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Should We? Could We? Would We?:  Films in the Age of  Cross-Media Production Christy Dena UniverseCreation101.com Power to the Pixel 22 nd  October 2008
http://en.wikipedia.org/wiki/Image:Archers-AMOLAD-Logo.jpg
 
 
 
Four eyed monsters Blair Witch Project Replicate Transform Expand
[object Object]
[object Object],[object Object],[object Object]
[object Object]
DeMassification! – Toffler (Fragmented Audiences)
 
 
“ In a nearby future we can assume that media will move freely across different technological platforms, across different media formats and across different networks. Media will in this sense appear more as a liquid than solids.”  Mikael Wiberg,  2007, 63 “ Fluids travel easily. They ‘flow’, ‘spill’, ‘run out’, ‘splash’, ‘pour over’, ‘leak’, ‘flood’, ‘spray’, ‘drip’, ‘seep’, ‘ooze’; unlike solids they are not easily stopped—they pass around some obstacles, dissolve some others and bore or soak their ways through others still.”  Zygmunt Bauman, 2000, 1-2
Ruddy Morgan’s Flatland
 
[object Object],“ We thought that customers would be appreciative of the fact that we had so much across different platforms,” he said. “But nope. They were like  ‘obviously!’  They just expected it.” Alan Wurtzel, NBC Universal’s President of Research
[object Object]
DeMassification! (Fragmented Audiences)
Timothy deWaal Malefyt, Vice President/Director of Cultural Discoveries,  BBDO Advertising Worldwide  “ Reason is Out, Emotion is In”
 
Tulse Luper Suitcases ,[object Object],www.digiscreen.ca/weblers/tulse
[object Object],[object Object],www.eagleeyefreefall.com
Reality is the new play space
[object Object]
http://www.sonypictures.com/homevideo/untraceable/ http://www.killwithme.com/
http://www.ihatesarahmarshall.com/ http://www.forgettingsarahmarshall.com/
Marketing Art ? X
[object Object]
[object Object],[object Object],[object Object]
Ruddy Morgan’s  Flatland
 
Audiences want to  converse  with your  world  in their native tongue/ media
[object Object],[object Object],[object Object]
[object Object]
[object Object],[object Object],[object Object]
[object Object]
Four Approaches to Cross-Media Creation Version 1, Christy Dena, 2008 ,[object Object],* Film is King, other mediums are Queen ,[object Object],[object Object],Medium Status * Have to experience more than one * Experience more than one * Experience one or the other * Experience one on top of the other, no relation Audiences ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Execution ,[object Object],[object Object],[object Object],[object Object],Skills Artistic Economic & Artistic Economic (& Artistic) Economic Motivation Strategies & Techniques ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Native Integrated Complimentary Isolated
[object Object],[object Object],[object Object],[object Object]
Cross-Media Production Process Comparison Source: http://jasondaponte.wordpress.com/2008/09/19/... Conceived by Crossover Nordic team,  chart created by Daniel
[object Object]
Replicate
http://brokensaints.com/ Brooke Burgess, Ian Kirby, and Andrew West’s  Broken Saints
Transform
 
http://www.thefountainremixed.com/
… and Peter Greenaway VJing his ‘Tulse Luper Project’… www.tulselupernetwork.com petergreenaway.org.uk/tulse.htm
Richard James Allen’s  Thursday’s Fictions “ When you read a book, you imagine the world.   When you watch a film, you see and hear the world.   When you visit an online 3D immersive environment, you  enter  the world.   You feel what it’s like to be one of the characters, to be inside the story. And you can share that experience with your friends.” www.thursdaysfictions.com
Expand
Joss Whedon’s  Firefly/Serenity
Richard Kelly’s  Southland Tales www.southlandtales.com
10 Canoes / feature film “ Many, many canoes”: 11 Canoes / Mini-Documentaries Training 12 Canoes / Broadband Website 13 Canoes / Gallery Exhibition 14 Canoes / Photo Publishing Project 15 Canoes / Music Preservation Project 16 Canoes / Closed-Circuit Television Station  17 Canoes / Cultural Exchange Program 18 Canoes / Making Of Documentary Rolf De Heer: http://www.vertigoproductions.com.au/10canoes.htm Movie: http://www.tencanoes.com.au/
[object Object]
 
Lance Weiler’s  Head Trauma http://www.headtraumamovie.com/
http://www.gorillaz.com/DirtyHarry/ Gorillaz’s  Dirty Harry
John August’s The Nines
 
[object Object],Jason Grote’s   1001 www.1001nyc.com
Michel Gondry’s  Sunshine on a Spotless Mind www.lacunainc.com
Six to Start http://wetellstories.co.uk/
Pet Shop Boys’  Integral
Blast Theory’s ‘Can You See Me Now?’
42 Entertainment’s  I Love Bees
42 Entertainment’s  I Love Bees
42 Entertainment’s ‘Last Call Poker’ for Activision’s GUN Image from Jane McGonigal’s NEXT presentation
42 Entertainment’s  The Dark Knight  campaign
… and the phones buried inside the cakes for The Dark Knight… 42 Entertainment’s  The Dark Knight  campaign
Nine Inch Nails’  Year Zero
Nine Inch Nails’  Year Zero
Singapore’s Postal Service ‘Yours Always’
Lance Weiler’s  Head Trauma http://www.headtraumamovie.com/
www.find815.com Hoodlum’s Find 815 for ABC’s  Lost
‘ She Loves the Moon’  by the Strangers…
Nick Montfort and Scott Rettberg’s  ‘Implementation’   http://nickm.com/implementation/
YellowArrow.net
www.botanicalls.com
[object Object],area/code’s SharkRunners
Mind Candy’s ‘Perplex City’
[object Object]
 
 
[object Object],[object Object],[object Object]
 
[object Object],[object Object]
References ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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Should We? Could We? Would We? Films in the Age of Cross-Media Production