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The document provides camera shot directions for a scene between a character named Charlie and an apparition. The shots include panning and zooming the camera to show Charlie's reflection and thoughts, then panning to show an empty room before the apparition appears. Subsequent shots frame the apparition and Charlie facing each other, with the apparition dominating the frame, then cutting to show their reflection in a mirror as the apparition walks away before turning back to Charlie as music plays.
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Music video treatment
The song lyrics describe a confrontation between a hacker and a group seeking justice. In the music video treatment:
We see the hacker working at his computer when his security cameras alert him that the group has broken into his home. The hacker flees out the window as the group searches his room. Later, the hacker walks alone down the street while being watched by the group. At a scenic overlook, the hacker collapses in distress while the group watches, then they resume their pursuit with their faces masked.
Initial plans 2
This document outlines initial plans for a short film responding to specific creative brief requirements. It includes three potential story ideas: an action/tragedy film about two people running from the police where one gets shot, an action/comedy film involving a gun fight that turns out to be a dream, and a fantasy film involving a magic watch that allows teleportation. Each story idea includes potential shots, props, and sets. Accompanying the document are mood boards to help visualize and structure each story idea. The mood boards show the story progressing chronologically through images and aim to influence the final product through their dark tone and inclusion of electrical items in each scene.
Bentoit Courti
This document discusses the black and white photography style of artist Benoit Courti. It analyzes several of his photographs and proposes how the photographer could have achieved similar effects. The analyses explore themes of lightheartedness, gambling, emotion, purity, mystery, and companionship conveyed through a focus on specific elements like hands, faces, or objects held by models.
Editing thedecentcrashscene
The document discusses the editing techniques used in the opening car crash scene of the film The Descent. It summarizes that the crash sequence begins with a slow, calm conversation between the characters but then cuts to fast-paced shots as a metal pole impales the character Paul's face. CGI was used to create the graphic pole impaling and blood effects. A transaction of fading to black at the end of the crash scene leaves viewers unsure of who survived, increasing suspense.
Orpheus – directed by James Button
The document provides an analysis of the short thriller film "Orpheus" and discusses techniques used in its camera work, sound, editing, and mise-en-scene. The camera work uses point-of-view shots and close-ups to visualize what the main character sees and how he sees it. Sound design uses heavy breathing and a woman's voice to convey the character's panic and hint that someone may be ill. Flashbacks and subtle clues are edited together to reveal the film's twist ending without showing everything explicitly. Mise-en-scene contrasts the character's professional clothing with changing settings to suggest he has two sides.
Final Destination 5 - Textual Analysis
The trailer for Final Destination 5 uses several horror film conventions to build tension and suggest impending doom. It begins with an establishing shot of the object that kills a character. Intercut with this are shots of a woman preparing for laser eye surgery who voices concern that "a lot is going on" in her life. As the surgery begins, monitors show increasing danger from the machine. The woman screams for help as the machine malfunctions, highlighting her vulnerability. Voiceovers explain the film's premise of characters cheating death but being killed later in strange accidents. The trailer cuts between past and present scenes and uses faster edits and music to create excitement and suggest the gruesome fates that await the characters.
Music video treatment
The music video treatment proposes a narrative-driven video that contrasts a hacker character with a group seeking justice. It begins with the hacker at home on his computer before the group infiltrates his house. Later, the hacker collapses in distress while the group watches from a scenic overlook, putting their masks back on as the sun sets. The video aims to use lighting, camerawork and location to distinguish hero from villain through the story told in the lyrics.
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Music video treatment
The song lyrics describe a confrontation between a hacker and a group seeking justice. In the music video treatment:
We see the hacker working at his computer when his security cameras alert him that the group has broken into his home. The hacker flees out the window as the group searches his room. Later, the hacker walks alone down the street while being watched by the group. At a scenic overlook, the hacker collapses in distress while the group watches, then they resume their pursuit with their faces masked.
Initial plans 2
This document outlines initial plans for a short film responding to specific creative brief requirements. It includes three potential story ideas: an action/tragedy film about two people running from the police where one gets shot, an action/comedy film involving a gun fight that turns out to be a dream, and a fantasy film involving a magic watch that allows teleportation. Each story idea includes potential shots, props, and sets. Accompanying the document are mood boards to help visualize and structure each story idea. The mood boards show the story progressing chronologically through images and aim to influence the final product through their dark tone and inclusion of electrical items in each scene.
Bentoit Courti
This document discusses the black and white photography style of artist Benoit Courti. It analyzes several of his photographs and proposes how the photographer could have achieved similar effects. The analyses explore themes of lightheartedness, gambling, emotion, purity, mystery, and companionship conveyed through a focus on specific elements like hands, faces, or objects held by models.
Editing thedecentcrashscene
The document discusses the editing techniques used in the opening car crash scene of the film The Descent. It summarizes that the crash sequence begins with a slow, calm conversation between the characters but then cuts to fast-paced shots as a metal pole impales the character Paul's face. CGI was used to create the graphic pole impaling and blood effects. A transaction of fading to black at the end of the crash scene leaves viewers unsure of who survived, increasing suspense.
Orpheus – directed by James Button
The document provides an analysis of the short thriller film "Orpheus" and discusses techniques used in its camera work, sound, editing, and mise-en-scene. The camera work uses point-of-view shots and close-ups to visualize what the main character sees and how he sees it. Sound design uses heavy breathing and a woman's voice to convey the character's panic and hint that someone may be ill. Flashbacks and subtle clues are edited together to reveal the film's twist ending without showing everything explicitly. Mise-en-scene contrasts the character's professional clothing with changing settings to suggest he has two sides.
Final Destination 5 - Textual Analysis
The trailer for Final Destination 5 uses several horror film conventions to build tension and suggest impending doom. It begins with an establishing shot of the object that kills a character. Intercut with this are shots of a woman preparing for laser eye surgery who voices concern that "a lot is going on" in her life. As the surgery begins, monitors show increasing danger from the machine. The woman screams for help as the machine malfunctions, highlighting her vulnerability. Voiceovers explain the film's premise of characters cheating death but being killed later in strange accidents. The trailer cuts between past and present scenes and uses faster edits and music to create excitement and suggest the gruesome fates that await the characters.
Music video treatment
The music video treatment proposes a narrative-driven video that contrasts a hacker character with a group seeking justice. It begins with the hacker at home on his computer before the group infiltrates his house. Later, the hacker collapses in distress while the group watches from a scenic overlook, putting their masks back on as the sun sets. The video aims to use lighting, camerawork and location to distinguish hero from villain through the story told in the lyrics.
Script
The document describes a series of scenes in a short film involving a man named Argus. In the first scene, Argus is drunk at a bar and gets thrown out. Later, Lucifer confronts Argus on the street and drags him to an unknown location. There, Lucifer and a woman named Elizabeth interrogate and beat Argus, demanding to know where their money is. In the final scene, Argus wakes up after hearing his doorbell ring, only to find Lucifer and Elizabeth at the door, before collapsing and dying.
Limebrook final-video-storyboard
This document outlines 10 scenes for a video storyboard about a woman named Taylor dealing with a breakup from her high school sweetheart. The storyboard follows Taylor as she struggles after the breakup but then finds companionship and happiness in adopting a black kitten named Olive. Over the course of bonding with Olive and supported by her roommates, Taylor comes to understand the importance of love and companionship in her life. The storyboard provides detailed descriptions of camera shots, music, and transitions between each scene to convey Taylor's emotional journey after her breakup.
My Completed Shot List
The document provides a shot list for the opening titles sequence of a horror film. It describes 26 shots between two locations - Easby Abbey and a house. The shots include establishing shots of the locations, scare characters suddenly appearing and flickering, a hand dragging blood beneath a shower curtain, a jack in a box popping up with a clown, a distressed victim character in the shower and looking in a mirror, and a scare character jumping out. The titles sequence will end with a montage of scenes from the shots, with increasing editing pace and intensity, building up the sound and ending on a close up of the scare character.
The departed
The document discusses several scenes from a film that build tension. It analyzes how the groceries the main character holds represent a return to normal life until he is suddenly shot. The placement of extras, a rat crawling off a balcony, and the character dropping groceries further this plot twist. Shot composition, a continuous take from an elevator to a door, and smooth editing into the apartment also slowly build intensity until the climactic shooting scene, leaving the audience in anticipation. Natural lighting is used to again represent normalcy returning before things take a dramatic turn.
Script for music video: "Hitchhiker"- OMI
This is the script for our music video: "Hitchhiker" by OMI
This script will help us cover how we are to film our music video e.g. how we will use the various shot types, locations, characters
AO2 first piece
The animation consists of 7 frames that use a pink face and sounds/music to depict a child choosing between a Twix bar and apple. In the 1st frame, the child wonders what to choose. In the 2nd frame, a Twix bar moves toward the child's mouth, playing a bite sound. In the 3rd frame, the Twix moves away as a red cross flashes. In the 4th frame, an apple moves to the child's mouth playing another bite sound. In the 5th frame, the apple moves away as a green tick flashes. The 6th frame prompts the child to choose. The 7th frame shows a fruit basket with a green tick flashing, playing a magic bell sound to conclude
Editing the decent scene 2
The scene starts out slow and calm as Sarah, Annabel and Paul have a normal conversation in the van. However, the camera then shows the van approaching from behind, indicating something is about to go wrong. The pace quickly shifts from calm to fast as the van crashes, with a metal pole impaling Paul's face. The camera cuts between shots of the pole flying towards Paul, it hitting his face, and the gush of blood, keeping the audience in a state of horror. A second pole is then seen going through where Annabel had been sitting, making the audience wonder if she survived.
Midnight meat train analysis
The opening sequence of Midnight Meat Train takes place on an old, worn-out train. It focuses on a single well-dressed man who is the only passenger left. He wakes up confused and becomes increasingly frightened as he discovers blood and realizes he is alone. Tight shots are used to highlight his facial expressions of confusion and fear. The sequence builds suspense through the man's trembling movements and intensifying non-diegetic music.
Zombieland - micro analysis of key scenes
1. The opening scene establishes the deserted setting and introduces Columbus through a tense POV sequence as he is chased by zombies. Though meant to be scary, the chase takes on a comedic tone through slapstick elements like a zombie's toilet paper shoe.
2. Tallahassee and Columbus encounter an abandoned car, and tension builds through soundtrack and camerawork as they search for signs of danger. It turns out the "threat" is just a young girl who took Columbus hostage.
3. At a store, the film continues using comedic techniques like Columbus' narration and slapstick violence to subvert expectations of horror. A montage sequence then plays destruction of the store for laughs set to light music
Shot list
This document provides a shot list for the opening scenes of a horror film. It describes 17 shots ranging from establishing shots, close-ups, and perspective shots. The shots will show a couple, Jo and Theo, arguing in a car as they drive towards a forest. Their conversation escalates and Jo exits the car and runs into the forest with Theo following. The shots are planned to build tension through shaky camerawork, intense music, and close-ups of the characters' emotional reactions.
Station 43 analysis
This document provides an analysis and summary of the opening scenes of a thriller film. It summarizes how the opening establishes conventions of the thriller genre through tension-building elements like counting and questions about an ominous figure. It describes shots that show a happy young couple before a mysterious man in black is seen following them and boarding their train. The analysis notes how a climactic encounter between the couple and the man is portrayed in an intentionally ambiguous way through distorted exposure and sound effects. After the title card, the ending shots continue building mystery around the number 43 and where the train is headed next while hinting there will be backstory to explore.
Script Draft 1
1) The document is a script for a music video that tells the story of Christopher trying to win back his ex-girlfriend Rihanna after cheating on her.
2) After dropping all of his possessions in a rush to get to Rihanna before she moves away, Christopher has flashbacks of their relationship and pushes himself to keep running to her.
3) Christopher finally reaches Rihanna but is then hit by a car. The story ends with Christopher's death and Rihanna's anguish as she realizes what has happened.
Script
Christopher desperately tries to win back his ex-girlfriend Rihanna after cheating on her. He runs various errands to try to stop her from moving away to America. In the climax, Christopher runs across the street to stop Rihanna, but is hit by a car. Rihanna finds Christopher dying on the ground as the story ends tragically.
Location shots
The document discusses 8 locations that will be used to film a thriller movie. Location 1, 2, and 3 will be a path outside a school that will be used for the main character to discover the murderer and as another location later in the film. Locations 4 and 5 will be a house that can double as two different houses for scenes. Location 6 will be a school conference room used to represent the murderer's home. Location 7 will be the school drama studio used for a fight scene and a scene where the main character is tied to a chair. Location 8 will be various areas of the school used for flashback scenes of the main character's happier times with friends before she has to run away.
Flightplan powerpoint
The document provides an analysis of the opening scenes of the thriller film "FlightPlan". It summarizes the key elements of mise-en-scene, camera work, sound, and atmosphere/enigma used in the opening. These include the serious expression of the main character in black clothing, the empty train station setting, dim lighting used in the coffin scene, close-up shots of the character's face, ambient sounds like dripping water, and the creation of mystery around who is in the coffin and how they died. The opening is analyzed for how it draws the audience in with questions about the situation and characters.
Understanding of Camera Shots
This document defines and provides examples of various micro elements used in film openings, including shots (extreme close up, close up, medium shot, long shot, extreme long shot), camera movements (track, pan, tilt, zoom), edits (cut), pace (slow motion, performance), and sound (diegetic, non-diegetic). Each term is defined and an example image or description is provided to illustrate how it is used to convey information to the audience and advance the scene.
Screenplay
1) The screenplay describes scenes for a music video featuring a couple getting ready in 1950s style and performing a routine on stage to the song "Love Like This" by Kodaline.
2) It includes detailed shots of the male and female applying makeup and hair products, dressing in 1950s clothing, and rehearsing their performance through split screens and close-ups.
3) The performance scenes on stage are choreographed to match the slow pace of the music, and the video concludes by showing an old woman watching footage of her past performance, now alone without her partner.
Thriller film research media
The document provides analysis of the opening sequences of four films: Psycho, Gone Girl, Black Swan, and an unnamed film.
For Psycho, the opening uses discontinuous editing and camera movements to create unease and suggest secrets are being hidden. In Gone Girl, a close-up shot establishes the male character's control over the woman as threatening music plays. Black Swan uses fluid camerawork and music to immerse viewers in the protagonist's dance, then hints at themes of isolation. Overall, the analyses examine how cinematography, editing, sound, and visual elements are used to set tones and introduce characters/themes in engaging opening sequences.
Thriller film research media
The document provides analysis of the opening sequences of four films: Psycho, Gone Girl, Black Swan, and an unnamed horror/thriller film. For Psycho, it describes the unsettling opening credits and camera movements that create tension. For Gone Girl, it explains how the opening establishes control and manipulation between the main characters. For Black Swan, it analyzes the cinematography, editing, sound, and mise-en-scene that immerse the viewer in the ballet performance and foreshadow themes of isolation. For the horror/thriller, it notes clues left by credits, camera angles, and sounds that hint at secrets and being watched.
Shontelle impossible
The video tells a narrative story of a relationship that has ended. It shows the singer arriving alone at a new place and experiencing unhappy memories through a series of flashbacks to happier times with her ex-boyfriend. These are contrasted with shots of her upset while looking out a window or writing in a diary. The video climaxes with an argument between the couple before ending with the singer leaving a CD and kissing her ex while he sleeps, taking a final look at a photo of them together before walking away.
AS media
The document provides details about two rock music magazines - Kerrang! and Classic Rock Magazine. It discusses the publishers, conventions, layout, design and target audiences of the magazines. Research was also conducted through a questionnaire to analyze the demographics and preferences of the target audience for a classic rock music magazine. Graphs and charts were created from the questionnaire data to help inform the design of a new classic rock magazine.
Magazine cover presntation
The document analyzes the covers of two music magazines - Vibe magazine, which focuses on rap music, and Blender magazine, which targets women interested in pop music. Vibe uses darker colors and sharper text, aiming for a more edgy look, while Blender appears softer with lighter colors and simpler, easier to read text. The analysis provides recommendations for an original magazine cover, suggesting bright bold colors, non-serif text, simple use of text, a simple masthead, a catchy title, a bright background, and slanted imagery to attract the intended audience.
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Script
The document describes a series of scenes in a short film involving a man named Argus. In the first scene, Argus is drunk at a bar and gets thrown out. Later, Lucifer confronts Argus on the street and drags him to an unknown location. There, Lucifer and a woman named Elizabeth interrogate and beat Argus, demanding to know where their money is. In the final scene, Argus wakes up after hearing his doorbell ring, only to find Lucifer and Elizabeth at the door, before collapsing and dying.
Limebrook final-video-storyboard
This document outlines 10 scenes for a video storyboard about a woman named Taylor dealing with a breakup from her high school sweetheart. The storyboard follows Taylor as she struggles after the breakup but then finds companionship and happiness in adopting a black kitten named Olive. Over the course of bonding with Olive and supported by her roommates, Taylor comes to understand the importance of love and companionship in her life. The storyboard provides detailed descriptions of camera shots, music, and transitions between each scene to convey Taylor's emotional journey after her breakup.
My Completed Shot List
The document provides a shot list for the opening titles sequence of a horror film. It describes 26 shots between two locations - Easby Abbey and a house. The shots include establishing shots of the locations, scare characters suddenly appearing and flickering, a hand dragging blood beneath a shower curtain, a jack in a box popping up with a clown, a distressed victim character in the shower and looking in a mirror, and a scare character jumping out. The titles sequence will end with a montage of scenes from the shots, with increasing editing pace and intensity, building up the sound and ending on a close up of the scare character.
The departed
The document discusses several scenes from a film that build tension. It analyzes how the groceries the main character holds represent a return to normal life until he is suddenly shot. The placement of extras, a rat crawling off a balcony, and the character dropping groceries further this plot twist. Shot composition, a continuous take from an elevator to a door, and smooth editing into the apartment also slowly build intensity until the climactic shooting scene, leaving the audience in anticipation. Natural lighting is used to again represent normalcy returning before things take a dramatic turn.
Script for music video: "Hitchhiker"- OMI
This is the script for our music video: "Hitchhiker" by OMI
This script will help us cover how we are to film our music video e.g. how we will use the various shot types, locations, characters
AO2 first piece
The animation consists of 7 frames that use a pink face and sounds/music to depict a child choosing between a Twix bar and apple. In the 1st frame, the child wonders what to choose. In the 2nd frame, a Twix bar moves toward the child's mouth, playing a bite sound. In the 3rd frame, the Twix moves away as a red cross flashes. In the 4th frame, an apple moves to the child's mouth playing another bite sound. In the 5th frame, the apple moves away as a green tick flashes. The 6th frame prompts the child to choose. The 7th frame shows a fruit basket with a green tick flashing, playing a magic bell sound to conclude
Editing the decent scene 2
The scene starts out slow and calm as Sarah, Annabel and Paul have a normal conversation in the van. However, the camera then shows the van approaching from behind, indicating something is about to go wrong. The pace quickly shifts from calm to fast as the van crashes, with a metal pole impaling Paul's face. The camera cuts between shots of the pole flying towards Paul, it hitting his face, and the gush of blood, keeping the audience in a state of horror. A second pole is then seen going through where Annabel had been sitting, making the audience wonder if she survived.
Midnight meat train analysis
The opening sequence of Midnight Meat Train takes place on an old, worn-out train. It focuses on a single well-dressed man who is the only passenger left. He wakes up confused and becomes increasingly frightened as he discovers blood and realizes he is alone. Tight shots are used to highlight his facial expressions of confusion and fear. The sequence builds suspense through the man's trembling movements and intensifying non-diegetic music.
Zombieland - micro analysis of key scenes
1. The opening scene establishes the deserted setting and introduces Columbus through a tense POV sequence as he is chased by zombies. Though meant to be scary, the chase takes on a comedic tone through slapstick elements like a zombie's toilet paper shoe.
2. Tallahassee and Columbus encounter an abandoned car, and tension builds through soundtrack and camerawork as they search for signs of danger. It turns out the "threat" is just a young girl who took Columbus hostage.
3. At a store, the film continues using comedic techniques like Columbus' narration and slapstick violence to subvert expectations of horror. A montage sequence then plays destruction of the store for laughs set to light music
Shot list
This document provides a shot list for the opening scenes of a horror film. It describes 17 shots ranging from establishing shots, close-ups, and perspective shots. The shots will show a couple, Jo and Theo, arguing in a car as they drive towards a forest. Their conversation escalates and Jo exits the car and runs into the forest with Theo following. The shots are planned to build tension through shaky camerawork, intense music, and close-ups of the characters' emotional reactions.
Station 43 analysis
This document provides an analysis and summary of the opening scenes of a thriller film. It summarizes how the opening establishes conventions of the thriller genre through tension-building elements like counting and questions about an ominous figure. It describes shots that show a happy young couple before a mysterious man in black is seen following them and boarding their train. The analysis notes how a climactic encounter between the couple and the man is portrayed in an intentionally ambiguous way through distorted exposure and sound effects. After the title card, the ending shots continue building mystery around the number 43 and where the train is headed next while hinting there will be backstory to explore.
Script Draft 1
1) The document is a script for a music video that tells the story of Christopher trying to win back his ex-girlfriend Rihanna after cheating on her.
2) After dropping all of his possessions in a rush to get to Rihanna before she moves away, Christopher has flashbacks of their relationship and pushes himself to keep running to her.
3) Christopher finally reaches Rihanna but is then hit by a car. The story ends with Christopher's death and Rihanna's anguish as she realizes what has happened.
Script
Christopher desperately tries to win back his ex-girlfriend Rihanna after cheating on her. He runs various errands to try to stop her from moving away to America. In the climax, Christopher runs across the street to stop Rihanna, but is hit by a car. Rihanna finds Christopher dying on the ground as the story ends tragically.
Location shots
The document discusses 8 locations that will be used to film a thriller movie. Location 1, 2, and 3 will be a path outside a school that will be used for the main character to discover the murderer and as another location later in the film. Locations 4 and 5 will be a house that can double as two different houses for scenes. Location 6 will be a school conference room used to represent the murderer's home. Location 7 will be the school drama studio used for a fight scene and a scene where the main character is tied to a chair. Location 8 will be various areas of the school used for flashback scenes of the main character's happier times with friends before she has to run away.
Flightplan powerpoint
The document provides an analysis of the opening scenes of the thriller film "FlightPlan". It summarizes the key elements of mise-en-scene, camera work, sound, and atmosphere/enigma used in the opening. These include the serious expression of the main character in black clothing, the empty train station setting, dim lighting used in the coffin scene, close-up shots of the character's face, ambient sounds like dripping water, and the creation of mystery around who is in the coffin and how they died. The opening is analyzed for how it draws the audience in with questions about the situation and characters.
Understanding of Camera Shots
This document defines and provides examples of various micro elements used in film openings, including shots (extreme close up, close up, medium shot, long shot, extreme long shot), camera movements (track, pan, tilt, zoom), edits (cut), pace (slow motion, performance), and sound (diegetic, non-diegetic). Each term is defined and an example image or description is provided to illustrate how it is used to convey information to the audience and advance the scene.
Screenplay
1) The screenplay describes scenes for a music video featuring a couple getting ready in 1950s style and performing a routine on stage to the song "Love Like This" by Kodaline.
2) It includes detailed shots of the male and female applying makeup and hair products, dressing in 1950s clothing, and rehearsing their performance through split screens and close-ups.
3) The performance scenes on stage are choreographed to match the slow pace of the music, and the video concludes by showing an old woman watching footage of her past performance, now alone without her partner.
Thriller film research media
The document provides analysis of the opening sequences of four films: Psycho, Gone Girl, Black Swan, and an unnamed film.
For Psycho, the opening uses discontinuous editing and camera movements to create unease and suggest secrets are being hidden. In Gone Girl, a close-up shot establishes the male character's control over the woman as threatening music plays. Black Swan uses fluid camerawork and music to immerse viewers in the protagonist's dance, then hints at themes of isolation. Overall, the analyses examine how cinematography, editing, sound, and visual elements are used to set tones and introduce characters/themes in engaging opening sequences.
Thriller film research media
The document provides analysis of the opening sequences of four films: Psycho, Gone Girl, Black Swan, and an unnamed horror/thriller film. For Psycho, it describes the unsettling opening credits and camera movements that create tension. For Gone Girl, it explains how the opening establishes control and manipulation between the main characters. For Black Swan, it analyzes the cinematography, editing, sound, and mise-en-scene that immerse the viewer in the ballet performance and foreshadow themes of isolation. For the horror/thriller, it notes clues left by credits, camera angles, and sounds that hint at secrets and being watched.
Shontelle impossible
The video tells a narrative story of a relationship that has ended. It shows the singer arriving alone at a new place and experiencing unhappy memories through a series of flashbacks to happier times with her ex-boyfriend. These are contrasted with shots of her upset while looking out a window or writing in a diary. The video climaxes with an argument between the couple before ending with the singer leaving a CD and kissing her ex while he sleeps, taking a final look at a photo of them together before walking away.
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AS media
The document provides details about two rock music magazines - Kerrang! and Classic Rock Magazine. It discusses the publishers, conventions, layout, design and target audiences of the magazines. Research was also conducted through a questionnaire to analyze the demographics and preferences of the target audience for a classic rock music magazine. Graphs and charts were created from the questionnaire data to help inform the design of a new classic rock magazine.
Magazine cover presntation
The document analyzes the covers of two music magazines - Vibe magazine, which focuses on rap music, and Blender magazine, which targets women interested in pop music. Vibe uses darker colors and sharper text, aiming for a more edgy look, while Blender appears softer with lighter colors and simpler, easier to read text. The analysis provides recommendations for an original magazine cover, suggesting bright bold colors, non-serif text, simple use of text, a simple masthead, a catchy title, a bright background, and slanted imagery to attract the intended audience.
Preliminary Tasks
The document reflects on the preliminary tasks for creating a college magazine, including researching other music magazine designs. Key lessons learned were to use cover lines to advertise content, place them on the left, and use bright colors that relate to the genre. For the contents page, the reflection noted listing page numbers before article titles and highlighting them, as well as including promotional features. When researching double page spreads, most had a large central image surrounded by text, which informed the design of an article spread about a competition. Audience feedback on the prototype college magazine was positive overall regarding style and purchase price. Creating the magazine helped understand how to address a specific audience and incorporate elements to make a specialist magazine appealing to a general audience.
Preliminary Tasks
The document discusses the process of designing a magazine for a college. It reflects on research done on typical magazine design elements like front covers, content pages, and double page spreads. It then shows examples of college magazine covers and discusses designing a more student-friendly magazine. An audience analysis identifies students and teachers as the target. The document includes mock-ups of the college magazine's front cover, contents page, and preliminary feedback which found the style was generally well-received. Making the magazine helped understand how to design for a specific audience.
Preliminary Magazine Research 2
This is the research i have done for my preliminary magazine research; 4 front covers and 4 contents.
Front cover construction analysis
This document summarizes the process of designing the front cover of a magazine. It describes testing various photographs of models, editing them to be more flattering and powerful. Fonts and design elements were selected and arranged on an A4 template to represent the magazine cover. Feedback from a survey and focus group led to refinements such as changing the color scheme and font styles to better match the target audience's preferences. The final draft incorporated these changes to produce a cohesive and appealing design for the hip hop magazine's front cover.
Preliminary task school magazine
This document outlines the process of creating a front cover and contents page for a school magazine as a preliminary task. It includes sketches of potential designs for the front cover and contents page. Notes describe selecting a medium close-up photo of a smiling student for the front cover and editing it in Photoshop by cropping, adjusting exposure, and including a faded background photo. A brief reflection notes learning how to use Photoshop to edit images and effectively layout a magazine for the target audience.
Magazine evaluation
- The magazine aims to represent the rap genre through its title, layout, images, and fonts.
- The cover features the artist wearing stereotypical rapper clothing like a baseball jacket and hat, posing in a way commonly seen on rap magazine covers.
- Bold, large fonts are used for headlines to match conventions of rap magazines like Vibe and XXL, with red fonts drawing attention to key information.
- Images and poses of the artist continue representing rap iconography and styles seen in music videos throughout the magazine.
School Magazine - Prelimary Task
The document describes a student's plans to create the front and contents pages of a school magazine. The student intends to use red, black, and white colors to create a simple yet modern design. They plan to conduct research on other school magazines and audience research to inform their design choices. The front page will feature a photo of two students in an art classroom as the main image with headlines and article descriptions. The contents page will list article titles and page numbers in a consistent layout with the magazine logo and a photo of the headteacher.
Magazine front covers
This document provides examples and descriptions of magazine layout elements including mastheads, cover lines, main images, dates, barcodes, subheadings, fonts, and more. It examines these elements across several music magazines like Classical Music, Record Collector, Top of the Pops, NME This Week, Kerrang This Week, and Kerrang Special Edition. Key aspects summarized include using prominent images and headlines to attract readers, subheadings to outline contents, and band/artist indexes for easy navigation to relevant articles.
Media Preliminary Task - School Magazine
The document describes the process of creating a front cover and contents page for a school magazine targeted at sixth form students. Key points:
- The creator took photos and used Adobe Photoshop to design the magazine pages over several hours.
- The front cover features a medium close-up photo of a student, along with headings about exam tips and school news/events aimed at sixth formers.
- The contents page lists additional stories inside the magazine on topics like workloads and uniform that would interest the target audience.
- Both pages use a combination of fonts, colors, images and layouts to clearly present information while appealing to 16-18 year olds.
Bab 3 Individu, Keluarga dan Masyarakat
Paragraf pertama membahas pengertian individu sebagai manusia perseorangan yang memiliki peranan khas dalam kepribadiannya. Paragraf kedua membahas faktor-faktor yang mempengaruhi pertumbuhan individu seperti faktor biologis, geografis, dan kebudayaan. Paragraf ketiga membahas pengertian dan fungsi-fungsi keluarga seperti pengaturan keturunan, sosialisasi, ekonomi, pelindungan, dan afeksi.
School Magazine Analysis
The Ruthinian School magazine contents page summary:
The contents page has a formal and sophisticated presentation with symmetry and fluency. It only features the school logo and lacks images, suggesting the magazine solely promotes the school for parents/guardians rather than entertaining students.
King Edward VI School magazine contents page summary:
The contents page has a simple, minimalist design that breaks conventions by lacking images and color. It seems aimed at an older audience by being unexciting and focusing only on the basics required rather than attracting readers.
Bebington High School magazine contents page summary:
The contents page has a bold, artsy layout perhaps reflecting the school's subjects. It features one smiling image of
School Magazine - Preliminary Task
Eliza Chapman-Smith has been tasked with creating the front and contents pages of a school magazine. She plans to use the school's colors of red, black, and white to create a simple yet modern design. Her goal is to have consistent branding to make the magazine look more professional. To ensure an authentic product, she will research other school magazines and conduct audience research to understand what readers expect to see.
Music Magazine Construction
The document describes the process of creating and editing a music magazine in Photoshop and InDesign. Key steps include taking photos of a model for the cover, editing the photos by removing backgrounds and smoothing skin, designing the magazine layout in InDesign, and refining the design by changing fonts, colors, and positioning of elements. The goal is to make the magazine look professional and appealing to readers.
Ted tomkins uk film magazines
The magazine covers films, TV, and media in the genres of science fiction, fantasy, and horror. It has a primarily male readership around age 33. The key cover image depicts an actor from the film Prince Persia in character. The masthead and mystical font style suggest a focus on fantasy content. Additional articles are advertised through circular strips and coverlines.
Magazine - front covers codes and conventions
Magazines reflect the era and society in which they exist. They can both reinforce and challenge social norms through the ideologies and views they promote. Each magazine develops a unique "house style" through elements like text, images, layout, color and size to create a recognizable brand and mode of address for its target audience. Analyzing magazine covers can provide insight into the messages, values, and implicit ideologies conveyed regarding issues of representation over different historical periods.
Magazine layout conventions
1) The document describes various conventions and layout features of magazine front covers, contents pages, and double page spreads.
2) Common elements across magazines include mastheads, cover images, barcodes, and consistent use of fonts and colors.
3) Double page spreads typically have columns of text, photos of the subject, drop caps, and correct folio numbers. Layouts vary between magazines but maintain readable formatting.
Magazine analysis
The document analyzes a magazine front cover and contents page created by the author. Some key points:
- The author used Photoshop to design the bright pink masthead and arrange the cover elements.
- The cover lines highlight important articles in colored boxes, and the lead image shows a surprised model.
- The contents page matches the front cover colors and styles articles sections with photos chosen by the author.
- The author notes what design elements worked well (bright colors, lead image) and not as well (cover lines, contents photos) and what was difficult (article ideas) versus easy (assembling in Photoshop).
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The Woman in Black analysis
The opening scene of The Woman in Black sets a dark, gloomy mood through its use of mise-en-scene, editing, cinematography, and sound. Three young girls are seen playing with dolls in a dimly lit room decorated plainly. Strange editing choices, like slow motion and shot reverse shots between the girls and dolls, manipulate the viewer. Extreme close-ups of the unsettling dolls make them seem alive. As the scene progresses, the girls suddenly smash their teacups and throw the dolls before jumping out the window. Their scream leaves the viewer alone with the now darker and duller room, controlled by whatever made the girls act so strangely.
Storyboard teaser trailer
This document outlines 12 shots for a teaser trailer about a cult. Shot 1 shows the villain dressed in black and a mask, moving quickly down a dark alley. Shot 2 shows a girl being dragged from her bed as another tries to follow. Shot 3 features cult members in uniforms around a bonfire, chanting from the Lord's Prayer. Shot 4 shows a paper being slid across a table reading "I want to join." Shot 5 shows a girl being dragged through mud and leaves in the woods. Shot 6 gives a close-up of the cult leader explaining tasks. Shot 7 continues dragging the girl through the woods with a knife. Shots 8-10 provide title screens. Shot 11 hangs the girl upside down in a
Media horror film analysis
The opening scene of The Conjuring is a dark setting where characters discuss their possessed doll. As they mention the doll, the camera shows an extreme close-up of its face and eye, without loud sounds or music. This makes the doll seem clever and discreet rather than just scary. The characters provide background on the doll's intentions to possess its owner, allowing viewers to predict what it may do later in the film. The scene disturbs viewers through the doll's close-ups while being discussed, showing it as more interesting than frightening.
Media Harry Potter Opening Scene
This document discusses various film techniques seen in the opening scene of Harry Potter and the Order of the Phoenix including:
- Extreme close-ups of Harry's wand to signify the genre.
- Close-ups showing a character's fear and worry.
- Medium shots showing a character's emotion and the action.
- Long shots establishing the gloomy setting and tension.
- Pans and zooms drawing attention to details and characters' expressions.
- Performance and interactions establishing characters like Harry's sadness and Dudley's bullying.
- Diegetic and non-diegetic sounds making the scene realistic and setting mood.
- Mise-en-scene elements like costumes, lighting and sounds creating atmosphere.
Annotation of still images
This document provides descriptions and analyses of still images from a film. It summarizes the purpose, camera techniques, lighting, costumes, and implications of 12 still shots from the movie. The stills depict characters recording themselves, friends laughing, a house, ominous writing, interference on a camera, toys in a trunk, the house facade, a seance, a boy coming up the stairs, and a figure looming over a reading woman. Through techniques like lighting, camera angles, and implied context, the stills aim to set a mood of unease, paranormal activity, and a home life turned upside down.
Annotation of still images
This document provides descriptions and analyses of still images from a film. It summarizes the purpose, camera techniques, lighting, costumes, and implications of 12 still shots from the movie. The stills depict characters investigating strange occurrences in their new home, playing outside before problems arise, and increasingly disturbing situations as darkness takes over, suggesting the story involves paranormal events terrorizing the characters.
Location scouting
The document summarizes the locations and purposes of 11 scenes for a film. Scene 1 takes place in a church where a coin falls and is enhanced with sound effects. Scene 2 is in a park showing a romantic couple watching a sunset. Scene 3 is in a nightclub where the female receives a job offer abroad. Later scenes show the couple separating, with the female packing in her bedroom in Scene 6 and traveling alone in Scene 7's airport scene. Scenes 8-9 contrast the professional female in her bright office and isolated male in his dark office. Scenes 10-11 depict the struggling male alone in the bathroom and with friends in a pub. Scene 14 hints at a possible reconnection by showing another woman picking up the
Location scouting
The document summarizes the locations and purposes of 11 scenes for a film. Scene 1 takes place in a church where a coin falls and is enhanced with sound effects. Scene 2 is in a park showing a romantic couple watching a sunset. Scene 3 is in a nightclub where the female receives a job offer abroad. Later scenes show the couple separating, with the female packing in her bedroom in Scene 6 and traveling alone in Scene 7's airport scene. Scenes 8-9 contrast the professional female in her bright office with the isolated male in his dim office. Scenes 10-11 depict the struggling male alone in the bathroom and drinking with friends. Scene 14 hints at a possible reconnection by showing another woman picking up the coin
Presentation for pitch media
The document outlines a horror film storyboard presentation that involves a girl who feels like she is being followed. After dropping her mother off at the pub, she finds her power is out at home. She investigates and discovers her stalker, screaming in fright. It turns out to be just a dream, but when the camera pulls back, her stalker is revealed to be standing at the foot of her bed. The document provides details on shots, lighting, sound, characters and more to visualize how the stalking scenes would be filmed.
Presentation for pitch media
The document outlines a horror film storyboard presentation. It describes 6 scenes: 1) A girl sees a stalker's eyes through bookshelves in a library. 2) In a dark library, lights turn off towards the girl as an unknown number calls her. 3) The stalker watches the girl from behind trees as she closes her car. 4) The stalker hides as the girl arrives home and talks to her mother. 5) The stalker is seen in the rearview mirror as the girl drops off her mother. 6) After a power outage, the girl sees the stalker's face on the stairs before waking up to a call from her mother.
Taken mise en scene analysis
1) Various shot types are used in the thriller film Taken to effectively convey emotion and tension, including close-ups, medium shots, and low angles.
2) Close-ups of characters' faces clearly show their changing emotions like worry and fear, helping audiences feel what the characters are feeling.
3) Low angle shots make scenes seem more intense from the character's perspective, pulling the audience deeper into the story.
Scene 2 - Classroom
The document outlines several scenes shot in a school corridor and classroom. It describes the camera angles and movements used to follow the main character Charlie through the emptying corridor alone and into the classroom. It discusses shots of Charlie having a conversation with her teacher at their desks, obeying the 180 degree rule. It proposes fading from a shot of the teacher reading homework to Charlie writing it alone in her room depicted in a darker shot.
Magnify Prod.
The document provides a script for 6 scenes depicting the story of a homeless child. In the first scene, the child arrives at a train station and finds shelter in a cardboard box in a park. In scene 2, another child named Child 1 discovers the homeless child and tries to befriend her. In scene 3, there is a flashback showing the homeless child was previously ill and her family was struggling with medical costs. Scene 4 shows Child 1 continuing to help the homeless child by bringing her food. Scene 5 depicts the homeless child having flashbacks by the riverside about her family issues and past illness. The final scene reveals through a flashback that the homeless child had cancer and left home to not be a burden on her family
Media work final inception and saw charlotte[1]
Thrillers rely on suspense and mystery to engage audiences. They lead viewers to constantly want to know more through a series of suspenseful events. While horror films focus on scary or disturbing content, thrillers maintain audience interest through intriguing plots and concealed information rather than graphic scares. Effective thrillers leave audiences guessing about characters' identities, motives, and what might happen next up until the climax.
Tobi trailer analysis smiley
The trailer analyzes the mise en scene, camera work, editing, and special effects used. For the first character, Smiley, his simple costume of a mask, black shirt, and trousers is described along with the lighting and close-up focus on his face. The second character, a woman, is depicted with disheveled hair and a ripped costume to indicate panic after an attack. Her lighting and bedroom setting aim to create fear but also a sense of safety. Throughout the trailer, there is no state of equilibrium as fear is constant and killing attempts are unsuccessful at being stopped. Camera work utilizes eye lines and over shoulder shots, while editing provides a smooth flow between scenes using cross-cutting and one matched cut.
Pre-liminary trailer task evaluation
The document provides an analysis of shots, camera movements, editing, music and pacing used in a teaser trailer for a film called "Escape". It describes various shots including mid shots, long shots and close ups used to introduce characters and set scenes. It also discusses camera pans, zooms and angles used to follow characters and build tension. The music is described as eerie and intensifying throughout the trailer to match the increasing suspense, though one section could have been a better fit. Overall the analysis evaluates techniques used to keep audiences engaged without revealing the full story.
Treatment
The document provides directions for shooting scenes for a film opening. It describes 3 locations: 1) the exterior of a house, 2) a bedroom, and 3) a swing set outside. The opening will show:
1) A long shot of the house zooming in on a window, then cutting to the bedroom where the main character Amelia is sleeping restlessly.
2) Her dreams are shown outside at the swing set with characters Billie and Lily playing. The scene cuts back to Amelia in bed.
3) It returns to the swing set, then back to Amelia waking and writing in a book, with scenes cutting between her writing and the children playing. Throughout,
The possession trailer analysis
The trailer is for the supernatural horror film "The Possession". It follows a girl named Em who buys an old box at a garage sale. She starts acting strangely after opening the box, distancing herself from others. Her concerned parents seek help from a priest, who warns that an evil spirit is taking over Em. Her behavior becomes more aggressive and she appears to be fully possessed by the end of the trailer.
Similar Product Analysis - The Sixth Sense
The opening sequence of "The Sixth Sense" uses technical elements to create an unsettling atmosphere for the audience. Slow, long shots in the dark basement and a camera positioned behind objects make the audience uncomfortable as they wonder what threat may be present. Red colors indicate potential danger for the sole character, a woman. However, tension is later relieved when she is joined by another person and romantic music plays, suggesting the setting is not truly threatening. Throughout, the director uses lighting, camera work, editing and other techniques to initially worry the audience before providing some reassurance.
The possession trailer analysis
The trailer is for the supernatural horror film "The Possession". It follows a young girl, Em, who buys an mysterious box at a garage sale. She begins acting strangely after opening the box, distancing herself from friends and family. Her concerned parents seek help from a priest, who warns that Em is being possessed by an evil spirit. Her behavior becomes more aggressive and medical exams reveal the spirit inside her. The trailer builds suspense without revealing whether Em survives or remains possessed.
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Poster
The document discusses producing a poster. It likely provides instructions or guidelines for creating a poster, such as choosing a design, including key details and information, and properly formatting and laying out the final poster. The overall goal of the poster and important elements to include are summarized to give the main points and purpose addressed in the document.
Storyboard5
The document provides camera directions and descriptions for various shots in a film scene. It follows a character, Charlie, as she leaves her classroom and walks down the corridor with an apparition that fades away. The final shots show the characters walking in the woods as credits roll and the group's logo fades in after.
Storyboard4
The document provides shooting directions for a film scene. It describes various camera shots and angles including looking down on characters from above as they walk along a path, panning right to follow characters from behind a fence, and switching sides as characters stop and hug before walking off camera. It also describes changing the music to a lower pitch as the main character is struck and falls to the ground after being hit by a thug on a bridge. Subsequent shots include softer music playing as characters begin speaking in a bedroom with curtains framed in the shot from the other side of the room to signify a different mood with the same characters and location.
Storyboard3
The document provides camera shot directions for a scene between a character named Charlie and an apparition. It describes alternating close-up shots of Charlie and the apparition that will zoom in further each time, as the apparition verbally attacks Charlie and the background music builds tension. In the final shots, Charlie breaks down emotionally while remembering the night her friend died, before the scene fades to white.
Storyboard1
1. The document describes a series of shots from a film. The first shot shows two girls hugging, then one walks off screen while the other walks toward the camera and off to the right.
2. The second shot follows the second girl as she walks along a bridge. A thug follows a few paces behind her.
3. In a symmetrical shot framed by the bridge, the girl walks in the middle as the thug follows, about to strike her before the shot abruptly cuts to black silence.
Scene 6 classroom
Scene 6 involves several shots in a classroom and corridor: Charlie talks with her teacher while the conversation is filmed from both sides and edited together; Charlie says goodbye and leaves, with the teacher appearing thoughtful; as Charlie walks down the corridor, the dark character is waiting dressed in light clothes and follows Charlie unseen; the two girls walk together down the corridor as music plays and the dark character fades from the shot, which then zooms in before fading to credits with the music continuing.
Scene 4 – viaduct
The document summarizes three scenes set at a viaduct involving two girls. Scene 1 introduces the location with a white flash and grainy effect to indicate it is a memory. Scene 2 shows the girls walking down a path from a low camera angle getting louder as they approach. One girl has a hood to conceal her identity. Scene 3 switches between point-of-view shots of the girls with one saying goodbye and the other facing the bridge entrance, then reveals the figure from the prologue.
Scene 1 – prologue
Scene 1 consists of 3 parts that set up a mystery:
1) A girl is heard walking on a bridge and then screams, followed by a body hitting the floor.
2) The camera focuses on a blood-stained friendship bracelet on a girl's wrist near the bridge.
3) A title card with music transitions to the next scene.
Rejected Locations
The document lists 4 different locations: Lower Bank, Higher Bank, Del Park, and Hope Hill. No other details are provided about the locations beyond their names.
Evaluation
The document discusses the construction of a media product that follows many magazine conventions like layout and masthead design, but also challenges some conventions with darker backgrounds and minimal photography lighting. It conducted a survey to find that its target audience of students wanted band interviews, artistic photography, new artists, and album reviews, which were incorporated. The process taught skills with Photoshop, blogging, and different media formats. Since the preliminary task, the creator learned more about the magazine process, how to manipulate images, layout conventions, and using color to create mood.
Preliminary Task
The document provides details on a preliminary task to design the front cover and contents page for a school-based magazine. It outlines the steps taken which included analyzing conventions of typical magazines, devising initial ideas incorporating important components, and using Photoshop to construct a layout. The designer experimented with different fonts, color schemes, and layouts to become familiar with Photoshop tools. This allowed them to gain skills in Photoshop and magazine design conventions for future magazine production work.
AS Media - Main Task
The document provides details about a student's plans to create a music magazine targeting alternative and electro music fans aged 15-22. The student conducted market research through surveys which found their target audience prefers those genres of music and images with dark tones. The student proposes creating a magazine called "OUTPUT" priced at £2.49, including band interviews, album reviews, and artistic photography with a psychedelic style to match the target genre. They provide ideas for cover, contents, and double page layouts incorporating the market research findings.
Feedback
IPC Media is one of the largest magazine publishers in the UK, reaching over two thirds of UK women and 42% of UK men. It publishes a wide range of specialist interest and music magazines. The document discusses feedback from potential readers on a new magazine concept, with over half of respondents saying they would purchase the magazine and praising aspects like the layout, photography and professional design. Some suggested improvements included adding more content and visual elements to pages like the cover and double page spread.
Final editing
The document summarizes the final edits made to different elements of a magazine:
1) The cover design was finalized with subheadings, text in different colors (yellow and white), and a psychedelic masthead shape added. A barcode and price were also included.
2) The contents page was organized with section headers, highlighted links to items on the cover, and an editor's note and photo. Color was limited to the cover image to avoid clutter.
3) The double-page spread separated text into columns with a center fold. Borders and consistent colors (yellow for reviews) were used to make the page professional without confusion. A page number was only added to one side to reduce clutter.
Word art + front cover (draft)
The document discusses how the author created a custom masthead for their work by manipulating shapes in Microsoft Word and then further editing the image in Photoshop. They also created a logo for their band using strips in Word resembling an equalizer which they will remove the background of in Photoshop to match their color scheme and layout.
Photoshoot + editing
The document discusses plans for a photo shoot with the following key points:
- Lighting will use a single spotlight reflected in models' large black sunglasses to give images a psychedelic effect.
- Models will wear dark hooded jackets to appeal to a rebellious target market.
- Shots will illuminate models against a dark background to construct a double page spread.
- Models will have blank expressions to not draw attention from sunglasses.
- Some images will be blurry to experiment with for an album cover.
Questionnaire results
A student conducted market research through a survey questionnaire of 28 peers to determine the genre of music to base their magazine on. The student tallied the responses and presented the data in graphs using Microsoft Word to gain insight into their target market and what content should be included in the magazine project.
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Paper Link: https://eprint.iacr.org/2024/257
Building Production Ready Search Pipelines with Spark and Milvus
Spark is the widely used ETL tool for processing, indexing and ingesting data to serving stack for search. Milvus is the production-ready open-source vector database. In this talk we will show how to use Spark to process unstructured data to extract vector representations, and push the vectors to Milvus vector database for search serving.
Astute Business Solutions | Oracle Cloud Partner |
Your goto partner for Oracle Cloud, PeopleSoft, E-Business Suite, and Ellucian Banner. We are a firm specialized in managed services and consulting.
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Storyboard2
- 1. 9 As the shot fades and the teachers voice fades out we will see Charlie in the reflection of the mirrors, we will hear her thoughts criticising herself as she works. The shot will pan left. Diegetic sound only. Camera is pivoted.
- 2. 10 The camera will continue to pan left showing the room empty. Diegetic sound only. Camera is pivoted.
- 3. 11 As the shot rests on Charlie it will blur slightly which will match up with her thoughts as she says “oh come on, concentrate!”. Diegetic sound only. Camera is pivoted.
- 4. 12 The shot zooms out to show that a figure has appeared (the apparition), as she begins to speak a motif will begin to play in the background. Camera is fixed.
- 5. 13 The camera to face the apparition with Charlie’s head in the left of shot. The apparitions face will dominate the shot magnifying the emotion in her face, drawing the audience in on the dialogue. The camera is still. The motif will slowly finish and fade out.
- 6. 14 The camera will switch to over the apparitions shoulder facing Charlie who will appear smaller in frame than the apparition in the previous shot, this will make her appear smaller and therefore weaker in the conversation. The camera is still.
- 7. 15 The shot will cut to face the mirrored wardrobes showing the whole room in the reflection. The apparition will get up and walk towards the mirror and finish with her back to the camera, we will see her actions in the reflection and Charlie in the right of the shot. At the end of the shot the apparition will turn to face Charlie and the motif will play again. The camera is still (it may pan left when the apparition turns around to keep her in shot).
- 8. 13 The shot will cut to face Charlie to see her reaction to the apparition, the music will slowly build in the background. The camera is still.