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1) The document outlines 15 shots for the opening of a horror film, beginning with establishing shots of nature and an abandoned house to set the scene and introduce mystery. 2) Subsequent shots introduce the main character Joel and show him in distress, mentioning a woman named Bonnie. Shots follow Joel as he searches for Bonnie through the building. 3) The opening ends with a shot of Joel contemplating a noose, with Bonnie's laughter heard in the background, leaving the audience with an unsettling and mysterious start to the film.
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Film Opening Pitch
The document discusses plans for a psychological horror film called "Parental Figure". It will focus on a man named Joel who lives isolated in the woods following the deaths of his wife and daughter. Through flashbacks it is revealed that Joel was actually responsible for their deaths. The target audience is females and males under 35. The film aims to be original and creative rather than predictable. It will use micro-elements like mise-en-scene, editing and sound to set the mood in the unsettling film opening.
Story board
This is our story board of our final idea but also a draft before. These are included to show the shots that we are wanting to use and the mise-en-scene included.
In what ways does your media product use, develop or challenge forms and conv...
This document discusses how the media product uses and challenges conventions of real psychological horror films. It adheres to conventions such as an orchestral score and realistic appearances. However, it challenges conventions like the hysterical female victim trope and not revealing the killer. It has a low budget, uses amateur actors and locations, and does not include CGI, staying true to independent film conventions. Technically, it follows conventions like the 180 degree rule but challenges continuity expectations. The goal is to create uncertainty around the narrative for audiences.
Evaluation Question 1
The document discusses how the media product conforms to and develops conventions of the horror genre. It adheres to conventions such as using relatable locations, flashbacks, an orchestral score, and everyday character appearances. It references real-world issues like mental illness. It aims to balance genre expectations with a sophisticated narrative and realistic production elements while staying within a low budget. The product strives to invoke an emotional response from audiences through its use of lighting, music, and ambiguous events.
Evaluation question 1
The document discusses how the media product challenges several conventions of psychological horror films. It sticks closely to conventions such as using an orchestral score and realistic appearances. However, it also challenges conventions by leaving the identity of the killer ambiguous and not revealing who or what is stalking the main character. This ambiguity leaves room for audience interpretation and discussion. Location filming and low-budget production techniques maintain the realism and verisimilitude expected of the genre.
Horror short film treatment
This document outlines a treatment for a proposed short horror film titled "The Cellar" or "Cellar". The film would be 5-10 minutes long and follow a female protagonist who discovers her office door is locked and strange things are happening. She finds a woman, Julie, who went missing 15 years ago in the cellar. They are trapped by an antagonist who never reveals his identity. The film aims to appeal to horror fans, particularly female and older teenage audiences, through its mysterious cellar setting and use of horror conventions. It would be shot on a handheld digital camera to achieve a cold, tense atmosphere through dark lighting and editing styles. The film could find success among niche audiences at film festivals and on online platforms due to
Evaluation
The document provides an evaluation of the ways in which the student's media product uses, develops, or challenges conventions of real media. It examines the conventions used in the opening, titles, character exposition, and subgenre. It discusses how conventions were technically constructed, including camera work, sound, lighting, mise-en-scene, and editing. Challenges encountered during the shoot such as lighting and use of equipment like a skateboard as a tracking device are also summarized.
Textual analysis
The document analyzes shots from the opening sequence of a film. It discusses how various lighting, camera movements, angles, and editing choices connote meanings that set the tone and imply plot details, character states of mind, and appeal to sophisticated audiences who enjoy solving narrative puzzles. Key points discussed include how a shaky handheld camera implies a lack of control, spiraling shots connote confusion, and a focus on a name written in a diary prompts questions about its significance.
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Film Opening Pitch
The document discusses plans for a psychological horror film called "Parental Figure". It will focus on a man named Joel who lives isolated in the woods following the deaths of his wife and daughter. Through flashbacks it is revealed that Joel was actually responsible for their deaths. The target audience is females and males under 35. The film aims to be original and creative rather than predictable. It will use micro-elements like mise-en-scene, editing and sound to set the mood in the unsettling film opening.
Story board
This is our story board of our final idea but also a draft before. These are included to show the shots that we are wanting to use and the mise-en-scene included.
In what ways does your media product use, develop or challenge forms and conv...
This document discusses how the media product uses and challenges conventions of real psychological horror films. It adheres to conventions such as an orchestral score and realistic appearances. However, it challenges conventions like the hysterical female victim trope and not revealing the killer. It has a low budget, uses amateur actors and locations, and does not include CGI, staying true to independent film conventions. Technically, it follows conventions like the 180 degree rule but challenges continuity expectations. The goal is to create uncertainty around the narrative for audiences.
Evaluation Question 1
The document discusses how the media product conforms to and develops conventions of the horror genre. It adheres to conventions such as using relatable locations, flashbacks, an orchestral score, and everyday character appearances. It references real-world issues like mental illness. It aims to balance genre expectations with a sophisticated narrative and realistic production elements while staying within a low budget. The product strives to invoke an emotional response from audiences through its use of lighting, music, and ambiguous events.
Evaluation question 1
The document discusses how the media product challenges several conventions of psychological horror films. It sticks closely to conventions such as using an orchestral score and realistic appearances. However, it also challenges conventions by leaving the identity of the killer ambiguous and not revealing who or what is stalking the main character. This ambiguity leaves room for audience interpretation and discussion. Location filming and low-budget production techniques maintain the realism and verisimilitude expected of the genre.
Horror short film treatment
This document outlines a treatment for a proposed short horror film titled "The Cellar" or "Cellar". The film would be 5-10 minutes long and follow a female protagonist who discovers her office door is locked and strange things are happening. She finds a woman, Julie, who went missing 15 years ago in the cellar. They are trapped by an antagonist who never reveals his identity. The film aims to appeal to horror fans, particularly female and older teenage audiences, through its mysterious cellar setting and use of horror conventions. It would be shot on a handheld digital camera to achieve a cold, tense atmosphere through dark lighting and editing styles. The film could find success among niche audiences at film festivals and on online platforms due to
Evaluation
The document provides an evaluation of the ways in which the student's media product uses, develops, or challenges conventions of real media. It examines the conventions used in the opening, titles, character exposition, and subgenre. It discusses how conventions were technically constructed, including camera work, sound, lighting, mise-en-scene, and editing. Challenges encountered during the shoot such as lighting and use of equipment like a skateboard as a tracking device are also summarized.
Textual analysis
The document analyzes shots from the opening sequence of a film. It discusses how various lighting, camera movements, angles, and editing choices connote meanings that set the tone and imply plot details, character states of mind, and appeal to sophisticated audiences who enjoy solving narrative puzzles. Key points discussed include how a shaky handheld camera implies a lack of control, spiraling shots connote confusion, and a focus on a name written in a diary prompts questions about its significance.
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The document summarizes the results of a questionnaire about key creative decisions for a film project. It discusses:
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- Decisions made about focusing on the theme of isolation, using a train station setting, minimal music/ambient sounds, the title "Reflux," low key lighting, no filters, and the name "Ethan" for the protagonist.
- The goal of thought-provoking audiences about real-life issues through a realistic portrayal of the protagonist's situation.
Question 2
The document discusses the production's portrayal of various stereotypes regarding class, race, age, gender, and sexuality in films. Regarding class, the house used in filming contradicted the working class setting intended. For race, white actors were used as the primary audience. The actor chosen for age did not fully portray the intended immaturity of a young person widowed. Gender stereotypes were somewhat challenged by portraying the male as vulnerable and the female as stronger. The production used heterosexual characters for their mainstream appeal but attempted to challenge norms of relationships and success.
Pitch
This is the pitch we made for our opening scene.
We got some good feedback from the group including:
The fact we had good detail
They liked the genre and concept we had
Evaluation question 1
The document summarizes how the media product meets various conventions of horror genre films. It discusses using relatable locations, flashbacks, an orchestral score, everyday character appearances, references to social issues, lack of weapons, and low-key lighting. It explains how the opening sequence incorporates these elements to set up the narrative and introduce the protagonist's turmoil in a way that will engage the target audience.
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The document discusses how the opening of a film attracted its audience through certain elements. It included a cut between the protagonist and shots on a wall to set the genre and atmosphere. Dark music enhanced the mystery.
It also compares the film opening to Se7en, noting they both use non-diegetic soundtracks to set a thriller/horror tone. Close-ups in Se7en and the document's film aimed to create intimacy and unease.
The unique selling point is said to be the plot, which is loosely based on real serial killer H.H. Holmes and set in a modern context, intriguing history fans with its dark and twisted mood stemming from real events.
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Evaluation question 5
1) The document discusses the target audience and research done for a student horror/thriller film opening sequence.
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The document summarizes the results of a questionnaire about key creative decisions for a film project. It discusses:
- The most appropriate main theme, setting, title, lighting, camera movements, music, and effects based on audience feedback.
- Decisions made about focusing on the theme of isolation, using a train station setting, minimal music/ambient sounds, the title "Reflux," low key lighting, no filters, and the name "Ethan" for the protagonist.
- The goal of thought-provoking audiences about real-life issues through a realistic portrayal of the protagonist's situation.
Question 2
The document discusses the production's portrayal of various stereotypes regarding class, race, age, gender, and sexuality in films. Regarding class, the house used in filming contradicted the working class setting intended. For race, white actors were used as the primary audience. The actor chosen for age did not fully portray the intended immaturity of a young person widowed. Gender stereotypes were somewhat challenged by portraying the male as vulnerable and the female as stronger. The production used heterosexual characters for their mainstream appeal but attempted to challenge norms of relationships and success.
Pitch
This is the pitch we made for our opening scene.
We got some good feedback from the group including:
The fact we had good detail
They liked the genre and concept we had
Evaluation question 1
The document summarizes how the media product meets various conventions of horror genre films. It discusses using relatable locations, flashbacks, an orchestral score, everyday character appearances, references to social issues, lack of weapons, and low-key lighting. It explains how the opening sequence incorporates these elements to set up the narrative and introduce the protagonist's turmoil in a way that will engage the target audience.
Treatment for a thriller final
The document provides details about the production of a psychological thriller film called "Disconnected". It discusses the plot, which involves strange occurrences happening to a father and daughter after the death of the mother. The production aims to create tension and unease in viewers by using realistic settings and naturalistic style. Elements like music, lighting and costumes are discussed to set an ominous and mysterious tone for the opening scenes.
Props
The document discusses several props that will be used in the opening of a film to establish the living conditions and morning routine of the main character. A basic travel clock will show how late the character comes home and indicate his difficulty sleeping through jump cuts. A glass of water and dissolvable tablet will suggest the character's morning ritual and potential hangover. A sleeping bag atop a bed will imply the character travels frequently and lacks comfort due to insomnia. An old, worn photograph of the character's murdered sister will bring mystery and be subtly shown. A smartphone will demonstrate the character's high-profile job as a detective and receipt of work calls.
Treatment for a thriller
The document discusses the production of a psychological thriller film called "Disconnected". It provides details on the film's target audience, inspiration, narrative elements, style, and logistics. The main plot involves strange occurrences happening to a father and daughter living alone in a house after the death of the mother/wife. The opening scene shows the father locking his daughter in the car before strange events unfold inside the empty house.
The night before the end (pitch)
The document provides details about a short horror film called "The Night Before The End" being produced by Graveyard Productions. It will tell the story of a popular boy who takes a shortcut through a graveyard late at night and is kidnapped by a satanic cult who plan to start the apocalypse. The filmmakers chose the horror genre because they enjoy thrill and suspense. They drew inspiration from films like Night of the Living Dead and Carrie. They propose casting actors like David Dorfman and Tobin Bell and filming at Mare Street Graveyard.
The night before the end (pitch)
The document provides details about a proposed horror film called "The Night Before The End" produced by Graveyard Productions. It discusses why the group chose the horror genre, the film's concept about a boy kidnapped by a satanic cult in a graveyard, inspiration taken from films like Night of the Living Dead and Carrie, dream cast ideas including David Dorfman and Tobin Bell, the chosen graveyard location, needed technology and equipment, and plans for an unsettling musical score and sounds.
Textual analysis
The document analyzes the opening sequence of the film "Bullet Boy" through its use of sound, mise-en-scene, characters, and cinematography. Soft piano music plays during emotional moments and stops for dialogue to emphasize words. The main character wears a tracksuit indicating his working-class background. Quick cuts are used when someone is discovered in the car's boot, moving the plot forward in a realistic style typical of social realism films. The sequence establishes the main character's release from prison and reconnection with his friend and brother set against the backdrop of their working-class community.
Sinners never sleep 9 frame analysis
The document analyzes the first 9 frames of the film "Sinners Never Sleep 9" to establish key details:
1) The establishing shot establishes the school setting and foreshadows the film's focus on the school environment.
2) Low lighting and flickering lights in corridor shots convey a sense of psychological horror and unease within the first 9 frames.
3) Mid-shots introduce the protagonist Rachel and establish she is a religious teacher through her clothing while focusing on her working at a whiteboard.
4) A shot of a clock showing the time 8:53 suggests Rachel is devoted to her job and staying late, gaining audience sympathy for her character.
5) An ambiguous shot
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The document outlines a psychological thriller film called "Retribution" where a teenager named Felix witnesses a murder in the woods and is then forced by the murderer to kill others or else his family will be harmed. The film aims to create a realistic and relatable story about ordinary characters to deeply unnerve and terrify the target audience of teenagers and young adults. It provides background on the characters, setting, plot, and goals for production and distribution to maximize exposure and appeal to audiences.
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The document summarizes feedback received from various sources on a film trailer. Feedback indicated that the dialogue and sound effects were effective elements, but the soundtrack, particularly in the montage sequence, needed improvement as it did not generate enough tension. While most interpreted the genre correctly as crime, some mistook props for an action film. The trailer was generally well-received and thought suitable for ages 15 or older, though one respondent felt 12 was too young due to themes. Overall, the feedback highlighted issues with the soundtrack that need addressing before finalizing the trailer.
EVALUTATION TASK 5
The document discusses elements used in the opening sequence of a film project to attract its target audience of 18-30 year olds. Elements like a puddle of blood, a victim, and clues left behind build suspense and mystery without explicitly showing the crime. The setting of a countryside house fits expectations for thrillers. Featuring a typical family dog prevents assuming it could defend the owner. The storyline slowly builds tension until a surprising twist, and includes the father's emotional breakdown seeking revenge later in the film. Suspenseful elements like blood and clues are meant to engage the young adult target audience.
Evaluation 5
The document discusses how the opening of a film attracted its audience through certain elements. It included a cut between the protagonist and shots on a wall to set the genre and atmosphere. Dark music enhanced the mystery.
It also compares the film opening to Se7en, noting they both use non-diegetic soundtracks to set a thriller/horror tone. Close-ups in Se7en and the document's film aimed to create intimacy and unease.
The unique selling point is said to be the plot, which is loosely based on real serial killer H.H. Holmes and set in a modern context, intriguing history fans with its dark and twisted mood stemming from real events.
A series of unfortunate events
The document provides context and analysis of the opening scenes of the film Lemony Snicket's A Series of Unfortunate Events. It summarizes key shots that introduce the main characters, Violet and Claude Baudelaire, through voiceover narration by Lemony Snicket. The shots establish the mysterious and uncertain tone of the film through low-key lighting, an ominous soundtrack, and an unfamiliar setting. Information is given about Violet's intelligence and inventing skills, and Claude's stereotypical "geeky" personality, engaging the audience in the introduction of these characters.
Evaluation question 5
1) The document discusses the target audience and research done for a student horror/thriller film opening sequence.
2) The target audience is males and females aged 12 and above, as the film contains mild horror elements but no disturbing content.
3) Research included understanding BBFC film classification guidelines and surveying the target age range about their horror film expectations. Suggestions from the survey like scary music, characters, and lighting were incorporated into the final production.
Pilot questionnaire
This document summarizes the results of a pilot questionnaire about filmmaking. It finds that answers were varied regarding names, titles, effects and camera techniques, suggesting a wider sample is needed. One respondent advised spending time researching the topic and speaking to those with direct experience. The evaluation notes some questions were confusing and need clarifying, answers in one question overlapped, and an answer was missing in another question. Changes to the questionnaire will make it clearer and cover all options.
Question1pp
The document discusses the conventions of horror films that the media product did and did not follow in its opening sequence. It met some conventions such as using low key lighting, camera following the subject, and including production logos and character credits. However, it challenged other conventions by not using narration, flashbacks, establishing shots, or action scenes. The document also analyzes where the media product's techniques could have been more effective at conveying horror, such as through different lighting or camerawork. Overall, the document provides a critical review of the techniques used in the opening sequence and how well they did or did not line up with horror film conventions.
Presentation
The marketing campaign for the film Warm Bodies began with the release of the initial poster featuring the two main characters without revealing the release date. A few months later, a secondary poster was released that focused on the plot and gave more insight through the tagline "cold body, warm heart". Before the first trailer, behind the scenes videos were released showing the film's production and makeup. The first official trailer then revealed the story, characters, and overall sense of the film through imagery and a voiceover. A second, shorter teaser trailer showcased more action through fast editing to highlight the zombie rom-com genre. Finally, five new posters were released for the film characters with comedic taglines and the same color theme to
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Question 5
The document discusses research conducted and creative choices made for a student horror film project. Focus groups found that psychological horror was the preferred subgenre. The film uses reverse chronology and puzzles for the audience to piece together. Technical elements like match cuts, diegetic/non-diegetic sounds, and filters were chosen to set atmosphere and appeal to the target audience of under-35s. Authentic casting of father and daughter aims to realistically portray family emotions. Mise-en-scene and Barthes' codes were employed to intrigue audiences and add multiple meanings.
Perspective by salonie
This document defines and describes different types of perspective in drawing and painting. Perspective is a technique for representing three dimensions on a two-dimensional surface by depicting objects as smaller as their distance from the viewer increases. There are three main types of perspective: one point perspective with one vanishing point, two point perspective with two vanishing points, and three point perspective with three vanishing points. Each type is used to represent different spatial relationships between objects and the viewer.
Palmyra, reconquested
The Syrian army reconquered Palmyra from ISIS control. Maamoun Abudlkarim noted the town was in better condition than expected. Vladimir Putin personally called Bashar al-Assad to congratulate the regime on retaking the town. The UN Secretary-General also congratulated Syria. However, some see political and economic motivations behind the reconquest, as Palmyra is strategically located between Homs and Damascus. The Assad regime may also use the victory propagandistically.
Shame on you, Europe
The document summarizes the key points of the deal between the EU and Turkey to address the refugee crisis and reactions against the deal. The main points of the deal include returning all new irregular migrants crossing from Turkey to Greece back to Turkey, Turkey committing to prevent new illegal immigration routes, and accelerated visa liberalization between the EU and Turkey. Critics of the deal include the UNHCR, which says it will not be involved in returns or detentions, and International Amnesty calling it a "historic blow against human rights." Doctors Without Borders also stopped operations in Lesbos because the shelters there had become centers of expulsion rather than refuge.
Bill Dillon Portfolio
Bill Dillon is a recent graduate of product design seeking experience in the industry. He has experience with Logitech through an internship and design camp project. His final year project was a non-medication asthma treatment called Aura, which uses a simple valve to create pressure on exhalation to keep airways open. He is skilled in sketching, 3D modeling, prototyping and gathering user research. He is eager to continue learning and applying his skills in industry.
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The document provides details about the production of an opening sequence for a film. It discusses the ideas behind using shots of the protagonist's eye, exterior locations of past murders, and revealing the protagonist through mise-en-scene. It describes using a drum sound to introduce the protagonist and faster camera movements when an alarm goes off. Visual and audio changes are made to shots and music to create tension and unsettle the audience. Sound editing in Logic Pro is used to loop music under shots to extend its length.
Film Opening Analysis
This film analysis summarizes the opening scene of Eternal Sunshine of the Spotless Mind. It describes how the opening establishes the main character Joel as a lonely, isolated man through the use of his small apartment setting, dull clothing, and voiceover narration. While the opening is slow-paced, it creates intrigue through enigmas about Joel and uses techniques like lighting, camerawork, and music to convey his unstable mental state. Overall, the opening establishes the tone and main character without revealing the film's full genre to surprise the audience.
Film Opening Analysis Presentation
This film analysis summarizes the opening scene of Eternal Sunshine of the Spotless Mind. It describes how the opening establishes the main character Joel as a lonely, isolated man through the use of his small apartment setting, dull clothing, and voiceover narration. It also introduces the secondary character Clementine and establishes her opposing personality through her bright orange jumper. Through techniques like lighting, camera work and music, the opening establishes the film's tone and sets up mysteries that will be explored throughout the story.
Media evaluation[1]
Will Brett evaluates the opening sequence of the group's hidden camera film project. He believes it fits genre conventions like title cards and ending credits. Shots include close-ups and long shots, and point-of-view shots were used to portray the killer's perspective. The film's target audience is 15-25 year old males interested in violent films. Distribution would start with theaters then DVD and streaming before broadcast on cable and free TV. As a group, they pulled their weight efficiently with defined roles in filming, editing, acting, and planning.
Horror title sequence analysis
The document analyzes and compares the opening title sequences of three horror/zombie films - Zombieland, Warm Bodies, and World War Z - to the opening title sequence created by the author. All three films establish tone and genre through their use of visuals, music, and other cinematic techniques. The author's sequence draws similarities in its use of non-diegetic music and visual elements to set an eerie yet exciting mood, though it differs in other ways like not including a voiceover. Comparing to these film sequences helps analyze how effectively the author's own work establishes expectations for the intended horror genre and target teenage audience.
Delusion pitch
1) The film will be a psychological thriller focusing on two friends, Benjie and Lucy, who go missing in the woods.
2) Benjie wakes up alone with blood on his hands and no memory of what happened to Lucy.
3) He develops photos from that day hoping for clues, but begins experiencing hallucinations and paranoia about Lucy's disappearance.
The inbetweeners
The cinematography, mise-en-scene, and setting in the opening of The Inbetweeners movie effectively establish characters and appeal to the audience. Close-ups of items in the protagonist's bedroom and shots of suburban London homes provide clues about the characters and create realism. While the opening lacks obvious narrative techniques, it leaves the audience intrigued about what adventures the boys will have on their holiday. The diegetic sounds also enhance the naturalism.
Film analysis 1
The document provides an analysis of the film Zombieland focusing on its set/locations, costumes, color/props/lighting, cinematography, and sound/editing. The film is set in various locations across America including Washington D.C., a football stadium, New York City, a toilet stall, and suburban homes. Costumes establish the time period as present or near future while making characters relatable. Dark colors and low lighting create an unsettling tone while important elements like the American flag stand out brightly. Various camera shots like close-ups and point of view shots build tension and reality. Sound includes a humorous voiceover, zombie burping for comedy, and screams/gunshots for seriousness
Film opening pitch
The document discusses plans for a psychological horror film called "Parental Figure". It will focus on a man named Joel who lives isolated in the woods following the deaths of his wife and daughter. Through flashbacks it is revealed that Joel was actually responsible for their deaths. The target audience is females and males under 35. The film aims to be original and creative rather than predictable. It will use micro-elements like mise-en-scene, editing and sound to set the mood in the disturbing opening scene showing Joel's deteriorated mental state.
Proposal
The document outlines plans for filming the opening scene of a thriller film. It will take place in a house where a young couple is watching a movie unaware that a kidnapper has entered. The kidnapper will knock out the boyfriend and take the girlfriend hostage. When the boyfriend wakes up he will find a clue that kicks off the rest of the film, leaving the opening on a cliffhanger. Details are provided about costumes, filming location, lighting, camera angles, music, typography, and the sequence of shots.
Film location shots
The document outlines location shots planned for a horror film set in a normal looking house. Establishing shots of the front of the house will be taken from the street. Subsequent shots include Lucy in the bathroom suggesting vulnerability, and Danny entering through the back door in POV shots adding tension. The bright yellow bathroom is intended to contrast later with scary events, disturbing the audience.
Short film analysis loop
The short film Loop tells the story of a man who wakes up on the floor of his home confused to find a chalk outline drawn around him. As he goes about his morning, he slips on spilled coffee and hits his head, dying and returning to the beginning of the loop. The film uses various shots and camera movements to build mystery and confusion for both the main character and the audience. Sound is also used minimally to heighten the sense of uncertainty. Key props like the phone, spilled coffee, and broken mugs are emphasized to drive the time loop concept at the heart of the film's plot.
Evaluation Question 1
Our film Anonymous challenges horror film conventions by setting the story in a modern home rather than typical horror locations like forests or abandoned buildings. This creates a false sense of security for the main character Lucy. The film uses point-of-view shots and follows the villain Danny through the house to build suspense before he attacks Lucy in the bathroom. Sound and editing techniques like distorted music are used to convey Danny's unstable state of mind and heighten the unsettling atmosphere.
Doodle bug[1]
This film tells the story of one man's struggle with insanity through his disjointed perceptions of reality. The camera techniques, such as extreme close-ups and shifting perspectives, aim to illustrate his deteriorating mental state. There is no dialogue and the monochrome aesthetic withholds identifying details, keeping the focus solely on his internal experience. Though the pacing is slow, the editing smoothly connects shots to portray his insanity as normal to him. The goal is to understand what he is going through by delving into his isolated world.
Doodle bug
This film tells the story of one man's struggle with insanity through his disjointed perceptions of reality. The camera techniques, such as extreme close-ups and shifting perspectives, aim to illustrate his deteriorating mental state. There is no dialogue and the black and white cinematography and sparse setting reveal few identifying details about the main character. The slow pacing and smooth editing style present his insanity as normal to him, though disturbing to the viewer.
Black mass analysis
The trailer uses lighting, editing, cinematography, and text to build tension around Johnny Depp's character Whitey Bulger. Scenes shift between well-lit conversations and dark, shadowy scenes to show Whitey's friendly and threatening sides. Precise editing maintains pace without revealing the plot, and close-ups after violence leave viewers questioning how justice will be served. Only a few title cards emphasize that the story is based on a true notorious gangster.
Media as (opening scenes)
The opening scenes of British realism films establish realism through their use of location shooting, non-professional actors, and focus on portraying real social issues and struggles faced by youth. These films tell stories that follow characters on a journey as they face challenges in their real lives. The opening scenes set the tone for showing gritty, realistic depictions of working-class life without many explanatory titles or dialogue.
Adventure film for a young audience
This document summarizes an adventure film created by a group for a young audience. The film was set at a school using the trim trail and trees to resemble a typical adventure setting. The main characters were two boys, Bobby and Denzil, who were portrayed in various shots engaging in adventurous but not overly scary activities like climbing trees and exploring an abandoned hut that create mystery and intrigue for the target audience. The shots were framed and the characters were presented in a way that would appeal to and not scare younger viewers.
Question 4
The media product is aimed primarily at males ages 15-35 who enjoy films noir and crime dramas. To appeal to younger viewers, the film uses younger actors, implies violence rather than showing it graphically, and incorporates some modern dialogue. Established actor Jack Waterman was cast partly to attract his broader fan base who may be unfamiliar with the noir genre. Comparable films like Bugsy Malone, Casino Royale and Sunset Blvd helped inform creative choices to engage audiences of similar works.
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Q3 what have you learnt from your audience feedback
The document discusses the importance of audience feedback throughout the creation of a music video and related media products. Feedback was gathered through focus groups, interviews, and pitches to peers and teachers. This feedback helped ensure the music video, digipak, and advert appealed to the target audience and addressed their likes and dislikes. The feedback process resulted in improvements to aspects like lighting, pacing, and positioning of elements. Overall, incorporating audience feedback allowed the creator to suit the media products to the genre and target audience, promoting the artist successfully while expressing their intended themes.
Evaluation question 4
The document discusses the various media technologies used at different stages of a music video project. During research, online resources and video recording equipment were used to gather audience insights. Planning involved Microsoft Word, PowerPoint, and mobile phones. Video production used DSLR and mobile phone cameras to capture footage. Editing was done in Sony Movie Studio Platinum with effects like filters. Ancillary tasks like photos were taken with DSLRs in a studio and edited in Photoshop. Evaluations combined written work, online publishing, and multimedia presentations. A wide range of technologies were leveraged throughout the project.
Student ancillary analysis
This document analyzes and summarizes several student-created album covers and advertisements. It finds that the designs effectively represent the genres and artists through their use of colors, fonts, imagery and layouts. However, some designs may raise copyright issues by being too similar to existing professional works. Overall, the critiques praise the clear brand identities and necessary information conveyed while also providing constructive feedback.
Final ancillary pieces
The document discusses the final digipack design for an indie/dream pop album. It uses dreamlike colors and imagery to signify the relaxed, chill style of music. Similar images and colors are used across the digipack and magazine ad to create brand identity and make fans aware of the artist. The fonts are straightforward and formal, fitting with the genres' emphasis on harmonious vocals. The design follows conventions of the genres to appeal to target audiences.
Genre specific digipack analysis
This document analyzes album packaging and promotional materials for several indie and dream pop artists. It discusses how the album packaging for The XX's "Coexist" and Youth Lagoon's "The Year of Hibernation" uses minimalist designs that reflect the genres. It also examines how M83's "Before the Dawn Heals Us" incorporates some traditional elements while adding individualistic touches. Magazine advertisements for albums by Coldplay, Florence and the Machine, and Ed Sheeran are discussed in terms of incorporating images of the artist, album, names, and release dates in designs suited to each artist's style.
Video concept
The proposed music video concept will tell the story of a young couple struggling in their relationship through contrasting shots of them together and apart, with fading between color and black-and-white to represent dreams. This will both illustrate the emotions in the song through matching visuals and tempo, and amplify the song's message. There is room for different interpretations of the video depending on how the audience views it. Creative elements like fading between color and black-and-white, timelapses, and moving frame elements are intended to make the video iconic, unique, and appeal to the target audience.
Ta member profile
Nicholas Leadley, a 17-year-old college student, was interviewed to help build a profile of the target audience. Nicholas enjoys a variety of music genres, including London Grammar's "Nightcall" for its melodic atmosphere. He prefers watching films that are action-based and likes a blend of fast-paced and slower scenes. Nicholas is an aspiring photographer and enjoys cinematography, so he responds positively to the group's ideas incorporating cinematic shots and lighting in their music video.
Question 2
The document discusses how different social groups are represented in media products. It analyzes how the film represents social groups like age, gender, social class, mental state, and parental figures. For age, it portrays the father as older and naive while the daughter is energetic. Gender roles are also challenged as the daughter controls the father. Social class is shown through the father's rough appearance and homeless status versus the daughter's bright clothes. Mental state and parental figures are portrayed somewhat negatively compared to typical stereotypes in order to subvert expectations. The film aims to represent social groups in varied, thought-provoking ways.
Question 3
Film distributors play an important role in distributing films to various markets and platforms. For short films, distributors represent the film at festivals and markets worldwide to sell it to companies that screen shorts. For feature films, distributors handle theatrical releases in specific countries as well as marketing and home video/streaming distribution. Distributors will source new films at festivals like Cannes and Sundance.
For a horror film, an independent distributor would be suitable as horror films tend not to get major releases but are well advertised. Independent distributors like Icon Film Distribution and Vertigo Films have experience with successful horror films and could benefit from a hit. Bigger companies also provide experience distributing a wide variety of films. Specialist horror dist
Evaluation Question 2
The document discusses how different social groups are represented in media products. It analyzes how the film opening represents five social groups: age, gender, social class, mental state, and parental figures. For each group, it provides examples from the film of how stereotypes were both challenged and developed. For instance, the two main characters represent a middle class girl and an under class man. Their costumes and living situations convey their social classes in stereotypical ways. However, some representations break stereotypes, such as the girl leading her father to his fate, challenging ideas of childhood innocence.
UKFC Statistic Analysis
The document analyzes data on film genres and audiences to determine the target audience for a new thriller/horror hybrid film. It finds that while thrillers/suspense are more popular overall, horror appeals more to younger female audiences. Specifically, females under 35 represent the primary audience for horror, while thrillers attract an older female audience aged 35+. The document concludes that the main target audience for the new film should be females under 35, in order to appeal to horror fans, while also aiming to attract secondary male viewers.
Risk assessment
1) The document contains 3 risk assessments for locations used in the film project "Parental Figure". Locations include Derelict Building 1, the woodland area, and Derelict Building 2.
2) Hazards identified include trip hazards, slippery surfaces, and electrical wires. Prevention measures taken include inspections, first aid kits, clearing walkways, and organizing wires.
3) Additional actions identified are designating meeting points in case of emergency, ensuring clear footwear and continuing to clear hazards. Responsible parties are assigned to all additional actions.
BBFC post
The BBFC is an independent regulator that classifies media content in the UK according to age ratings to protect audiences, especially children. They consider factors like discrimination, horror, imitable behavior, language, nudity, sex, themes, and violence. Context and tone are also important.
The document discusses classifying a film with a 15 rating due to infrequent scenes of violence and dark images that are not graphic. Themes of depression, conflict, and horror are present but not the focus. A 15 rating ensures the target audience is mature enough to understand these themes without risk of harm.
Job roles
Rebecca and Rhiannon will be co-directors to ensure the film runs smoothly according to plan. Each group member will take on the role of producer to organize what they all created ideas for. Will and Josh will work together on camera and lighting/sound due to their photography experience and past video work, which qualifies them for effectively capturing and producing these elements.
Parental Figure Script
Joel is rocking in the corner of his house, mumbling that he has let someone down and is sorry. When he sees Bonnie at the doorway, his eyes light up but she runs away. Joel stumbles after her into the woods, screaming her name. He reaches a clearing where he only finds a noose and, looking confused and guilty, slowly puts the noose around his neck. In the distance, Bonnie laughs.
Target Audience Profile
Chelsea is a 16-year-old student who enjoys action films, thrillers, and psychological horror films. She finds music soothing but thinks it needs to suit the scene in films. Chelsea enjoys a variety of TV shows, including Hollyoaks and The Walking Dead. As an aspiring photographer, she also enjoys spending time with others and animals. The interviewer determined advertising the film after 6pm on mainstream TV channels and social media would be most effective, as well as releasing it in October around Halloween when audiences would be more receptive. Interviewing Chelsea provided useful insights into psychographics to help shape advertising and release strategies targeting females under 35.
Secondary Target Audience Research
The document analyzes statistics about the horror genre film industry. It shows that horror films made $330 million at the domestic box office in 2014, though it is not the most popular genre. However, within the niche horror genre market, these films are popular. The statistics also show that the top-grossing horror films of 2015 fell under the psychological and supernatural sub-genres, indicating that a psychological horror film would have market appeal. While comedy and supernatural are the largest horror sub-genres, the document aims to revitalize the psychological horror sub-genre through suspense and messing with audiences' minds.
Target Audience Research - UK Film Council
The document analyzes data on film genres and audiences to determine the target audience for a new thriller/horror hybrid film. It finds that while thrillers/suspense are more popular overall, horror appeals more to younger female audiences. Specifically, females under 35 represent the primary audience for horror, while thrillers attract an older female audience aged 35+. The document concludes that the main target audience for the new film should be females under 35, in order to appeal to the primary horror audience, while also aiming to attract more secondary male viewers.
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Agenda
● What is event processing in MuleSoft?
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For Upcoming Meetups Join Mysore Meetup Group - https://meetups.mulesoft.com/mysore/YouTube:- youtube.com/@mulesoftmysore
Mysore WhatsApp group:- https://chat.whatsapp.com/EhqtHtCC75vCAX7gaO842N
Speaker:-
Shivani Yasaswi - https://www.linkedin.com/in/shivaniyasaswi/
Organizers:-
Shubham Chaurasia - https://www.linkedin.com/in/shubhamchaurasia1/
Giridhar Meka - https://www.linkedin.com/in/giridharmeka
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Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Film vocab for eal 3 students: Australia the movie
Walmart Business+ and Spark Good for Nonprofits.pdf
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BÀI TẬP BỔ TRỢ TIẾNG ANH LỚP 9 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2024-2025 - ...
BÀI TẬP BỔ TRỢ TIẾNG ANH LỚP 9 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2024-2025 - ...
Story board
- 1. Draft Story Board- We createdourstory board as a draft to beginwithinordertoallow usto make some slight alterationsthatstill neededdoingandtoalso determinewhatexactlywill happenwithinour opening.Thisthenmeantthatwe were able tohave multiple ideaand decidedwhichideaslooked the bestwithinourfilmopening. Final Story Boards-
- 2. For our openingshotwe decidedthatwe woulddoanestablishingshottoallow the audience to establishoutfilm.We alsodecidedtohave itas a panningshotbecause thenitwill show the juxtapositionof the nature andthe abandonedhouse whichwillcreate enigmaforthe audience.We alsodecidedtoinclude diegeticsoundof the nature to create more enigmabutalsomake the film openingseemrealistic. We will include natural lightingtoalsomake the scene realistic. For the secondshotwe also decidedtodoanotherpanningshot.Thisisgoingto be slow pacedand it startsfor the crime board on the rightto the actor, Joel rockinginthe corner.We have decidedto include eeriemusictosetthe scene forthe audience withinthe firstfew seconds.Also,forsoundwe have decidedtoinclude Joel murmuring“I’ve letyoudown,I’msorry”to againcreate enigmaas to whatis wrongwithhim.Also,we have diegeticsoundof some shufflingof feet. Natural lightingwill be include againtoso that it isa horror for the dark lightingandalsomake itrealistic. Includedon the board will be ourproductionlogoasthe title of the newspaperandthe producersanddirectors of the filmwrittenonthe board/newspapertocreate subtleness.Whichshowsthatthe For our thirdshotwe are goingto have a still close up.Thisisto ultimatelyintroduce the character to the audience alittle better.Forthe soundwe will have Joel whispering“Bonnie”repeatedly. His eyeswill thenlightuptoshowthatshe is special tohim. Thisisusedto alsoadd enigmatothe openingasthe audience doesn’tknow whoshe isyet. Also,thereisstill natural lightingincludedfor the realism. The fourthshot isfrom the pointof viewof Joel seeingBonnie withinthe doorway.However,itis alsoa longshotfromwhere Joel isandwhere Bonnie isstood.We see the silhouette of Bonnie.This isemphasisedbyahighkeylightinorderto be able tosee justa black shadow.Withinthisscene no soundwill be present.
- 3. The fifth shotwill be a longshotfrom where Bonnie isstoodtoshow Joel standingup.We will have himstandingupbut it will looklikehe is‘drunk’(thiswill show he hasbeenlivinginisolationfora while).Also,the lightingwill returntobeingnatural to againcreate realismbutbecause itisinthe woodsthe lightingwillbe darkeranditwill foreshadow tothe audience thathe isn’tall he seems. The onlysoundthat will be presentwillbe fromthe soundof hismovement. The sixthshotwill be a longshot.Also,itwill trackJoel staggeringfromhispositiontothe doorway that Bonnie waspreviouslypresentat.Thisshotalsoshowshissilhouettewhilsthe isatthe doorto signifythathe isbecomingstable again(well whatthe audience willbe thinkingatthispoint).The soundpresentedwill be fromhisfeetbeingdraggedandthe rubbishonthe floorof the buildingthat he is steppingon. The seventhshotwill be apointof viewfromJoel.Also,itwill be handheldtoshow thathe is disorientated. Thiswill showJoel goingoutthe doorwaybya stepand he seesthe dressof Bonnie justgoingroundthe corner.The lightingwill be natural againandthe soundwill be Bonnie’s laughterwhilstshe isskippingaway. The eighthshotis shownasa longshotof Joel fromthe behindatinthe same positionasshotseven. Thiswill showthathe is confusedashe is juststoodstill.The soundwill be of Joel screaming “Bonnie”.Again,the lightingwillbe natural toshow realismthroughout.
- 4. The ninthshot will be apointof viewshotandagainhandheld.Thiswill show thathe isstill disorientatedbutdesperatetofindBonnie.Thiswill show Joelfollowingthe dressand goingdown the corridor he saw herinand endingupoutside.The lighting willbe natural andBonnie’slaughter will be continued. Shotten isa lowangle close up handheldshot of Bonnie feetwhilstshe isskipping.There will be eerie musicplayingtoshowthatsomethingbadisgoingtohappen.Also,there willbe soundof Bonnie beinghappywhilstshe skipstoshow Joel thatdeathisn’tall thatbad.The lightingwillthen be natural again. The eleventhshotisalsoalowangle and handheldshotof Joel’sfeet.Thiswillshow Joel still staggeringanddisorientatedashe doesn’tknow whatisgoingonor why hischildisthere. Therefore,itcreate more enigmaforthe audience toputupwith.The lightingisgoingtobe natural because itwill signifythatthisisactuallyhappening.The soundwill be of Joel still shoutingBonnie. The twelfthshotagainshowsBonnie’sfeetfromalow angle andhandheldbecause itshowsthatitis fromher walking.Again,she will still be skippingandbeingportrayedashappy.The lightingwillstill appearnatural so it still showsthatitis realistic.
- 5. The thirteenthshotisof Joel’sfeetstillwithalow angle anditshowsthat he is goingupto blocks that Bonnie hadwalkedtointhe previousshot. The shotisa close upto see whatis happingandto focuson solelythe feet.ThisisatrackingshotwhichmoveswhenJoel takesastepup the stairs. There isdiegeticsoundof Joel climbingupthe stairs.The lightingstillappearsnatural tobe able to still make the audience thinkthatthe filmisreal whichaddsmore uneasytothe audience. The fourteenthshotisof Joel at the top of the blocks.The shot isstill a close upof Joel fromthe front.He appearsto be ina contemplationandlooksstraightforwardslookingdirectlythroughthe noose as if he hasn’tseen.He thenmoves furtherupthe stepsand getsclosertothe noose making himappearbiggerand the noose soit makesitlooklike whathe isabout to do isn’ta badthing. Shotfifteenisof the filmtitle.Thiswill be aclose upof the words,butwill be editedin.The letters will alsothenjustappearrandomlyandeventuallymake the wordsof the title.The backgroundwill be black to fitwiththe genre.The onlysoundincludedwill be Bonnie’slaughter. All of these shotswere thoughtoutcarefullyinorder tocreate the atmosphere thatwe were wantingforour filmopening.Combinedof themcreate averyenigmaticopeningandalsofitswith the genre of my film.Includingthe editing andthe mise-en-scenethiswillmake aneffective film opening.