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Big Picture Writing Workshop Traits Writing Process
6+1 TRAIT Model is… …  a vocabulary teachers use to describe their vision of what good writing looks like-any kind of writing.   Ruth Culham, pg 7
Keep in mind that the six traits are not a curriculum, not a program. They are a way of thinking about writing that leads to understanding Vicki Spandel Creating Young Writers 2004 6 + 1 Trait Writing
Two Groups of Traits  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Ideas … …  make up the content of the piece of writing- the  heart  of the message. Ruth Culham, pg 11
Ideas ,[object Object],[object Object],[object Object],[object Object],[object Object]
Literature Models for  Ideas ,[object Object],[object Object],[object Object],[object Object]
Organization… …  is the internal structure of the piece, the thread of meaning, the logical pattern of the ideas. Ruth Culham, p 11
Organization ,[object Object],[object Object],[object Object],[object Object]
Literature Models for  Organization ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Voice … …  is the  soul  of the piece. It’s what makes the writer’s style singular, as his or her feelings and convictions come out through the words. Ruth Culham, p 12
Voice separates writing that is read from writing that is not read. Donald Murray
Voice ,[object Object],[object Object],[object Object],[object Object],[object Object]
Literature Models for  Voice ,[object Object],[object Object],[object Object],[object Object]
Word Choice… …  is at its best when it includes the use of rich, colorful, precise language that moves and enlightens the reader. Ruth Culham, p 12
Word Choice ,[object Object],[object Object],[object Object],[object Object],[object Object]
Literature Models for  Word Choice ,[object Object],[object Object],[object Object],[object Object]
Sentence Fluency… …  is the flow of the language, the sound of word patterns-the way the writing plays to the ear, not just to the eye. Ruth Culham, p12
Sentence Fluency ,[object Object],[object Object],[object Object],[object Object],[object Object]
Literature Models for  Sentence Fluency ,[object Object],[object Object],[object Object],[object Object]
Conventions… …  represent the piece’s level of correctness- the extent to which the writer uses grammar and mechanics with precision. Ruth Culham, p12
Conventions ,[object Object],[object Object],[object Object],[object Object],[object Object]
Literature Models for  Conventions ,[object Object],[object Object],[object Object],[object Object]
Presentation… …  zeros in on the form and layout- how pleasing the piece is to the eye. Ruth Culham, p12
Presentation ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Literature Models for  Presentation ,[object Object],[object Object],[object Object],[object Object]
When learners are well served, assessment becomes a learning experience that supports and improves instruction. The learners are not just the students but also the teachers, who learn something about their students. Regie Routman Conversations (2001)

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Sevier 6+1 Traits

  • 1. Big Picture Writing Workshop Traits Writing Process
  • 2. 6+1 TRAIT Model is… … a vocabulary teachers use to describe their vision of what good writing looks like-any kind of writing. Ruth Culham, pg 7
  • 3. Keep in mind that the six traits are not a curriculum, not a program. They are a way of thinking about writing that leads to understanding Vicki Spandel Creating Young Writers 2004 6 + 1 Trait Writing
  • 4.
  • 5. Ideas … … make up the content of the piece of writing- the heart of the message. Ruth Culham, pg 11
  • 6.
  • 7.
  • 8. Organization… … is the internal structure of the piece, the thread of meaning, the logical pattern of the ideas. Ruth Culham, p 11
  • 9.
  • 10.
  • 11. Voice … … is the soul of the piece. It’s what makes the writer’s style singular, as his or her feelings and convictions come out through the words. Ruth Culham, p 12
  • 12. Voice separates writing that is read from writing that is not read. Donald Murray
  • 13.
  • 14.
  • 15. Word Choice… … is at its best when it includes the use of rich, colorful, precise language that moves and enlightens the reader. Ruth Culham, p 12
  • 16.
  • 17.
  • 18. Sentence Fluency… … is the flow of the language, the sound of word patterns-the way the writing plays to the ear, not just to the eye. Ruth Culham, p12
  • 19.
  • 20.
  • 21. Conventions… … represent the piece’s level of correctness- the extent to which the writer uses grammar and mechanics with precision. Ruth Culham, p12
  • 22.
  • 23.
  • 24. Presentation… … zeros in on the form and layout- how pleasing the piece is to the eye. Ruth Culham, p12
  • 25.
  • 26.
  • 27. When learners are well served, assessment becomes a learning experience that supports and improves instruction. The learners are not just the students but also the teachers, who learn something about their students. Regie Routman Conversations (2001)