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A STUDY OF STREAMING VIDEOS AS A
SUBSTITUTE OF TRADITIONAL MODE OF
ENTERTAINMENT WITH SPECIAL
REFERENCE TO YOUTH OF AGRA
SYNOPSIS
 Introduction
 Review of literature
 Need of study
 Objectives of study
 Research design and methodology
 References
 There was a time when cable was considered the sole
means of getting access to quality television
programming. The influx of online video and streaming
services is now threatening the very existence of cable
and satellite television.
 The quality of internet TV apps is frequently updated
and improvements take place at a quicker pace,
assuring viewers of an amazing video experience.
 Streaming video is content sent in compressed form
over the Internet and displayed by the viewer in real
time. With streaming video or streaming media, a Web
user does not have to wait to download a file to play it.
Instead, the media is sent in a continuous stream of data
and is played as it arrives. The user needs a player,
which is a special program that uncompresses and
sends video data to the display and audio data to
speakers. A player can be either an integral part of a
browser or downloaded from the software maker's Web
site.
S.NO AUTHO
R NAME
YEAR/TOPIC FINDINGS
1. Sabu M.
Thampi
(IIITM-K),
2014
A Review on P2P Video
Streaming
Video-over-IP applications have recently
attracted a large number of users on the
Internet. With streaming, a user does not have
to wait to download a file to play it and can
watch the video in real time.
2. Roger
Sumner-
Rivers
www.parc
elhero.co
m
2014
Amazon’s Prime Ambition
For the past 20 years retailers and
manufacturers have largely sought to
outsource their logistics function, and
concentrate on their core business. But, if the
great Amazon Logistics experiment logistics
works, other companies will be sure to follow.
They too might see the benefits of developing
logistics as part of their income stream, rather
than as a necessary but unwelcome expense.
3. Amer Abd
Elkawy
Andrey Lekov
Keshab Raj
Adhikariz
Miguel Portela
MAY 2015,
Netflix – the
new face of the
TV industry
The huge business success of Netflix has not
remained unseen. Most of the biggest players in the
TV industry across the Atlantic like HBO and BBC are
successfully imitating Netflix‟s business model, thus
developing their own OTT networks for content
distribution and fueling their competitiveness with
own cocked exclusive content.
4. Gabor Kovacs May 2015
An Analysis of
Strategies by
Netflix in the
Television
Market
the innovation of Online Video Streaming services is
therefore considered to be disruptive in nature to the
established offline television industry.
5. AMY
FONTINELLE
October 2018
Economics of
Hulu, Netflix,
Redbox and
Blockbuster.
Streaming services will continue to look for less
bandwidth-intensive ways to deliver content, and
continue to produce their own original content.
6 GREG
MCFARLANE
October 2018
How 21st
Century Fox
Makes Its Money
That company wanted to separate its entertainment
and publishing businesses, which it accomplished by
moving all the entertainment to 21st Century Fox
and reconstituting the
latter.
 From the review of literature it can be inferred
that traditional form of entertainment has taken
a backseat and the young generation is gradually
shifting to streaming videos. many studies have
supported this fact.
 Therefore the researcher is curious to
understand whether this change has affected
cities like Agra.
 The current study intends to see how the youth
of Agra has responded to this change.
 To understand the attraction/ determinants of increase
in demand of streaming videos.
 To detect the impact of streaming videos on youth of
Agra.
 To detect whether streaming videos are substituting
traditional mode of entertainment (cable t.v.
,DTH,cinemas).
 Duration of study -2months
 Sample size-100
 Geographical Area –Agra{Youth of Agra (18-35
years)}
 Data collection
 Primary data-study of individuals based on self
constructed questionnaire in which open ended and
close ended questions are included.
 Secondary data-collected from various websites like
economics times,thesis,reports.
 Tools and techniques
 Statistical tools-all tools of descriptive statistics.
 Software tools-M.S. Office (M.S. word,
M.S.powerpoint).
1. Webster, James G. "Beneath the Veneer of Fragmentation: Television Audience
Polarization in a Multichannel World." Journal of Communication 55, no. 2 (2005): 366-382.
Weinstein, Shelli. “How ‘Scandal’ Paved the Way for ABC’s Twitter-Based #TGIT’ Marketing
Strategy.” Variety, September 22, 2014.
http://variety.com/2014/tv/news/scandal-twitter-shonda-rhimes-tgit-abc-shondaland-1201311282/.
2. Weisman, Aly. “Why FX Gives Louis CK Way More Freedom Than HBO Ever Would.”
Business Insider, July 20, 2014.
http://www.businessinsider.com/how-louie-ended-up-at-fx-not-hbo-2014-7.
3. Weisman, Jon. “Emmys: Vince Gilligan Credits Netflix for AMC’s ‘Breaking Bad’
Surviving, Thriving.” Variety, September 22, 2013.
http://variety.com/2013/tv/awards/breaking-bad-amc-vince-gilligan-credits-netflix-1200660762/.
4. Woerner, Meredith. “The Wachowskis Say They Filmed a Live Birth for TheirTV Show
Sense8.” io9, February 2, 2015.
http://io9.gizmodo.com/the-wachowskis-say-they-filmed-a-live-birth-for-their-t-1683307179.
5. Woo, Stu. “Under Fire, Netflix Rewinds DVD Plan.” The Wall Street Journal,October
11, 2011.
6.http://on.wsj.com/oLncsK.Zinoman, Jason. “Why New TV Comedies Are Choosing Plot
Over Jokes.” The New York Times, March 25, 2015. http://nyti.ms/1CYnTOP.
THANK YOU

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Streaming videos are replacing traditional mode of entertainment

  • 1. A STUDY OF STREAMING VIDEOS AS A SUBSTITUTE OF TRADITIONAL MODE OF ENTERTAINMENT WITH SPECIAL REFERENCE TO YOUTH OF AGRA SYNOPSIS
  • 2.  Introduction  Review of literature  Need of study  Objectives of study  Research design and methodology  References
  • 3.  There was a time when cable was considered the sole means of getting access to quality television programming. The influx of online video and streaming services is now threatening the very existence of cable and satellite television.  The quality of internet TV apps is frequently updated and improvements take place at a quicker pace, assuring viewers of an amazing video experience.
  • 4.  Streaming video is content sent in compressed form over the Internet and displayed by the viewer in real time. With streaming video or streaming media, a Web user does not have to wait to download a file to play it. Instead, the media is sent in a continuous stream of data and is played as it arrives. The user needs a player, which is a special program that uncompresses and sends video data to the display and audio data to speakers. A player can be either an integral part of a browser or downloaded from the software maker's Web site.
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  • 6. S.NO AUTHO R NAME YEAR/TOPIC FINDINGS 1. Sabu M. Thampi (IIITM-K), 2014 A Review on P2P Video Streaming Video-over-IP applications have recently attracted a large number of users on the Internet. With streaming, a user does not have to wait to download a file to play it and can watch the video in real time. 2. Roger Sumner- Rivers www.parc elhero.co m 2014 Amazon’s Prime Ambition For the past 20 years retailers and manufacturers have largely sought to outsource their logistics function, and concentrate on their core business. But, if the great Amazon Logistics experiment logistics works, other companies will be sure to follow. They too might see the benefits of developing logistics as part of their income stream, rather than as a necessary but unwelcome expense.
  • 7. 3. Amer Abd Elkawy Andrey Lekov Keshab Raj Adhikariz Miguel Portela MAY 2015, Netflix – the new face of the TV industry The huge business success of Netflix has not remained unseen. Most of the biggest players in the TV industry across the Atlantic like HBO and BBC are successfully imitating Netflix‟s business model, thus developing their own OTT networks for content distribution and fueling their competitiveness with own cocked exclusive content. 4. Gabor Kovacs May 2015 An Analysis of Strategies by Netflix in the Television Market the innovation of Online Video Streaming services is therefore considered to be disruptive in nature to the established offline television industry. 5. AMY FONTINELLE October 2018 Economics of Hulu, Netflix, Redbox and Blockbuster. Streaming services will continue to look for less bandwidth-intensive ways to deliver content, and continue to produce their own original content. 6 GREG MCFARLANE October 2018 How 21st Century Fox Makes Its Money That company wanted to separate its entertainment and publishing businesses, which it accomplished by moving all the entertainment to 21st Century Fox and reconstituting the latter.
  • 8.  From the review of literature it can be inferred that traditional form of entertainment has taken a backseat and the young generation is gradually shifting to streaming videos. many studies have supported this fact.  Therefore the researcher is curious to understand whether this change has affected cities like Agra.  The current study intends to see how the youth of Agra has responded to this change.
  • 9.  To understand the attraction/ determinants of increase in demand of streaming videos.  To detect the impact of streaming videos on youth of Agra.  To detect whether streaming videos are substituting traditional mode of entertainment (cable t.v. ,DTH,cinemas).
  • 10.  Duration of study -2months  Sample size-100  Geographical Area –Agra{Youth of Agra (18-35 years)}  Data collection  Primary data-study of individuals based on self constructed questionnaire in which open ended and close ended questions are included.  Secondary data-collected from various websites like economics times,thesis,reports.
  • 11.  Tools and techniques  Statistical tools-all tools of descriptive statistics.  Software tools-M.S. Office (M.S. word, M.S.powerpoint).
  • 12. 1. Webster, James G. "Beneath the Veneer of Fragmentation: Television Audience Polarization in a Multichannel World." Journal of Communication 55, no. 2 (2005): 366-382. Weinstein, Shelli. “How ‘Scandal’ Paved the Way for ABC’s Twitter-Based #TGIT’ Marketing Strategy.” Variety, September 22, 2014. http://variety.com/2014/tv/news/scandal-twitter-shonda-rhimes-tgit-abc-shondaland-1201311282/. 2. Weisman, Aly. “Why FX Gives Louis CK Way More Freedom Than HBO Ever Would.” Business Insider, July 20, 2014. http://www.businessinsider.com/how-louie-ended-up-at-fx-not-hbo-2014-7. 3. Weisman, Jon. “Emmys: Vince Gilligan Credits Netflix for AMC’s ‘Breaking Bad’ Surviving, Thriving.” Variety, September 22, 2013. http://variety.com/2013/tv/awards/breaking-bad-amc-vince-gilligan-credits-netflix-1200660762/. 4. Woerner, Meredith. “The Wachowskis Say They Filmed a Live Birth for TheirTV Show Sense8.” io9, February 2, 2015. http://io9.gizmodo.com/the-wachowskis-say-they-filmed-a-live-birth-for-their-t-1683307179. 5. Woo, Stu. “Under Fire, Netflix Rewinds DVD Plan.” The Wall Street Journal,October 11, 2011. 6.http://on.wsj.com/oLncsK.Zinoman, Jason. “Why New TV Comedies Are Choosing Plot Over Jokes.” The New York Times, March 25, 2015. http://nyti.ms/1CYnTOP.