This document summarizes Jessica Hedley's tests of fonts and color schemes for a horror-themed marketing campaign. It discusses her selection of the "Bates Shower" font due to its rough, uneven lettering and spiral-shaped O character, which will complement the spiral eyes in her imagery. Color tests showed white text had best readability against impactful orange and blue backgrounds over alternative color combinations. The document evaluates different fonts and colors before concluding on designs best suited to her themes of horror and driving consumers crazy.
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1. Insights into SAP testing best practices
2. Heatmap utilization for testing
3. Optimization of testing processes
4. Demo
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Execution from the test manager
Orchestrator execution result
Defect reporting
SAP heatmap example with demo
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Deepak Rai, Automation Practice Lead, Boundaryless Group and UiPath MVP
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Link to video recording: https://bnctechforum.ca/sessions/selling-digital-books-in-2024-insights-from-industry-leaders/
Presented by BookNet Canada on May 28, 2024, with support from the Department of Canadian Heritage.
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Watch this recorded webinar about real-time monitoring of application performance. See how to integrate Apache JMeter, the open-source leader in performance testing, with InfluxDB, the open-source time-series database, and Grafana, the open-source analytics and visualization application.
In this webinar, we will review the benefits of leveraging InfluxDB and Grafana when executing load tests and demonstrate how these tools are used to visualize performance metrics.
Length: 30 minutes
Session Overviewā
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During this webinar, we will cover the following topics while demonstrating the integrations of JMeter, InfluxDB and Grafana:
- What out-of-the-box solutions are available for real-time monitoring JMeter tests?
- What are the benefits of integrating InfluxDB and Grafana into the load testing stack?
- Which features are provided by Grafana?
- Demonstration of InfluxDB and Grafana using a practice web application
To view the webinar recording, go to:
https://www.rttsweb.com/jmeter-integration-webinar
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Join us for an insightful dive into the world of FME parameters, a critical element in optimizing workflow efficiency. This webinar marks the beginning of our three-part āEssentials of Automationā series. This first webinar is designed to equip you with the knowledge and skills to utilize parameters effectively: enhancing the flexibility, maintainability, and user control of your FME projects.
Hereās what youāll gain:
- Essentials of FME Parameters: Understand the pivotal role of parameters, including Reader/Writer, Transformer, User, and FME Flow categories. Discover how they are the key to unlocking automation and optimization within your workflows.
- Practical Applications in FME Form: Delve into key user parameter types including choice, connections, and file URLs. Allow users to control how a workflow runs, making your workflows more reusable. Learn to import values and deliver the best user experience for your workflows while enhancing accuracy.
- Optimization Strategies in FME Flow: Explore the creation and strategic deployment of parameters in FME Flow, including the use of deployment and geometry parameters, to maximize workflow efficiency.
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Donāt miss this opportunity to elevate your FME expertise and drive your projects to new heights of efficiency.
3. Bates Shower is my first choice of font when designing my final pieces. I
think this font is most suited to my design plan as when using the āOā
character it creates a swirl effect, this would work well with the spiral effect I
am going to create in the eyes of my models. Also the font is quite rough and
the size of lettering alters in a blood splatter effect, this is appropriate for a
horror themed product.
COLOUR TEST (ORANGE+WHITE)
COLOUR TEST (BLUE+WHITE)
COLOUR TEST (ORANGE+BLUE)
COLOUR TEST (BLUE+ORANGE)
Using a large scale lettering in a heavy
block colour works better with poster
campaigns as it can grab attention from a
distance, unlike leaflets or business cards.
Iām considering using a large sized font for
my tagline and title and a smaller scale
text with a more classic font for longer
segments of text.
4. This font would be appropriate if I decided to go with a āstitched themeā, for instance if I
included stitches and scars along the jaw line of my model as if their smiles have being
stitched. Iām still undecided whether to do this yet as for my particular demographic I feel it
wouldnāt be appropriate.
5. Summary of Fonts
Over the course of these tests Iāve looked at several themes and font styles related to āhorrorā and the
Halloween season. The majority of the themed font I found on dafont.com was sans serif and quite bold
with a blood dripping effect to fit with the horror look. Iām going to work with my portrait images of my
models to enlarge their smiles and put a spiral effect into their eyes, my hopes is for this to look quite
creepy and weird ā relating to my tagline āIt will drive you crazy.ā
Out of all the fonts I looked at, the one I think is most suited to my theme and overall approach to the
campaign ā is Bates Shower. Bates Shower is quite jagged and features a variation of letter sizing when
typing a word, this creates a rough effect that looks as if the text has being handwritten. What I
particularly liked about this font was when using the āOā character, it became a spiral ā this will work well
and look good next to the spiral eyes I will use in the imagery. The font was in the āHorrorā section of
dafont.com and fits the theme well. Iām am still undecided whether to use an accompanying font that is of
a simpler form for long parts of text such as ingredients and description.
I did experiment with other fonts before coming to my final decision. Tough Horror was a good font for my
particular theme of advertising but I felt would look too harsh against my images and would be hard to
work with when downsizing text as the letter is capitalized and quite large.
6. Experimenting with different
warping effects with certain
titles to see the variation of
appropriate effects that could
look well on my final designs.
Creating an inverted warp gives
a 3D effect, which perhaps may
not work as effectively on a
spherical object.
Decided to use the traditional IRN-BRU
colour scheme but experiment with
different tones of orange and blue.
Including other colours into this mix
would cause too much of a clash and
appear harsh to the eyes when picking
up.
7. Iāve experimented with several variations of colour schemes to see what looks best and
also, most importantly ā what is the easiest to read and understand. Iāve decided the
most suitable font colour for all block backgrounds is white. White works best with
readability and more so than black, which often doesnāt work so well when producing
āchilledā drinks campaigns. I will use an equal ratio of white on orange and white on blue
across the packaging to alternate and break up different sections.
Itāll drive you crazy.
Itāll drive you crazy.
Itāll drive you crazy.
Itāll drive you crazy.
Itāll drive you crazy.
Itāll drive you crazy.
This is the original IRN-BRU packaging, the logo is largely stretched to fill up the side of the
can. I have tried to choose a suitable capitalized font that works well with fitting in on the
side of packaging and is easy enough to understand.
8. Summary of Colour Scheme
The colours I have looked at are the 2 main block colours associated with IRN-BRUās
packaging and previous campaigns. I have conducted several colour tests on the
overlapping of orange and blue to see which is most comfortable for the eye and
easy to read. I have realized after these tests that neither order of colours works
well together and have opted for using blue and orange as a background colour
and white text.
White text allows easier reading against heavy, impact colours ā black is a suitable
duplicate by sometimes isnāt as clear against darker blues, which I recently
discovered through my colour tests.