京剧
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Beijing Opera is a popular art form in China with a history of nearly 200 years. It features four main roles: sheng for leading male roles, dan for leading female roles, jing for heroes and warriors, and chou for clown-like roles. The costumes, makeup, and movements of Beijing Opera performers clearly identify characters as good or evil based on the colors and designs in their painted faces.
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Chinese opera-masks
The actors in a Chinese opera are getting ready by painting their own faces with masks of different colors that represent different character traits. The masks can be red, black, yellow, purple, blue, white, or green, with each color symbolizing qualities like courage, fierceness, ambition, nobility, staunchness, treachery, and impulsiveness respectively. A video of an authentic Chinese opera performance is also available.
Presentation-ChineseOpera-checked-by-Liu
This document provides an overview of Chinese opera, including its structure, history, and symbolism. It discusses the main types of Chinese opera such as Beijing opera and Canton opera. It outlines the traditional roles and categories of characters in Beijing opera. The document also traces the historical development of Chinese opera from its origins in the Tang dynasty through its golden age in early 20th century China and suppression during the Cultural Revolution. Finally, it examines the symbolic use of colors and costumes in Chinese opera to distinguish characters.
The Drama of china
Drama was introduced to China in the 13th century by the Mongols, and reached a golden age during the Yuan Dynasty from 1200-1368 when many plays were written. Chinese drama traditionally emphasized moral lessons and used symbolic props rather than realistic sets, with actors trained from a young age in speech, movement, and roles. Various forms of Chinese theater developed over time, with Peking Opera becoming dominant in the 19th century and some turn to realism after the early 20th century.
Presentation
Beijing Opera is one of the oldest and most important forms of Chinese opera, with a history of over 200 years. It originated from local operas in Northern China and was further developed in Beijing in the 18th century. Beijing Opera features highly stylized performances incorporating music, singing, dialogue, dance, and acrobatics. Performers undergo rigorous training from a young age to master techniques like facial makeup, costumes, singing, and martial arts. Roles include male and female characters, with distinctive makeup and costumes used to represent different personalities. Beijing Opera spread both within China and internationally in the early 20th century.
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This document provides an overview of modern theater, including its origins in the late 1800s parallel to industrialization and intellectual movements. It describes several movements in modern theater such as realism, naturalism, and antirealism (symbolism, expressionism, futurism, dadaism, surrealism). Pioneers of these movements like Ibsen, Chekhov, and Artaud are mentioned. The document also briefly outlines personnel involved in modern productions and common theater configurations.
Asian theathre
Kabuki is a form of Japanese drama performed only by male actors featuring stylized song, mime, and dance. The makeup worn by actors indicates the character's traits, with red symbolizing positive attributes and blue or black representing negative traits. Wayang kulit is a form of shadow puppet theater in Indonesia where leather puppets are manipulated behind a screen by a dalang puppeteer accompanied by a gamelan orchestra and singers to tell stories from Hindu epics.
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Chinese opera-masks
The actors in a Chinese opera are getting ready by painting their own faces with masks of different colors that represent different character traits. The masks can be red, black, yellow, purple, blue, white, or green, with each color symbolizing qualities like courage, fierceness, ambition, nobility, staunchness, treachery, and impulsiveness respectively. A video of an authentic Chinese opera performance is also available.
Presentation-ChineseOpera-checked-by-Liu
This document provides an overview of Chinese opera, including its structure, history, and symbolism. It discusses the main types of Chinese opera such as Beijing opera and Canton opera. It outlines the traditional roles and categories of characters in Beijing opera. The document also traces the historical development of Chinese opera from its origins in the Tang dynasty through its golden age in early 20th century China and suppression during the Cultural Revolution. Finally, it examines the symbolic use of colors and costumes in Chinese opera to distinguish characters.
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Drama was introduced to China in the 13th century by the Mongols, and reached a golden age during the Yuan Dynasty from 1200-1368 when many plays were written. Chinese drama traditionally emphasized moral lessons and used symbolic props rather than realistic sets, with actors trained from a young age in speech, movement, and roles. Various forms of Chinese theater developed over time, with Peking Opera becoming dominant in the 19th century and some turn to realism after the early 20th century.
Presentation
Beijing Opera is one of the oldest and most important forms of Chinese opera, with a history of over 200 years. It originated from local operas in Northern China and was further developed in Beijing in the 18th century. Beijing Opera features highly stylized performances incorporating music, singing, dialogue, dance, and acrobatics. Performers undergo rigorous training from a young age to master techniques like facial makeup, costumes, singing, and martial arts. Roles include male and female characters, with distinctive makeup and costumes used to represent different personalities. Beijing Opera spread both within China and internationally in the early 20th century.
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An effort to search the exact history of drama along with its development. This work also includes all the eras of English Literature with its link to Drama.
However, one presentation couldn't define a complete history of drama.
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1) Beijing Opera combines music, singing, mime, dance, and acrobatics and originated in late 18th century Beijing.
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Peking opera 2014
Beijing Opera has four main roles - Sheng, Dan, Jing, and Chou. Sheng are male roles like warriors or gentlemen, while Dan are female like noblewomen or charming girls. Jing roles have painted facial makeup indicating complex personalities, and Chou are clowns. Key techniques include singing, speaking, acting, and fighting. The orchestra accompanies with percussion for action and strings/winds for emotion. Famous performer Mei Lanfang mastered vocal and physical skills across different roles.
298552422 festivals-and-arts-of-china-japan
This document provides information about various theater art forms and festivals from different Asian countries. It then focuses on describing the Chinese art form of Peking Opera, including its history, training process for performers, roles, costumes, makeup conventions, staging, music, and conventions of movement. Key elements of Peking Opera combine music, singing, acting, acrobatics, and combat. Performers are trained from a young age and adhere to traditional conventions in their performances.
Q4-PPT-Arts 8_Lesson 1 (Chinese Peking Opera).pptx
This document provides information about the traditional Chinese theater art form of Peking opera. It discusses the main male and female roles, including the Sheng and Dan. It describes elements like song, speech, dance, and combat. It explains the meaning behind the colors used in masks and makeup. Red denotes loyalty while white denotes evil. It discusses the costumes, including the Xingtou, and props like chairs that can represent different objects through convention. The document provides questions to test understanding of the roles, characteristics, performance, and key terms of Peking opera.
Festival And Theater Arts of Thailand, China, Japan, Indonesia
Festival And Theater Arts of Thailand, China, Japan, Indonesia
MAPEH
GRADE 8-PATIENCE
DAVAO CITY SPECIAL NATIONAL HIGH SCHOOL
Kto12 4th Quarter chinese peking opera
Peking opera is China's traditional theater art form that combines music, singing, acting, dancing, and acrobatics. It became popular in the 19th century. Students undergo rigorous training from a young age, learning skills like combat. There are four main types of roles - sheng (male), dan (female), jing (painted face male), and chou (clown). Performances utilize costumes, props, and symbolic conventions of movement to convey meaning to audiences seated to the south of the square stage.
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Q4-PPT-Arts 8_Lesson 1 (Chinese Peking Opera).pptx
Q4-PPT-Arts 8_Lesson 1 (Chinese Peking Opera).pptx
Festival And Theater Arts of Thailand, China, Japan, Indonesia
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京剧
- 1. Jīngjù 京剧 Beijing Opera
- 2. Jīngjù京剧 Peking Opera is a popular art form in China. It has a history of almost 200 years. It assimilated the best from many other local operas and was affected by Beijing local dialect and customs. Beijing Opera troupes can be found in most regions of China.
- 3. Jīngjù京剧 There are four main roles: -shēng: Leading male roles 生 - dàn: Leading female roles 旦 -jìng: Heros and warriors 净 －chǒu: Clown-like roles 丑
- 4. Mǎ liánliáng 马连良 Shēng 生： is the leading male actors.
- 5. Dàn 旦：is female role. Méilánfāng 梅兰芳
- 6. Yuánshìhǎi 袁世海 Jìng 净： mostly male, are the face-painted roles who represent warriors, heroes, statesmen, adventures and demons.
- 7. Xiāochánghuá 萧长华 Chǒu 丑： play roles of wit, alert and humor. It is these roles who keep the audience laughing and improvise quips at the right moments to ease tension in some serious plays.
- 8. Jīngjù京剧 What do the following roles mean? 1.Shēng (生) 2.Dàn (旦) 3. Jìng (净) 4. Chǒu (丑)
- 10. Jīngjù京剧 The Beijing Opera performers all have their special costumes, make-up and movements. Audience members can easily identify the good or evil characters on stage by the colors and designs on their painted faces.
- 11. What do colors represent in Beijing Opera face paint? Hóngsèzhōngshí 红色：忠实（Loyal, honest） Lùsè: yónggǎn 绿色：勇敢（Brave, stable）
- 12. What do colors represent in Beijing Opera face paint? Huángsè : kuángyě 黄色：狂野（Wild, angry） Lánsè: yīngyǒng 蓝色：英勇（fearless）
- 13. What do colors represent in Beijing Opera face paint? Báisè: yīngxiǎn 白色：阴险（Dangerous, tricky） Hēisè: zhèngzhí (Moral, just） 黑色：正直
- 14. What do colors represent in Beijing Opera face paint? Jīnsè & yínsè: For gods and ghosts 金色银色 （Gold&Silver）
- 15. What characteristics do the masks represent?