The document discusses the conventions of film trailers and how they were used and developed in the author's trailer. It begins by outlining typical elements of trailers such as runtime, release date, titles, and certification. It then analyzes the conventions of crime thriller trailers, including editing techniques, camera shots, sound, mise-en-scene, characters, and settings that build tension and suspense. The author explains how they applied these conventions in their own trailer through shots, editing, sound, costumes, lighting, and other elements to engage the audience and effectively communicate the genre.
The document discusses the conventions used in crime thriller film trailers and magazines. It analyzes how the student's media products follow these conventions. For the trailer, it examines the use of shots, editing techniques, sound, characters, and mise-en-scene to build tension and suspense as is typical in the genre. It also analyzes how the student's film magazine includes key conventions like the masthead, cover lines, and main image to attract readers and market the film. The document demonstrates how understanding and applying genre conventions helps create media products that will appeal to target audiences.
The document discusses the conventions of crime thriller trailers and how they were applied to a student media project trailer. It begins by outlining some of the key conventions like editing techniques, camera shots, sound, characters, and setting/mise-en-scene. It then provides examples of how these conventions were followed in the student's trailer, such as using fast cuts and tense music to build suspense. Character archetypes like the innocent victim and villain were also employed. Overall, the document demonstrates how the student's trailer adhered to typical crime thriller trailer codes and conventions to engage the target audience.
The document summarizes the research and development process for a student creating a movie trailer for a horror/thriller genre film. The student researched conventions of similar horror/thriller trailers such as The Descent, 388 Arletta Avenue, Silent House, and Chernobyl Diaries to understand techniques to include. Elements like low lighting, shadowed figures, and implied danger were analyzed. The student also researched other genres to understand differences and ensure focusing on appropriate conventions. Feedback from the research will be applied to creating an engaging trailer that draws in viewers.
Elise Daniels is researching and developing a movie trailer for a horror/thriller genre film. She has viewed several similar film trailers, including The Descent, 388 Arletta Avenue, Silent House, and Chernobyl Diaries to analyze conventions used in the horror genre. Key conventions she identified include low lighting, shadowy figures, wide shots showing isolated settings, mysteries characters, weapons, and injuries. She also researched other genres like romance to understand differences. Her research will help her create an effective horror trailer that draws in audiences and leaves them wanting more without revealing the entire plot.
The document summarizes the research and development process for a student creating a movie trailer. It discusses the genre chosen (horror/thriller), research of similar trailers in that genre, and conventions used. Examples analyzed include The Descent, 388 Arletta Avenue, Silent House, and Chernobyl Diaries. Techniques considered for the student's trailer include low lighting, mysterious figures, and shots from the perspective of a stalker or hidden person.
The document provides an in-depth analysis of the trailer for the horror film "Saw". It summarizes the key elements of the trailer's cinematography, editing, sound, and visual style. These elements effectively establish the film's genre, tone, characters, and premise. Techniques like dark lighting, quick cuts, unsettling music and sounds, and disturbing imagery aim to build tension, suspense, and shock value to attract audiences to the gruesome slasher/splatter film. Text overlays further characterize the antagonist Jigsaw and his "game" to emphasize the threat and intensity of the upcoming film.
The trailer uses techniques common to horror films like darkness, isolated settings, and an unknown killer to set up tension and mystery. Shaky camera work and quick cuts establish anxiety and increase the pace. Various shots introduce the main character, other victims, and a disturbing image to confuse and unnerve the audience. While many details are hidden, flashes of violence whet the audience's appetite for what threats and scares may be in store.
The trailer uses a first-person point of view to immerse the audience in the scenario and create anxiety for the main character. Dark, shadowy lighting is used to convey danger and establish the horror genre. The isolated underground station setting traps the characters without help. Quick cuts build tension as the audience sees brief glimpses of a killer and bloody scenes while questions about characters' fates remain unanswered.
The document discusses the conventions used in crime thriller film trailers and magazines. It analyzes how the student's media products follow these conventions. For the trailer, it examines the use of shots, editing techniques, sound, characters, and mise-en-scene to build tension and suspense as is typical in the genre. It also analyzes how the student's film magazine includes key conventions like the masthead, cover lines, and main image to attract readers and market the film. The document demonstrates how understanding and applying genre conventions helps create media products that will appeal to target audiences.
The document discusses the conventions of crime thriller trailers and how they were applied to a student media project trailer. It begins by outlining some of the key conventions like editing techniques, camera shots, sound, characters, and setting/mise-en-scene. It then provides examples of how these conventions were followed in the student's trailer, such as using fast cuts and tense music to build suspense. Character archetypes like the innocent victim and villain were also employed. Overall, the document demonstrates how the student's trailer adhered to typical crime thriller trailer codes and conventions to engage the target audience.
The document summarizes the research and development process for a student creating a movie trailer for a horror/thriller genre film. The student researched conventions of similar horror/thriller trailers such as The Descent, 388 Arletta Avenue, Silent House, and Chernobyl Diaries to understand techniques to include. Elements like low lighting, shadowed figures, and implied danger were analyzed. The student also researched other genres to understand differences and ensure focusing on appropriate conventions. Feedback from the research will be applied to creating an engaging trailer that draws in viewers.
Elise Daniels is researching and developing a movie trailer for a horror/thriller genre film. She has viewed several similar film trailers, including The Descent, 388 Arletta Avenue, Silent House, and Chernobyl Diaries to analyze conventions used in the horror genre. Key conventions she identified include low lighting, shadowy figures, wide shots showing isolated settings, mysteries characters, weapons, and injuries. She also researched other genres like romance to understand differences. Her research will help her create an effective horror trailer that draws in audiences and leaves them wanting more without revealing the entire plot.
The document summarizes the research and development process for a student creating a movie trailer. It discusses the genre chosen (horror/thriller), research of similar trailers in that genre, and conventions used. Examples analyzed include The Descent, 388 Arletta Avenue, Silent House, and Chernobyl Diaries. Techniques considered for the student's trailer include low lighting, mysterious figures, and shots from the perspective of a stalker or hidden person.
The document provides an in-depth analysis of the trailer for the horror film "Saw". It summarizes the key elements of the trailer's cinematography, editing, sound, and visual style. These elements effectively establish the film's genre, tone, characters, and premise. Techniques like dark lighting, quick cuts, unsettling music and sounds, and disturbing imagery aim to build tension, suspense, and shock value to attract audiences to the gruesome slasher/splatter film. Text overlays further characterize the antagonist Jigsaw and his "game" to emphasize the threat and intensity of the upcoming film.
The trailer uses techniques common to horror films like darkness, isolated settings, and an unknown killer to set up tension and mystery. Shaky camera work and quick cuts establish anxiety and increase the pace. Various shots introduce the main character, other victims, and a disturbing image to confuse and unnerve the audience. While many details are hidden, flashes of violence whet the audience's appetite for what threats and scares may be in store.
The trailer uses a first-person point of view to immerse the audience in the scenario and create anxiety for the main character. Dark, shadowy lighting is used to convey danger and establish the horror genre. The isolated underground station setting traps the characters without help. Quick cuts build tension as the audience sees brief glimpses of a killer and bloody scenes while questions about characters' fates remain unanswered.
The opening scene of The Silence of the Lambs establishes Clarice Starling as the main character through various shots. A high angle shot shows Clarice doing exercises, making her look small but determined. A two shot with an FBI agent establishes she works for the FBI. A low angle shot of her climbing a cargo net contrasts her strength and struggle. Close ups reveal her serious facial expressions, hinting at her personality and driving nature. These shots in the opening scene immediately characterize Clarice and set up her role in the FBI.
The Texas Chainsaw Massacre Trailer- Detailed Research into Similar Productschelsmiller95
The document analyzes the camerawork, editing, mis-en-scene, and sound techniques used in the trailer for The Texas Chainsaw Massacre (2003). It discusses how various shots, including establishing shots, close-ups, and angles are used to set the scene and portray emotions. It also explores how techniques like fading, fast-paced cutting, lighting, costume, setting, and diegetic/non-diegetic sounds help build tension and engage the audience. The trailer uses these cinematic techniques to tell the story and draw viewers into the horror genre conventions of the film.
The document discusses conventions for different movie trailer genres including action/comedy, romantic comedy, horror, and action/sci-fi. It provides details on the audio, shot types, advertising techniques, symbolic codes, target audiences, and impact of trailers for each genre. The document also analyzes the structure, audio, and shots used in an example action/comedy trailer and discusses how it effectively represents the genre.
The trailer uses various cinematography techniques to build tension and intrigue around the film Creep. It begins with a shaky point-of-view shot to immerse the viewer in the main character's anxiety and uncertainty. Quick cuts introduce multiple characters in dangerous situations while keeping the killer's identity ambiguous. Dark lighting and isolated underground locations establish the scary atmosphere. The trailer leaves viewers wondering if any of the imperiled characters will escape the killer living in the station's tunnels.
The trailer uses a first-person point of view shot to immerse the viewer and create tension. It introduces the main character, a woman alone in an underground station at night. Dark, unsettling lighting and isolated locations are employed to build an ominous atmosphere. Quick cuts show the woman and others in perilous situations, hinting at a threat but not revealing its nature. The title "Creep" leaves the viewer wondering what fate awaits the characters in this scary film.
1) In what ways did you use, develop or challenge forms and conventions of re...Natalie93
The document discusses how a group's media product, a teaser trailer for a psychological thriller film, both uses conventions of real trailers and challenges some conventions. The group researched thriller codes and conventions to inform their trailer. Their early drafts were too vague, but after feedback they added elements like a cliffhanger ending and quick cuts to build tension. They challenged conventions by having a female protagonist rather than male and not including intensely thrilling scenes. Locations and props provided clues without revealing the full plot.
The document analyzes the trailer for the 2004 horror film "Saw." Some key points made:
- The trailer is 1 minute and 57 seconds long and effectively conveys the genre and basic plot in a short time through techniques like camera angles, audio, and transitions.
- Locations shown are dark, run-down places that set the horror atmosphere. Lighting is also dark to create suspense.
- Sound effects like heartbeats and screams build tension. Dialogue provides narrative and background on the killer Jigsaw.
- Mis en scene details like the victims' scruffy clothing versus Jigsaw's suit imply a power dynamic.
- The trailer leaves many questions un
The document analyzes the trailer for the 2004 horror film "Saw". It summarizes the key techniques used in the trailer to convey the narrative and genre. These include using dark lighting and isolated locations to set an atmospheric and suspenseful tone. Dialogue and sound effects are relied on over music to draw the audience in. Jump scares and a building musical score increase tension. While brief, the trailer leaves viewers questioning and wanting to learn more, achieving its goal of enticing people to watch the full film.
The document analyzes the trailer for the 2004 horror film "Saw." Some key points made:
- The trailer is 1 minute and 57 seconds long and effectively conveys the genre and basic plot in a short time through techniques like camera angles, audio, and transitions.
- Locations shown are dark, run-down places that set the horror atmosphere. Lighting is also dark to create suspense.
- Sound effects like heartbeats and screams build tension. Dialogue provides narrative and background on the killer Jigsaw.
- Mis en scene details like the victims' scruffy clothing versus Jigsaw's suit imply a power dynamic.
- The trailer leaves the audience with
The document analyzes the conventions of an action/comedy movie trailer. It discusses the typical audio, shot types, symbolic codes, and structure used in this genre. The target audience is described as ages 13+ due to the action/violence and language. Shots are fast-paced to show a lot of action. Symbolic codes illustrate the struggle between good and evil characters. The structure cuts between random scenes to keep the trailer engaging.
The trailer for the crime thriller film Nine Dead establishes the genre through its use of slow pacing at the beginning to build suspense, dark colors associated with danger, and shots of guns and a masked kidnapper. Throughout the trailer, the pacing increases alongside the growing threat and tension faced by the kidnapped victims. Elements like the soundtrack, voiceover, intertitles, and editing help further immerse the viewer in the thriller plot and leave them wanting to know how the story ends. The trailer effectively conveys the key elements of the film's crime thriller genre to attract fans of that genre.
The document analyzes how the student's media trailer uses, develops, or challenges conventions of real media texts. It finds that the trailer sticks to many conventions: it uses establishing shots to set genre; employs montage editing for suspense like in Shaun of the Dead; utilizes a horror-based font and props to signify genre; and incorporates both frightening and comedic sounds similar to real trailers. However, it challenges conventions by having a purely horror-based montage sequence without mixing comedy and horror elements like in Shaun of the Dead and Scary Movie. Overall, the trailer adheres closely to conventions but aims for a predominantly horror tone rather than blending genres in its montage editing.
The opening sequence of The Purge establishes the film's genre as horror/thriller through its use of low-key lighting, CCTV-style shots, and graphic depictions of violence. Classical music plays quietly in contrast to the violent images, unsettling the audience. A variety of shots show crimes occurring across America, introducing the concept of a night where all crime is legal. The sequence immediately sets the tone for the narrative of the film through these visual and audio techniques.
The document discusses conventions for different genres of movie trailers including action/comedy, romantic comedy, horror, and action/sci-fi. It provides details on the audio, shot types, advertising techniques, symbolic codes, target audiences, and structure for each genre. It also analyzes examples of trailers within these genres and discusses how understanding genre conventions is important for creating an effective trailer that attracts audiences.
In 3 sentences or less, the document discusses how the media product uses and challenges conventions of the thriller genre through various elements:
The opening titles sequence follows thriller conventions through its font and dark background but challenges conventions by having no music. Lighting and locations are used to characterize the antagonist and victim but in unconventional washed-out colors. Camera angles, editing, and special effects are employed to create mystery, suspense, and demonstrate an unstable mindset while challenging expectations.
The document summarizes how the student's media thriller product compares to conventions and examples from other thriller films. It analyzes similarities and differences between the student's thriller opening scene and scenes from The Dark Knight, Terminator 2, and Special Forces in terms of plot, characters, editing, camerawork, sets and more. Overall, it finds similarities in building suspense, subverting stereotypes, and use of action/violence, while also challenging conventions through unique narrative choices.
In what way does your media product use (1)sana0001
The document discusses the conventions of crime thriller trailers and how they were applied to a student media project trailer. It begins by outlining some of the key conventions included in most crime thriller trailers, such as editing techniques, camera shots, sound, characters, and setting/location. It then provides details about how these various conventions were implemented in the student's own trailer, with examples of the shots used, soundtrack selected, costumes of the characters, and locations featured. The document demonstrates how the student's trailer adhered to typical crime thriller conventions while also attempting to challenge some expectations.
This document analyzes elements of film trailers for horror movies. It discusses the use of cinematography, editing, sound, and mise-en-scene in the trailers for The Purge, The Strangers, and Paranormal Activity 3. Close-ups, lighting, music, and masks are some of the techniques described that set the tone for horror and build tension in viewers.
The document analyzes the trailers for three horror films - The Woman in Black, Paranormal Activity, and Fright Night - across four categories: cinematography, editing, sound, and mise-en-scene. For each trailer and category, the analysis identifies conventions and techniques used that are common in horror genres, such as close-ups, fast editing, ominous music, dark lighting, and isolated settings. The analysis shows how visual and audio elements in the trailers build tension, fear, and a sense of impending danger to effectively promote the films as horror stories.
The document analyzes three horror movie trailers across four categories: cinematography, sound, mise-en-scene, and editing. For each trailer, the analysis identifies conventions used in that category to create tension and establish the horror genre. Close-ups, establishing shots, and changes in camera movement are discussed for cinematography. Elements of sound design like non-diegetic music and ambient noise are examined. Settings, costumes, and props are considered for mise-en-scene. Editing techniques like fast pacing and fades are identified. Overall, the document analyzes how these filmmaking elements come together in movie trailers to effectively convey horror and build suspense for the audience.
The purpose of the trailer was to provide a 1-2 minute preview of the film to persuade viewers to see it. Various shots were included from the film to give a sense of what would happen without revealing too much of the plot. Common trailer techniques like close-ups, zooms, and over-the-shoulder shots were used to create tension and unease in the audience. Sound effects and music also aimed to build a scary atmosphere throughout. Overall the trailer was deemed professional and conventional in its style by employing standard horror film trailer elements and conventions.
The opening scene of The Silence of the Lambs establishes Clarice Starling as the main character through various shots. A high angle shot shows Clarice doing exercises, making her look small but determined. A two shot with an FBI agent establishes she works for the FBI. A low angle shot of her climbing a cargo net contrasts her strength and struggle. Close ups reveal her serious facial expressions, hinting at her personality and driving nature. These shots in the opening scene immediately characterize Clarice and set up her role in the FBI.
The Texas Chainsaw Massacre Trailer- Detailed Research into Similar Productschelsmiller95
The document analyzes the camerawork, editing, mis-en-scene, and sound techniques used in the trailer for The Texas Chainsaw Massacre (2003). It discusses how various shots, including establishing shots, close-ups, and angles are used to set the scene and portray emotions. It also explores how techniques like fading, fast-paced cutting, lighting, costume, setting, and diegetic/non-diegetic sounds help build tension and engage the audience. The trailer uses these cinematic techniques to tell the story and draw viewers into the horror genre conventions of the film.
The document discusses conventions for different movie trailer genres including action/comedy, romantic comedy, horror, and action/sci-fi. It provides details on the audio, shot types, advertising techniques, symbolic codes, target audiences, and impact of trailers for each genre. The document also analyzes the structure, audio, and shots used in an example action/comedy trailer and discusses how it effectively represents the genre.
The trailer uses various cinematography techniques to build tension and intrigue around the film Creep. It begins with a shaky point-of-view shot to immerse the viewer in the main character's anxiety and uncertainty. Quick cuts introduce multiple characters in dangerous situations while keeping the killer's identity ambiguous. Dark lighting and isolated underground locations establish the scary atmosphere. The trailer leaves viewers wondering if any of the imperiled characters will escape the killer living in the station's tunnels.
The trailer uses a first-person point of view shot to immerse the viewer and create tension. It introduces the main character, a woman alone in an underground station at night. Dark, unsettling lighting and isolated locations are employed to build an ominous atmosphere. Quick cuts show the woman and others in perilous situations, hinting at a threat but not revealing its nature. The title "Creep" leaves the viewer wondering what fate awaits the characters in this scary film.
1) In what ways did you use, develop or challenge forms and conventions of re...Natalie93
The document discusses how a group's media product, a teaser trailer for a psychological thriller film, both uses conventions of real trailers and challenges some conventions. The group researched thriller codes and conventions to inform their trailer. Their early drafts were too vague, but after feedback they added elements like a cliffhanger ending and quick cuts to build tension. They challenged conventions by having a female protagonist rather than male and not including intensely thrilling scenes. Locations and props provided clues without revealing the full plot.
The document analyzes the trailer for the 2004 horror film "Saw." Some key points made:
- The trailer is 1 minute and 57 seconds long and effectively conveys the genre and basic plot in a short time through techniques like camera angles, audio, and transitions.
- Locations shown are dark, run-down places that set the horror atmosphere. Lighting is also dark to create suspense.
- Sound effects like heartbeats and screams build tension. Dialogue provides narrative and background on the killer Jigsaw.
- Mis en scene details like the victims' scruffy clothing versus Jigsaw's suit imply a power dynamic.
- The trailer leaves many questions un
The document analyzes the trailer for the 2004 horror film "Saw". It summarizes the key techniques used in the trailer to convey the narrative and genre. These include using dark lighting and isolated locations to set an atmospheric and suspenseful tone. Dialogue and sound effects are relied on over music to draw the audience in. Jump scares and a building musical score increase tension. While brief, the trailer leaves viewers questioning and wanting to learn more, achieving its goal of enticing people to watch the full film.
The document analyzes the trailer for the 2004 horror film "Saw." Some key points made:
- The trailer is 1 minute and 57 seconds long and effectively conveys the genre and basic plot in a short time through techniques like camera angles, audio, and transitions.
- Locations shown are dark, run-down places that set the horror atmosphere. Lighting is also dark to create suspense.
- Sound effects like heartbeats and screams build tension. Dialogue provides narrative and background on the killer Jigsaw.
- Mis en scene details like the victims' scruffy clothing versus Jigsaw's suit imply a power dynamic.
- The trailer leaves the audience with
The document analyzes the conventions of an action/comedy movie trailer. It discusses the typical audio, shot types, symbolic codes, and structure used in this genre. The target audience is described as ages 13+ due to the action/violence and language. Shots are fast-paced to show a lot of action. Symbolic codes illustrate the struggle between good and evil characters. The structure cuts between random scenes to keep the trailer engaging.
The trailer for the crime thriller film Nine Dead establishes the genre through its use of slow pacing at the beginning to build suspense, dark colors associated with danger, and shots of guns and a masked kidnapper. Throughout the trailer, the pacing increases alongside the growing threat and tension faced by the kidnapped victims. Elements like the soundtrack, voiceover, intertitles, and editing help further immerse the viewer in the thriller plot and leave them wanting to know how the story ends. The trailer effectively conveys the key elements of the film's crime thriller genre to attract fans of that genre.
The document analyzes how the student's media trailer uses, develops, or challenges conventions of real media texts. It finds that the trailer sticks to many conventions: it uses establishing shots to set genre; employs montage editing for suspense like in Shaun of the Dead; utilizes a horror-based font and props to signify genre; and incorporates both frightening and comedic sounds similar to real trailers. However, it challenges conventions by having a purely horror-based montage sequence without mixing comedy and horror elements like in Shaun of the Dead and Scary Movie. Overall, the trailer adheres closely to conventions but aims for a predominantly horror tone rather than blending genres in its montage editing.
The opening sequence of The Purge establishes the film's genre as horror/thriller through its use of low-key lighting, CCTV-style shots, and graphic depictions of violence. Classical music plays quietly in contrast to the violent images, unsettling the audience. A variety of shots show crimes occurring across America, introducing the concept of a night where all crime is legal. The sequence immediately sets the tone for the narrative of the film through these visual and audio techniques.
The document discusses conventions for different genres of movie trailers including action/comedy, romantic comedy, horror, and action/sci-fi. It provides details on the audio, shot types, advertising techniques, symbolic codes, target audiences, and structure for each genre. It also analyzes examples of trailers within these genres and discusses how understanding genre conventions is important for creating an effective trailer that attracts audiences.
In 3 sentences or less, the document discusses how the media product uses and challenges conventions of the thriller genre through various elements:
The opening titles sequence follows thriller conventions through its font and dark background but challenges conventions by having no music. Lighting and locations are used to characterize the antagonist and victim but in unconventional washed-out colors. Camera angles, editing, and special effects are employed to create mystery, suspense, and demonstrate an unstable mindset while challenging expectations.
The document summarizes how the student's media thriller product compares to conventions and examples from other thriller films. It analyzes similarities and differences between the student's thriller opening scene and scenes from The Dark Knight, Terminator 2, and Special Forces in terms of plot, characters, editing, camerawork, sets and more. Overall, it finds similarities in building suspense, subverting stereotypes, and use of action/violence, while also challenging conventions through unique narrative choices.
In what way does your media product use (1)sana0001
The document discusses the conventions of crime thriller trailers and how they were applied to a student media project trailer. It begins by outlining some of the key conventions included in most crime thriller trailers, such as editing techniques, camera shots, sound, characters, and setting/location. It then provides details about how these various conventions were implemented in the student's own trailer, with examples of the shots used, soundtrack selected, costumes of the characters, and locations featured. The document demonstrates how the student's trailer adhered to typical crime thriller conventions while also attempting to challenge some expectations.
This document analyzes elements of film trailers for horror movies. It discusses the use of cinematography, editing, sound, and mise-en-scene in the trailers for The Purge, The Strangers, and Paranormal Activity 3. Close-ups, lighting, music, and masks are some of the techniques described that set the tone for horror and build tension in viewers.
The document analyzes the trailers for three horror films - The Woman in Black, Paranormal Activity, and Fright Night - across four categories: cinematography, editing, sound, and mise-en-scene. For each trailer and category, the analysis identifies conventions and techniques used that are common in horror genres, such as close-ups, fast editing, ominous music, dark lighting, and isolated settings. The analysis shows how visual and audio elements in the trailers build tension, fear, and a sense of impending danger to effectively promote the films as horror stories.
The document analyzes three horror movie trailers across four categories: cinematography, sound, mise-en-scene, and editing. For each trailer, the analysis identifies conventions used in that category to create tension and establish the horror genre. Close-ups, establishing shots, and changes in camera movement are discussed for cinematography. Elements of sound design like non-diegetic music and ambient noise are examined. Settings, costumes, and props are considered for mise-en-scene. Editing techniques like fast pacing and fades are identified. Overall, the document analyzes how these filmmaking elements come together in movie trailers to effectively convey horror and build suspense for the audience.
The purpose of the trailer was to provide a 1-2 minute preview of the film to persuade viewers to see it. Various shots were included from the film to give a sense of what would happen without revealing too much of the plot. Common trailer techniques like close-ups, zooms, and over-the-shoulder shots were used to create tension and unease in the audience. Sound effects and music also aimed to build a scary atmosphere throughout. Overall the trailer was deemed professional and conventional in its style by employing standard horror film trailer elements and conventions.
The document provides information about conventions used in teaser trailers, including:
- Teaser trailers are shorter (40 seconds to 1 minute) and outline the film's narrative theme, main characters, sound, titles/credits, and release date.
- Camera work includes a range of shots (close-ups, long shots, mediums shots) to showcase the genre within the short time frame.
- The purpose is to promote and sell the film to its target audience by showing what the film is about and its release date.
- Idents are typically 1-3 seconds and include still images with some movement and non-diegetic sound to represent the studio or film brand.
1) The document discusses conventions used in thriller movie trailers such as fast editing, tension-filled music, voiceovers, and low key lighting.
2) It analyzes trailers for Scream 4, Memento, and Taken as examples and notes conventions like fast pacing, ambiguous shots, and music/sounds that create suspense.
3) The author concludes their film trailer should use these conventions like fast editing, strategic music, and symbolic costumes to effectively communicate the thriller genre.
The trailer uses various camera techniques like close-ups and tracking shots to build suspense and show characters' emotions. Editing cuts between scenes to make the action feel fast-paced and engage viewers. Non-diegetic sounds like a sinister voiceover and diegetic sounds like phones and screams add to the tension. The killer is only partly shown to increase mystery. Mis-en-scene creates a typical American setting to feel realistic while the killer's dark cloak and mask add eeriness.
This document discusses the conventions used in creating a crime/thriller genre film trailer. It examines conventions related to genre, form, characters, camera work, editing, and sound. For the trailer, they followed many typical conventions like including actor names, using voiceovers and background music, and incorporating themes of conflict, violence, and drugs. Their trailer was under 2 minutes long and used techniques like fast pacing, fade to black, and slow motion editing to create tension and excitement as seen in other crime thriller trailers. The characters and their portrayals also drew from crime film conventions despite not using typical strong male characters. Overall, adhering closely to genre conventions was important for making their trailer appealing and effective.
The document discusses the conventions used in creating a crime/thriller film trailer and ancillary products like a magazine and poster. It analyzes how conventions of genre, form, characters, camera work, editing, sound, props, and layout were incorporated from research on similar media. Conventions like fast pacing, voiceovers, close-ups, and naming actors were used in the trailer. The magazine cover featured a close-up shot, sans-serif fonts/layout, and related colors. The poster employed a mid-shot, similar fonts/layout, and matched the trailer's color scheme.
The Shutter Island trailer effectively conveys the psychological thriller genre in under 3 minutes. It establishes the basic plot of U.S. Marshal Teddy Daniels (Leonardo DiCaprio) investigating a psychiatric facility on a remote island for missing patients. Through its use of ominous music, dark lighting and mysterious dialogue, the trailer builds an unsettling atmosphere and leaves viewers with many questions. It implies the hospital staff may be hiding sinister activities while also hinting that Teddy could be losing his grip on reality. Though it reveals only selective scenes, the trailer intrigues audiences to learn more about what's truly happening on Shutter Island. The filmmaker analyzes how the trailer misdirects viewers and maintains mystery, techniques they aim
The document provides an evaluation of a 2-minute thriller opening scene created by the author. It discusses how the scene uses common thriller conventions in its cinematography, editing, sound, themes, and targeting of an audience aged 15-30. The author believes the scene was successful overall by using a range of cinematography techniques, effective sound, and elements of mise-en-scene to tell the thriller story and keep the audience engaged. Feedback on the scene was generally positive.
The document summarizes how the media product of a trailer, magazine cover, and film poster for a horror/thriller genre film challenge and develop conventions of real media. For the trailer, conventions like camera shots, editing, sound, characters, and locations were followed, but some elements like character outcomes were challenged. The magazine cover followed conventions like layout, masthead, and image placement, but challenged elements like text placement. The poster followed conventions like a close-up image and capital title, but challenged conventions like title placement. Overall, the media product used research of real examples to both develop and challenge typical genre conventions.
In what ways does your media product use, develop or challenge forms and conv...sara
The document discusses a student's thriller film opening sequence and how it uses and deviates from thriller conventions. The sequence shows a strong female character becoming vulnerable by running scared and barefoot through the woods. While some elements follow conventions like tense music and editing, it challenges expectations by featuring a self-reliant female lead. The sequence aims to intrigue audiences and establish questions or an "enigma" through the changing character and unanswered events of the opening scene.
The document discusses film trailers and analyzes the trailer for the horror film Insidious Chapter 2. It examines how the trailer uses various techniques to represent the horror genre and promote the film. These include fast-paced editing, eerie music, dark lighting, and close-ups to build tension. The trailer also creates mystery by not fully revealing the threat to the family.
The intended outcome of the production was to engage the target audience and encourage them to view the film in cinemas. While the storyboard provided a foundation, the filmmakers decided to change shots and order during filming to be most effective. For the poster, key conventions from other genre posters were followed, such as placement of logos and information. When creating the website, conventions from other thriller/horror websites regarding colors, animations, and images were adapted to establish the genre. Stylistic techniques like weapons, violence, lighting, music, and shot choices were used to match the thriller/horror mise-en-scene and support the trailer.
The trailer for the crime thriller Se7en uses various techniques to build tension, mystery, and intrigue. It employs a slow, tense musical score and serious voiceover to draw in viewers. Dark lighting, colors, and camera work are used to give the trailer an eerie feel that is conventional for the genre. The editing varies between longer, calm shots to build mystery, and faster, action-packed shots to create excitement. Close-ups of characters' faces convey emotions without revealing too much of the plot. Major stars like Morgan Freeman and Brad Pitt in the titles aim to attract a wide audience. Overall, these elements leave viewers wanting to learn more about the film's mysterious plot.
The document summarizes a student's media project that is a psychological thriller film. The film follows a photographer who finds an old camera and begins taking photos, only to discover that with each photo a spirit gets closer to the camera's lens. To prove he's not crazy, the photographer must discover who the spirit is that has been haunting him. The summary discusses conventions the film uses, such as changes in personality, specific shot types like over-the-shoulder, and the use of unsettling music and sounds. It also analyzes how the film challenges conventions by incorporating elements of drama.
The document provides details about the plot, conventions, shots, techniques, and music used in the student's media product, a psychological thriller film. The plot follows a photographer who finds an old camera and begins taking photos, only to notice a spirit getting closer to the lens in each shot. Many conventions of the psychological thriller genre are incorporated, including changes in the main character's personality, low lighting, and ghostly spirits. Specific shots like over-the-shoulder and close-ups are used, as well as fast editing to build tension. An eerie soundtrack and voiceover are employed to set the unsettling tone.
The document provides details about the plot, conventions, shots, techniques, and music used in a psychological thriller media product. The plot follows a photographer who finds an old camera and begins taking photos, only to notice a spirit getting closer to the lens in each shot. Many conventions of the genre are followed, including changes in personality of confused characters, low lighting, and spirits/ghosts. Specific shots like over the shoulder and close ups are used, as well as fast editing to build tension. Unsettling music and silence are employed to create an ominous atmosphere.
The BBFC examines films and videos before release to independently classify them based on age ratings. Two examiners will view theatrical releases and a senior examiner will confirm the rating. They consider issues like discrimination, drugs, horror, violence, language, nudity and sex when deciding ratings. Context and impact on the audience are also factors. The BBFC conducts public consultations every 4-5 years to ensure standards meet public expectations and adjusts guidelines accordingly.
This document summarizes the different age rating classifications used by the British Board of Film Classification (BBFC). It outlines the types of content that may be present at each rating level, from U for universal to 18 for adults only. The ratings provide guidelines about what content is appropriate for different age groups, to help inform viewers and enforce age restrictions at cinemas and for home media releases. Content involving violence, language, sexual activity, drugs and discrimination becomes more explicit as the ratings increase from U to 15 to 18.
The document compares the first and final attempts of a magazine cover. The first attempt used a plain black background with a brightened face image as the main focus. It lacked details, colors, and elements to engage readers. The final attempt significantly improved by adding a left third pull sticker for more information. It used brighter, eye-catching colors for text elements. The layout and font styles were also changed to direct attention to key areas and make the cover look more complete and professional.
Our trailer was named 'Deception' because our target audience chose it as the best title, as it provides insight into the film involving someone being deceived. The title was also inspired by the movie 'Inception' which connotes danger and intrigue similar to our narrative. The title design uses black and yellow tape to resemble crime scene tape and give viewers a glimpse that the film may involve deception within a crime scenario.
This analysis summarizes the key elements of the trailer for the crime thriller film The Raid 2. It identifies the genre as crime/thriller based on the mise-en-scene, music, and setting shown. The narrative is about a main character who has made enemies and must act fast to protect his family from those seeking retaliation. Through fight training and battles between criminal families, he prepares to face off against his enemy. The trailer employs techniques like dialogue, music, camera work and special effects to immerse viewers and build intrigue around the characters and action.
We tested different font styles for the title of our film "Deception" with our target audience and tallied the results. The last font style received the most votes and was preferred, so we decided to use that style as the final title for our film.
This document analyzes the trailer for a crime/thriller genre film. It breaks down the trailer shot-by-shot, describing how each shot establishes important details like the main character, the setting, and hints that a disaster is about to occur which the main character is trying to prevent by driving fast. Shots of men in masks walking with bags also hints that the characters are up to something terrible.
This magazine cover is promoting the film Inception, starring Leonardo DiCaprio. There is a large image of DiCaprio in the center holding a gun to emphasize he is the main character. The masthead "Empire" is at the top in red letters. Beneath the image is the film title "Inception" in red and bold letters. Additional information about the film and other articles in the issue are provided in text boxes and banners around the cover.
Sana Gillani describes the process of designing the front cover for a music magazine. Key elements included adding a grey background, a yellow header saying "20 PAGE SUMMER TOUR SPECIAL", and a matching yellow footer listing featured artists. A red and white masthead was used along with the artist's name and a pull quote to grab attention. Flashes in yellow and black advertise the price and preview inside content to intrigue readers into buying the magazine.
Sana Gillani addressed her target audience of rock music fans aged 20-35 by designing magazine pages that follow rock music conventions. She used bold colors like red, black, and yellow that appeal to this audience. Large images of artists make direct eye contact to intrigue readers. Pull quotes tease articles without giving too much away. The layout uses columns and placement of images next to related articles to clearly guide readers through the content. These design choices aim to attract and engage the target audience according to research on rock music magazine formats.
Sana Gillani conducted a questionnaire about her final music magazine project, distributing it to 20 people ages 20 and older, including 10 males and 10 females. Most respondents felt the magazine looked like a rock magazine and that the cover image and color scheme were appealing for the rock music genre. While most thought the £4.99 price was reasonable, some females and males did not. All said they would buy the magazine and pages seemed cohesive, though a few males and one female felt not all features would attract the target audience. Sana plans to survey more age groups to expand the magazines appeal.
The document is a questionnaire for feedback on a rock music magazine prototype. It asks 10 multiple choice questions to gather information on the respondent's age, gender, opinions on the magazine's design matching the rock genre, appeal of the front cover image, appropriateness of the price, likelihood of purchasing it, target audience, and inclusion of features for the target group. The questionnaire aims to help improve the creator's future music magazines.
The document is an evaluation of a student's media magazine project. It provides extensive details on how the student followed conventions of real rock magazines in developing the form and layout of the magazine. This includes using typical masthead styles, images of musicians posing with guitars and doing rock signs, pull quotes from interviews, and grouping content into common sections like features. The document discusses the design choices made for the cover, contents page, and a double-page artist interview spread, explaining how research into other rock magazines informed the design to match reader expectations of the genre.
The document summarizes how the media product represents particular social groups. It discusses using images of people in their 20s to represent that age group. Language and styles were used that would appeal to middle and upper class readers. Both male and female models of different ethnicities were featured to make rock music more inclusive. The magazine was aimed at representing independent young adults from a range of backgrounds.
1) The document outlines the steps taken to create a magazine contents page, including inserting a background, masthead, date, feature headings, subheadings and descriptions, images of artists with accompanying text boxes of names and page numbers, a subscribe box, and editorial section.
2) Key elements like the masthead, date, feature headings, and images were styled and positioned based on research of other music magazine contents pages to guide an intuitive layout.
3) The goal was to clearly guide the reader through the various content sections and intrigue them with images and excerpts to encourage reading further in the magazine.
The document outlines an action plan for producing a rock magazine, including tasks to write an article, take photos, produce the front cover, contents page, and double page spread. It also includes holding a focus group discussion to evaluate the final magazine. Key deadlines are assigned to complete writing by November 25th, taking photos by January 6th, and the evaluation by March 7th. Sana is responsible for many of the tasks except clothes/props and location, which are assigned to Hina.
The document outlines an action plan for producing a rock magazine, including tasks to write an article, take photos, produce the front cover, contents page, and double page spread. It also includes holding a focus group discussion to evaluate the final magazine. Key deadlines are assigned to complete writing by November 25th, taking photos by January 6th, and the evaluation by March 7th. Sana is responsible for many of the tasks except clothes/props and location, which are assigned to Hina.
The document identifies several risks involved in taking photos at school and producing a magazine cover. For taking photos, the risks include students tripping over equipment or a wet floor posing a slip hazard. These risks can be minimized by warning others about equipment and using caution signs for wet floors. When producing covers, the risks include distraction from noise, spills on the computer, and tripping over wires. These risks can be addressed by working in a quiet space, keeping food and drinks away from computers, and tidying wires. Damaged expensive equipment and batteries running out are also identified risks that can be minimized by storing equipment carefully when not in use and ensuring cameras have a full charge.
The document discusses three different photo shots - a dirty shot, reflection shot, and lead shot. For the dirty shot, the model is too far away and there is too much headroom, making the focus unclear. For the reflection shot, the background could be changed to draw more attention to the model. And for the lead shot, there is too much headroom, which makes it seem like something may fall on the subject; less headroom would improve clarity.
The document provides details on designing a music magazine focused on rock music. It discusses selecting "FUSED" as the magazine title after user testing, as it suggests loud rock music that blows fuses. Font and colors of red and white were chosen to suit the rock genre. The contents page layout includes an image of a new diverse rock duo and brief descriptions of article pages. Double page spreads will have the artist image on one side and interview on the other. Consistent use of styles, layouts, fonts and colors across the magazine, known as the house style, helps the magazine stand out on shelves.
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
Question 1 evaluation
1. Sana Gillani
In what way does your media product
use, develop or challenge forms and
conventions of real media products?
2. Codes and conventions of a
trailer
Trailers stick to the general codes and conventions for in order for it
to be successful.
● Most trailers usually last about 2-3 minutes.
● They include the release date.
● The title of the film is included.
● Other titles relating to the clips are shown in the trailer.
● Names of the characters.
● Production logo
● An age certification, which is there to provide a guideline for the
type of target audience
● Music and voiceovers
● Social media
8. Codes and convention of crime
thriller trailers
➢ Genre:
The genre of the film determines how the film will be set out and presented. When creating crime thriller trailers it
is essential to keep in mind the micro features. These include editing, mise-en-scene, sound and camera.
➢ Camera:
There are lots of different types of shots used within crime thriller trailers. This includes, establishing shots, high
and low angle, long shots, close ups, medium close ups, shot reverse shot, panning and many more. These
shots are used to create suspense and build tension for the audience. They are also used to easily convey the
genre of the trailer.
➢ Editing:
Editing is used in crime thriller trailers in a way to create an uncomfortable or a suspenseful atmosphere for the
target audience by adding lots of fast cuts, sudden change of camera angles. This disorientates the viewer as it
creates an on screen tension, which is key for crime thriller trailers.
➢ Sound:
The sound used for crime thriller trailers is for building tension with eerie or tense music being played as diegetic
or non-diegetic. High pitched sound is often used to make the audience feel uncomfortable and to give them a
sense that something unpleasant is about to take place in the scene and making it seem as though they are
experiencing the film through the character’s point of view.
9. Continued...
Mise en scene:
Customes:The customes always depend on the role of the character. For example, if the
character is good, he will most likely wear white and other light colours, and if the character is
playing the villain role then he will most likely wear dark colours, such as, black.
Lighting: The lighting in mostly all crime thriller trailers is dark and dull, often rainy. This is to
create tension and build suspense for the audience.
Props: The props that are mostly used in all crime thriller trailers are weapons, such as, knives
and guns. The use of props helps to inform the audience of the genre of the film.
Locations: Crime thriller films are often set in dark, mystery, gloomy locations. For example, in
areas with less population. For example, the woods or jungles.
Titles: The titles are used to further inform the audience about the film and to engage them.
Theme: The theme of crime thriller films often involves revenge killing, murder, suicide, mental
illnesses and many more. These themes help the audience to easily identify the genre and
they also create tension.
Characters: The type of characters that are typically used are the villain, the promiscuous girl,
a hero, the innocent/damsel in distress girl.
10. What all Crime Thriller films include
- When watching the many different crime thriller trailers and analysing
them before creating our final trailer, me and my team members found
the trailers did not give the full storyline away. The story is told in lots
of different clips put together, each scene lasting about 3 or 4
seconds. This technique is used to make the audience want to watch
the full film when it is out in the cinema.
- Most trailers had the typical characters of a crime thriller film. This
includes the damsel in distress, the promiscuous girl, the hero and the
villain.
- The trailers length is always about 2.5-3 minutes long.
- Lots of different shots and editing techniques are used in the trailer all
at once showing lots of clips.
- They are always set in mysterious/spooky looking areas.
- The sound (diegetic/non diegetic) further contributes to the genre.
12. The Raid 2
Analysing this trailer,
as well as analysing
other tailers, further
developed my
understanding of the
key points and
conventions of a crime
thriller trailer.I clearly
became aware of
exactly what we
needed to include in
our trailer
14. Our Narrative
The November Man and Gone Girl had a massive contribution to our narrative. As a group we
decided that we like narratives of these two films and to base our narrative for our trailer as
something similar to the narrative of these films.
15. Deciding on our narrative
We have changed our narrative at least three times after getting audience
feedback and by carrying out focus groups.
Our first narrative idea was to have Shiwa Bakhtiyar as the person who
will be killed. However, after getting feedback we were told that it would
be better if the character Sarah Jones is killed as it would make more
sense, because she cheated with her sister’s husband.
We carried out some more research and wanted to stick with our original
plot of having the character Shiwa Bakhtiyar murdered instead. This is
because it would create a lot of tension and build suspense for the
audience making them wonder how and why she was murdered instead
of Sarah Jones, because she is the one who planned the murder of
Sarah Jones.
16. Camera
I followed the codes and conventions of the use of camera in crime
thriller films. I found that the trailers we analysed had various
different camera shots. This includes, establishing/wide shots,
close ups, medium close ups, long shot, medium shot, pan, shot
reverse shot and many more. Me and my group focused on these
shots throughout the making of our trailer.
17. Establishing/wide Shot
In our trailer we used establishing/wide shots
to establish and clearly show the setting of
where the trailer is set. These shots provide an
overall view of the whole scene. The
establishing shot is used at the start of the
scene to show and inform the audience of
where it is set. The settings create an
atmosphere and further builds tension as to
what is going to happen next in the clip.
18. Low angle shot
The first low angle shot of Shiwa Bakhtiyar is used to
make her look isolated and vulnerable and may
show that she’s weak. It also shows that someone
might be looking down on her, which connotes that
she is not worth anything in their eyes. The second
low angle shot of Shiwa Bakhtiyar and the killer
shaking hands, shows that they are making a serious
deal. This camera angle focuses closely on the
handshake, showing that something terrible is about
to take place. The low angle of Shiwa sitting on the
stairs again makes her look vulnerable.
19. More Shots
Shot reverse shot:
This shot is used to show the
conversation that takes place
between the two sisters. It also
builds tension as the camera
moves from one character to the
other quite quickly. This shot
clearly shows their facial
expressions which also adds to
the building of tension and
suspense building.
Two shot:
This shot is used to show
both characters in the same
frame. It shows their body
language and facial
expressions. Sarah Jones’s
body language is more
relaxed than Shiwa’s as her
body language tells the
audience she is stressed out
and looks disappointed.
Extreme close up:
This shot is used to show
the disappointment and
worried look in Shiwa
Bakhtiyar’s eyes.
20. Shots continued...
Point of view shot:
This is a point of view shot from Shiwa
Bakhtiyar. This shot is used to see from the
character’s point of view, to make the
audience feel as though they are with the
character in the film and they are also
involved in the action.
Wide/long shot:
This shot is very informative. This is
because it shows the audience where this
particular scene is set and also shows a
long shot of the two sisters. This allow the
audience to identify their body language
and clearly see what they are wearing.
21. Editing
Me and my team members followed the codes and
conventions of editing from other trailers and re created
some of the editing techniques in our trailer.
22. Editing Techniques
Cut away:
This shot is used as a buffer between the
shots used to help the editing process and
to move on to the next scene or to show
something in relation to what is being
shown with a cutaway effect.
Black and white effect:
The black and white effect is used to
inform the audience that the flashback is
being played and to help them easily
follow and understand the trailer without
getting confused.
23. Sound
We followed the conventions of a typical crime thriller
trailer for sound and included both diegetic and
nondiegetic sound.
24. Soundtrack:
I downloaded the soundtrack of our trailer that played in the background
throughout the duration of the whole trailer. I followed this convention by making
sure the soundtrack had a mysterious, eerie and thrilling effect to match the
genre. I selected my soundtrack on youtube, then converted the file into mp3 (as
you can seen from the print screen shown above). The soundtrack starts of slow,
then gets faster and louder adding more tension and building suspense. The
soundtrack is non diegetic, because the characters in the trailer cannot hear it.
I also included some diegetic dialogue, to help the audience understand the
narrative better. The dialogue by Shiwa Bakhtiyar “You’re my sister! How could
you do this to me?” adds to the understanding of the audience, making them
aware the other sister has done something terribly wrong.
The soundtrack gets louder and faster as Shiwa begins to run from the killer,
which builds suspense and gets the audience on the edge of their seats.
25. Characters - Conventions followed
Together with my team we followed the conventions of the typical
characters used in crime thriller films.
- We included the innocent girl Shiwa Bakhtiyar who has been deceived
and betrayed by her husband and sister and tries to take action
against it by seeking revenge, but fails to do so.
- The promiscuous girl, Sarah Jones, who is Shiwa’s sister.
- The villain who “pretends” to help Shiwa, but is really her sister and is
on her husband’s side. So he kills Shiwa instead of her sister.
- The husband, who plays the main role in the film and is mainly
responsible for Shiwa’s murder. Although He is not shown in the
trailer, keeping it at a mystery from the audience. The husband is
innocent in Shiwa’s eyes, as Shiwa is blaming only her sister, but she
is not aware that they are both equally at fault, and he is the one who
directs his friend (the killer) to kill Shiwa.
- We have also challenged the conventions of the good character. As
we decided to kill of the innocent character, instead of the evil
character.
26. Mise en scene
We have followed the conventions for the use of mise
en scene in our trailer.
27. Lighting
The lighting in the room when the two sister’s are
having a conversation is very gloomy and calm,
creating a tension between the two sisters as they
argue . There’s nothing in the background to distract
the audience, so the complete focus is just on the two
sister’s in this scene. The lighting is also not a
distraction, as it just simply adds to the mood of the
scene.
The lighting for this scene is in black and
white, to show that it is a flashback and is in
the past, but is there to show the audience
what had already happened.
The lighting for this scene has a daylight
effect to match the scene, as it shows the
two sister’s happily having a conversation.
The beautiful green grass colour also
adds to the mood of this scene.
28. Costume
Although Shiwa is wearing a
black coat. The white coloured
scarf around her neck helps to
add to her innocence as she is
not aware of the fact that her
murder is being planned and
her husband and sister have a
hand in the planning.The white
coloured scarf also shows that
she’s vulnerable
Although the killer’s face has
been hidden throughout the
trailer, the audience is able to see
that he wearing all black. This is a
convention which we followed
from watching other trailers, as
the villain is always dressed in
black. The colour helps the
audience to identify them as the
villain.
The two sister’s are both
dressed in similar dark
clothing.This is so that the
storyline is not given away to the
audience. The audience will not
be able to identify the innocent
and promiscuous girl
straightaway. This will further
grab their attention into the
trailer.
29. Props
The cones are used to
mark the area and to
show others that a murder
has been taken place in
that area.
The stone has been
shown to add to the
audience’s
understanding that one
of the character’s were
killed with the stone.This
also links to other crime
thriller trailers, as some
sort of weapon is always
involved.
The phone is used to
show the character’s
communicating with
each other through
electronic devices.
This also informs the
audience that some
tragedy will take place
30. Setting
The woods:
The starting is of a dead
body covered in a black bag
in the woods, to show the
audience that this is where
the murder was taken place.
I have followed the
conventions of a crime
thriller film, by having the
character killed in a
mysterious place.
Park:
Near the middle of the trailer,
the two sisters having a
happy moment together is
shown in the park, to add a
lively and happy effect to the
scene
Empty house:
The empty house adds to
Shiwa crying. The empty
house also shows that the
marriage between Shiwa
and her husband was not
very successful. This is
because the house they
both share does not look
like a family home and has
an empty effect.
31. Titles
The titles help the audience understand
what is happening in the various
scenes all shown in the trailer, so they
are able to follow the narrative/trailer
without getting confused with what is
happening. The audience are
introduced to the characters by having
the names next to the characters. The
names of the characters are in red and
the other titles are in black and white
basic font, standing out on the black
background.
32. Magazine
We followed the general codes and conventions of a
magazine by making sure we included the main
conventions in our magazine.
33. Conventions of a magazine
- Masthead: a title used to make the reader’s aware of what magazine
they are reading.
- Header: this is always below the masthead and may talk about
competitions and draws.
- Footer: this is always below the cover, which is another informative
convention of the magazine, as it informs the reader of other exciting
things to be found in the magazine.
- Splash/pull sticker: often used to attract the reader’s attention.
- Left third: this contains the main feature of what is inside the magazine.
- Cover lines: used to inform the leader of the main articles inside the
magazine. Often found on the right hand side of the magazine,
- Date/price/issue: to give the reader some vital information of the
magazine.
- Main image: the image of the person/object who is associated with the
magazine.
- Barcode: this is used for the company's purpose, as it informs them how
many of their magazine copies were sold whenever it is scanned.
35. How I followed the conventions in my
magazine?
I followed the conventions of a magazine when creating my film magazine
by making sure I included the following:
- The masthead
- Header
- Footer
- Main cover line
- Left third
- Barcode/date/issue
- Flash/pull sticker
- Main image.
I have explained the use of them in the next few slides.
36. Analysis of film magazine
Masthead:
The masthead is in big, bold and capital blocks. The white colour goes really
well with the black background. It is in front of the image, making the reader
aware that it is the focal point of the cover. The colour give the title importance
and also stand out to the target audience. Whiite is often associated with
innocence, vulnerability, elegance, reflecting the character in the image, Shiwa’s
personality. The stereotype of the white colour can also be challenged, because
it can also connotate death and mystery. This will help the selling of the
magazine as it gives the magazine a sense of mystery. The masthead has taken
up a lot of space on the top section of the magazine. the effect of this is to make
the magazine stand out when placed on the shelf next to other magazines.
Main image:
This is a close up shot. The image of Shiwa sells the storyline more than any of
the other conventions. Her sad, dissapointed facial expression informs the
audience of her innocence, and makes the audience side Shiwa. She is looking
directly towards the audience, making them feel connected and involved with
her emotions.
The main cover line:
The main cover line is the title of the film.
The colours of the title are black and
yellow. The black blends in with the est of
the cover, whereas the yellow stands out
from the cover, giving the title a 3D effect.
The right colour will attract the reader's
attention towards the title, and if they were
to go away, the title will still be in their
mind.
Flash:
The flash is in a red
box with white text,
attracting the reader to
the magazine. The
flash shows other well
known magazines
produced by FILM
company.
Barcode/date/issue:
This informs the reader of the price. I have
placed this on the corner of the magazine
as it not that important and because I
would not want the read to be distracted
from the main elements of the cover. On
the other hand, it very important to the
company, because it informs them of how
many copies were sold and whether the
publication of this magazine is successful.
37. Left third:
The left third of the cover reveals where the main
part of the information and content is. The colour
of the text is white and yellow with grey boxes
around the yellow text. This is to make it stand out
to the target audience. So, when the target
audience have a look at the cover, this part of the
magazine will not be missed out and will also be
read.
Footer:
The footer informs the reader of other
content they will find in the magazine. It
is in yellow text, with a grey
background. This follows the style of
the bottom cover of the magazine.
Header:
This gives extra information to the reader.
The colour of the font is white, behind a
black background, following the general
style of the magazine.
38. Improved film magazine
Pull Sticker:
the pull sticker i in a grey circle with white text. The colour
grey is used to follow up the general houestyle of the front
cover, which mainly consists of white grey, white and black.
The pull sticker is b6ld, so the audience will have a quick
read at the pull sticker as well as all the other contents,
which means the pull stick will not be ignored and will draw
the reader’s attention, because it’s highlighting something
special as it is in a circle.
Left third:
I followed the conventions by adding a left third that
informs the reader of some of the exciting content they will
find inside the magazine.This technique is often used to
persuade the reader to by the magazine. I have used a
red banner with white text in capitals as the heading, to
attract the reader to this part of the magazine.
I added a quote above the title, so that the readers are
aware the quote is related to the film. The quote “most
shocking film of 2015” makes the film seem really
dramatic to the audience. Also, the quote is from a well
known person,which makes the audience more keen
and interested into the release of the film
39. Conventions of a poster
- They should keep the audience engaged.
- They always include the film’s title.
- Eye catching
- They include film ratings
- The names of the main characters
- Age ratings
- Quotations of someone who has already watched the
film.
- Company details
40. Poster analysis
We carried out analysis of four different film posters in order to fully understand the conventions
needed for a film poster. The analysis helped me with the layout of my final poster. The layout of
the poster “The November Man” is slightly similar to my poster. I used ideas from this particular
poster and also taking ideas from other posters to make it seem like a professional film poster.
41. Analysis of film poster and conventions
followed
Positive quote:
This is a film poster convention that
I carried out in my poster. The effect
of this is that it brings a positive
insight into the film and would make
the target audience watch the film.
The quote has a major influence on
the film because it is from a well
known person,
Image:
I have used a medium long shot image of the main characters in
the film (similar shot type compared to The November Man
poster). This image helps the target audience understand the
trailer better. They are able to clearly see their facial expressions
and so this helps them identify who is bad and who is innocent.
Title:
I have followed up the convention
of the title of the film that is placed
just below the middle. similarly to
the title in The November Man.
The font and design of the title is
also very different compared to
the posters we analysed. This is
because we wanted to insert an
original idea that will also fit in
within the genre, as the black and
yellow represents the tape that is
put around an area by the police
being investigated.
Cast:
This is a typical convention that is used in all film posters that I
have used in my own poster. I used the idea from the poster
Seven of placing the cast names at the top of the poster and in
white to make it stand out on the black background,
Company details:
I have followed the convention
of adding the company details
on the poster. I used this idea
of layout from The November
Man poster with ‘coming soon’
placed just above it in yellow.
This makes the poster look
more realistic.
Ratings:
The ratings is a good film. This is
evidence for the target audience
that it is a good film,
42. Overall
To conclude, I think I have followed up the conventions needed in my
trailer, magazine and poster to make it seem more realistic and
professional. My research and planning has helped me develop my
production, as me and my group members always referred back to it, in
case we forgot to add some of the important conventions. We clearly
followed it as our guideline in order to make our production a success. If
I had the opportunity to do this again in the future, then I would use
more dramatic sound effects and have even more fast paced and
steady editing. I would also opt for a different genre, such as horror,
which will help me gain more knowledge and develop my understanding
of producing trailers.