My Completed Shot List
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The document provides a shot list for the opening titles sequence of a horror film. It describes 26 shots between two locations - Easby Abbey and a house. The shots include establishing shots of the locations, scare characters suddenly appearing and flickering, a hand dragging blood beneath a shower curtain, a jack in a box popping up with a clown, a distressed victim character in the shower and looking in a mirror, and a scare character jumping out. The titles sequence will end with a montage of scenes from the shots, with increasing editing pace and intensity, building up the sound and ending on a close up of the scare character.
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Evaluation task 1
The document compares shots and techniques used in the filmmaker's thriller to those used in several well-known thriller films to effectively create suspense and tension. It discusses how shots from films like "The Lovely Bones" and "The Usual Suspects" that frame characters from below or show isolated rooms or feet were replicated to give villains presence and convey isolation. Similarly, the use of subtle unsettling music in key moments, like in "The Lovely Bones," helped build an ominous atmosphere in the filmmaker's work. The comparisons highlight how established thriller techniques can successfully generate mystery and suspense when adopted in new films.
'Saw'
The document analyzes key elements of a Saw film through props, locations, lighting, costumes, character movements, sound, camera work, and editing. Props like a mask indicated a character's mission to survive or die. Locations like a police office created safety while a basement isolated characters. Lighting in the police scene was bright but added blue for unease. A character's clothing like a black jacket foreshadowed capture. Character movements showed fear through shaking and smoking. Sound design heightened tension through non-diegetic noises and diegetic cues like ticking. Camera work like panning captured confusion while close-ups emphasized important props. Editing started slow but sped up during flashbacks and chaotic scenes.
Insidious title sequence analysis
The title sequence of the film Insidious uses various film techniques to set an ominous and mysterious tone. Shots slowly pan between different darkened locations in a seemingly haunted house, with unsettling non-diegetic sounds. A shadowy figure of an old woman holding a candle is revealed, looking sinister. Throughout, the black and white cinematography and focus on a clock suggest something frightening from the past. The sequence successfully builds suspense and foreshadows horror to come through its deliberate pacing and use of lighting, camera work, editing and sound design.
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The title sequence of the film Insidious uses various film techniques to set an ominous and mysterious tone. Shots slowly pan between different dark and shadowy locations in a house, interspersed with close-ups of unsettling images like a pale woman holding a candle. The black and white cinematography and unsettling non-diegetic sounds reinforce the sense of mystery and impending danger. The sequence establishes the setting and characters while foreshadowing that something sinister may be haunting the family who has just moved into the house.
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The title sequence of the film Insidious uses various film techniques to set an ominous and mysterious tone. Shots slowly pan between different darkened locations in a seemingly haunted house, with unsettling non-diegetic sounds. A shadowy figure of an old woman holding a candle is revealed, looking sinister. Throughout, the black and white cinematography and focus on a clock suggest something frightening from the past. The sequence successfully builds suspense and foreshadows horror to come through its deliberate pacing and use of lighting, camera work, editing and sound design.
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The title sequence of the film Insidious uses various film techniques to set an ominous and mysterious tone. Shots slowly pan between different dark and shadowy locations in a house, interspersed with close-ups of unsettling images like a pale woman holding a candle. The black and white cinematography and unsettling non-diegetic sounds reinforce the sense of mystery and impending danger. The sequence establishes the setting and characters while foreshadowing that something sinister may be haunting the family who has just moved into the house.
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The opening scene of The Shining uses various film techniques to set an ominous and mysterious tone. A high angle tracking shot follows a car driving through a deserted, snowy landscape as eerie music plays. Long shots and extreme long shots are used to establish the isolated setting. High camera angles make the car seem smaller and less significant, hinting there may be something strange. The techniques draw out details and build a sense of impending danger or threat, leaving the viewer wanting to know what will happen to the car in this lonely place.
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Well, I can’t say that this is my favourite film. It would be just the wrong word. This is the film, that impressed me. This is the film, that shocked me. This is the film, that covers my body with goosebumps every time when I hear about it. This is the only film that really scares me…
It is about consequences after a Nuclear Attack or, honesty speaking, after a play between two persons in which everyone is a looser. Especially simple people, who suffers mostly.
Critics tended to claim the film was too tame, but still, being directed by Nicholas Meyer, it received twelve Emmy nominations and won two Emmy awards for an Outstanding Film Sound Editing and for an Outstanding Achievement In Special Visual Effects.
But my task was not to write about the whole film ( what I wish I could), but to write about my favourite scene in it ( and again, I would like to replace the word favourite to the most impressive one). Why does my “favourite” scene end on 3.27? Because everything what is happening after is too cruel even for non-sensitive people like me.
First of all, I must point out again that I don’t like it. I am impressed by it. Why? It shows us peoples reaction to a disaster! It shows us the end of their world and how they are trying to survive. But do they have a chance? Most of them definitely not! And the audience see it and wholly understands… how terrifying is that? So, this piece shows the naturalness of emotions.
My second reason is cleanliness of the shots. They are very straight and senseful. The picture explains what it has to, but avoids too much drama. Yes, it is very dramatic scene, but everywhere have to be a measure. People are still hoping and I see it, I understand it, I believe it and I am worry about it.
My third point is talking about a film structure, which includes several things like: great use of the sound, camera, different angles, colours and how genius everything is put together! Each movement, gesture, posture, appearances, spatial behaviour… everything what is happening on the screen puts and keeps you under a pressure.
But I should tell more about my last point, because, obviously, there is what to pay attention for. Firstly, the great sound work that really adds even more tension to this scene.
So what can I say about camera work in this scene? It’s spectacular! I identified a lot of different methods of what I had learned and I want to tell about several of them.
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The document outlines the opening sequence of a film in three shots totaling 1:02 minutes. The sequence begins with a black screen and haunting sounds for 5 seconds. It then flashes red for 1 second with crackling sounds. The final shot from 0:08-1:02 shows framed, shaky footage of 4 hanging bodies in a tree with soaring sounds. As the bodies are lifted, the words "Sinister" appear on the screen before it cuts to black. The sequence uses sound, camerawork and editing to build an unsettling atmosphere.
Opening sequence analysis
The document analyzes the opening sequence of "The Girl with the Dragon Tattoo" through its mise-en-scene, editing techniques, camerawork, and themes. Key elements include the use of a river setting, matchsticks and coins as props, fast pacing through cut shots, close-ups for tension, and a theme of a woman's isolation and possible mental illness as represented by a man grabbing her face. These analytical insights influenced the creator to leave some enigma in their own opening and use dark colors to set the thriller/horror genre.
Media language investigation
This document analyzes film techniques used in horror movie trailers for The Woman in Black, The Conjuring, and The Possession. It discusses how cinematography is used to establish settings and show emotions. Sound is discussed in relation to creating tension through loud bangs and music. Mise-en-scene reveals details about old, dusty settings that imply abandonment and haunting. Editing techniques like montages, blackouts, and slow zooms are described as ways to build fear and tension in audiences. Overall, the document examines the filmic elements that horror trailers employ to convey unease and dread in viewers.
Insidious trailer analysis
- The Insidious trailer uses fast pacing and syncopated cuts to build tension and anticipation. Shots are carefully composed to convey meaning through camera angles, movements, and lighting.
- The trailer establishes that the family is being haunted by supernatural forces in their new home. Unnatural shadows, sounds, and movements suggest the house itself is the antagonist, watching and causing distress.
- Scenes of the distressed mother and investigations by experts introduce the plot and characters while continuing to highlight the growing terror of the haunting. Jump scares and ominous close-ups keep the audience unsettled and on edge.
Trailer Three Analysis
The document provides analysis of shots in a movie trailer:
1) The opening shot shows an abandoned field in shallow focus to set a mysterious scene.
2) The next shot shows two actresses walking together to demonstrate their friendship before one is killed.
3) A key shot shows a speeding car hitting and killing one actress, with screeching sounds added for dramatic effect.
4) A slow motion close-up of the grieving remaining actress helps the audience understand the emotional impact.
Opening sequence analysis
The opening sequence of The Girl with the Dragon Tattoo uses various film techniques to portray a female character's isolation from a male captor through surreal and ambiguous imagery. Shots include the two characters connected by wires that explode, suggesting the female is breaking free. Dark colors and lighting create a moody atmosphere. Rapid cutting between non-chronological shots maintains mystery. These techniques leave the audience questioning what is happening to immerse them in the film's implied themes of mental illness and liberation from confinement.
Analysis of existing product todorov
The video follows Todorov's narrative theory of equilibrium being disrupted and then restored. It begins in a state of equilibrium with natural lighting and relaxed characters. This is disrupted when the protagonist is kidnapped, shown with close-ups, intense music, and dark lighting. He then recognizes the disruption on a darkly lit phone. The disruption is repaired as the band rescues him, shown in a shot with them in light and him in shadow. Finally, equilibrium is restored with the clear sky filling the background, signifying safety and tranquility restored.
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This document analyzes the cinematography, editing, mise-en-scene, representation, theory, target audience, and generic conventions used in the horror film Insidious. It discusses how the camera work uses angles to portray power dynamics and create tension. It also examines how the editing, sound, and mise-en-scene establish an eerie atmosphere through techniques like a creepy musical score and vintage decor. Finally, it analyzes how the film's representation of gender and family reinforce common horror tropes and theories while also subverting expectations through a powerful psychic woman character.
Media sub genre presentation
This document summarizes key elements of the horror media sub-genre of witches and occult films. It discusses common conventions like innocent-looking characters being victims, settings being dark and isolated areas like forests, and the use of music, camera techniques, and special effects to build atmosphere and scare audiences. Character archetypes mentioned include innocent children or women playing a role in frightening viewers. Editing techniques like jump cuts and fading between shots also create suspense by suggesting impending danger or importance.
Amityville II: The Possession - Deconstruction
The opening sequence of the 1982 horror film "Amityville II: The Possession" begins with an extreme long shot of the haunted house with a "For Sale" sign. Slow panning and zooming shots of the exterior are accompanied by tense non-diegetic piano music and opening credits appearing on screen. The camera movements build tension as it zooms in on a window. It then cuts to a car pulling up to the now "Sold" house, introducing the film's characters.
My Pitch
The document outlines a pitch for a horror/thriller film that will use creepy landscapes and quick shots to build horror. It will be inspired by films like The Descent and Silent Hill, incorporating flashing images, loud sounds, and quick cuts to confuse and scare audiences. The film aims to target younger audiences familiar with fantasy thrillers. It will be shot at abandoned, creepy locations and edited to look more horrific through special effects. The storyline involves an evil presence at an abandoned location, with landscapes and hints showing through discrete and obvious shots.
The Grudge
The film The Grudge was released in 2004 and was directed by Takashi Shimizu. It stars Sarah Michelle Gellar and is a horror film that contains elements of drama, mystery, and suspense. The film is about an American nurse named Karen who moves to Tokyo and encounters a vengeful supernatural spirit that possesses its victims and passes its curse onto each one. It was produced by Columbia Pictures and Ghost House Pictures and uses techniques like fade to black, backlighting, loud sounds, tilt shots, and close-ups to create tension and scare the audience.
American history x
The document discusses techniques used in the film American History X directed by Tony Kaye. It notes that past memories are shown through warm colors and blurry scenes while the present is depicted in black and white to represent the dark history. After the main character changes, the scenes become clearer and use more color. Slow close-up shots are used to show emotions and actions with pain from the character's past and present. Fast scenes with short shots depict violence through a mix of close and long shots. Static medium shots are used for speeches to make the main character central to the scene and convey his power.
Shot list
The document contains a shot list for a film with 25 shots detailing the camera movements, locations, sounds, and brief details for each shot. The shots follow a character named Anna through her morning routine at home, starting with establishing shots of the town and her waking up in her bedroom. The shots then show her getting ready in the bathroom and bedroom, including showering, applying makeup, and getting dressed. Later shots depict her in the kitchen pouring milk and going back upstairs before crashing onto her bed in frustration.
Unit 2 & 3, Task 3
The document discusses different film techniques used in the movie "Final Destination" including camerawork, editing, mise-en-scene, and sound. It provides examples of shots like point-of-view and establishing shots. It also describes editing techniques like cuts, parallel editing, and cutaway shots. Mise-en-scene elements discussed include setting, lighting, costumes, color, and props. Finally, it outlines different types of sounds used like diegetic and non-diegetic sounds as well as dialogue, synchronized, and asynchronous sounds.
The day after (1983)
Well, I can’t say that this is my favourite film. It would be just the wrong word. This is the film, that impressed me. This is the film, that shocked me. This is the film, that covers my body with goosebumps every time when I hear about it. This is the only film that really scares me…
It is about consequences after a Nuclear Attack or, honesty speaking, after a play between two persons in which everyone is a looser. Especially simple people, who suffers mostly.
Critics tended to claim the film was too tame, but still, being directed by Nicholas Meyer, it received twelve Emmy nominations and won two Emmy awards for an Outstanding Film Sound Editing and for an Outstanding Achievement In Special Visual Effects.
But my task was not to write about the whole film ( what I wish I could), but to write about my favourite scene in it ( and again, I would like to replace the word favourite to the most impressive one). Why does my “favourite” scene end on 3.27? Because everything what is happening after is too cruel even for non-sensitive people like me.
First of all, I must point out again that I don’t like it. I am impressed by it. Why? It shows us peoples reaction to a disaster! It shows us the end of their world and how they are trying to survive. But do they have a chance? Most of them definitely not! And the audience see it and wholly understands… how terrifying is that? So, this piece shows the naturalness of emotions.
My second reason is cleanliness of the shots. They are very straight and senseful. The picture explains what it has to, but avoids too much drama. Yes, it is very dramatic scene, but everywhere have to be a measure. People are still hoping and I see it, I understand it, I believe it and I am worry about it.
My third point is talking about a film structure, which includes several things like: great use of the sound, camera, different angles, colours and how genius everything is put together! Each movement, gesture, posture, appearances, spatial behaviour… everything what is happening on the screen puts and keeps you under a pressure.
But I should tell more about my last point, because, obviously, there is what to pay attention for. Firstly, the great sound work that really adds even more tension to this scene.
So what can I say about camera work in this scene? It’s spectacular! I identified a lot of different methods of what I had learned and I want to tell about several of them.
Tall jake storyboard
This document provides subtitles and descriptions for video entries that were part of a documentary by two filmmakers investigating the urban myth of "Tall Jake". The entries show the filmmakers' experiences, including one where a masked figure appears in their car. The last entry shows one of the filmmakers going to sleep with the camera recording before the masked figure appears and the camera cuts off. The filmmakers have been missing since December 1st.
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The opening titles of the film Nightwatch use mise-en-scene elements to set the tone and leave the audience with questions. The dark background, light blue title font, and blurred writing create a mysterious feel. The first shot shows a woman who appears blindfolded under harsh lighting, leaving her situation unclear. Early locations are dark and outdoor, suggesting a cold, unsettling tone. Characters wear uniforms, but their purpose is unknown. A close-up of red lips could foreshadow blood or passion. The first clear image shows a man drinking, allowing viewers to judge his character. Elements like color, expressions, and props are used to subtly provide insights while maintaining mystery.
Institutional research
Warner Bros. and Arrow Films are film distributors that target different types of audiences depending on the genre and budget of the films. Warner Bros. is a major studio that distributes big-budget blockbusters like Gravity and The Conjuring, so they would not be interested in distributing the author's low-budget amateur film. Arrow Films is an independent UK distributor that focuses on classic, horror, and cult films similar in scale to the author's low-budget horror film, so they could potentially be interested in distributing it.
Location recce – Easby Abbey
This document summarizes a potential filming location called Easby Abbey in Richmond, England. The abbey is described as an historic but run-down location that would provide a creepy atmosphere suitable for a horror film. Access to the location is easy, as it is a 1.6 mile walk from the document author's house and open to the public. Lighting may need to be controlled to maintain consistent natural light. Hazards identified in a risk assessment include dangerous structures, costume/makeup tools, and working at night, which would require the use of lighting.
Location recce - My House
This document summarizes potential filming locations for a project, including the author's own house.
The author's house at 1 Park Wynd in Richmond, North Yorkshire is described. While the current state of the house is not suitable for the genre, the author believes it could be altered with costumes, props, and set design.
Issues like access, lighting, and sound are listed as having no issues at the house location. A risk assessment is provided that highlights potential hazards like animals/insects, costume/makeup, lone working, and night operation. Evaluations of the highlighted hazards in the context of filming at the author's house are provided.
Call Sheet
Fran Summers will play the lead role of the female protagonist between December 15th and March 16th with varied shoot times. As both the scary character and victim, she will portray how ordinary people can become possessed and horrified. Producer and director Bob Mackenzie chose Fran for her ability to play different roles from their past work together, and because she is a committed actor skilled at portraying fear.
Genre research
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
Target Audience Research
This document summarizes research into potential target audiences for a horror film. It reviews comparable profiles of other horror films that target audiences aged 15-24, particularly females. The document then describes primary research conducted with 3 people aged 16-23 through asking them questions about a horror film trailer. Their responses indicated that scary characters, music, and relatable characters are important for horror films. The document concludes that this research will help make the opening titles scary by including these identified elements.
My titles
The document lists the tiles/roles that will appear in the opening credits of a film, including Directed by Bob Mackenzie, Written by Bob Mackenzie & Joe Wilkinson, and Produced by George Lucas, with 22 titles total such as Director of Photography, Music Composed, and starring 5 actors.
Evaluation Question 3
The document discusses potential distribution partners for a low-budget independent horror film. It analyzes why several major studios like Paramount, Disney, and 20th Century Fox would likely not be suitable partners given the film's genre and budget. It identifies Film4 as a good potential partner because they distribute a wide variety of genres including horror, they work with independent films, and their target UK audience would be a good match. Film4's reputation in the industry could help attract audiences. The document also discusses advertising the film online through its website and YouTube channel as well as pursuing film festivals and cinema screenings to build awareness and audiences.
How is age represented in waterloo road
The document discusses how age is represented through costumes and behaviors in the TV show Waterloo Road. Stereotypes of teenagers are shown through their scruffy school uniforms and rebellious attitudes. Adults are portrayed as older and more rigid through their formal clothing and use of authority. Camera shots, music, and dialogue are also used to distinguish the ages of characters and highlight typical traits associated with each age group. Overall, the show relies on common stereotypes to immediately identify a character's age through their appearance and conduct.
The conjuring opening sequence analysis (1)
The opening sequence of The Conjuring establishes the horror genre through modified studio logos and darkness with dialogue. Shaky camera movements on a doll's face imply it is dangerous. Backstory on the doll Annabelle is provided through dialogue as images are shown. Tension is built through a slow zoom onto Annabelle's blank expression. A flashback jarringly shifts from quiet to loud, shocking the audience. Strange written messages and a damaged room create confusion about the doll's abilities. The sequence ends by seemingly resolving the threat but hinting at an unhappy ending through genre conventions.
Business Unit 3 Revision AQA
This document discusses corporate and functional objectives and strategies. It explains that corporate objectives guide the goals of the whole organization, while functional objectives guide each business area based on corporate objectives. Several financial objectives are then outlined, including cash flow targets and cost minimization. Common financial statements like the balance sheet and income statement are explained. Ratio analysis is introduced as a way to measure business performance through ratios like profitability, liquidity, efficiency, gearing, and shareholder returns. The document concludes with a discussion of investment appraisal techniques like payback period, average rate of return, and net present value.
The conjuring opening scene analysis
The opening scene of The Conjuring introduces the possessed doll through an extreme close-up shot of its eye during a conversation about it, disturbing the audience. The conversation reveals that the doll's owners unwittingly allowed a spirit to possess it, and the spirit wants to possess the owners as well. A flashback then shows the doll has moved and the home has been destroyed, with the message "miss me?" written ominously. Though the doll is discarded, it reappears in the home, frightening the owners and unsettling the audience for the events to come in the film.
Horror Film Forms and Conventions
The document discusses various forms and conventions commonly found in horror films. It outlines common themes such as revenge, hauntings, demons, gore, and serial killers. It also describes subgenres like gothic horror, slasher films, and psychological horror. Narratives in horror films typically involve a protagonist confronting a monster or villain. Character archetypes include the heroine, sex appeal character, irritating character, unlikely hero, and antagonist. The document also discusses camera work techniques, found footage style, iconography, and common settings used to establish mood and tension in horror movies.
Evaluation question 4
This document provides guidance for answering a question about the audience for a media product. It instructs the student to visually represent their target audience through a video montage, moodboard, or online poster, showing who the audience members are, their tastes, spare time activities, and media preferences. It stresses that any visual representation should be accompanied by a brief summary paragraph and reference back to initial secondary and primary audience research.
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Similar to My Completed Shot List
Scene analysis
This scene from the movie Annabelle takes place in the dark basement of the main character Mia's new apartment building. Mia goes down to the basement alone at night, using only a flashlight. Strange noises and a flashing light increase the tension and suspense. When Mia discovers a baby carriage, a baby's cries suddenly stop, frightening her. She tries to escape in the elevator but it malfunctions, forcing her to flee through the emergency exit while unexplained sounds chase her, heightening the horror of the scene.
As media opening sequences
The opening sequence for Coraline uses close-up shots of a doll being disassembled by mechanical hands to disorient the viewer and set the tone that someone or something is manipulating objects. For Skyfall, the opening shows James Bond falling underwater while being pulled down by a larger force, representing how people can be brought down. The opening of Dawn of the Dead uses flickering images and music to depict the chaos of a zombie outbreak in a way that makes the violence seem normal.
Opening for media presentation
The document discusses and compares two potential horror film openings - one involving a woman running through the woods who discovers a creepy cabin ("Cabin") and the other involving a woman in her house who becomes possessed ("Possession"). It provides details on the plot, casting, length, target audiences, inspirations, shots, sound, lighting, resources needed, and logos for the potential film distributor for both ideas.
Scene analysis
In this scene from the movie Scream 2, Maureen Evans is stabbed to death by Ghostface in a crowded movie theater without anyone noticing. The scene is set during a screening of a new horror film about Ghostface. Most of the audience is wearing Ghostface costumes, disguising the identity of the real killer. As Maureen is stabbed beside a costumed audience member, no one realizes it is actually happening. She tries to flee but the audience just thinks she is acting out a scene from the movie. The lighting is low as it is a movie screening, and the killer goes undetected amid the costumes and film playing.
How suspense is created through the movie sinister emily
A struggling true-crime novelist moves his family into a new home where he discovers disturbing home videos that lead him to uncover an ancient evil that threatens to kill his entire family. The document discusses how the movie Sinister uses sound, lighting, mise-en-scene, and camera shots/angles to create suspense. Specifically, it uses non-diegetic sound, low key lighting that creates shadows, costumes showing evil characters covered in blood, and cut away shots as well as high angle shots.
Task 1 in what ways does my media product
The document analyzes how the student's media product uses or challenges conventions of real thriller films. It compares scenes and shots from the student's work to popular films like The Sixth Sense, Home Alone, Scream, and The Grudge. Specific techniques discussed include the use of isolation and lack of other characters to build tension, lighting during day instead of night, and a simple white title on black background similar to other films. Overall, the student examines their work through close comparison to established thriller conventions.
Incidious
The camerawork in Insidious is used to disorient and confuse viewers, such as tilting shots during the title sequence. Editing techniques like long takes and cross-cutting are employed to build tension. Mise-en-scene elements, including low key lighting that creates shadows, titles that fade in red, and the movement of figures in shadows also construct an ominous atmosphere and lead viewers to think of the paranormal. Sound is purposefully withheld or includes sudden loud spikes to maintain a feeling of unease and suspense throughout the film.
Analysis of Film Opening Sequences
Analysis of Film Opening Sequences by Sabrina Bourhaba for AS Media Studies
Films analysed:
Skyfall (dir: Mendes, 2012)
Antichrist (dir: von Trier, 2009)
Shaun of the Dead (dir: Wright, 2004)
Harry Potter and the Philosopher's Stone (dir: Columbus, 2001)
Live Evil Final Script
The document is a manuscript for the movie "Live Evil" and contains 5 scenes. It begins by introducing Rebecca watching a mysterious DVD about 3 teens who died. The movie shows the teens in a park at night, getting separated, and being dragged away. Back in real life, Rebecca goes to the same park and encounters the caretaker. The movie then shows Rebecca in the park fighting her attacker. In real life again, Rebecca gets lost in the cemetery and is attacked by an unseen force.
Planning edit
This document outlines 24 shot descriptions for a film involving a Detective being chased by mysterious figures called Shades. The shots include establishing shots of streets and wooded areas, shots of the Detective finding a ribbon belonging to a girl and encountering Shades, flashback shots providing hints to the Detective's backstory, and point-of-view shots showing the Detective becoming surrounded and overwhelmed by the Shades. Pictures are included at the end to accompany some of the shots.
Eval question 1 powerpoint
This document compares the filmmaker's thriller "Beaten" to other media works that use zombie conventions such as 28 Days Later, The Descent, Michael Jackson's "Thriller" music video, and the video game Left 4 Dead. It analyzes similarities and differences between the works in terms of plotlines, characters, editing techniques, camerawork, titles, and action sequences. Overall, the document shows how "Beaten" both develops typical zombie genres conventions while also challenging some conventions through its unique story elements and filmmaking choices.
Research task 3
The title sequence opens with a close up shot of an eye. The titles slide across the eye in diagonal lines as it blinks quickly, looking around erratically. There are no other props or images in the sequence, just close ups of the eye. The camera angles are linear and straightforward without any special shots. The soundtrack uses a basic drum beat that builds tension as it repeats, suggesting something primal about the themes of madness and isolation in the film. The visuals and audio work together to unsettle the audience and establish an unhinged psychological tone through repetition and a focus on the unstable eye.
02. mise en scene notes sheet (amelia kelly)
Mise-en-scene refers to everything visible within a single shot that helps tell the story. There are six key elements of mise-en-scene: color, costumes, props, set/location, blocking/performance, and lighting. Color, costumes, and lighting can be used to convey specific meanings and moods. For example, the color red may represent danger or love, while white could symbolize purity. Costumes can indicate social class or status. Lighting is also important for setting tone, with high key lighting for an even exposure and low key lighting using shadows for drama. Together, these elements of mise-en-scene provide visual storytelling cues for the audience.
Mise en scene notes sheet
Mise-en-scene refers to everything visible within a shot, including color, costume, props, location, actor positioning and movement (blocking), performance, and lighting. These elements are used to convey meaning and provide context. Color, costume, and lighting can be used to show a character's personality or emotional state, such as a red costume indicating danger. Props can express character traits. The location, whether a set or real place, should fit the genre or story. Blocking and performance cover actor placement and acting style. Together, these elements of mise-en-scene provide visual storytelling cues to immerse the audience in the scene.
Opening sequences 4
The document analyzes the opening sequences of four films - Watchmen, Jaws, Napoleon Dynamite, and Scream. It discusses elements like cinematography, lighting, shots, sound, and how they establish genre and set the tone for each film. Specific techniques highlighted include the use of zooms and silhouettes in Watchmen to create a dark atmosphere, point-of-view shots from the shark's perspective in Jaws to build tension, the comedic presentation of titles in Napoleon Dynamite, and the use of screams and phone calls to signal horror in Scream.
After effects research and title design
The document summarizes and analyzes the opening sequences of several films through their use of visual and audio techniques:
- Watchmen establishes the dark, gloomy tone through low key lighting and blue/grey color palette. Shots show a TV broadcast and the turning of a doomsday clock to convey importance of media and sense of impending danger.
- Jaws uses an underwater point of view and ominous music to build tension and portray the shark as a lurking threat. Shots show an isolated swimming girl to make her seem vulnerable against the vast sea.
- Napoleon Dynamite establishes the comedy genre through its titles presented on food and objects implying silliness. Shot types and locations within a house create familiar
Mise en-scène
The document discusses various techniques for composing shots in film including the rule of thirds, eye room, deep space and deep focus composition, camera angles, shot types, the 180 degree rule, the Kuleshov experiment, zooming and moving cameras, lighting, setting, and point of view. It provides definitions and examples of these fundamental cinematic techniques used to construct shots and convey meaning through visual storytelling.
Robbie similar text analysis
The opening sequence establishes mystery and suspense. It begins with a close-up of a shaking hand holding an unknown object, then pans to reveal a silhouette of a man high atop a building, gripping another man's tie as he hangs over the edge holding a whimpering dog. The man questions who he is, setting up an enigma. After building tension, it cuts to reveal the same man 15 years ago, now dopey and pathetic, providing juxtaposition. This gripping opening leaves viewers wanting more from the thriller.
Technical codes and narrative structure of our trailer
The document outlines the narrative structure and technical codes used in a trailer for a psychological horror film. It follows classic trailer conventions like establishing shots of the location in the beginning to set the scene, then introduces the main characters of the villain and victims. Tension is built through enigmatic shots of the villain and shots that tease problematic events without showing the full extent. The climax further complicates things through short, teasing shots of victims being attacked. Finally, the "convincer" at the end leaves the audience with a question to encourage viewing the full film. Technical elements like camera angles, editing, sound, mise-en-scene are described to maximize suspense, tension and identify characters.
6 Film Analysis
The document provides an analysis of the openings of 6 horror and thriller films: 13 Ghosts, The Ring, Psycho, Inception, Misery. Key details analyzed include conventions, sounds, camera techniques, titles, and mise-en-scene. 13 Ghosts follows conventions with dark colors and isolated setting. The Ring establishes conflict between two women. Psycho uses dramatic music and colors while Inception has bright colors and natural sounds. Misery waits to introduce titles and uses the color red to foreshadow danger.
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How suspense is created through the movie sinister emily
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Technical codes and narrative structure of our trailer
Technical codes and narrative structure of our trailer
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Audience Feedback I've Collected
The document summarizes audience feedback collected at various stages of creating a professional music video. In the initial target audience survey, respondents indicated they enjoyed the crowd scenes and club-like venue. For the rough cut, over half said the video lacked narrative, prompting the filmmakers to add one. Feedback also influenced technical decisions and improved the website, digipak, and final products. The document shows how audience input helped guide and strengthen the project.
How do artists use social media?
Artists use social media to connect with fans and increase their audience. Facebook alone has 1.79 billion users worldwide, providing a huge potential fan base for musicians. Being active on social media like Facebook, Twitter, and Instagram allows artists to share updates about their music, tours, and lives with fans, building connections. It also helps artists promote their brand and marketing campaigns through paid social media promotions. For bands, using social media is crucial to promote gigs, new music releases, and share photos to engage with current and potential new fans.
Risk Assessment - Willowbridge
This document summarizes the risks associated with filming at a particular location. It identifies several potential hazards including fire/flammable materials, a hostile/remote environment, night operations, and roads. For each hazard, it outlines what could cause harm, the likelihood of it occurring, how much harm could result, and how the risk will be managed. The top risks identified are fire from diesel fuel tanks, limited access to first aid in a remote area, trips and falls at night without proper lighting, and potential injury from a nearby busy road.
Location Recce - Willowbridge
The Willowbridge Garage located between Barton and Darlington is an old abandoned petrol station that would make a suitable location for a music video shoot. Its vintage look fits well with indie music genres. It is accessible by car since it is located on a main road, and the production can use car headlights for lighting since no mains electricity is available on location.
Risk Assessment - Drone
This risk assessment document evaluates potential hazards from using a drone at the Croft Circuit raceway location. It identifies risks of collision with animals, audience members, derelict buildings, machinery, and issues from weather. For each risk, it notes that an experienced drone operator can minimize dangers of collision and that planning has been done to isolate the drone from other activities to reduce risks of accidents.
Risk Assessment - Rehearsal Space
This risk assessment identifies several hazards for a rehearsal space including cables, confined spaces, electricity, night operations, noise, and slipping, tripping, or falling. Cables present a risk of tripping or equipment damage but this will be managed by carefully placing cables around the edge of the room. The confined space risks making people feel uncomfortable but fresh air and regular checks will reduce this. Electricity risks are low if liquids and damaged equipment are avoided. Night operations increase tripping risks but torches and room lighting will help illumination. Noise risks hearing damage but ear protection will be worn. Slipping and tripping hazards from clutter will be reduced by taping cables and warning of objects.
Location Recce - Rehearsal Space
The rehearsal space is a cluttered garage in Richmond that would work well for an indie band wanting to portray an ordinary, accessible location. It has full electricity, allowing lighting control. While messy, the garage is suitable for the genre and narrative, emphasizing the band's relatability. Access is also convenient, with room for the small crew by car.
Croft Circuit - Risk Assessment
The document summarizes risk assessments for various hazards that may be present during a film shoot at Croft Circuit. It identifies hazards such as working in a remote/hostile environment far from medical care, night operations reducing visibility, loud noise from equipment that could damage ears, moving vehicles on the racetrack, and wet weather damaging equipment. For each hazard, it evaluates the likelihood and severity of potential harm, and describes plans to manage the risks, such as having first aid supplies and vehicles on site, supplying torches and ear protection, closing the track to other users, and rescheduling if rain is predicted.
Location Recce – Croft Circuit
This document summarizes the potential location of Croft Circuit for a music video shoot. The racetrack would suit the indie/alternative genre with its unconventional setting. Access to the location is easy as it is close to Darlington and only the band members need transport. The main challenge is limited daylight, as filming would need to be completed before sunset around 6:15pm, allowing approximately 1 hour and 45 minutes to film.
Location recce – The Georgian Theatre
The document describes a potential location for filming at the Georgian Theatre in Richmond. The space is an open area with low ceilings that could be transformed to resemble an indie music venue. Black curtains have been installed around the perimeter of the room, allowing full control over lighting. Access may be an issue as the location is not near where crew and extras will be traveling from, but a bus route has been identified to transport everyone from Darlington for a 2pm shoot. Sound from band rehearsal could be problematic, but no houses are nearby and staff will be notified in advance to warn any potential disturbances.
Risk Assessment - Georgian Theatre
This risk assessment document consists of 4 sheets that identify potential hazards at the Georgian Theatre Royal and outline control measures to mitigate risks. Key hazards addressed include slips, trips, and falls; manual handling injuries; electrical safety issues; fire; lone working; hazardous substances; and lift misuse. Control measures for each hazard lower the likelihood and severity of risks. The assessment was completed by the Production Manager and copies were distributed to senior staff members and the file. The document will be revised annually or as needed.
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My Completed Shot List
- 1. LOCATION SHOT DESCPIPTION My House 1 Ariel mid-shot showing the wounded scare character from above. 2 Quick cut to extreme close-up showing the character opening their eyes. Heighted non-diegetic FX will sound to add to the scare. 3 Black out. 4 1st production company logo, non- diegetic drone/back ground music will begin. 5 Mid tracking shot showing cut up hand dragging blood beneath the shower curtain. 6 Dissolve cut to black background into the director’s titles. Easby Abbey 7 Establishing long shot showing the first location (Easby Abbey). 8 Sudden cut (with heightened sound effect) showing the scare character suddenly appearing. 9 The scare character flickers from left to right. 10 Sudden cut to close up showing the scare characters face. 11 Black out. My House 12 Second production company logo appears. Sound bridge of creepy children music. 13 Tracking mid-shot showing jack in a box with the handle spinning. 14 Camera zooms/tracks closer to the jack in a box, then the clown suddenly pops up. 15 Extreme high angled close up of the victim character, the character looks in distress. 16 Cut back to the shower curtain shot (shot number 5) 17 Cut back to shot 15, however this time the character has blood on her face. 18 Black out. Sudden.
- 2. 19 Film title animation 20 Extreme close up of distressed victim character. The character will be in the shower, with her make-up running down her face. 21 Cuts to mid shot with the victim positioned left in the frame. 22 Cut to a mid shot of a mirror, showing the victim character looking in the mirror. 23 Keeping the same camera position, the victim covers/wipes her face with her towel. 24 When the towel is lowered from the characters face, we see a sudden cut of the scare character jumping out. This will be accompanied by heightened diegetic sound. Easby Abbey 25 Cut back to establishing long shot of Easby Abbey, victim character is stood (right of the shot). 26 Sudden cut to scare character positioned frame left. 27 Characters disappear then text title appears in the shot of the location. My House 28 Tracking mid shot moving around a flickering light. 29 Tracking long shot of dead body/crime scene type location. 30 Cut back to the mid shot of the mirror (shot 22) Easby Abbey & My House 31-36 The opening titles will end of montage showing all the scenes previously shown in the titles. For example, the Easby Abbey shot, the hand in the shower, the flickering light, the mirror and the two characters. As the montage progresses the editing pace and intensity will increase. The sound will build up and then suddenly end on a close up shot of the scare character.