The document discusses the discovery of the subconscious and its expression through Surrealism in Europe and Latin America. It provides background on Freud's theory of the subconscious and defines Surrealism. Key figures and works of the early European Surrealism movement such as Bosch, Blake, Goya, Rousseau, Chagall, and De Chirico are described. The development of Surrealism in Latin America is also mentioned.
Few painters have achieved success so early and remained so successful throughout their lives as Velazquez. Even in his teens he was acclaimed as a master painter. By the age of 24 he had become Court Painter to King Philip IV. For nearly 40 years he produced an incomparable series of the king and of other figures at court. H e created an art as moving and as varied as any in Europe and less comfined to its age than many other, seemingly freer, painters.
Slideshow complements Gardner's Art Through the Ages (Global) textbooks. Prepared for ART 102 - Montgomery County Community College - Jean Thobaben - Adjunct Instructor.
Few painters have achieved success so early and remained so successful throughout their lives as Velazquez. Even in his teens he was acclaimed as a master painter. By the age of 24 he had become Court Painter to King Philip IV. For nearly 40 years he produced an incomparable series of the king and of other figures at court. H e created an art as moving and as varied as any in Europe and less comfined to its age than many other, seemingly freer, painters.
Slideshow complements Gardner's Art Through the Ages (Global) textbooks. Prepared for ART 102 - Montgomery County Community College - Jean Thobaben - Adjunct Instructor.
fachada del templo de Santo domingo en san cristobal de las casas, chiapas,mé...Blancalicia Martínez
la fachada de este templo presenta una sobresaliente mezcla de habilidad artesanal e ingenuidad indígena que nos sorprende con la belleza de su conjunto.
Está dispuesta como un gigantesco retablo de argamasa (mezcla de cal, arena y agua). Descubrirlos supone una minuciosa observación.
ART HISTORY 132SymbolismSymbolism (c. 1865-1.docxdavezstarr61655
ART HISTORY 132
Symbolism
Symbolism
(c. 1865-1915)
term: applied to both visual & literary arts (e.g., Rimbaud)
aim: not to see things, but to see through them to significance & reality far deeper
definition: subjective interpretation reject observation of optical world fantasy forms based on imaginationcolor, line, & shapes used as symbols of personal emotions, rather than to conform to optical image
function: artist as visionaryto achieve seer’s insight, artists must become derangedsystematically unhinge & confuse everyday faculties of sense and reason
themes: religion, mythology, sexual desire (vs. Baudelairian everyday life)
Odilon Redon
(1840-1916)biography: born to a prosperous family
training: failed entrance exams at École des Beaux-Artsbriefly studied under Gérôme (1864)career: interrupted by Franco-Prussian War remained relatively unknown until cult novel by Huysmans titled Against Nature (1884 )story featured decadent aristocrat who collected Redon's drawingsmedia:early work charcoal & lithographylater work oilsaim: “… [to bring] to life, in a human way, improbable beings and making them live according to the laws of probability, by putting – as far as possible – the logic of the visible at the service of the invisible”subject matter: “fantastic” influenced by writings of Edgar Allen Poe strange amoeboid creatures, insects, plants w/ human heads, etc.themes: “fantastic” creaturesmythological scenes
(Left) Redon’s Symbolist Eye Balloon (1878)
and
(right) Crying Spider (1881)
Redon’s Symbolist Eye Balloon (1878)
vs.
Daumier’s Nadar (c. 1860)
Redon
Cyclops (1898)subject: mythologicalPolyphemus & Galateanarrative loving moment vs. jealouslytheme: psychologicalconscious vs. unconsciouswaking vs. sleepingtone: hauntingbrushwork: painterly (Impressionist) composition: dynamiccolor: vibrantwhimsical harmoniousperspective: aerial
Redon’s Symbolist Cyclops (c. 1900)
vs.
Carracci’s Italian Baroque Polyphemus in the Farnese Gallery (c. 1600)
Henri Rousseau
(1844-1910)biography:served in French army bureaucrat in Paris Customs Office (1871-1893)took up painting as a hobby accepted early retirement in 1893 to devote himself to art
career: suffered ridicule & endured poverty
aesthetic: “naïve”
themes: jungle scenes
sources: claimed inspiration from his military experiences in Mexicoin fact, sources were illustrated books & visits to zoo/botanical gardens in Paris
Rousseau’s Sleeping Gypsy
(1897)
Rousseau’s The Dream
(1910)
James Ensor
(1860-1949)nationality: Belgian
personal crisis: family forbade him to marryplunged to depths of despair returned to painting religious subjects sold contents of his studio in 1890s
aesthetic: avant-garde Les XX (the Twenty)goal to promote new artistic developments throughout Europegroup’s leader/foundertreated harshly by art critics disbanded after a decade challenged rules of perspective free use of color and space and brus.
Modernism in Art: An Introduction: Salon des refusesJames Clegg
Modernism in Art An Introduction, 1. This lecture highlights the main context for modernity, highlighting key movements and events such as the Enlightenment and French Revolution. Emphasis is then placed upon the academic model and the subsequent break with it, represented by the Salon De Refuses of 1863. Lecture by James Clegg
Ellora es célebre por su arquitectura rupestre, con monasterios y templos budistas (grupo A : grutas 1 a 12 que datan del aproximadamente el año 500 a aproximadamente el 650), hinduistas (grupo B : grutas 13 a 31 establecidas entre los siglos VII y VIII) y jainas (grupo C : construidos entre los siglos VIII y XIII).
Virtuosos de la escultura en mármol, del s. xviii y xix, nos han dejado un número muy limitado de estas maravillas. alegorías, representaciones religiosas, retratos privados. todos ellos imposibles de explicar.
san luis de los inválidos: la tumba de napoleón ! (les invalides,paris)Blancalicia Martínez
un detallado recorrido desde santa helena hasta parís de los restos de Napoleón Bonaparte, además de hermosas imágenes de la iglesia de san luis de los inválidos, lugar de reposo del ex-emperador
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
How to Split Bills in the Odoo 17 POS ModuleCeline George
Bills have a main role in point of sale procedure. It will help to track sales, handling payments and giving receipts to customers. Bill splitting also has an important role in POS. For example, If some friends come together for dinner and if they want to divide the bill then it is possible by POS bill splitting. This slide will show how to split bills in odoo 17 POS.
The Art Pastor's Guide to Sabbath | Steve ThomasonSteve Thomason
What is the purpose of the Sabbath Law in the Torah. It is interesting to compare how the context of the law shifts from Exodus to Deuteronomy. Who gets to rest, and why?
How to Create Map Views in the Odoo 17 ERPCeline George
The map views are useful for providing a geographical representation of data. They allow users to visualize and analyze the data in a more intuitive manner.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptxEduSkills OECD
Andreas Schleicher presents at the OECD webinar ‘Digital devices in schools: detrimental distraction or secret to success?’ on 27 May 2024. The presentation was based on findings from PISA 2022 results and the webinar helped launch the PISA in Focus ‘Managing screen time: How to protect and equip students against distraction’ https://www.oecd-ilibrary.org/education/managing-screen-time_7c225af4-en and the OECD Education Policy Perspective ‘Students, digital devices and success’ can be found here - https://oe.cd/il/5yV
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
1. 4.3. El descubrimiento del SUBconsciente: el surrealismo en Europa y América Latina. 4.3. Comprender la importancia del descubrimiento del subconsciente y su expresión en el surrealismo en Europa y América Latina.
9. (c. 1450-1516) Bosch, Hieronymous Garden of Earthly Delights Outer wings, "Creation of the World" c. 1504 Triptych, plus shutters Oil on panel Central panel, 220 x 195 cm; Wings, 220 x 97 cm Museo del Prado, Madrid
10.
11. Bosch, Hieronymous Garden of Earthly Delights Left wing, "Paradise" c. 1504 Triptych, plus shutters Oil on panel Central panel, 220 x 195 cm; Wings, 220 x 97 cm Museo del Prado, Madrid
12. Garden of Earthly Delights (center panel) 1504 Triptych, plus shutters Oil on panel Central panel, 220 x 195 cm; Wings, 220 x 97 cm Museo del Prado, Madrid
13. Garden of Earthly Delights Right wing, "Hell" c. 1504 Triptych, plus shutters Oil on panel Central panel, 220 x 195 cm; Wings, 220 x 97 cm Museo del Prado, Madrid
14. Bosch, Hieronymous Garden of Earthly Delights Detail of bird-headed monster (right wing) c. 1504 Triptych, plus shutters Oil on panel Central panel, 220 x 195 cm; Wings, 220 x 97 cm Museo del Prado, Madrid
17. Atropos also called The Fates Las Parcas 1820-23 Oil on gesso transferred to linen 123 cm x 266 cm Museo del Prado Madrid Spain
18. Goat also called Witches Sabbath 1820-23 Oil on gesso Prado Museum, Madrid 140 cm x 438 cm
19. Fight with Cudgels also called Duel with Cudgels 1820 – 1823 Oil on plaster 123 cm x 266 cm Prado Museum, Madrid Asmodea 1820-23 Oil on gesso 48 1/2 inches by 104 1/2 inches Prado Museum, Madrid
20. SATURNO Saturno devorando a su hijo 1820 – 1823 Oil on plaster 146 cm x 83 cm Museo del Prado, Madrid, Spain
23. Blake, William (1757-1827), English poet, painter, and engraver, who created a unique form of illustrated verse; His unique style was imaginative and visionary and was a radical departure from the type of art generally produced in the late 18th century . . Blake, William The Ancient of Days 1794 Relief etching with watercolor 23.3 x 16.8 cm (9 1/8 x 6 7/8 in.) British Museum, London
26. Blake, William The Body of Abel Found by Adam and Eve c. 1825 Watercolor on wood 32 x 43 cm (12 3/4 x 17 in.)
27. HENRI ROUSSEAU “ EL ADUANERO” 1844 – 1910 1885 DESPUES DE SU JUBILACION
28. Rousseau, Henri The Sleeping Gypsy 1897 Oil on canvas 51" x 6'7" (129.5 x 200.7 cm) The Museum of Modern Art, New York LA REALIDAD SE VE SUPERADA POR LA MAGIA Y EL MISTERIO QUE INFUNDEN LOS TONOS MATIZADOS Y LOS ESPACIOS CONFUSOS
29. Rousseau, Henri Woman Walking in an Exotic Forest (Femme se promenant dans une foret exotique) 1905 Oil on canvas 39 3/8 x 31 3/4 in. (99.9 x 80.7 cm) The Barnes Foundation, Merion, Pennsylvania
30. Henri Rousseau THe Dream 1910 Oil on canvas 6' 8 1/2" x 9' 9 1/2" The Museum of Modern Art, New York
31. Marc Chagall (1887-1985) Russian-born French painter. Born to a humble Jewish family in the ghetto of a large town in White Russia, Chagall passed a childhood steeped in Hasidic culture. Very early in life he was encouraged by his mother to follow his vocation and she managed to get him into a St Petersburg art school. Returning to Vitebsk, he became engaged to Bella Rosenfeld (whom he married twelve years later), then, in 1910, set off for Paris, 'the Mecca of art'.
34. GIORGIO DE CHIRICO 1888 – 1978 Nació en Grecia Estudió en Atenas, Munich, Florencia, Turín y París FUNDADOR DE LA PINTURA METAFISICA
35. "The case of Giorgio de Chirico is one of the most curious in art history. An Italian, born in 1888 and raised partly in Greece - where his father, an engineer, planned and built railroads - he led a productive life, almost Picassoan in length; he died in 1978. He had studied in Munich, and in his early twenties, under the spell of the Symbolist painter Arnold Böcklin , he began to produce a series of strange, oneiric cityscapes. When they were seen in Paris after 1911, they were ecstatically hailed by painters and poets from Picasso to Paul Éluard; before long de Chirico became one of the heroes of Surrealism .
45. Max Ernst The Hat Makes the Man . 1920. Gouache, pencil, ink, and cut-and-pasted collotypes, (35.6 x 45.7 cm). MOMA "seed-covered stacked-up man seedless waterformer (‘edelformer') well-fitting nervous system also tightly fitted nerves! (the hat makes the man) (style is the tailor),"
46. MARX ERNST (Alemania, 1891-1976 ) The Kiss (Le Baiser), 1927. Oil on canvas, 129 x 161.2 cm. Peggy Guggenheim Collection.
47. Napoleon in the Wilderness . (1941) Oil on canvas, (46.3 x 38.1 cm) The Museum of Modern Art, New York.
48. 1944 El ojo del silencio Oleo sobre tela. 108 x 141 cm. Museo: Washington University Art Gallery. Saint Louis
49. MAN RAY 1890 – 1976 AMERICANO PINTOR Y FOTOGRAFO DE VANGUARDIA Trabajos cinéticos, rayografías, etc.