Surrealism
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Aquí tenemos un trabajo sobre el surrealismo (en inglés), este trabajo es destacado por la calidad de sus imagenes ;-) Solo os quien lo ha hecho (podeis poner vuestro nombre).
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René Magritte was a Belgian painter born in 1898 in Lessines who died of pancreatic cancer in 1967. The Magritte Museum opened in Brussels in 2009 to showcase his surrealist works including paintings of a woman under an umbrella with a man below it, a floating rock with a castle, and a painter creating an image of a gray bird.
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The document discusses Pablo Picasso and the development of Cubism. It notes that Picasso was influenced by African sculpture, Iberian sculpture, and other artists like Manet, Cezanne, Gauguin, and the Fauvists. During 1906-1909, Picasso entered his "Negro Period" and created works exploring primitive styles after a trip to Gosol, Spain. In 1907, he painted 'Les Demoiselles d'Avignon', considered a seminal Cubist work. The document then outlines Picasso's development of Analytical Cubism from 1910-1912 and Synthetic Cubism from 1912-1916 in collaboration with Georges Braque, including characteristics of each style and examples of
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The document provides information on five paintings by Henri Rousseau: The Repast of the Lion, The Sleeping Gypsy, The Hungry Lion Attacking an Antelope, The Jardin du Luxembourg, and details about Rousseau's life and work. It describes the subject matter and styles of Rousseau's paintings, noting his imaginative jungle scenes were based on photographs despite never visiting the tropics himself. It also discusses how Rousseau was initially mocked but later admired by avant-garde artists like Picasso and Apollinaire who recognized the fantastical qualities in his self-taught naive style.
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I do not have enough context to make a meaningful comparison of how different genders view art based on two individual works. Each artist's work is shaped by numerous cultural, historical and personal factors. It would be an overgeneralization to say one work represents an entire gender's perspective.
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The document provides background information and analysis of Pablo Picasso's famous painting Guernica. It describes how the painting was inspired by the bombing of Guernica, Spain by German and Spanish Nationalist forces. It then analyzes some of the key symbols and themes in the painting, including the bull representing Spanish pride, the horse representing suffering, and use of light and darkness to represent truth and suffering.
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3) The painting depicts the suffering of innocent victims of war through distorted figures including a mother grieving over her dead child, an injured horse, and a bull with a human face.
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This document summarizes key developments in early 20th century visual arts in Europe. It discusses how Post-Impressionist artists like Gauguin, Matisse and Cézanne inspired experimentation with color and form. Gauguin's travels to Tahiti influenced his simplified forms and bold color juxtapositions. Fauvism emerged in 1905, characterized by expressive, non-naturalistic use of color. Matisse was a leading Fauvist artist, along with Derain, Vlaminck, Braque and Dufy. Brancusi pioneered modern sculpture through his simplified, abstract forms that captured the essence of subjects like birds in flight.
The Death Of Germanicus By Charles Poussin
Edouard Manet's painting "The Melon" from 1880 depicts a solitary watermelon. It diverged from traditional still life paintings by isolating the subject against a plain background and using impressionistic techniques like soft brushstrokes and abrupt color transitions to capture the play of light. While controversial when unveiled due to its departure from academic styles, "The Melon" exemplifies Manet's role in transitioning art to impressionism through simplified compositions and focus on capturing fleeting visual effects.
Fauvism
Fauvism was an early 20th century avant-garde art movement known for its use of bright, arbitrary colors and expressive brushwork. Key figures included Henri Matisse and Andre Derain. Their works were first exhibited together in 1905 and were criticized for their wild, unnatural colors, leading to the name "Fauves" meaning wild beasts. Matisse's painting Woman with a Hat was particularly attacked but also purchased by Gertrude and Leo Stein, boosting Matisse's confidence. Both Matisse and Derain were inspired by color and reimagining the visual world through color.
arts10.pptx
Modern art began in the 1860s and lasted until the 1970s. It rejected traditional approaches and embraced new ways of seeing and new media like photography. Many new movements emerged during this time in response to world events and social changes. Artists experimented with color, form, abstraction, symbolism and incorporating new materials. Nearly every new movement was initially met with ridicule but eventually settled into history and influenced future generations of artists.
modernartreporting-160127104623 (1).pptx
Modern art began around 1860 and lasted until around 1970, sparked by artists throwing out old styles and embracing experimentation. This led to movements like Impressionism, which painted outdoors and focused on light, color, and everyday subjects. Later, Symbolism, Fauvism, Expressionism, Cubism, Dada, Constructivism, Surrealism, and Abstract Expressionism emerged, each rejecting realistic styles and exploring new approaches to form, color, and subject matter. Pop Art of the 1960s celebrated popular culture, while Optical and Photorealism engaged with new technologies. Throughout, modern art reflected the changing world and new ways of seeing.
Surrealism Final Presentation
This document provides an overview of surrealism including its founding, history, major artists, and influences. It was founded in 1924 by André Breton with the goal of uniting the conscious and unconscious realms. Major surrealist artists mentioned include Salvador Dali, René Magritte, Man Ray, Max Ernst, and Joan Miró. Influences on surrealism included World War I, Sigmund Freud, Carl Jung, and automatic writing. The movement had impacts on later art forms including abstract expressionism, neo-expressionism, and photography.
Surrealism final presentation
This document provides an overview of surrealism including its founding, history, major artists, and influences. It was founded in 1924 by André Breton with the goal of uniting the conscious and unconscious realms. Major surrealist artists included Salvador Dali, René Magritte, Man Ray, Max Ernst, and Joan Miró. Their work was influenced by events like World War I, Sigmund Freud, and automatic writing. Surrealism had a large impact on later art movements and styles in various mediums.
Modern art
This document provides an overview of modern art movements from Neoclassicism in the 18th century through Surrealism in the early 20th century. It discusses the key characteristics and examples of works for each major movement including Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, Art Nouveau, Expressionism, Fauvism, Cubism, Futurism, Vorticism, Dada, Suprematism, Constructivism, De Stijl, and Surrealism. The movements had varying styles and subject matters but many revolted against prior conventions and explored new ways of representing visual art.
modernartreporting-160127104623.pdf
Modern art began in the 1860s and lasted until the 1970s, sparked by a rejection of traditional styles and an embrace of new experimentation. Artists focused on their direct experiences and emotions over academic conventions. Many new movements emerged, from Impressionism's loose brushwork to Cubism's fragmentation of form to Surrealism's exploration of the unconscious mind. Most new styles were initially met with ridicule but went on to influence generations of artists as they settled into art history. The 20th century saw unprecedented technological and social changes that modern art both reflected and helped people process.
Last art history notes
This document provides an overview of key developments in art history from post-impressionism to early 20th century movements. It discusses Gauguin's synthetism combining real and non-real elements. Paul Cézanne is described as bridging 19th and 20th century art by representing multiple perspectives. Pablo Picasso and Georges Braque then developed analytic and synthetic cubism which analyzed and depicted objects from multiple views and incorporated collage techniques. Meanwhile, Henri Matisse and the Fauves emphasized expressive use of color without blending or rules. Italian Futurism and Russian Suprematism further moved towards abstraction, geometry, and rejecting representation.
Modern Arts
Modern art began around 1860 and lasted until around 1970, sparked by artists throwing out old conventions and embracing experimentation. This led to new ways of seeing and representing the world directly through the artist's experiences. Many new styles emerged like Impressionism, Symbolism, Art Nouveau, Fauvism, Expressionism, Cubism, Dada, Constructivism, Surrealism, Abstract Expressionism, Pop Art, Optical Art, Photorealism and other avant-garde styles. Nearly every new style was initially met with ridicule but eventually settled into history, influencing future generations of artists.
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KCC Art 211 Ch 20 Late Eighteenth And Nineteenth Centuries
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Surrealism
- 1. Surrealism
- 2. SURREALISMS Surrealism is an artistic and literary movement emerged in France from Dadaism, in the early 1920s, around the personality of the poet André Breton. Surrealism and surreal terms come from Guillaume Apollinaire, whom coined in 1917. In the program notes he wrote for the musical Parade. The word surreal appears in the subtitle of Tiresias's tits (surreal drama), in June 1917, to refer to the creative reproduction of an object, which transforms and enriches. Dada Surrealism took some photography and cinematography techniques and the manufacture of objects. Extended the beginning of the assembly of objects collage incongruous as visible poems Max Ernst. The latter invented the frottage and applied it in great works like Natural History, painted in Paris in 1926.
- 3. La Muchacha Sentada en la Ventana. In the picture we can see a girl with black hair and a white dress, she is looking to the sea, in the sea is a boat an a beach; the widow have two curtains with the same colors of the dress of the girl, the hair of the girl isn´t very long, she have two white boots the wall is beige and the floor have light orange squares. Dalí made this paint.
- 4. By