Art Collide introduces itself as an arts-collaborative business bringing artists and brands together over immersive performances using innovative integration methodologies. We create productions that engage audiences and leave lasting impressions. Curation, production and programming par excellence without being bound to any one artistic discipline or genre.
Artcasting: reflections on inventive digital evaluationjenrossity
Presentation given by Jen Ross at the Scottish Network on Digital Cultural Resources Evaluation Workshop 3. https://scotdigich.wordpress.com/2016/04/01/report-from-workshop-3-evaluating-use-and-impact/
Art Collide introduces itself as an arts-collaborative business bringing artists and brands together over immersive performances using innovative integration methodologies. We create productions that engage audiences and leave lasting impressions. Curation, production and programming par excellence without being bound to any one artistic discipline or genre.
Artcasting: reflections on inventive digital evaluationjenrossity
Presentation given by Jen Ross at the Scottish Network on Digital Cultural Resources Evaluation Workshop 3. https://scotdigich.wordpress.com/2016/04/01/report-from-workshop-3-evaluating-use-and-impact/
We establish the place for media-art and creativity development, using the unique space called ‘The Big Wine Storehouse’ at the ‘Winzavod’ art-complex
With the support of scientific, social and cultural organizations we unite youth making it possible for them to implement their projects and develop new ones
We form the interactive environment combining academic art, pop culture and experimental tech
The NCNC team is dedicated to creating artistic activities in public space with the collaboration of the community. With NCNC (Nuovo Cinema Neo Cinetico) the team develops community based site-specific artistic projects blending cinema, photography, fine arts, performing arts and intervention in public space relying on and restoring cinema’s basic essence: movement.
Encinitas Arts Master Plan City Council Presentation 2002Cristina Chacon
Presentation to the Encinitas City Council for their approval to adopt the city's official document outlining the vision and goals for the arts and culture of Encinitas. The Arts Master Plan also describes the cultural planning process and profiles the history and character of the five incorporated communities - Leucadia, Old & New Encinitas, Olivenhain and Cardiff-by-the-Sea - which make Encinitas one of the most unique and beautiful cities of Southern California. July 2002
Non Riservato promotes innovation in public places, through its members and the community: organizations, cooperatives, professionals and companies, that make jobs out of creativity, a transformative urban and social tool.
The network brings together those who share its philosophy and aims, who want to experience new organizational and production models, but also who have a common desire to take back their public spaces, through creativity and participatory processes.
The development of Non Riservato is made possible thanks to the contribution of Fondazione Cariplo and the partnership with the City of Milan. The project collaborates with the University of Milano Bicocca (Department of Sociology and Social Research) and Politecnico of Milano (Department of Architecture and Urban Studies).
What does NR do?
Non Riservato creates projects that connect all the different capacities of its members: public art, urban games, urban sports, performance, street art, architecture and design. The projects have the common features of all taking part in public spaces; they start processes of re-appropriation, creative involvement of participants and develop socialization and facilitate meetings.
Non Riservato acts as an incubator, mostly through bidding of development and prototyping for new projects.
Non Riservato also involves external partners to carry out strategic projects. Non Riservato follows its strategic lines, by working on a commission basis with the public and the private entities, that need services or projects with a highly creative and social impact.
For more information:
www.nonriservato.net
info@nonriservato.net
Национальная политика советской власти: язык как инструмент ассимиляции
Русско-еврейская литература под прессом цензуры: «советский» идиш и «антисоветский» иврит
Расцвет и трагедия еврейского театра
We establish the place for media-art and creativity development, using the unique space called ‘The Big Wine Storehouse’ at the ‘Winzavod’ art-complex
With the support of scientific, social and cultural organizations we unite youth making it possible for them to implement their projects and develop new ones
We form the interactive environment combining academic art, pop culture and experimental tech
The NCNC team is dedicated to creating artistic activities in public space with the collaboration of the community. With NCNC (Nuovo Cinema Neo Cinetico) the team develops community based site-specific artistic projects blending cinema, photography, fine arts, performing arts and intervention in public space relying on and restoring cinema’s basic essence: movement.
Encinitas Arts Master Plan City Council Presentation 2002Cristina Chacon
Presentation to the Encinitas City Council for their approval to adopt the city's official document outlining the vision and goals for the arts and culture of Encinitas. The Arts Master Plan also describes the cultural planning process and profiles the history and character of the five incorporated communities - Leucadia, Old & New Encinitas, Olivenhain and Cardiff-by-the-Sea - which make Encinitas one of the most unique and beautiful cities of Southern California. July 2002
Non Riservato promotes innovation in public places, through its members and the community: organizations, cooperatives, professionals and companies, that make jobs out of creativity, a transformative urban and social tool.
The network brings together those who share its philosophy and aims, who want to experience new organizational and production models, but also who have a common desire to take back their public spaces, through creativity and participatory processes.
The development of Non Riservato is made possible thanks to the contribution of Fondazione Cariplo and the partnership with the City of Milan. The project collaborates with the University of Milano Bicocca (Department of Sociology and Social Research) and Politecnico of Milano (Department of Architecture and Urban Studies).
What does NR do?
Non Riservato creates projects that connect all the different capacities of its members: public art, urban games, urban sports, performance, street art, architecture and design. The projects have the common features of all taking part in public spaces; they start processes of re-appropriation, creative involvement of participants and develop socialization and facilitate meetings.
Non Riservato acts as an incubator, mostly through bidding of development and prototyping for new projects.
Non Riservato also involves external partners to carry out strategic projects. Non Riservato follows its strategic lines, by working on a commission basis with the public and the private entities, that need services or projects with a highly creative and social impact.
For more information:
www.nonriservato.net
info@nonriservato.net
Национальная политика советской власти: язык как инструмент ассимиляции
Русско-еврейская литература под прессом цензуры: «советский» идиш и «антисоветский» иврит
Расцвет и трагедия еврейского театра
Подземная биосфера – огромный, неизвестный и удивительный мирДом ученых Тель-Авива
Изучение глубинной биосферы проясняет многие аспекты происхождения жизни на Земле, а также позволяет понять происхождение и оценить запасы углеводородов в нефтяных месторождениях.
Тайна окультуривания пшеницы: как и почему Ближний Восток стал мировым центро...Дом ученых Тель-Авива
Цивилизации доколумбовой Америки обладали одним культурным злаком – кукурузой, цивилизации Востока базировались на выращивании риса. Почему Природа так нечестно «раздала колоду ресурсных карт», что у индоевропейцев оказался не один, а пять злаков: ячмень, рожь, овес и два предка пшеницы? Современные данные палеонтологии, биогеографии, этологии и генетики позволяют комплексно подойти к этой загадке и, – как представляется автору – ее разгадать.
Лев Эппельбаум. Археологическая геофизика и сейсмология в ИзраилеДом ученых Тель-Авива
*Геофизика в археологии: методы, технологии и результаты исследований
*Израиль – уникальный объект археологических и, геофизических исследований
*Сейсмическое прошлое, настоящее и будущее Израиля
*Возрастные изменения структуры и функциональных возможностей мозга
*Нейродегенеративные заболевания: риски, симптомы, профилактика
*Лечение болезней Альцгеймера и Паркинсона: достижения израильской медицины
This presentation by Morris Kleiner (University of Minnesota), was made during the discussion “Competition and Regulation in Professions and Occupations” held at the Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found out at oe.cd/crps.
This presentation was uploaded with the author’s consent.
0x01 - Newton's Third Law: Static vs. Dynamic AbusersOWASP Beja
f you offer a service on the web, odds are that someone will abuse it. Be it an API, a SaaS, a PaaS, or even a static website, someone somewhere will try to figure out a way to use it to their own needs. In this talk we'll compare measures that are effective against static attackers and how to battle a dynamic attacker who adapts to your counter-measures.
About the Speaker
===============
Diogo Sousa, Engineering Manager @ Canonical
An opinionated individual with an interest in cryptography and its intersection with secure software development.
Sharpen existing tools or get a new toolbox? Contemporary cluster initiatives...Orkestra
UIIN Conference, Madrid, 27-29 May 2024
James Wilson, Orkestra and Deusto Business School
Emily Wise, Lund University
Madeline Smith, The Glasgow School of Art
Have you ever wondered how search works while visiting an e-commerce site, internal website, or searching through other types of online resources? Look no further than this informative session on the ways that taxonomies help end-users navigate the internet! Hear from taxonomists and other information professionals who have first-hand experience creating and working with taxonomies that aid in navigation, search, and discovery across a range of disciplines.
Acorn Recovery: Restore IT infra within minutesIP ServerOne
Introducing Acorn Recovery as a Service, a simple, fast, and secure managed disaster recovery (DRaaS) by IP ServerOne. A DR solution that helps restore your IT infra within minutes.
2. SOCIAL PROJECT FOR TEENAGERS FROM UKRAINE,
RUSSIA AND BELORUSSIA WHO JUST MOVED TO
ISRAEL
INTEGRATION THROUGH EXPLORING THE CITY
3. Teenagers are the most vulnerable age group
It is very hard for them to find their place in a new
country, where they have no friends, unfamiliar
culture and difficulties with learning new language.
This project is created to support teenagers and
help them to get acquainted with new environment
IN 2022 MORE THAN
60 000 NEW PEOPLE
MOVED TO ISRAEL DUE TO THE WAR
IN UKRAINE
5. HEARING
MUSIC AND SOUNDS IN THE STREETS OF THE CITY
• Recording sounds of the city
• Making soundtracks to the places and stories that are happening in the
city (the sounds of the park and streets, markets, recorded stories that
are important to participants).
• Sounds of the place I first felt happy in the city, place that helped me to
overcome sadness and ect.
• Sound portrait of the city
6. SEEING
ARCHITECTURE AND STREET ART
• Architecture and street art exploration
• Sketches and design
• Making layouts of the favourite buildings from
different materials
10. • Tel Aviv Model: The exhibition featured an intricate model of Tel Aviv that went beyond depicting real buildings. It incorporated the imaginative ideas of the participants,
showcasing their visions of what the city needed and exploring their creative solutions.
• Video Installation: A captivating video installation captured the descriptions and reflections of the participants on their experiences. It provided an immersive visual and
auditory experience, allowing viewers to gain insights into the participants' perspectives and their capacity for reflection.
• Touch Board Installation: An interactive touch board installation invited visitors to physically engage with various elements associated with the city. By touching different
elements on the board, participants could hear the sounds and immerse themselves in the sensory experiences connected to those elements, creating a multi-sensory
exploration of the city.
• Audio Stories: The exhibition featured a collection of audio stories shared by the participants about their personal experiences of relocation. These stories provided a
powerful platform for the participants to express their emotions, challenges, and triumphs, offering visitors a deeper understanding of their individual journeys.
• Sketches and Studies: The exhibition included numerous sketches, drawings, and studies created by the participants during their exploration of the city. These artistic
representations captured their evolving familiarity with the urban environment and showcased their observations and impressions.
TEL AVIV-YAFO THROUGH THE EYES OF TEENAGERS
