This document provides a shot list for the opening scenes of a horror film. It describes 17 shots ranging from establishing shots, close-ups, and perspective shots. The shots will show a couple, Jo and Theo, arguing in a car as they drive towards a forest. Their conversation escalates and Jo exits the car and runs into the forest with Theo following. The shots are planned to build tension through shaky camerawork, intense music, and close-ups of the characters' emotional reactions.
My first draft of a written script and and a list of significant shots to be filmed. I have also included films and horror scenes that i have been inspired by.
My first draft of a written script and and a list of significant shots to be filmed. I have also included films and horror scenes that i have been inspired by.
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1. EleanorPenfold
Shot list- further development of my story bored
Shot
Number
Shot Type Camera
Movement
Description of the shot in which I am going to
use and further detial
An example of the shots I am going
to use
Location Sound
1 Black Scree. Still. Openingshot…
Thisshot will be ablack screenwiththe firstof
the openingcreditsappearingasfollows-
1. ProductionCompany
2. Producers
3. Actors staringwithinthe film
Black Screen. None. Light
intense
music-
typically
usedwithin
a horror
film.
2 Low angled
shot.
Still. Low angled shot…
Thiswill be of the car movingawaytowardsthe
forest.Thisshotwill additionallycapture the
car goingthrougha puddle inwhichthe
‘credits’will come through.The cameraangle
will be slowlygettingfurtheraway- watching
the car getsmallerandsmaller.
The purpose of the shotissimilartothat of an
establishingshot- Iwishtohelptosetthe
scene.
Thisis an example of the final shot
afterthe lowangledshot.
In the car
nearthe
forest.
Background
music-
typical
radio
music.This
will help
allowthe
msuci to
flowand
seem
normal.
3 Extreme
close up.
Still. Extreme close up…
An extreme close upof Jo’shandswill be
displayed.Ihope tocapture heractionswhich
reflectthe situation.
In the
car.
Radio
music.
2. EleanorPenfold
4 Medium
close up.
Still. Mediumclose up…
Of Joglancingat Theo,lookingemotional and
perhapsdesperate.
In the
car.
Radio
music.
5 Close up. Still. Close up of Theo…
Mainlyon hiseyes,capturinghimglance atJo
too.
In the
car.
Radio
music.
6 Perspective
shot.
Still. Perspective shot…
Capturingthe car movingforward.The two
actors facingforwardlookingsombre.
In the
car.
Radio
music.
7 Medium
close up.
Still. Mediumclose up…
Thiswill be a shotof Theocapturingall of his
movementsandbodylanguage.Theowill be
lookingforwardlisteningasJospeaksto him.
Dialogue- Jo- ‘I’msorryok…I don’tknowhow
manymore time a can tell you.’
In the
car.
Radio
music.
3. EleanorPenfold
8 Close up. Movinggetting
closerto Theo.
Close up…
Thisshot will capture Theo’smouthandhands
on the steeringwheel whenhe says…‘That’s
justit,isn’tit?’
In the
car.
Radio
music.
9 Close up. Still. Close up…
Thisshot will be of the steeringwheel
emphasisingTheo’sstressandannoyance.
In the
car.
Radio
music.
10 Establishing
shot
The shot will
become bigger
as the shot runs.
Establishingshot…
Thiswill be an image of the car movingfurther
downthe lane gettingclosertothe forest.This
againwill hopefullyensure thatthe audience
understandthe directioninthisopeningis
going.
On the
road near
the forest
of the car
moving
away.
Radio
music.
4. EleanorPenfold
11 Two shot Still. Two shot…
Thisis a shotwhere the conversationwillbe
capturedfromboth perspectives.
Dialogue isasfollows…
Jo- What are youtalkingabout?
Theo- I can’t dothisanymore.
(Jostarts to cry, perhapsonthe verge of tears.)
In the
car.
Radio
music.
12 Extreme-
close up
Still. Extreme-close up…
Thisshot will followJoasshe wipeshereyes
and flingsthe dooropen.
Dialogue- ‘Stopthe car!’
In the
car.
Slowly
getting
more
intense and
concerning.
13 Over the
shoulder
Slow movement. Over the shoulder…
Thisshot will be of Theolookingoutintothe
forestandtalkingto himself underhisbreath.
Dialogue- ‘Jo…Pleasedon’tdothis.’
Theowill
be
hanging
out the
car near
the
forest.
Becoming
more
intense.
Allowing
the
audience to
knowthisis
a buildup
to
something
major
withinthe
film.
5. EleanorPenfold
14 Perspective
shot
Shaky- looksas if
the audience is
in the car.
Perspective shot…
Thiswill be of Theoexitingthe car(concentrate
on match onaction) and followingJooutof the
car.
Exiting
the car
near
theforest.
Becoming
more
intensence.
15 Close up Still. Close up…
Thisshot will be of Jolookingbacklooking
distraught.
Dialogue- ‘Leave me alone!’
Just
outside
of the
forest.
Becoming
darker.
16 Long shot Shaky- looksas if
the audience is
in the film with
the actors.
Long shot…
Thisshot will followJorunningintothe forest
withJo movingaroundtreese.c.t.Thiswill be
done througha hand heldcameraangle,thus
allowingthe shottobe more ‘shaky’and help
to create more of a horror atmosphere.Sound
mustbe addedhere toemphasisa‘snap’
lettingthe audience knowthatJoisnotalone
inthe forest.
In the
forest.
Intense
music.
6. EleanorPenfold
17 Extreme-
close up
Shaky- looksas if
the audience is
in the film with
the actors. This
will additionally
create tension
and atmosphere.
Extreme- close up…
Thiswill be of Jo face,slowlyzoomingintoher
eyesbefore she screams.
In the
forest.
JustJo’s
breath-
creatingan
immense
amountof
tension.