Richard Dyer's "Star Theory" argues that pop stars are constructed entities meant to generate financial gain for their managers. The document applies this theory to Rihanna, discussing how her image and persona have been shaped over time through her management, relationships, fashion, and lifestyle portrayed in media to appeal to wider audiences and transform her from a "pop performer" to a global "pop star" brand. Her changing appearances and increasingly explicit and rebellious persona were constructed to meet audience expectations and hegemonic ideals about femininity.