This document discusses a study on streaming videos as a substitute for traditional entertainment among youth in Agra, India. It first provides background on how streaming services are threatening cable and satellite TV by offering improved quality and frequent updates. It then defines streaming video as content sent over the Internet in compressed form for real-time viewing. The literature review shows that studies have found youth increasingly shifting to streaming videos from traditional entertainment. The objectives are to understand what drives demand for streaming videos, their impact on Agra youth, and if they are replacing cable TV, theaters etc. The methodology describes a 2-month study of 100 Agra youth ages 18-35 using questionnaires and secondary sources. The findings will be analyzed using statistical tools and Microsoft Office
A new approach to evaluating the dominance of TV is to treat it as a language for better emotional and social engagement. The IPTV landscape can be improved by accepting that the media of TV is a winning format with tens of years of knowledge in seducing audiences. Live or on demand content can both learn to speak TV Language to better engage and sustain viewership.
Topic: Expected Regulation for the new Telecom Ecosystem
Speaker: Mr. Pairoj Waiwanijchakij
Vice President - Digital Product Management, AIS
Recrafting Post-Modern Thai Telecommunication Industry: Reliefs & Reforms
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Four Seasons Hotel
Rob Aitken: Future of TV - SXSW 2016 Panel Picker SubmissionCKasik
Visual aid for Rob Aitken's SXSW 2016 presentation "The Future of TV"
How soon can I stop paying for TV, and what services should I be subscribing to in the future? This talk will address these questions, as well as discussing the future of TV, given the recent changes in consumer demand, programmer distribution, cable offerings and the introduction of new smart devices. This will include an overview of TV economics, comparing them to more recent trends to understand how the industry may evolve. We'll also take a look at other disrupted media sectors to understand how consumer preferences and content creation costs could affect how the TV landscape evolves.
A new approach to evaluating the dominance of TV is to treat it as a language for better emotional and social engagement. The IPTV landscape can be improved by accepting that the media of TV is a winning format with tens of years of knowledge in seducing audiences. Live or on demand content can both learn to speak TV Language to better engage and sustain viewership.
Topic: Expected Regulation for the new Telecom Ecosystem
Speaker: Mr. Pairoj Waiwanijchakij
Vice President - Digital Product Management, AIS
Recrafting Post-Modern Thai Telecommunication Industry: Reliefs & Reforms
September 25, 2014
Four Seasons Hotel
Rob Aitken: Future of TV - SXSW 2016 Panel Picker SubmissionCKasik
Visual aid for Rob Aitken's SXSW 2016 presentation "The Future of TV"
How soon can I stop paying for TV, and what services should I be subscribing to in the future? This talk will address these questions, as well as discussing the future of TV, given the recent changes in consumer demand, programmer distribution, cable offerings and the introduction of new smart devices. This will include an overview of TV economics, comparing them to more recent trends to understand how the industry may evolve. We'll also take a look at other disrupted media sectors to understand how consumer preferences and content creation costs could affect how the TV landscape evolves.
'Report By UK Government's Consumer Expert Group Provides Evidence To Abandon...Grant Goddard
Analysis of recommendations by the UK government's Consumer Expert Group concerning the public policy of DAB digital radio switchover, written by Grant Goddard in September 2010 for Grant Goddard: Radio Blog.
Introduction to hyper local media, part one: audience data, definitions and U...Damian Radcliffe
12" pack broken into three, due to file size. This is part one which looks at audience data, definitions, and different UK examples.
Comments, feedback and suggestions are very welcome.
Kip Meek, Chair Broadband Stakeholder Group discusses the Digital Britain Report - 6 months on at the NextGen 09 Conference in Leeds on 16 and 17 November 2009
'Report By UK Government's Consumer Expert Group Provides Evidence To Abandon...Grant Goddard
Analysis of recommendations by the UK government's Consumer Expert Group concerning the public policy of DAB digital radio switchover, written by Grant Goddard in September 2010 for Grant Goddard: Radio Blog.
Introduction to hyper local media, part one: audience data, definitions and U...Damian Radcliffe
12" pack broken into three, due to file size. This is part one which looks at audience data, definitions, and different UK examples.
Comments, feedback and suggestions are very welcome.
Kip Meek, Chair Broadband Stakeholder Group discusses the Digital Britain Report - 6 months on at the NextGen 09 Conference in Leeds on 16 and 17 November 2009
The research, final thesis for the MSc in Media Management at Bocconi, aims to define peculiar business models for web TV, still an almost unexplored ground inside the economic theory, despite technological progress and a steady growing audience made it recently so attractive in terms of investments for both entrepreneurs and advertisers.
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This is a BCG report on the TV industry in US and it talks about how the TV industry has seen “shifts” from inception, but this time the pace with which its changing is so different. It has done ample surveys and has lot of verified facts which makes this report so rich and conclusive.
The core trends fueling disruption this time are
a. Online and mobile will exceed Facilities based viewing
b. On demand viewing will exceed live, linear viewing
c. New companies and business models in online viewing
d. Networks are experiencing the collapse of the middle and rise of “long tail”
e. Content creators and right holders are capturing a greater value share than ever
The 4 disruptive scenarios in making which will “accelerate” the change are
a. The universal remote: Global, all-inclusive navigation solving the discovery problem
b. The walled garden: exclusive entertainment becomes the critical strategic asset
c. Direct to Consumer takes on traditional TV bundles
d. Live TV online
The future of entertainment & media in a hyperconnected world, india and paki...SUN&FZ Associates
Contents for interconnected platforms in a hyper-connected world need to be carefully tailored to create synergy between delivery and receiving ends.
Focus on contents instead of the carriers is need of the time.
This case study was done as a part of my class assignment for Introduction of Analytics. It explains how Netflix uses Big Data and why is so successful.
Why I chose Netflix
Netflix: Stepping into Streaming
CLV used in Netflix
How Netflix uses Big Data and Analytics
Latest Relevant News!!
Conclusion
In 2019, subscription video services, on a global scale are predicted to overtake theaters for the first time in terms of revenue. This is based on the latest report from Ampere Analysis which looked to compare the changes in subscription-based revenue over the last few years in comparison to revenue associated with cinema attendance. Ampere Analysis notes that although cinema revenue has remained consistent over the last few years (with the data actually showing an increase compared to a decade ago), revenues from subscriptions has increased massively and at a rate where 2019 will see the figure surpass cinema for the first time.
Source - https://www.ampereanalysis.com/blog/aaee9a6c-e7eb-496c-bedc-e9e36f78ce1f or https://www.androidheadlines.com/2018/12/subscription-video-vs-cinema-revenue-2019.html
Change of Pace. Answer 2 of the 3 questions posed below. Your choice.pdffathimahardwareelect
Change of Pace. Answer 2 of the 3 questions posed below. Your choice.
1. During the 1990,s, DVD players became widely available and the rental DVD market took off.
NetFlix (www.netflix.com) initiated online DVD rental service creating a new market. Examine
the NetFlix site and determine the firms basic strategy. What are the challenges to its strategy?
Consider timing of the initiation of NetFlix: was it too early or right on time? How have Wal-
Mart, Amazon, and Apple attempted to differentiate their online services from NetFlix?
2. Podcasting, blogging, on line photo sharing, on line video and twittering are five technologies
that are enabling a much broader set of content publishers and content users. Describe the nature
of these industries and analyze the competitive situation of each using all six forces in Figure 4.3.
3. Compare the business models for Google and Yahoo using the Table 3.8. Make sure to
identify how they are different . How do you see their business models evolving over the next
five years?
Note. Comments and feedback will be proved wiyh annotations to the essay and comment in the
student grade center.
Solution
1. Netflix isn\'t just disseminating indicates delivered for U.S. groups of onlookers. It
additionally creates unique arrangement for supporters in non-U.S. markets that are additionally
accessible to U.S. supporters – for instance, \"Marseille,\" a French political dramatization; or
\"Hibana,\" a Japanese show about the nation\'s aggressive parody scene.
2. Netflix conveys programming \"on request\" by means of the web, watchers can pick what and
when to watch as opposed to watching \"what\'s on.\" So where a customary channel\'s
assignment is to build up a calendar, the key errand of an entrance is developing a library of
projects.
3. Netflix adopted niche strategy where they develop a program for different audiences as per
their interest. Their they show case serial dramas, actions series, horror series and exclusive
films.
2. A). Podcasting- The expression \"Podcasting\" is gotten from the iPod (Apple Computer\'s
prevalent gadget for playing packed sound documents) and \"broadcasting.\" Podcasting takes
into consideration sound records that would have been already downloaded and played on a PC
to be consequently downloaded and tuned in to on convenient music playing gadgets, (for
example, the iPod and other MP3 players). Podcasting has turned out to be prevalent as it enables
audience members to time– move content, i.e., to listen — when it suits them — to radio– like
programming on compact MP3 and related gadgets. Disappointment with customary radio —
which has excessively promoting and is seen to have nonexclusive programming — is powering
enthusiasm for programming that better meets the individual needs and interests of purchasers.
Podcasting speaks to a move from mass telecom to on– request customized media.
1. Podcasting enables audience members to take part in time– moving, while at the same time
giving .
Francesca Gottschalk - How can education support child empowerment.pptxEduSkills OECD
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Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
How libraries can support authors with open access requirements for UKRI fund...
Streaming videos are replacing traditional mode of entertainment
1. A STUDY OF STREAMING VIDEOS AS A
SUBSTITUTE OF TRADITIONAL MODE OF
ENTERTAINMENT WITH SPECIAL
REFERENCE TO YOUTH OF AGRA
SYNOPSIS
2. Introduction
Review of literature
Need of study
Objectives of study
Research design and methodology
References
3. There was a time when cable was considered the sole
means of getting access to quality television
programming. The influx of online video and streaming
services is now threatening the very existence of cable
and satellite television.
The quality of internet TV apps is frequently updated
and improvements take place at a quicker pace,
assuring viewers of an amazing video experience.
4. Streaming video is content sent in compressed form
over the Internet and displayed by the viewer in real
time. With streaming video or streaming media, a Web
user does not have to wait to download a file to play it.
Instead, the media is sent in a continuous stream of data
and is played as it arrives. The user needs a player,
which is a special program that uncompresses and
sends video data to the display and audio data to
speakers. A player can be either an integral part of a
browser or downloaded from the software maker's Web
site.
5.
6. S.NO AUTHO
R NAME
YEAR/TOPIC FINDINGS
1. Sabu M.
Thampi
(IIITM-K),
2014
A Review on P2P Video
Streaming
Video-over-IP applications have recently
attracted a large number of users on the
Internet. With streaming, a user does not have
to wait to download a file to play it and can
watch the video in real time.
2. Roger
Sumner-
Rivers
www.parc
elhero.co
m
2014
Amazon’s Prime Ambition
For the past 20 years retailers and
manufacturers have largely sought to
outsource their logistics function, and
concentrate on their core business. But, if the
great Amazon Logistics experiment logistics
works, other companies will be sure to follow.
They too might see the benefits of developing
logistics as part of their income stream, rather
than as a necessary but unwelcome expense.
7. 3. Amer Abd
Elkawy
Andrey Lekov
Keshab Raj
Adhikariz
Miguel Portela
MAY 2015,
Netflix – the
new face of the
TV industry
The huge business success of Netflix has not
remained unseen. Most of the biggest players in the
TV industry across the Atlantic like HBO and BBC are
successfully imitating Netflix‟s business model, thus
developing their own OTT networks for content
distribution and fueling their competitiveness with
own cocked exclusive content.
4. Gabor Kovacs May 2015
An Analysis of
Strategies by
Netflix in the
Television
Market
the innovation of Online Video Streaming services is
therefore considered to be disruptive in nature to the
established offline television industry.
5. AMY
FONTINELLE
October 2018
Economics of
Hulu, Netflix,
Redbox and
Blockbuster.
Streaming services will continue to look for less
bandwidth-intensive ways to deliver content, and
continue to produce their own original content.
6 GREG
MCFARLANE
October 2018
How 21st
Century Fox
Makes Its Money
That company wanted to separate its entertainment
and publishing businesses, which it accomplished by
moving all the entertainment to 21st Century Fox
and reconstituting the
latter.
8. From the review of literature it can be inferred
that traditional form of entertainment has taken
a backseat and the young generation is gradually
shifting to streaming videos. many studies have
supported this fact.
Therefore the researcher is curious to
understand whether this change has affected
cities like Agra.
The current study intends to see how the youth
of Agra has responded to this change.
9. To understand the attraction/ determinants of increase
in demand of streaming videos.
To detect the impact of streaming videos on youth of
Agra.
To detect whether streaming videos are substituting
traditional mode of entertainment (cable t.v.
,DTH,cinemas).
10. Duration of study -2months
Sample size-100
Geographical Area –Agra{Youth of Agra (18-35
years)}
Data collection
Primary data-study of individuals based on self
constructed questionnaire in which open ended and
close ended questions are included.
Secondary data-collected from various websites like
economics times,thesis,reports.
11. Tools and techniques
Statistical tools-all tools of descriptive statistics.
Software tools-M.S. Office (M.S. word,
M.S.powerpoint).
12. 1. Webster, James G. "Beneath the Veneer of Fragmentation: Television Audience
Polarization in a Multichannel World." Journal of Communication 55, no. 2 (2005): 366-382.
Weinstein, Shelli. “How ‘Scandal’ Paved the Way for ABC’s Twitter-Based #TGIT’ Marketing
Strategy.” Variety, September 22, 2014.
http://variety.com/2014/tv/news/scandal-twitter-shonda-rhimes-tgit-abc-shondaland-1201311282/.
2. Weisman, Aly. “Why FX Gives Louis CK Way More Freedom Than HBO Ever Would.”
Business Insider, July 20, 2014.
http://www.businessinsider.com/how-louie-ended-up-at-fx-not-hbo-2014-7.
3. Weisman, Jon. “Emmys: Vince Gilligan Credits Netflix for AMC’s ‘Breaking Bad’
Surviving, Thriving.” Variety, September 22, 2013.
http://variety.com/2013/tv/awards/breaking-bad-amc-vince-gilligan-credits-netflix-1200660762/.
4. Woerner, Meredith. “The Wachowskis Say They Filmed a Live Birth for TheirTV Show
Sense8.” io9, February 2, 2015.
http://io9.gizmodo.com/the-wachowskis-say-they-filmed-a-live-birth-for-their-t-1683307179.
5. Woo, Stu. “Under Fire, Netflix Rewinds DVD Plan.” The Wall Street Journal,October
11, 2011.
6.http://on.wsj.com/oLncsK.Zinoman, Jason. “Why New TV Comedies Are Choosing Plot
Over Jokes.” The New York Times, March 25, 2015. http://nyti.ms/1CYnTOP.