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STUDIO
LIGHTING
BASICS
HELLO!
I am W.S. Toh
Being a self-taught photographer, I give back to
the community by giving free tutorials.
2
STUDIO GEAR
Stuff that you need to get started
3
1
STUDIO GEAR : LIGHTS
Flash
Good old portable & reliable.
4
Strobe
The big guns.
LED
Not as bright, but gives nice
soft light.
STUDIO GEAR : LIGHTSTANDS
Lightstand
To place your lights on… of course.
Just look for the air-cushioned ones
which prevents nasty slams.
5
Boom arm
Gives you more creative space, and
holds the light high up.
STUDIO GEAR : SOFTBOXES
Octagon
Think of these as oversized
spot lights.
6
Rectangular / Square
Evenly lights up a certain area.
Slid
Helps you put light into a
small area.
STUDIO GEAR : LIGHT MODIFIERS
Grid
Attached to softboxes, prevents
“light spills”.
7
Barn Door
Allows you to control the direction of
the light.
Snoot
Puts light onto a single
spot.
STUDIO GEAR : OTHERS
Backdrop
Black or white backdrop, or just
a green screen.
8
Reflector
Reflects light. Doh.
Color Gel
Adds funky colors.
HOW MANY LIGHTS DO YOU NEED?
9
JUST ONE!
There are no rules to the minimum number of
lights in a studio setup. If you want, you can even
call a one-light setup a studio.
4 LIGHT SETUP
The classic basic setup
10
2
KEY LIGHT
11
The key light, is also your main
light. This is the first light to
setup, and all the rest will
follow along.
FILL LIGHT
12
The fill light as its name
implies, is the secondary light
to “fill in” places where you
want lights to be.
BACK LIGHT
13
The back light illuminates the
back of the subject, often
separating him/her/it from the
background.
BACKGROUND LIGHT
14
This light is specially
dedicated to lighting up the
background.
DO YOU NEED ALL 4 LIGHTS?
15
NO!
Again, there are no rules that you need 4 lights in
a studio setup. So just use whichever that works
magic for you.
HOW TO SETUP?
How to deal with multiple lights
16
3
STEP 1 : START WITH THE BACKGROUND
17
Start dealing with the natural
lights first. Meter the
background, and estimate the
base settings.
STEP 2 : ADD KEY LIGHT
18
Place your subjects, and add
the key (main) light to the
setup. Take test photos, and
readjust until you are
satisfied.
STEP 3 : ADD FILL LIGHT
19
Now add any fill lights as
required. Take test photos,
and readjust until you are
satisfied.
STEP 4 : ADD MORE LIGHTS
20
Should you need more lights
add more as you see fit –
Back light or background
lights.
THE KEY STRATEGY
21
DEAL WITH LIGHTS ONE AT A TIME
Yes. Don’t panic.
Just deal with a multi-light setup one light at a
time, and you will do just fine.
COMMON SETUPS &
STYLES
The classics that you should know
22
4
HIGH KEY
23
The bright “glamour” look,
usually achieved by well-
balanced all-round lighting.
LOW KEY
24
Opposite of high key, and is
portraits the dark dramatic
look.
CLAM SHELL LIGHTING
25
Named after how the setup
looks – One light on top, one
below. Also known as
butterfly lighting.
SPLIT LIGHTING
26
A dramatic look, lighting half
of the subject only.
REMBRANDT LIGHTING
27
Named after the painter
Rembrandt. Creates a
signature triangle below the
subject’s eye.
LOOP LIGHTING
28
Named after how it creates a
signature shadow loop under
the subject’s nose.
“It is during our darkest moments
that we must focus to see the
light.
- Aristotle
2929
30
THE END!
Any questions?
Visit X-Light Photography, where you will find
more free Studio Lighting Basics tutorials.

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Studio Lighting Basics

  • 2. HELLO! I am W.S. Toh Being a self-taught photographer, I give back to the community by giving free tutorials. 2
  • 3. STUDIO GEAR Stuff that you need to get started 3 1
  • 4. STUDIO GEAR : LIGHTS Flash Good old portable & reliable. 4 Strobe The big guns. LED Not as bright, but gives nice soft light.
  • 5. STUDIO GEAR : LIGHTSTANDS Lightstand To place your lights on… of course. Just look for the air-cushioned ones which prevents nasty slams. 5 Boom arm Gives you more creative space, and holds the light high up.
  • 6. STUDIO GEAR : SOFTBOXES Octagon Think of these as oversized spot lights. 6 Rectangular / Square Evenly lights up a certain area. Slid Helps you put light into a small area.
  • 7. STUDIO GEAR : LIGHT MODIFIERS Grid Attached to softboxes, prevents “light spills”. 7 Barn Door Allows you to control the direction of the light. Snoot Puts light onto a single spot.
  • 8. STUDIO GEAR : OTHERS Backdrop Black or white backdrop, or just a green screen. 8 Reflector Reflects light. Doh. Color Gel Adds funky colors.
  • 9. HOW MANY LIGHTS DO YOU NEED? 9 JUST ONE! There are no rules to the minimum number of lights in a studio setup. If you want, you can even call a one-light setup a studio.
  • 10. 4 LIGHT SETUP The classic basic setup 10 2
  • 11. KEY LIGHT 11 The key light, is also your main light. This is the first light to setup, and all the rest will follow along.
  • 12. FILL LIGHT 12 The fill light as its name implies, is the secondary light to “fill in” places where you want lights to be.
  • 13. BACK LIGHT 13 The back light illuminates the back of the subject, often separating him/her/it from the background.
  • 14. BACKGROUND LIGHT 14 This light is specially dedicated to lighting up the background.
  • 15. DO YOU NEED ALL 4 LIGHTS? 15 NO! Again, there are no rules that you need 4 lights in a studio setup. So just use whichever that works magic for you.
  • 16. HOW TO SETUP? How to deal with multiple lights 16 3
  • 17. STEP 1 : START WITH THE BACKGROUND 17 Start dealing with the natural lights first. Meter the background, and estimate the base settings.
  • 18. STEP 2 : ADD KEY LIGHT 18 Place your subjects, and add the key (main) light to the setup. Take test photos, and readjust until you are satisfied.
  • 19. STEP 3 : ADD FILL LIGHT 19 Now add any fill lights as required. Take test photos, and readjust until you are satisfied.
  • 20. STEP 4 : ADD MORE LIGHTS 20 Should you need more lights add more as you see fit – Back light or background lights.
  • 21. THE KEY STRATEGY 21 DEAL WITH LIGHTS ONE AT A TIME Yes. Don’t panic. Just deal with a multi-light setup one light at a time, and you will do just fine.
  • 22. COMMON SETUPS & STYLES The classics that you should know 22 4
  • 23. HIGH KEY 23 The bright “glamour” look, usually achieved by well- balanced all-round lighting.
  • 24. LOW KEY 24 Opposite of high key, and is portraits the dark dramatic look.
  • 25. CLAM SHELL LIGHTING 25 Named after how the setup looks – One light on top, one below. Also known as butterfly lighting.
  • 26. SPLIT LIGHTING 26 A dramatic look, lighting half of the subject only.
  • 27. REMBRANDT LIGHTING 27 Named after the painter Rembrandt. Creates a signature triangle below the subject’s eye.
  • 28. LOOP LIGHTING 28 Named after how it creates a signature shadow loop under the subject’s nose.
  • 29. “It is during our darkest moments that we must focus to see the light. - Aristotle 2929
  • 30. 30 THE END! Any questions? Visit X-Light Photography, where you will find more free Studio Lighting Basics tutorials.