provides inspiration for a new design project by visually displaying colors, textures, images, and other elements that capture the desired aesthetic and feeling. Key themes represented on the mood board include natural elements like wood, stone, and foliage to convey a sense of earthiness and organic materials. Overall, the mood board aims to set the visual tone and provide a starting point for creative direction.
Conventions `
This document defines various elements that make up the design of a magazine cover. It describes the masthead as the title of the magazine using eye-catching colors or fonts. The tag line gives a brief description of the magazine's content. The main coverline explicitly states what the main image represents. Other elements include the skyline listing interior items, puff advertisements for free offers, product advertisements, buzzwords to entice readers, thumbnail images building anticipation, and a header/footer bar with an attention-grabbing slogan.
Mood board
The mood board provides inspiration for a new design project by visually displaying colors, textures, images, and other elements that capture the desired aesthetic and feeling. Key themes represented on the mood board include natural elements like wood, stone, and foliage to convey a sense of earthiness and organic materials. Overall, the mood board aims to set the visual tone and provide a starting point for creative direction.
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【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
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四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
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◇面对父母的压力，希望尽快拿到；
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◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
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8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
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原版一模一样【微信：741003700 】【(kcl毕业证书)英国金斯顿大学毕业证成绩单】【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
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一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(kcl毕业证书)英国金斯顿大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
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校名:学校英文全称
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毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
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办理(kcl毕业证书)英国金斯顿大学毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(kcl毕业证书)英国金斯顿大学毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
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按照学校原版(ArtEZ文凭证书)ArtEZ艺术学院毕业证快速办理
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【我们承诺采用的是学校原版纸张（纸质、底色、纹路），我们拥有全套进口原装设备，特殊工艺都是采用不同机器制作，仿真度基本可以达到100%，所有工艺效果都可提前给客户展示，不满意可以根据客户要求进行调整，直到满意为止！】
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
留信网服务项目：
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2、国（境）学习人员提供就业推荐信服务
3、留学人员区块链存储服务
→ 【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：客户在留信官方认证查询网站查询到认证通过结果后付款，不成功不收费！
LinkedIn Strategic Guidelines for June 2024
LinkedIn is a powerful tool for networking, researching, and marketing yourself to clients and employers. This session teaches strategic practices for building your LinkedIn internet presence and marketing yourself. The use of # and @ symbols is covered as well as going mobile with the LinkedIn app.
Parabolic antenna alignment system with Real-Time Angle Position Feedback
Introduction
Parabolic antennas are a crucial component in many communication systems, including satellite communications, radio telescopes, and television broadcasting. Ensuring these antennas are properly aligned is vital for optimal performance and signal strength. A parabolic antenna alignment system, equipped with real-time angle position feedback and fault tracking, is designed to address this need. This document delves into the components, design, and implementation of such a system, highlighting its significance and applications.
Importance of Parabolic Antenna Alignment
The alignment of a parabolic antenna directly affects its performance. Even minor misalignments can lead to significant signal loss, which can degrade the quality of the received signal or cause communication failures. Proper alignment ensures that the antenna's focal point is accurately directed toward the signal source, maximizing the antenna's gain and efficiency. This precision is especially crucial in applications like satellite communications, where the antenna must track geostationary satellites with high accuracy.
Components of a Parabolic Antenna Alignment System
A parabolic antenna alignment system typically includes the following components:
Parabolic Dish: The primary reflector that collects and focuses incoming signals.
Feedhorn and Low Noise Block (LNB): Positioned at the dish's focal point to receive signals.
Stepper or Servo Motors: Adjust the azimuth (horizontal) and elevation (vertical) angles of the antenna.
Microcontroller (e.g., Arduino, Raspberry Pi): Processes sensor data and controls the motors.
Potentiometers: Provide feedback on the antenna's current angle positions.
Fault Detection Sensors: Monitor for potential faults such as cable discontinuities or LNB failures.
Control Software: Runs on the microcontroller, handling real-time processing and decision-making.
Real-Time Angle Position Feedback
Real-time feedback on the antenna's angle position is essential for maintaining precise alignment. This feedback is typically provided by potentiometers or rotary encoders, which continuously monitor the azimuth and elevation angles. The microcontroller reads this data and adjusts the motors accordingly to keep the antenna aligned with the signal source.
Fault Tracking in Antenna Alignment Systems
Fault tracking is vital for the reliability and performance of the antenna system. Common faults include cable discontinuities, LNB malfunctions, and motor failures. Sensors integrated into the system can detect these faults and either notify the user or initiate corrective actions automatically.
Design and Implementation
1. Parabolic Dish and Feedhorn
The parabolic dish is designed to reflect incoming signals to a focal point where the feedhorn and LNB are located. The dish's size and shape depend on the specific application and frequency range.
2. Motors and Position Control
Stepper motors or servo motors are used to control the azimuth and elevation of
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【我们承诺采用的是学校原版纸张（纸质、底色、纹路），我们拥有全套进口原装设备，特殊工艺都是采用不同机器制作，仿真度基本可以达到100%，所有工艺效果都可提前给客户展示，不满意可以根据客户要求进行调整，直到满意为止！】
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信176555708】即可
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留信网认证的作用:
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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→ 【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
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LinkedIn for Your Job Search June 17, 2024
This webinar helps you understand and navigate your way through LinkedIn. Topics covered include learning the many elements of your profile, populating your work experience history, and understanding why a profile is more than just a resume. You will be able to identify the different features available on LinkedIn and where to focus your attention. We will teach how to create a job search agent on LinkedIn and explore job applications on LinkedIn.
Tara E Browne, DTM - Administrative Manager (Resume)
I am an accomplished and driven administrative management professional with a proven track record of supporting senior executives and managing administrative teams. I am skilled in strategic planning, project management, and organizational development, and have extensive experience in improving processes, enhancing productivity, and implementing solutions to support business objectives and growth.
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Tara E Browne, DTM - Administrative Manager (Resume)
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The commissioning process
- 1. The commissioning process Definition of commissioning process- The commissioningprocessisthe wayinwhich The BFI is the largestpublicfunded filmcompanyinthe UK,the BFIs mainobjective isfor independentfilmdirectorstopitchtheirideason theirwebsite andsee whetherornot theirideais goodenoughforthe publictoinvestin. Creative England Thisis a relativelylarge fundedcompanyinthe UKwho have the mainobjective of allowingwho theythinkare talentedfilmmakerthe chance tobe able to have theirmoneyandinfluence. How filmsare funded The majorityof applicantsinorderto get theirfilmsfundeduse the publictofundthem. Universal studios An example of thisisacompanylike Universal studios,foracompanylike thistheydon’tjustaccept ideasfromanyone theyhave tohave people thathave had experience inthissectororpeople that have previouslyworkedwiththemonotherfilms. Lionsgate Thiscompanydon’taccept anythingbecause theydon’twanttoriskany lossof profitand this doesn’tfitintothe companyguidelines.