Suicide Squad
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The document analyzes the trailer for Suicide Squad. It notes that the editing picks up pace as the trailer progresses and fits with the music. Close up shots are used to involve the audience, while high angle shots portray the Joker as weak. Prisoners are dressed in orange clothing to show they have low status. The trailer includes conventions like introducing characters, using music, varied editing and camera work to show different emotions.
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Trailer analysis 1 tmnt Hossameldin Elrayes
This document analyzes the trailer for Teenage Mutant Ninja Turtles. It discusses the editing, framing, music, mise-en-scene, lighting, and movement within the trailer. The editing uses fast pacing and various shot types. The music changes based on the action and scenes. Mise-en-scene establishes the locations of New York City and sewers. Lighting uses low-key lighting in subways and high-key lighting with criminals. Movement includes tracking shots of characters in backgrounds.
Daniel cooke similarities in opening sequences
The document analyzes trailers for the movies Wild Hogs, The Hangover, and Ted. It notes that the trailers commonly introduce main characters through close-ups and dialogue. They also establish context for the movie through conversations and include background music. The title of the movie usually does not appear until after the characters are introduced. Additionally, key objects important to the plot, like a bike, car, or Ted the bear, are prominently featured.
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This document provides a shot list for a film project titled "Adversity" by group 073. It outlines 32 shots that will be filmed over various indoor and outdoor locations. The shots include establishing shots of the main character leaving their house and walking to school, as well as close-up and dialogue scenes between the main and supporting characters. Camera placements, actors' positioning, and estimated shot durations are specified to capture the necessary footage for telling the story.
Copy of shotlist.doc
This document provides a shot list for a film project titled "Adversity" by group 073. It outlines 32 shots that will be filmed over various indoor and outdoor locations. The shots include establishing shots of the main character leaving their house and walking to school, as well as close-up and dialogue scenes between the main and supporting characters. Camera placements, actors' positioning, and estimated shot durations are specified to capture the necessary footage for telling the story.
Shotlist.doc
This document provides a shot list for a film project titled "Adversity" by group 073. It outlines 32 shots that will be filmed over various indoor and outdoor locations. The shots include establishing shots of the main character leaving their house and walking to school, as well as close-up and dialogue scenes between the main and supporting characters. Camera placements, actors' positioning, and estimated shot durations are specified to capture the necessary footage for telling the story.
Codes and conventions of trailers
1. Film trailers follow certain conventions including logos, rating cards, text displaying the film title and release date, and reviews from critics.
2. Trailers establish the basic plot and introduce main characters through clips from the film accompanied by a voiceover, music, and editing that build tension.
3. A turning point near the middle shifts the equilibrium in the trailer to represent a pivotal moment in the film's narrative.
Thriller Opening - Research and Planning
Research and planning for our thriller opening
which covers:
- health and safety
- list of elements
- titles
- links to other thrillers
- filming schedule
forms and conventions
This document discusses how the filmmaker's film compares to the movie "Hitman" in terms of cinematography, mise-en-scene, narrative, and challenges to the genre. Both films use similar camera shots like extreme long shots and close ups, camera angles like high and low angles, and non-diegetic music. They also feature protagonists that wear suits and use guns as their main weapons. The narratives follow hitmen who need to complete killings to achieve their mission and get paid. A challenge the filmmaker's movie faces is having a younger hitman compared to more experienced ones typically seen in the genre.
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Trailer analysis 1 tmnt Hossameldin Elrayes
This document analyzes the trailer for Teenage Mutant Ninja Turtles. It discusses the editing, framing, music, mise-en-scene, lighting, and movement within the trailer. The editing uses fast pacing and various shot types. The music changes based on the action and scenes. Mise-en-scene establishes the locations of New York City and sewers. Lighting uses low-key lighting in subways and high-key lighting with criminals. Movement includes tracking shots of characters in backgrounds.
Daniel cooke similarities in opening sequences
The document analyzes trailers for the movies Wild Hogs, The Hangover, and Ted. It notes that the trailers commonly introduce main characters through close-ups and dialogue. They also establish context for the movie through conversations and include background music. The title of the movie usually does not appear until after the characters are introduced. Additionally, key objects important to the plot, like a bike, car, or Ted the bear, are prominently featured.
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This document provides a shot list for a film project titled "Adversity" by group 073. It outlines 32 shots that will be filmed over various indoor and outdoor locations. The shots include establishing shots of the main character leaving their house and walking to school, as well as close-up and dialogue scenes between the main and supporting characters. Camera placements, actors' positioning, and estimated shot durations are specified to capture the necessary footage for telling the story.
Copy of shotlist.doc
This document provides a shot list for a film project titled "Adversity" by group 073. It outlines 32 shots that will be filmed over various indoor and outdoor locations. The shots include establishing shots of the main character leaving their house and walking to school, as well as close-up and dialogue scenes between the main and supporting characters. Camera placements, actors' positioning, and estimated shot durations are specified to capture the necessary footage for telling the story.
Shotlist.doc
This document provides a shot list for a film project titled "Adversity" by group 073. It outlines 32 shots that will be filmed over various indoor and outdoor locations. The shots include establishing shots of the main character leaving their house and walking to school, as well as close-up and dialogue scenes between the main and supporting characters. Camera placements, actors' positioning, and estimated shot durations are specified to capture the necessary footage for telling the story.
Codes and conventions of trailers
1. Film trailers follow certain conventions including logos, rating cards, text displaying the film title and release date, and reviews from critics.
2. Trailers establish the basic plot and introduce main characters through clips from the film accompanied by a voiceover, music, and editing that build tension.
3. A turning point near the middle shifts the equilibrium in the trailer to represent a pivotal moment in the film's narrative.
Thriller Opening - Research and Planning
Research and planning for our thriller opening
which covers:
- health and safety
- list of elements
- titles
- links to other thrillers
- filming schedule
forms and conventions
This document discusses how the filmmaker's film compares to the movie "Hitman" in terms of cinematography, mise-en-scene, narrative, and challenges to the genre. Both films use similar camera shots like extreme long shots and close ups, camera angles like high and low angles, and non-diegetic music. They also feature protagonists that wear suits and use guns as their main weapons. The narratives follow hitmen who need to complete killings to achieve their mission and get paid. A challenge the filmmaker's movie faces is having a younger hitman compared to more experienced ones typically seen in the genre.
ana 2
The opening sequence of "Men In Black" establishes a mysterious tone through its use of cinematography, editing, and sound. A close-up shot of a fly flying toward stars is intended to raise questions in the audience's mind. The shots change very quickly in a disorienting way. There is no non-diegetic sound except for fast-paced opening music accompanying the fly's flight, furthering the sequence's air of mystery and intrigue and hooking the audience to continue watching.
Star wars the force awakens storyboard
This document contains a storyboard for The Force Awakens consisting of 28 shots with details on camera angles, movement, dialogue, sound effects and music. The shots include character montages, spacecraft action sequences and scenes looking on to characters from various camera angles. Background music is included in most shots but dialogue is generally non-dialectic. The storyboard captures key moments without dialogue to set the scene and tone through visuals and music.
Research presentation
Crime/thriller films typically feature props like weapons, drugs, and police cars that connote violence. Main characters are often male and set in cities or foreign locations. The films have fast pacing, suspense, and action with a protagonist and antagonist. Trailers are 2-3 minutes, introduce characters and plot, and leave an "enigma" to entice viewers. Technical elements like music, shots, and editing create tension and drama to engage the target audience of 17-25 year olds.
Star Wars: The Force Awakens- storyboard
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Trailers and Films Comparison
Trailers and films are both meant to tell a story, but have key differences in length, narrative development, editing, sound, and inclusion of titles. Trailers are usually 2-3 minutes while films are over an hour and a half. Trailers provide a brief overview and tease the narrative through exciting clips, while films develop the full narrative over a longer period of time. Editing in trailers uses short clips and a fast pace to entice viewers, whereas films employ various editing techniques to progress the story. Voiceovers and music are commonly used in trailers to describe the film, while films incorporate dialogue and sounds from the actual movie. Trailers focus on action with few titles, while films include opening and closing
The strangers analysis
The camera work, sound, and lighting in the trailer for The Strangers are used to build tension and establish it as a psychological thriller. A two-shot introduces the main characters and their relationship. Extreme close-ups draw attention to actions like locking the door that suggest themes of security and the unknown. Shots frame characters from behind to imply they are always being watched. Sudden diegetic sounds like a dropping tool create unease against the peaceful music. Screams and an axe attacking the door drive the tension higher as the story progresses to another level. Low key lighting sets the dark, scary mood for the nighttime scenes.
Production script
The production script outlines 14 shots depicting the murder of a victim character by a killer character in a short film. Shot 1 and 2 show title screens, then shots 3-7 establish the victim walking alone at night. In shot 8, the killer emerges and begins following the victim. Shots 9-10 show the increasing pursuit from both characters' perspectives. Shot 11 depicts the killer stabbing the victim to the ground. Shots 12-14 show the killer standing over the body and walking away from the crime scene. The final shot 15 ends on a black screen with a static sound effect.
A2 Practical Coursework
This document provides information and examples for a student to complete a practical coursework assignment involving creating promotional materials for a music album or short film. It includes options to create a music video and digipak, band website, short film, film posters, radio trailer, and magazine review. Examples are given of common elements of band websites and techniques used in movie posters to convey genre. The document also compares radio and visual trailers, noting visual trailers are more persuasive due to incorporating both audio and visual elements.
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This document analyzes and summarizes three shots from the music video for the song "Ratchet-Bloc Party". Each section describes the shot/camera angles, music/lyrics, analysis of the genre and themes, and editing/transitions for one shot. The shots include close-ups, wide shots, and long shots. The analysis discusses the indie rock genre elements like dark backgrounds and gloomy expressions of band members. Editing includes transitions like replacing a head with a boot and slow motion.
Q4
The document summarizes the research the author conducted on short film codes, conventions, and genres in order to inform the making of their own short film. The research involved analyzing thriller short films to identify commonly used elements around characters, themes, and technical aspects. Key elements the author incorporated into their short film based on this research included flawed lead characters, uses of violence to reveal character and create tension, a binary opposition between characters, a limited number of characters, and a twist ending. The author also analyzed conventions around music usage, camera angles, and narrative structure. Finally, the author researched conventions for short film postcards and social media pages to design promotional materials for their own short film.
Film types - Incomplete
This document provides information about film trailers, including what they are, when they are shown, conventions used in trailers, and examples of genres. A film trailer is a marketing tool that shows audiences what to expect from a film and builds anticipation. Trailers aim to attract attention and sell the film. They can be shown before other movies, on TV, or online. Conventions like matching music to the film's pace, cutting scenes together, using dialogue, and adding text are commonly used. Genres like action, drama, and horror are discussed, with the Man of Steel, A Clockwork Orange, and Haunting in Connecticut trailers analyzed as examples.
Trailer conventions powerpoint
The document outlines the typical conventions used in movie trailers. It discusses including the production company logo first, followed by genre signifiers to set the scene. Famous actor names are included near the beginning to generate publicity. The music is chosen to set the appropriate mood. The title of the film is usually shown towards the end to leave a lasting impression. Trailers also introduce protagonists and antagonists, provide a brief narrative without revealing the entire plot, and include an attention-grabbing tagline.
editing process A2 Media
The document discusses editing choices made in filming a music video. Scenes of the main character driving were sped up for safety and practicality reasons. Fades were used between sections of the video to transition smoothly between unrelated scenes. Two clips were overlaid and mirrored to show both the lead singer and guitarist performing during one part of the song in an effective way.
Evaluation question 1
This document summarizes how a student media product conforms to the conventions of a thriller genre. It includes shots from the film showing a protagonist and antagonist. It discusses how the film builds suspense through music and camera angles during a graveyard scene. It creates excitement through a chase scene shot with different angles. It also generates anxiety by showing the antagonist following in the background. The characters of a man in a suit and teenager conform to typical thriller roles. While challenging expectations, a plot twist reveals the man aims to help the teenager. Overall, the film adheres to thriller conventions without challenging their forms.
Research presentation
This document discusses conventions of genre and form for horror films and film trailers. It outlines common elements of horror films like blood, weapons, isolated settings, and makeup. It also discusses conventions of trailers like showing the narrative, credits, and being around 2 minutes. Technical elements used in horror are described, like mise-en-scene settings, lighting, props, costumes and camerawork techniques. Sound conventions include non-diegetic music, sound effects and dialogue. Fast-paced editing and cross-cutting are discussed as editing conventions. The target audience is identified as male teenagers and young adults, and ways to appeal to them through including sounds, settings and films they enjoy are outlined.
Research presentation
This document discusses conventions of genre and form for horror films and film trailers. It outlines common elements of horror films like blood, weapons, isolated settings, and makeup. It also discusses conventions of trailers like text on screen, showing the narrative, and including the film title. Technical elements used in horror are explored, like mise-en-scene settings, lighting, props, costumes and camerawork techniques. The target audience for horror films and trailers is identified as male teenagers and young adults. Ways to appeal to this audience by including elements they enjoy like tense music, isolated settings, and their favorite films are discussed.
Taken 2
The document provides an analysis of the opening sequence of the film "Taken 2." It summarizes that the protagonist is introduced at the beginning to establish his importance. Secondary characters are shown in a darker light, implying they may be villains. The setting is modern and in a religious country to give context. Scenes of crime, guns, and locked boxes indicate the narrative will involve illegal activities and action. The editing uses fast cuts and transitions between dark and light to set the tense, crime-focused tone. Sound similarly builds tension through diegetic gunshots and crashes paired with non-diegetic dramatic music.
Title sequences
The document discusses the importance of title sequences in thriller movies. It states that the title sequence should provide information to the audience about the movie to prevent boredom. It also claims that an engaging title sequence is likely to hook the audience and make them want to continue watching to see how the story unfolds. Additionally, it identifies various visual and technical codes that are needed to create a good title sequence for a thriller film, such as clothing, settings, sounds, music, shots, editing, lighting and mise en scene.
Q1
This document discusses how the media product adheres to or challenges conventions of real trailers, posters, and magazines. It examines conventions of format, including a teaser trailer's typical duration of 30 seconds to 1.5 minutes, and fast pacing with some slow motion effects. Genre conventions discussed include the thriller narrative of crime investigation, isolated woodland settings, stalkers and victims as typical characters. The media product generally follows conventions but also innovates in some aspects of format and genre.
22 jump street case study
22 Jump Street is an upcoming American action comedy film and sequel to 21 Jump Street. It utilizes several marketing strategies including leveraging the audience of the first film, featuring a well-known cast such as Jonah Hill and Channing Tatum, releasing trailers and posters online and in theaters to generate buzz prior to the June 2014 release through Columbia Pictures and MGM studios. The film will be primarily exhibited in theaters but will also be released on DVD.
21 jump street - Film analysis - Ashraf
The document analyzes the opening scenes of the film 21 Jump Street. It summarizes that the opening introduces three main characters - an unpopular loner, a popular jock, and a girl - through exposition of their personalities. It also establishes the school setting familiar to the target teenage audience. Through close-up cinematography, the characters' differing emotions and levels of confidence are conveyed to audiences. The opening aims to present a variety of character types for audiences to relate to.
21 jump street opening analysis
The opening titles sequence uses fast paced editing and moving titles to grab audience attention and set an exciting tone. A variety of shots are used, including wide shots for explosions and close ups. Bright colors are featured after a black start, suggesting an exciting film. Red and blue are used, linking to the main characters as police officers. Fast editing continues throughout, keeping the audience entertained by rapidly changing clips to match the fast paced music. The sequence suggests an immature action comedy about police officers solving a drug case, featuring explosions, guns, and revealing females. Upbeat party music draws in the target teenage audience and links to the film's title.
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ana 2
The opening sequence of "Men In Black" establishes a mysterious tone through its use of cinematography, editing, and sound. A close-up shot of a fly flying toward stars is intended to raise questions in the audience's mind. The shots change very quickly in a disorienting way. There is no non-diegetic sound except for fast-paced opening music accompanying the fly's flight, furthering the sequence's air of mystery and intrigue and hooking the audience to continue watching.
Star wars the force awakens storyboard
This document contains a storyboard for The Force Awakens consisting of 28 shots with details on camera angles, movement, dialogue, sound effects and music. The shots include character montages, spacecraft action sequences and scenes looking on to characters from various camera angles. Background music is included in most shots but dialogue is generally non-dialectic. The storyboard captures key moments without dialogue to set the scene and tone through visuals and music.
Research presentation
Crime/thriller films typically feature props like weapons, drugs, and police cars that connote violence. Main characters are often male and set in cities or foreign locations. The films have fast pacing, suspense, and action with a protagonist and antagonist. Trailers are 2-3 minutes, introduce characters and plot, and leave an "enigma" to entice viewers. Technical elements like music, shots, and editing create tension and drama to engage the target audience of 17-25 year olds.
Star Wars: The Force Awakens- storyboard
This document contains a storyboard for Star Wars: The Force Awakens consisting of 14 shots with details on editing, length, camera positioning and movement, and use of diegetic and non-diegetic dialogue and music. The storyboard shows various shots including mid and close-up positions with movements like panning, zooming and cuts between shots. Dialogue includes both background music and characters discussing themes like "nothing will stand in our way" and "the force".
Trailers and Films Comparison
Trailers and films are both meant to tell a story, but have key differences in length, narrative development, editing, sound, and inclusion of titles. Trailers are usually 2-3 minutes while films are over an hour and a half. Trailers provide a brief overview and tease the narrative through exciting clips, while films develop the full narrative over a longer period of time. Editing in trailers uses short clips and a fast pace to entice viewers, whereas films employ various editing techniques to progress the story. Voiceovers and music are commonly used in trailers to describe the film, while films incorporate dialogue and sounds from the actual movie. Trailers focus on action with few titles, while films include opening and closing
The strangers analysis
The camera work, sound, and lighting in the trailer for The Strangers are used to build tension and establish it as a psychological thriller. A two-shot introduces the main characters and their relationship. Extreme close-ups draw attention to actions like locking the door that suggest themes of security and the unknown. Shots frame characters from behind to imply they are always being watched. Sudden diegetic sounds like a dropping tool create unease against the peaceful music. Screams and an axe attacking the door drive the tension higher as the story progresses to another level. Low key lighting sets the dark, scary mood for the nighttime scenes.
Production script
The production script outlines 14 shots depicting the murder of a victim character by a killer character in a short film. Shot 1 and 2 show title screens, then shots 3-7 establish the victim walking alone at night. In shot 8, the killer emerges and begins following the victim. Shots 9-10 show the increasing pursuit from both characters' perspectives. Shot 11 depicts the killer stabbing the victim to the ground. Shots 12-14 show the killer standing over the body and walking away from the crime scene. The final shot 15 ends on a black screen with a static sound effect.
A2 Practical Coursework
This document provides information and examples for a student to complete a practical coursework assignment involving creating promotional materials for a music album or short film. It includes options to create a music video and digipak, band website, short film, film posters, radio trailer, and magazine review. Examples are given of common elements of band websites and techniques used in movie posters to convey genre. The document also compares radio and visual trailers, noting visual trailers are more persuasive due to incorporating both audio and visual elements.
My music video analysis
This document analyzes and summarizes three shots from the music video for the song "Ratchet-Bloc Party". Each section describes the shot/camera angles, music/lyrics, analysis of the genre and themes, and editing/transitions for one shot. The shots include close-ups, wide shots, and long shots. The analysis discusses the indie rock genre elements like dark backgrounds and gloomy expressions of band members. Editing includes transitions like replacing a head with a boot and slow motion.
Q4
The document summarizes the research the author conducted on short film codes, conventions, and genres in order to inform the making of their own short film. The research involved analyzing thriller short films to identify commonly used elements around characters, themes, and technical aspects. Key elements the author incorporated into their short film based on this research included flawed lead characters, uses of violence to reveal character and create tension, a binary opposition between characters, a limited number of characters, and a twist ending. The author also analyzed conventions around music usage, camera angles, and narrative structure. Finally, the author researched conventions for short film postcards and social media pages to design promotional materials for their own short film.
Film types - Incomplete
This document provides information about film trailers, including what they are, when they are shown, conventions used in trailers, and examples of genres. A film trailer is a marketing tool that shows audiences what to expect from a film and builds anticipation. Trailers aim to attract attention and sell the film. They can be shown before other movies, on TV, or online. Conventions like matching music to the film's pace, cutting scenes together, using dialogue, and adding text are commonly used. Genres like action, drama, and horror are discussed, with the Man of Steel, A Clockwork Orange, and Haunting in Connecticut trailers analyzed as examples.
Trailer conventions powerpoint
The document outlines the typical conventions used in movie trailers. It discusses including the production company logo first, followed by genre signifiers to set the scene. Famous actor names are included near the beginning to generate publicity. The music is chosen to set the appropriate mood. The title of the film is usually shown towards the end to leave a lasting impression. Trailers also introduce protagonists and antagonists, provide a brief narrative without revealing the entire plot, and include an attention-grabbing tagline.
editing process A2 Media
The document discusses editing choices made in filming a music video. Scenes of the main character driving were sped up for safety and practicality reasons. Fades were used between sections of the video to transition smoothly between unrelated scenes. Two clips were overlaid and mirrored to show both the lead singer and guitarist performing during one part of the song in an effective way.
Evaluation question 1
This document summarizes how a student media product conforms to the conventions of a thriller genre. It includes shots from the film showing a protagonist and antagonist. It discusses how the film builds suspense through music and camera angles during a graveyard scene. It creates excitement through a chase scene shot with different angles. It also generates anxiety by showing the antagonist following in the background. The characters of a man in a suit and teenager conform to typical thriller roles. While challenging expectations, a plot twist reveals the man aims to help the teenager. Overall, the film adheres to thriller conventions without challenging their forms.
Research presentation
This document discusses conventions of genre and form for horror films and film trailers. It outlines common elements of horror films like blood, weapons, isolated settings, and makeup. It also discusses conventions of trailers like showing the narrative, credits, and being around 2 minutes. Technical elements used in horror are described, like mise-en-scene settings, lighting, props, costumes and camerawork techniques. Sound conventions include non-diegetic music, sound effects and dialogue. Fast-paced editing and cross-cutting are discussed as editing conventions. The target audience is identified as male teenagers and young adults, and ways to appeal to them through including sounds, settings and films they enjoy are outlined.
Research presentation
This document discusses conventions of genre and form for horror films and film trailers. It outlines common elements of horror films like blood, weapons, isolated settings, and makeup. It also discusses conventions of trailers like text on screen, showing the narrative, and including the film title. Technical elements used in horror are explored, like mise-en-scene settings, lighting, props, costumes and camerawork techniques. The target audience for horror films and trailers is identified as male teenagers and young adults. Ways to appeal to this audience by including elements they enjoy like tense music, isolated settings, and their favorite films are discussed.
Taken 2
The document provides an analysis of the opening sequence of the film "Taken 2." It summarizes that the protagonist is introduced at the beginning to establish his importance. Secondary characters are shown in a darker light, implying they may be villains. The setting is modern and in a religious country to give context. Scenes of crime, guns, and locked boxes indicate the narrative will involve illegal activities and action. The editing uses fast cuts and transitions between dark and light to set the tense, crime-focused tone. Sound similarly builds tension through diegetic gunshots and crashes paired with non-diegetic dramatic music.
Title sequences
The document discusses the importance of title sequences in thriller movies. It states that the title sequence should provide information to the audience about the movie to prevent boredom. It also claims that an engaging title sequence is likely to hook the audience and make them want to continue watching to see how the story unfolds. Additionally, it identifies various visual and technical codes that are needed to create a good title sequence for a thriller film, such as clothing, settings, sounds, music, shots, editing, lighting and mise en scene.
Q1
This document discusses how the media product adheres to or challenges conventions of real trailers, posters, and magazines. It examines conventions of format, including a teaser trailer's typical duration of 30 seconds to 1.5 minutes, and fast pacing with some slow motion effects. Genre conventions discussed include the thriller narrative of crime investigation, isolated woodland settings, stalkers and victims as typical characters. The media product generally follows conventions but also innovates in some aspects of format and genre.
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22 jump street case study
22 Jump Street is an upcoming American action comedy film and sequel to 21 Jump Street. It utilizes several marketing strategies including leveraging the audience of the first film, featuring a well-known cast such as Jonah Hill and Channing Tatum, releasing trailers and posters online and in theaters to generate buzz prior to the June 2014 release through Columbia Pictures and MGM studios. The film will be primarily exhibited in theaters but will also be released on DVD.
21 jump street - Film analysis - Ashraf
The document analyzes the opening scenes of the film 21 Jump Street. It summarizes that the opening introduces three main characters - an unpopular loner, a popular jock, and a girl - through exposition of their personalities. It also establishes the school setting familiar to the target teenage audience. Through close-up cinematography, the characters' differing emotions and levels of confidence are conveyed to audiences. The opening aims to present a variety of character types for audiences to relate to.
21 jump street opening analysis
The opening titles sequence uses fast paced editing and moving titles to grab audience attention and set an exciting tone. A variety of shots are used, including wide shots for explosions and close ups. Bright colors are featured after a black start, suggesting an exciting film. Red and blue are used, linking to the main characters as police officers. Fast editing continues throughout, keeping the audience entertained by rapidly changing clips to match the fast paced music. The sequence suggests an immature action comedy about police officers solving a drug case, featuring explosions, guns, and revealing females. Upbeat party music draws in the target teenage audience and links to the film's title.
21 jump street
21 Jump Street is a comedy film that parodies police procedurals and teen movies. It uses many conventions of the comedy genre, including stereotypical high school characters and settings that audiences can relate to. The film pairs two characters who have no idea what they're doing and succeed through luck, playing with expectations. It also features physical humor, exaggerated stereotypes, and a humorous juxtaposition of men with guns at a high school prom.
cia
1. The CIA was formed after World War 2 to centralize US intelligence gathering and analysis in response to failures like the Pearl Harbor attack.
2. The CIA was established by the National Security Act of 1947 to replace the OSS and analyze intelligence from all sources to brief policymakers.
3. The main roles of intelligence agencies like the CIA are to collect foreign intelligence, give early warning of crises, and inform policies and operations related to national security while protecting their sources and methods.
Film analysis (Taken)
The document analyzes several film clips from the movie "Taken" through shots of the main protagonist and his daughter. A medium close-up shows the protagonist's apprehensive facial expressions and body language as he talks to his daughter on the phone. A close-up of the scared daughter looking out a window surprises when her expression changes. A wide shot from her point of view shows two men moving in another part of the hotel, making the audience aware something will happen. Later clips use extreme close-ups of the daughter's fearful face and frantic movements to generate suspense as the men kidnap her.
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Bridget jones film opening sequence analysis report sheet
The document analyzes the opening title sequence of the film "Bridget Jones's Diary" across several aspects:
Cinematography included establishing shots showing the protagonist and what she was doing, as well as medium and point-of-view shots.
The lighting used low-key lighting to set the scene in the protagonist's living room as dull but not horror-like, fitting for a romantic comedy genre.
Genre conventions like sad music the protagonist mimed to and her funny dancing alone suggested it was a romantic comedy, along with the messy setting of her living alone.
The narrative established the protagonist was upset and living alone through her lying on the couch and the furniture, with sad music conveying
"In what ways does your media product use, develop or challenge forms and con...
The document discusses the codes and conventions of thriller films, including lighting, sound, and editing techniques. Low key lighting, shadows, tense music, and quick cuts between shots create suspense. For their student film project, the students used dark alleyway footage lit with low light to convey danger. They included unsettling piano music during the opening titles to set an uneasy tone. Throughout the film, they varied shot lengths and employed fast cuts during the climax to increase pace and urgency. Their revised version opened with close-up shots of the protagonist's discomfort and incorporated more music to drive the scenes and heighten tension.
Media a2 evaluation
A promotion package for a new film includes a teaser trailer along with two of the following three options: a website homepage, a film magazine front cover, or a poster. The package aims to effectively promote the new film and generate interest using standard conventions for horror film marketing materials.
Question 1 evaluation
The document discusses the conventions of film trailers and how they were used and developed in the author's trailer. It begins by outlining typical elements of trailers such as runtime, release date, titles, and certification. It then analyzes the conventions of crime thriller trailers, including editing techniques, camera shots, sound, mise-en-scene, characters, and settings that build tension and suspense. The author explains how they applied these conventions in their own trailer through shots, editing, sound, costumes, lighting, and other elements to engage the audience and effectively communicate the genre.
Textual research
1) A husband and wife in a small Midwestern town find themselves battling for survival as a mysterious toxin turns the townspeople into mindless killers.
2) The trailer uses a mix of diegetic and non-diegetic sounds along with fast pacing and editing to build tension and atmosphere.
3) Scenes show the townspeople descending into madness as neighbors, friends and family are affected by the toxin and the main characters works to survive.
Evaluation bernice
The document provides information about conventions used in film openings and how the student's media product both develops and challenges some of those conventions. Some key points:
- Film openings typically introduce characters, setting, credits, and engage the audience within the first 2 minutes. The student's opening challenges this by not clearly showing the main character's face and using flashbacks.
- Music in films usually sets the mood but does not change dramatically. The student's opening challenges this with sections of different music to reflect changing emotions.
- Shots in the student's opening vary between long, close-up, tracking to emphasize someone watching the character and focus attention on important details.
- The title appears as the character
Dukes of hazzard presentation
This document provides an analysis of conventions and techniques used in the film The Dukes of Hazard. It discusses the film's mise-en-scene including the characters' casual clothing and lighting. It also analyzes the editing, which changes from slow to fast-paced, and the camera shots including establishing shots and mid shots of characters. Sound elements like diegetic engine and radio sounds, and non-diegetic music, are also summarized.
Pulp fiction film opening sequence analysis report sheet
The document analyzes the opening sequence of Pulp Fiction, discussing the cinematography techniques used including close-ups, establishing shots, two shots, point-of-view shots, and over-the-shoulder shots. It also discusses the visual effects, genre conventions, narrative elements, and editing techniques used in the opening sequence. Specifically, it notes the use of high key lighting, dialogue about robbing places establishing it as a crime genre, diegetic and non-diegetic sound usage, and that title credits are not present in the opening sequence analyzed.
2 minute drama presentation
The document outlines the roles and responsibilities of team members in creating a 2-minute film about a character named Milo experiencing fear and paranoia. It discusses the emotions explored in the short film and how they will relate to survivor's guilt in a planned longer 5-10 minute film. It provides details on the producer's role in organizing actors and filming, the director's role in realizing the vision, the director of photography's role in shots and equipment, and the sound designer and editor's roles in crafting audio and editing to convey emotion. Strengths included professional makeup and sound design while weaknesses included slow makeup and limited camera movement. The 5-10 minute film is meant to further develop survivor's guilt by showing Milo
Pulp fiction film opening sequence analysis report sheet
The document analyzes the opening sequence of Pulp Fiction, discussing the cinematography techniques used including close-ups, two shots, and point-of-view shots. It also discusses the visual effects of high key lighting and how the sequence establishes the genre conventions of a crime film through the dialogue and imagery. The narrative uses both diegetic and non-diegetic sound and has linear dialogue without jumping around. No title credits are present in the opening sequence.
Conventions of a gangster film
The document discusses conventions and elements commonly found in gangster films. It describes gangster films as focusing on criminals operating outside the law through violent acts like murder and theft. Key elements include organized crime, weapons, drugs, violence, car chases, and tough male characters. Gangs typically aim to gain power and wealth through escalating criminal acts. The costumes are usually suits and long coats, and settings involve crime scenes and police confrontations. Several gangster film openings are then analyzed in terms of their use of mise-en-scène elements like costumes, props, lighting, shots, and sound.
Question 1
In what ways does your media product use, develop or challenge forms and conventions of real media products?
by Esme Magee-Wood
Music Video Analysis
The document analyzes and compares two music videos, "You and I" by One Direction and "True Love" by Coldplay. It discusses the camera angles and shots used in each video, including close-ups, low and high angles, and long shots. It also examines the mise-en-scene elements like clothing, lighting, and props. Finally, it looks at the editing techniques used to transition between scenes. The goal is to understand how these technical elements are used to convey meaning and tell the story through visuals in each music video.
Evaluation q1 a2
The document discusses the conventions used in crime thriller film trailers and magazines. It analyzes how the student's media products follow these conventions. For the trailer, it examines the use of shots, editing techniques, sound, characters, and mise-en-scene to build tension and suspense as is typical in the genre. It also analyzes how the student's film magazine includes key conventions like the masthead, cover lines, and main image to attract readers and market the film. The document demonstrates how understanding and applying genre conventions helps create media products that will appeal to target audiences.
Presentation task 1 media evaluation
The document discusses how the media product challenges conventions of real media products through its teaser trailer. It analyzes the teaser trailer's duration, text/graphics, ident placement, titles/release date placement, sound design, and narrative information compared to other films like "Brotherhood" and "Straight Outta Compton". The document found the teaser trailer challenged conventions through a longer duration to provide more narrative, different ident placement, and use of voiceovers to better convey the narrative. The poster and magazine cover were designed following conventions of similar real media publications and films.
evaluation task 1
In this document, the student discusses how they used new media technologies in creating a teaser trailer for their film project called "Enigma". They discuss how their teaser trailer follows conventions for duration, editing style, use of sound, text/graphics, and narrative information. They also discuss how their poster and magazine cover adhere to typical formatting conventions. Finally, they analyze how their film incorporates genre conventions for characters, settings, iconography, and camerawork commonly seen in thriller films, using the film "Shutter Island" as a key point of inspiration.
EQ1 - Codes and Conventions
This document discusses the codes and conventions of the thriller genre in film. It outlines conventions for camera work, mise-en-scene, sound, editing, characters, and titles. For camera work, thrillers commonly use tracking shots, close-ups, and low or high camera angles. Mise-en-scene features dark costumes for antagonists, ordinary clothes for protagonists, and low-key lighting. Sound utilizes a slow-building soundtrack to create tension. Editing employs jump cuts, cross-cutting, and continuous shots. Characters typically feature a brave male protagonist and an antagonist seeking revenge. Titles adopt a spooky font.
Generic Codes and Conventions of the Thriller Genre
The document discusses common conventions and techniques used in thriller films, and how the filmmakers have incorporated some of these conventions into their own thriller. Some conventions the document mentions include the use of quick cuts, tension-building music, changes in camera angles and shots, and montages. While the protagonists and setting of the film differ from thrillers, using elements like music, camera work, and editing help make their school-set film fit into the thriller genre.
Media language investigation
The document analyzes the trailers for three horror films - The Woman in Black, Paranormal Activity, and Fright Night - across four categories: cinematography, editing, sound, and mise-en-scene. For each trailer and category, the analysis identifies conventions and techniques used that are common in horror genres, such as close-ups, fast editing, ominous music, dark lighting, and isolated settings. The analysis shows how visual and audio elements in the trailers build tension, fear, and a sense of impending danger to effectively promote the films as horror stories.
Media Gangster Conventions - Task 2
The document provides information on the key conventions of gangster films. It notes that gangster films typically feature organized crime, weapons, drugs, Italian families, violence, and cars chases. They often follow a character who rises up through crime and gains power and wealth through illicit means. The costumes are usually suits or long coats, and the settings involve the criminal underworld. Four film openings are then analyzed in terms of mise-en-scene elements like costumes, props, lighting, shots, and sound design. Elements like guns, dark lighting, city settings, and titles with white or red text against a black background are discussed as common across the openings.
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Bridget jones film opening sequence analysis report sheet
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"In what ways does your media product use, develop or challenge forms and con...
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Pulp fiction film opening sequence analysis report sheet
Pulp fiction film opening sequence analysis report sheet
Pulp fiction film opening sequence analysis report sheet
Pulp fiction film opening sequence analysis report sheet
Generic Codes and Conventions of the Thriller Genre
Generic Codes and Conventions of the Thriller Genre
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Unit 7, task 2
Trinity Mirror PLC and News Corp are two large media companies that own numerous newspaper, television, publishing, and online subsidiaries. News Corp owns properties like Fox Classics, The Sun, Harper Collins, Avon Publications, The Times, and the New York Post. Owning multiple news outlets allows these companies to deliver consistent interpretations of the news across different media but limits variety in opinions and perspectives, and could lead to inconsistencies if different subsidiaries report news differently.
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Suicide Squad
- 1. Trailer analysis of Suicide Squad
- 2. Micro Element: Editing ● Fast paced. ● Edits fit music. ● At the beginning the trailer is slow, it then picks up pace. ● The titles are written in the house style font of the movie.
- 3. Micro Element: Sound ● Music coordinates with the action in the trailer, this builds up tension and adds pace. ● The diegetic musics lyrics fits with the trailer itself, the lyrics fit whats going on within the trailer.
- 4. Micro Element: Camera Shots/Angles ● Close up shots are used, this is used so that the audience can almost feel involved in whats happening. ● High angle shots are used to portray 'the joker' as not superior and weak. This shows that the joker isn't in authority.
- 5. Micro Element: Mise en scene ● Prisoners are dressed in orange, this shows that they're not superior as they're all wearing the same clothing, making them look down upon by others in higher authority.
- 6. Codes and Conventions of trailers ● Film Title within the trailer ● Character introductions (could be done through close up shots) ● Music/Voice overs ● Editing ● Variety of camera work to show different emotions
- 7. Codes and Conventions of trailers ● Film Title within the trailer ● Character introductions (could be done through close up shots) ● Music/Voice overs ● Editing ● Variety of camera work to show different emotions