Filippo brunelleschi (1377 1446)
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LF68Filippo Brunelleschi was an Italian architect and engineer from Florence, Italy in the 15th century. He is famous for designing and building the dome of the Florence Cathedral, known as the Duomo, which had stumped architects for over 100 years because of its size and structural challenges. Brunelleschi developed innovative new building techniques and machines to lift the materials to complete the massive dome, which was over 100 meters tall. He was the first architect to receive a patent to protect his novel engineering ideas. The dome took over 30 years to complete and showed Brunelleschi's ability to think creatively and solve complex architectural problems.
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Filippo brunelleschi
Filippo Brunelleschi was an Italian architect and engineer during the Renaissance who is considered one of the founding fathers of architecture. He is renowned for designing the dome of Florence Cathedral and developing linear perspective in art. The document provides details on Brunelleschi's life, education, key architectural works including the dome, Ospedale degli Innocenti, and other projects. It also discusses his innovations in engineering, ship design, sculpture, and theatrical machinery.
Renaissance Artists; Brunelleschi and Michelangelo
Filippo Brunelleschi and Michelangelo were influential Renaissance artists known for their sculptures and architecture. Brunelleschi is most famous for designing the dome of Florence Cathedral, which he built using innovative engineering techniques. Michelangelo was a versatile artist who worked in many mediums, including his famous sculptures of David and the Pietà. Both artists received commissions from the powerful Medici family and worked on projects to fortify the city of Florence, though Brunelleschi focused more on architecture and invention while Michelangelo concentrated on painting and sculpture.
Brunelleschi
Filippo Brunelleschi was an Italian architect and engineer in the 15th century who is renowned for designing the dome of Florence Cathedral. Despite initial setbacks, he went on to complete many prestigious architectural works and proved himself a genius through innovative engineering solutions. He had a close partnership with fellow artist Donatello and together they helped establish the Renaissance style through their masterful blending of art and architecture.
Filippo Brunelleschi
Filippo Brunelleschi was an Italian architect and engineer born in 1377 in Florence, Italy. He is considered a key figure in architectural history and the founding father of Renaissance architecture. Brunelleschi's most notable work was designing and engineering the dome of Florence Cathedral, which was the largest dome built since antiquity. He also made contributions to linear perspective and architectural technology. Brunelleschi passed away in 1446 and was buried in the Cathedral of Florence in recognition of his achievements.
Renaissance Architecture
St. Peter's Basilica
Antonio da Sangallo the Younger submitted a plan for St. Peter's Basilica that combined features of Peruzzi, Raphael and Bramante. His design extended the building into a short nave with a wide facade and portico. His proposal for the dome was more elaborate in both structure and decoration than Bramante's.
Palazzo Farnese
Antonio da Sangallo the Younger designed and oversaw construction of the Palazzo Farnese, a large Renaissance palace in Rome. The palace features a rusticated basement and piano nobile separated by an imposing cornice. Its facade employs pilasters and entablatures in
Chambord - A French Renaissance Chateau
Along the river valley of Loire, south of Paris was a favourite region for the French nobility to build their chateaux. There are three royal chateaux in the valley - Chambord, Blois and Amboise. Leonardo da Vinci spent his final years here amongst these chateaux. Chenonceau chateau is one of the prettiest and had a female touch to it. If this is the case then it counterpart is Chambord, a the male chateau. It was built as a hunting lodge and many of its features were derived from traditional fortifications.
In 1515, the young Francis I of France came to the throne. It was under him France was united and strong. It was also the time French Absolute Monarchy began to appear. Chambord is very much his making. The emblems of Francis I were everywhere. It is also a French Renaissance building, incorporating Italian architecture elements like loggias, terrace, pilasters and horizontal mouldings decorating the facades. It is also French too with its massive towers, donjon and very high and steep roofs. Its roof it like a chessboard of towers and also like as a skyline of skyscrapers.
Today around the chateau is a large wildlife park with rich and varied wild life, a sanctuary for large animals. It is also an Unesco Heritage Site.
Renaissance architecture in italy
The document provides an overview of the history of architecture from the Early Renaissance period through the Neo-Classical phase. It discusses key periods including the Early Renaissance where designers were intent on accurately transcribing Roman elements. The High Renaissance saw Renaissance as an individual style. The Baroque period saw architecture, painting, and sculpture used in harmony. The Neo-Classical phase saw renewed inspiration from Greek and Roman architecture from 1750-1830. The document also summarizes works and contributions of influential Renaissance architects such as Brunelleschi, Alberti, Bramante, Palladio, and others.
Ch. 18 Gothic
The document provides an overview of Gothic art and architecture from the 12th to 15th centuries in Europe. It discusses key developments and monuments of Early Gothic, High Gothic, and Late Gothic styles. Specifically, it examines the innovations of Abbot Suger at Saint-Denis that established characteristics of French Gothic architecture like rib vaults and stained glass windows. It then analyzes major Gothic cathedrals built in France, including Chartres, Notre-Dame de Paris, Laon, and Amiens, noting their architectural features and sculpture programs.
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Filippo brunelleschi
Filippo Brunelleschi was an Italian architect and engineer during the Renaissance who is considered one of the founding fathers of architecture. He is renowned for designing the dome of Florence Cathedral and developing linear perspective in art. The document provides details on Brunelleschi's life, education, key architectural works including the dome, Ospedale degli Innocenti, and other projects. It also discusses his innovations in engineering, ship design, sculpture, and theatrical machinery.
Renaissance Artists; Brunelleschi and Michelangelo
Filippo Brunelleschi and Michelangelo were influential Renaissance artists known for their sculptures and architecture. Brunelleschi is most famous for designing the dome of Florence Cathedral, which he built using innovative engineering techniques. Michelangelo was a versatile artist who worked in many mediums, including his famous sculptures of David and the Pietà. Both artists received commissions from the powerful Medici family and worked on projects to fortify the city of Florence, though Brunelleschi focused more on architecture and invention while Michelangelo concentrated on painting and sculpture.
Brunelleschi
Filippo Brunelleschi was an Italian architect and engineer in the 15th century who is renowned for designing the dome of Florence Cathedral. Despite initial setbacks, he went on to complete many prestigious architectural works and proved himself a genius through innovative engineering solutions. He had a close partnership with fellow artist Donatello and together they helped establish the Renaissance style through their masterful blending of art and architecture.
Filippo Brunelleschi
Filippo Brunelleschi was an Italian architect and engineer born in 1377 in Florence, Italy. He is considered a key figure in architectural history and the founding father of Renaissance architecture. Brunelleschi's most notable work was designing and engineering the dome of Florence Cathedral, which was the largest dome built since antiquity. He also made contributions to linear perspective and architectural technology. Brunelleschi passed away in 1446 and was buried in the Cathedral of Florence in recognition of his achievements.
Renaissance Architecture
St. Peter's Basilica
Antonio da Sangallo the Younger submitted a plan for St. Peter's Basilica that combined features of Peruzzi, Raphael and Bramante. His design extended the building into a short nave with a wide facade and portico. His proposal for the dome was more elaborate in both structure and decoration than Bramante's.
Palazzo Farnese
Antonio da Sangallo the Younger designed and oversaw construction of the Palazzo Farnese, a large Renaissance palace in Rome. The palace features a rusticated basement and piano nobile separated by an imposing cornice. Its facade employs pilasters and entablatures in
Chambord - A French Renaissance Chateau
Along the river valley of Loire, south of Paris was a favourite region for the French nobility to build their chateaux. There are three royal chateaux in the valley - Chambord, Blois and Amboise. Leonardo da Vinci spent his final years here amongst these chateaux. Chenonceau chateau is one of the prettiest and had a female touch to it. If this is the case then it counterpart is Chambord, a the male chateau. It was built as a hunting lodge and many of its features were derived from traditional fortifications.
In 1515, the young Francis I of France came to the throne. It was under him France was united and strong. It was also the time French Absolute Monarchy began to appear. Chambord is very much his making. The emblems of Francis I were everywhere. It is also a French Renaissance building, incorporating Italian architecture elements like loggias, terrace, pilasters and horizontal mouldings decorating the facades. It is also French too with its massive towers, donjon and very high and steep roofs. Its roof it like a chessboard of towers and also like as a skyline of skyscrapers.
Today around the chateau is a large wildlife park with rich and varied wild life, a sanctuary for large animals. It is also an Unesco Heritage Site.
Renaissance architecture in italy
The document provides an overview of the history of architecture from the Early Renaissance period through the Neo-Classical phase. It discusses key periods including the Early Renaissance where designers were intent on accurately transcribing Roman elements. The High Renaissance saw Renaissance as an individual style. The Baroque period saw architecture, painting, and sculpture used in harmony. The Neo-Classical phase saw renewed inspiration from Greek and Roman architecture from 1750-1830. The document also summarizes works and contributions of influential Renaissance architects such as Brunelleschi, Alberti, Bramante, Palladio, and others.
Ch. 18 Gothic
The document provides an overview of Gothic art and architecture from the 12th to 15th centuries in Europe. It discusses key developments and monuments of Early Gothic, High Gothic, and Late Gothic styles. Specifically, it examines the innovations of Abbot Suger at Saint-Denis that established characteristics of French Gothic architecture like rib vaults and stained glass windows. It then analyzes major Gothic cathedrals built in France, including Chartres, Notre-Dame de Paris, Laon, and Amiens, noting their architectural features and sculpture programs.
Florence cathedral
Florence Cathedral's dome had been designed in 1296 but remained unfinished for over 100 years until Filippo Brunelleschi took on the project. Brunelleschi designed an octagonal double-shelled brick dome with no external supports, a unprecedented engineering feat that required inventing new construction machines and techniques. The completed dome has a diameter of 44 meters and rises 113 meters, anchored internally by a stone chain system and topped with a lantern, making it the largest masonry dome in the world.
Chapter 12: Baroque Architecture
The document discusses the development of Baroque architecture and urban design in response to the Catholic Counter Reformation. It summarizes key projects in Rome including St. Peter's Basilica designed by Michelangelo, Giacomo della Porta, Carlo Maderno, and Gian Lorenzo Bernini. Bernini's designs for St. Peter's interior, Baldacchino, and the surrounding piazza are described. Other projects by Bernini and Borromini discussed include S. Andrea al Quirinale and S. Carlo alle Quattro Fontane with their unconventional plans and facade designs. Urban spaces like Piazza Navona are also mentioned.
Catedral e torre de pisa
A torre inclinada de Pisa começou a ser construída em 1173, mas logo após o terceiro andar apresentou inclinação devido à fundação mal construída no solo instável. A torre atualmente tem quase 56 metros de altura e está inclinada cerca de 4 graus para o sudoeste. A construção ocorreu ao longo de 177 anos em três fases distintas.
BAROQUE ARCHITECTURE
The document provides an overview of Baroque architecture. It discusses how Baroque architecture originated in Italy in the late 16th/early 17th century and spread across Europe. Key characteristics of Baroque architecture included dramatic lighting, sculptural forms, complex geometric shapes, and illusionary paintings and frescoes used to create a sense of depth and movement. The document summarizes important Baroque architects like Bernini and Borromini and their works in Italy, as well as how the style spread to other countries like Austria.
Chapter 11: Renaissance Architecture
The document provides an overview of Renaissance architecture beginning in the 14th century. It discusses key figures like Brunelleschi who developed principles of linear perspective and built the dome of Florence Cathedral. Other architects mentioned include Alberti, Bramante, Raphael, and Michelangelo. Their works, such as St. Peter's Basilica in Rome, the Tempietto, and the Laurentian Library, demonstrate characteristics of Renaissance architecture like the use of classical forms and orders. The document also describes how Renaissance ideals spread from Italy to other parts of Europe.
Renaissance part 3 bramante palladio
1. St Peter's Basilica in Rome went through many architectural changes over centuries as different architects worked on its design and construction.
2. The architects included Donato Bramante, Raphael, Michelangelo, Carlo Maderno, and Gian Lorenzo Bernini. Bramante proposed the original Greek cross plan with a central dome. Michelangelo reverted to this design and strengthened it.
3. Maderno's most significant change was transforming Michelangelo's Greek cross design into a Latin cross with a long nave and adding the famous façade. The basilica and St Peter's Square are impressive architectural works in Renaissance and Baroque styles.
Les Invalides
Les Invalides in Paris was originally designed as a hospital for disabled veterans and completed in 1677. It was later expanded with the addition of the Dome des Invalides, a gold-domed building designed by J.H. Mansart in 1680 now used as a burial site for French war heroes. The complex consists of museums and monuments related to French military history and is notable for housing Napoleon's tomb.
A Cúpula, o Círculo e a planta em cruz grega
O objetivo desse seminário é analisar três elementos que se fizeram presentes na arquitetura renascentista, sendo a cúpula, o círculo e a planta em cruz grega. Essas características são importantes para a arquitetura e a discussão dos elementos espaciais da configuração do Renascimento italiano diante da sua forma, volume e expressão. Como base para essa discussão, foi utilizado o texto sobre o Renascimento do autor Carlos Antônio Leite Brandão, presente em sua obra “A formação do homem moderno visto através da arquitetura” Além disso, foram usadas outras fontes de consulta para uma análise mais profunda e capaz de atingir o objetivo desse trabalho. Com isso será possível destacar que a arquitetura reflete o contexto social, político e econômico da época que está inserida, e assim como a história, estudar a arquitetura é possível entender nosso passado, criticar nosso presente e refletir o nosso futuro.
brunelleschi
1) Filippo Brunelleschi fue un arquitecto italiano considerado el fundador del estilo renacentista. Es conocido por diseñar la cúpula octogonal de la catedral de Florencia y otros edificios que marcaron el renacimiento de la arquitectura clásica. 2) Brunelleschi estudió los edificios romanos y desarrolló técnicas como la perspectiva para recrear de manera realista el espacio tridimensional. 3) Su trabajo influyó enormemente en arquitectos posteriores como León Battista Alberti y definó
Unit 3b. gothic style
Gothic style developed between the 13th and 15th centuries primarily as an urban architectural style symbolizing prosperity. The most important Gothic buildings were religious structures like cathedrals, though monasteries, universities, and civic buildings were also constructed in the Gothic style. Cathedrals featured elements like pointed arches, ribbed vaulting, flying buttresses, stained glass windows, and rose windows that gave the structures greater height and light than previous Romanesque designs. The Gothic style also included advances in sculpture and painting, moving towards increased realism and use of perspective over time.
St. paul's Cathedral
St. Paul's Cathedral in London has stood on the same site since 604 AD, with five churches built successively. The current cathedral was designed by Christopher Wren after the previous Gothic cathedral was destroyed in the Great Fire of London in 1666. Wren's design features a dome second only in size to St. Peter's Basilica, as well as a Baroque interior. Notable features include the Whispering Gallery and Golden Gallery atop the dome, and the tomb of John Donne in the nave.
Renaissance
The document discusses Renaissance architecture between 1400-1600 AD. Renaissance architecture was inspired by classical Greek and Roman architecture, with an emphasis on symmetry, proportion, and geometry. There were three periods - Early Renaissance from 1400-1500 focused on adopting classical details; High Renaissance from 1500-1525 showed mastery of the style in different building types; and Mannerism from 1520-1600 experimented with spatial relationships. St. Peter's Basilica is highlighted as one of the greatest buildings of the Renaissance, constructed over multiple decades and designs by architects like Bramante and Michelangelo.
Renzo piano
Renzo Piano is known for his "high-tech" architecture, which features technological shapes and materials like steel, aluminum and glass. His buildings are prefabricated off-site and assembled, with functional elements like beams and ducts on the exterior. Piano's designs create open, adaptable interior spaces. Examples highlighted include the Zentrum Paul Klee museum, built into three rolling hill-like waves, and the Jean-Marie Tjibaou Cultural Centre, which evokes traditional Kanak huts through its wood structure and integration of natural ventilation.
St Paul's cathedral
St Paul's Cathedral in London is an Anglican cathedral designed by Sir Christopher Wren in the late Renaissance/Baroque style. It is located on Ludgate Hill and has been the seat of the Bishop of London since the 7th century. Some notable features include its large dome that weighs over 66,000 tons, multiple interior galleries like the Whispering Gallery that have unusual acoustics, and numerous memorials and burials including Christopher Wren. The cathedral has hosted important royal ceremonies and its architecture, artifacts, and library continue to make it a significant religious and cultural site in London.
FRANCESCO BORROMINI
Francesco Borromini was an Italian architect known for his innovative use of geometry and complex shapes. He began his career as a stonemason before moving to Rome in 1619. There he worked with Carlo Maderno and Gian Lorenzo Bernini, though later became rivals with Bernini. Some of Borromini's most notable works utilizing his signature curved designs include Sant'Agnese in Agone, Sant'Ivo alla Sapienza, and San Carlo alle Quattro Fontane. He also made alterations to existing buildings like the Palazzo Spada and interiors of churches such as San Giovanni in Laterano. Borromini employed manipulations of classical forms and symbolic geometries, influencing
Capilla pazzi lamina finalbloggggg
Brunelleschi fue un arquitecto italiano del siglo XV que diseñó la Capilla Pazzi en Florencia entre 1429 y 1446. Es conocido por introducir conceptos del Renacimiento como la perspectiva y por construir la primera cúpula grande sin andamiaje interno. La Capilla Pazzi utilizó proporciones matemáticas y tuvo un gran impacto en la arquitectura posterior.
Leon Alberti Battista
Leon Battista Alberti was an Italian Renaissance architect, artist, poet, and philosopher. He wrote influential treatises on painting, sculpture, and architecture. As an architect, his most notable works included the facade of Santa Maria Novella in Florence and the Tempio Malatestiano in Rimini. Alberti was one of the first architects to use classical orders and geometric principles in his designs, making him an important figure in establishing Renaissance architecture.
Dome of florence cathedral
The dome of the Florence Cathedral took over 100 years to complete. Filippo Brunelleschi was tasked with finishing the dome in the early 15th century. He designed an octagonal dome without external supports, using advanced structural innovations like horizontal chains and pointed ribs. His dome spanned 140 feet, the largest at the time. Through special lifting machines he invented, Brunelleschi was able to hoist over 4 million bricks to complete the massive 114.5 meter tall dome, cementing his role as a pioneer of Renaissance architecture.
Barmante
The Tempietto was built between 1499-1506 in Rome by the architect Donato Bramante. It was designed as a circular chapel to commemorate the site where St. Peter was crucified. The Tempietto has a simple yet elegant Renaissance design with a colonnade of Doric columns surrounding a cylindrical structure and dome. It is considered one of the earliest and finest examples of Renaissance architecture for its symmetry, harmony, and inspiration from classical antiquity.
Introduction to Renaissance Architecture
Part of History of Design, as Conducted during Monsoon Semester 2015 at CEPT University, Faculty of Design
Introduction to Western Humanities - 7a - Early Renaissance
Seventh lecture for GNED 1202 (Texts and Ideas). It is a required general education course for all first-year students at Mount Royal University in Calgary, Canada. My version of the course is structured as a kind of Intro to Western Civilization style course.
The Renaissance lecture has been divided into three parts. This is the first.
Renaissance in italy
The Italian Renaissance occurred between the 14th and 17th centuries and was centered in Florence and Rome. It was characterized by a revival of classical Greco-Roman artistic and intellectual traditions and a focus on humanism. Key Renaissance artistic innovations included the development of techniques like linear perspective, sfumato, and chiaroscuro. Famous Renaissance artists included Filippo Brunelleschi, Lorenzo Ghiberti, Leonardo da Vinci, Michelangelo, and Raphael. Their works emphasized realistic proportions, foreshortening, and secular themes. Renaissance architecture revived classical orders and symmetry while sculpture emphasized realistic portrayals of the human form. Overall, the Renaissance marked a shift from medieval to modern Western civilization.
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Florence cathedral
Florence Cathedral's dome had been designed in 1296 but remained unfinished for over 100 years until Filippo Brunelleschi took on the project. Brunelleschi designed an octagonal double-shelled brick dome with no external supports, a unprecedented engineering feat that required inventing new construction machines and techniques. The completed dome has a diameter of 44 meters and rises 113 meters, anchored internally by a stone chain system and topped with a lantern, making it the largest masonry dome in the world.
Chapter 12: Baroque Architecture
The document discusses the development of Baroque architecture and urban design in response to the Catholic Counter Reformation. It summarizes key projects in Rome including St. Peter's Basilica designed by Michelangelo, Giacomo della Porta, Carlo Maderno, and Gian Lorenzo Bernini. Bernini's designs for St. Peter's interior, Baldacchino, and the surrounding piazza are described. Other projects by Bernini and Borromini discussed include S. Andrea al Quirinale and S. Carlo alle Quattro Fontane with their unconventional plans and facade designs. Urban spaces like Piazza Navona are also mentioned.
Catedral e torre de pisa
A torre inclinada de Pisa começou a ser construída em 1173, mas logo após o terceiro andar apresentou inclinação devido à fundação mal construída no solo instável. A torre atualmente tem quase 56 metros de altura e está inclinada cerca de 4 graus para o sudoeste. A construção ocorreu ao longo de 177 anos em três fases distintas.
BAROQUE ARCHITECTURE
The document provides an overview of Baroque architecture. It discusses how Baroque architecture originated in Italy in the late 16th/early 17th century and spread across Europe. Key characteristics of Baroque architecture included dramatic lighting, sculptural forms, complex geometric shapes, and illusionary paintings and frescoes used to create a sense of depth and movement. The document summarizes important Baroque architects like Bernini and Borromini and their works in Italy, as well as how the style spread to other countries like Austria.
Chapter 11: Renaissance Architecture
The document provides an overview of Renaissance architecture beginning in the 14th century. It discusses key figures like Brunelleschi who developed principles of linear perspective and built the dome of Florence Cathedral. Other architects mentioned include Alberti, Bramante, Raphael, and Michelangelo. Their works, such as St. Peter's Basilica in Rome, the Tempietto, and the Laurentian Library, demonstrate characteristics of Renaissance architecture like the use of classical forms and orders. The document also describes how Renaissance ideals spread from Italy to other parts of Europe.
Renaissance part 3 bramante palladio
1. St Peter's Basilica in Rome went through many architectural changes over centuries as different architects worked on its design and construction.
2. The architects included Donato Bramante, Raphael, Michelangelo, Carlo Maderno, and Gian Lorenzo Bernini. Bramante proposed the original Greek cross plan with a central dome. Michelangelo reverted to this design and strengthened it.
3. Maderno's most significant change was transforming Michelangelo's Greek cross design into a Latin cross with a long nave and adding the famous façade. The basilica and St Peter's Square are impressive architectural works in Renaissance and Baroque styles.
Les Invalides
Les Invalides in Paris was originally designed as a hospital for disabled veterans and completed in 1677. It was later expanded with the addition of the Dome des Invalides, a gold-domed building designed by J.H. Mansart in 1680 now used as a burial site for French war heroes. The complex consists of museums and monuments related to French military history and is notable for housing Napoleon's tomb.
A Cúpula, o Círculo e a planta em cruz grega
O objetivo desse seminário é analisar três elementos que se fizeram presentes na arquitetura renascentista, sendo a cúpula, o círculo e a planta em cruz grega. Essas características são importantes para a arquitetura e a discussão dos elementos espaciais da configuração do Renascimento italiano diante da sua forma, volume e expressão. Como base para essa discussão, foi utilizado o texto sobre o Renascimento do autor Carlos Antônio Leite Brandão, presente em sua obra “A formação do homem moderno visto através da arquitetura” Além disso, foram usadas outras fontes de consulta para uma análise mais profunda e capaz de atingir o objetivo desse trabalho. Com isso será possível destacar que a arquitetura reflete o contexto social, político e econômico da época que está inserida, e assim como a história, estudar a arquitetura é possível entender nosso passado, criticar nosso presente e refletir o nosso futuro.
brunelleschi
1) Filippo Brunelleschi fue un arquitecto italiano considerado el fundador del estilo renacentista. Es conocido por diseñar la cúpula octogonal de la catedral de Florencia y otros edificios que marcaron el renacimiento de la arquitectura clásica. 2) Brunelleschi estudió los edificios romanos y desarrolló técnicas como la perspectiva para recrear de manera realista el espacio tridimensional. 3) Su trabajo influyó enormemente en arquitectos posteriores como León Battista Alberti y definó
Unit 3b. gothic style
Gothic style developed between the 13th and 15th centuries primarily as an urban architectural style symbolizing prosperity. The most important Gothic buildings were religious structures like cathedrals, though monasteries, universities, and civic buildings were also constructed in the Gothic style. Cathedrals featured elements like pointed arches, ribbed vaulting, flying buttresses, stained glass windows, and rose windows that gave the structures greater height and light than previous Romanesque designs. The Gothic style also included advances in sculpture and painting, moving towards increased realism and use of perspective over time.
St. paul's Cathedral
St. Paul's Cathedral in London has stood on the same site since 604 AD, with five churches built successively. The current cathedral was designed by Christopher Wren after the previous Gothic cathedral was destroyed in the Great Fire of London in 1666. Wren's design features a dome second only in size to St. Peter's Basilica, as well as a Baroque interior. Notable features include the Whispering Gallery and Golden Gallery atop the dome, and the tomb of John Donne in the nave.
Renaissance
The document discusses Renaissance architecture between 1400-1600 AD. Renaissance architecture was inspired by classical Greek and Roman architecture, with an emphasis on symmetry, proportion, and geometry. There were three periods - Early Renaissance from 1400-1500 focused on adopting classical details; High Renaissance from 1500-1525 showed mastery of the style in different building types; and Mannerism from 1520-1600 experimented with spatial relationships. St. Peter's Basilica is highlighted as one of the greatest buildings of the Renaissance, constructed over multiple decades and designs by architects like Bramante and Michelangelo.
Renzo piano
Renzo Piano is known for his "high-tech" architecture, which features technological shapes and materials like steel, aluminum and glass. His buildings are prefabricated off-site and assembled, with functional elements like beams and ducts on the exterior. Piano's designs create open, adaptable interior spaces. Examples highlighted include the Zentrum Paul Klee museum, built into three rolling hill-like waves, and the Jean-Marie Tjibaou Cultural Centre, which evokes traditional Kanak huts through its wood structure and integration of natural ventilation.
St Paul's cathedral
St Paul's Cathedral in London is an Anglican cathedral designed by Sir Christopher Wren in the late Renaissance/Baroque style. It is located on Ludgate Hill and has been the seat of the Bishop of London since the 7th century. Some notable features include its large dome that weighs over 66,000 tons, multiple interior galleries like the Whispering Gallery that have unusual acoustics, and numerous memorials and burials including Christopher Wren. The cathedral has hosted important royal ceremonies and its architecture, artifacts, and library continue to make it a significant religious and cultural site in London.
FRANCESCO BORROMINI
Francesco Borromini was an Italian architect known for his innovative use of geometry and complex shapes. He began his career as a stonemason before moving to Rome in 1619. There he worked with Carlo Maderno and Gian Lorenzo Bernini, though later became rivals with Bernini. Some of Borromini's most notable works utilizing his signature curved designs include Sant'Agnese in Agone, Sant'Ivo alla Sapienza, and San Carlo alle Quattro Fontane. He also made alterations to existing buildings like the Palazzo Spada and interiors of churches such as San Giovanni in Laterano. Borromini employed manipulations of classical forms and symbolic geometries, influencing
Capilla pazzi lamina finalbloggggg
Brunelleschi fue un arquitecto italiano del siglo XV que diseñó la Capilla Pazzi en Florencia entre 1429 y 1446. Es conocido por introducir conceptos del Renacimiento como la perspectiva y por construir la primera cúpula grande sin andamiaje interno. La Capilla Pazzi utilizó proporciones matemáticas y tuvo un gran impacto en la arquitectura posterior.
Leon Alberti Battista
Leon Battista Alberti was an Italian Renaissance architect, artist, poet, and philosopher. He wrote influential treatises on painting, sculpture, and architecture. As an architect, his most notable works included the facade of Santa Maria Novella in Florence and the Tempio Malatestiano in Rimini. Alberti was one of the first architects to use classical orders and geometric principles in his designs, making him an important figure in establishing Renaissance architecture.
Dome of florence cathedral
The dome of the Florence Cathedral took over 100 years to complete. Filippo Brunelleschi was tasked with finishing the dome in the early 15th century. He designed an octagonal dome without external supports, using advanced structural innovations like horizontal chains and pointed ribs. His dome spanned 140 feet, the largest at the time. Through special lifting machines he invented, Brunelleschi was able to hoist over 4 million bricks to complete the massive 114.5 meter tall dome, cementing his role as a pioneer of Renaissance architecture.
Barmante
The Tempietto was built between 1499-1506 in Rome by the architect Donato Bramante. It was designed as a circular chapel to commemorate the site where St. Peter was crucified. The Tempietto has a simple yet elegant Renaissance design with a colonnade of Doric columns surrounding a cylindrical structure and dome. It is considered one of the earliest and finest examples of Renaissance architecture for its symmetry, harmony, and inspiration from classical antiquity.
Introduction to Renaissance Architecture
Part of History of Design, as Conducted during Monsoon Semester 2015 at CEPT University, Faculty of Design
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Introduction to Western Humanities - 7a - Early Renaissance
Seventh lecture for GNED 1202 (Texts and Ideas). It is a required general education course for all first-year students at Mount Royal University in Calgary, Canada. My version of the course is structured as a kind of Intro to Western Civilization style course.
The Renaissance lecture has been divided into three parts. This is the first.
Renaissance in italy
The Italian Renaissance occurred between the 14th and 17th centuries and was centered in Florence and Rome. It was characterized by a revival of classical Greco-Roman artistic and intellectual traditions and a focus on humanism. Key Renaissance artistic innovations included the development of techniques like linear perspective, sfumato, and chiaroscuro. Famous Renaissance artists included Filippo Brunelleschi, Lorenzo Ghiberti, Leonardo da Vinci, Michelangelo, and Raphael. Their works emphasized realistic proportions, foreshortening, and secular themes. Renaissance architecture revived classical orders and symmetry while sculpture emphasized realistic portrayals of the human form. Overall, the Renaissance marked a shift from medieval to modern Western civilization.
Outstanding Italian artists (English version)
The document summarizes biographical information about four important Italian Renaissance artists: Filippo Brunelleschi, Leonardo da Vinci, Michelangelo Buonarroti, and Caravaggio. It provides details about their dates of birth and death, backgrounds, artistic styles and innovations. Key works of art are listed for each artist, including Brunelleschi's dome of Florence Cathedral, da Vinci's Mona Lisa and Last Supper, Michelangelo's Sistine Chapel frescoes and David statue, and Caravaggio's naturalistic paintings featuring dramatic use of light and shadow like The Calling of Saint Matthew.
Renaissance Architecture
The document discusses the architecture of St. Peter's Basilica and the Sistine Chapel in Rome. It describes the design of St. Peter's facade by Carlo Maderno and interior by Michelangelo. It then discusses the key role of Filippo Brunelleschi in developing Renaissance architecture, including his dome design for Florence Cathedral and use of classical proportions and symmetry that influenced later Renaissance buildings.
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In 15th century Italy, Florence emerged as an intellectual, financial, and artistic center under the patronage of the Medici family. Humanism flourished during this period, emphasizing secular ideals and the study of classical Greek and Latin texts. Important early Renaissance artists included Filippo Brunelleschi, who pioneered the use of linear perspective in painting and constructed the dome of Florence Cathedral, and Lorenzo Ghiberti, whose Gates of Paradise on the Florence Baptistery made use of classical influences and set new standards for realism in sculpture. Masaccio's frescoes in Florence further advanced the use of linear perspective and naturalism in figure painting.
Brunelleschi's dome Clil lesson
1. The document provides information about Filippo Brunelleschi's dome for the Florence Cathedral constructed in the early 15th century. It describes Brunelleschi as embodying the Renaissance ideal of the intelligent, self-sufficient man and details his revolutionary octagonal, self-supporting dome design which did not require external scaffolding.
2. Brunelleschi's dome featured two layers of brick vaults placed one above the other and connected by brick ribs. The interior vault was over two meters thick to support the structure. His innovative use of bricklaying in a 'fishbone pattern' was key to the stability of the massive dome.
3. Upon completion, Brunelleschi's dome reached 114
Art and the Human Experience
This covers the Renaissance from 1400-1500 and 1500-1600 and even touches on the Italian Baroque of the 17th century.
Rennaisance y
The Renaissance began with the opening of the Silk Road by the Mongols, which exposed Europeans to Chinese goods and ideas through the travels of Marco Polo. The Black Death had some positive impacts by not damaging infrastructure and causing people to spend more. Ottoman conquests led Greek and Roman scholars to flee to Italy with ancient texts. Major trading cities like Florence and Venice grew wealthy during this period, with Florence being a center of art and architecture due to the patronage of the powerful Medici family.
Chapter 20 16th century art in italy
The document summarizes 16th century art in Italy, focusing on major artists and developments. It discusses the High Renaissance in Rome led by artists like Michelangelo, Raphael, and Bramante. It then examines key works by Leonardo da Vinci, Michelangelo, Raphael, and Bramante. Next it discusses developments in the early 16th century including Mannerism and the influential Venetian artist Titian. It concludes by noting the Catholic Counter-Reformation and Michelangelo's Last Judgment fresco in the Sistine Chapel.
Mfv ren ch.3
1. The document discusses the decoration of Or San Michele in Florence between 1406-1423 when guilds were responsible for filling niches on the exterior with sculptures.
2. It profiles several early Renaissance sculptors like Nanni di Banco, Donatello, and Ghiberti who created works for Or San Michele including Donatello's Saint George and Saint Mark.
3. The architect Filippo Brunelleschi is discussed for innovations like his dome for Florence Cathedral finished between 1420-1436 and use of classical orders at buildings including the Ospedale degli Innocenti.
High renaissance 2
The document provides an overview of the High Renaissance period in Italy from 1500-1524. It discusses important artists of the time like Leonardo da Vinci, Bramante, Michelangelo, Raphael, Bellini, Giorgione and Titian. Their works embodied classical ideals of balance, symmetry, and ideal proportions. Key locations included Rome, which saw a revitalization under Pope Julius II, and Venice, where artists used oil paint and canvas to create colorful works with sensuous forms.
Slide quiz #1
This document provides an overview of important artists and works from the Early Renaissance, High Renaissance, Northern Renaissance, and Baroque periods. It lists the names of multiple influential 15th-16th century Italian artists such as Brunelleschi, Ghiberti, Donatello, Masaccio, Botticelli, and da Vinci. It also highlights works by Michelangelo, Raphael, Bosch, Bruegel, Durer, Bernini and Caravaggio from the 14th to 17th centuries. The document serves as a survey of major developments and influential figures across Renaissance and Baroque art history.
Italian Renaissance Art
The document discusses key artists of the Early and High Renaissance periods in Italy such as Giotto, Masaccio, Donatello, Botticelli, da Vinci, Raphael, Michelangelo, and Titian. It describes their innovations in techniques like linear perspective, use of light and shadow, and more realistic human figures. These artists helped establish principles of Renaissance art that focused on naturalism and three-dimensional representations of space.
Italian Renaissance
The document summarizes key developments and artists of the Italian Renaissance period from the early 1400s to late 1500s. It describes innovations like linear perspective and use of shadows that made paintings more realistic. Important early Renaissance artists mentioned are Giotto, Masaccio, Donatello, and Brunelleschi. The High Renaissance saw works by Botticelli, da Vinci, Raphael, Michelangelo, and Titian, known for realistic figures and masterful use of light, shadow, and perspective.
Ncc e. ren arch and sculpture
Leonardo da Vinci
1480-95 Bronze, Venice
Verrocchio. Colleoni
1480-95 Bronze, Venice
The condottiere and his horse have become the embodiment of will power, and a purposeful and ruthless machine.
Leonardo da Vinci was Verrocchio's assistant on this project.
Renaissance Art
The document summarizes three eras of Renaissance art:
1) The Early Renaissance in Florence saw advances like Giotto's more realistic frescoes, Ghiberti's depth-illusion doors, and Brunelleschi's dome innovation. Donatello created the first large nude sculpture since antiquity.
2) The High Renaissance was centered in Rome, where Michelangelo painted the Sistine Chapel and Raphael became a favorite painter of the pope. Leonardo created the famous Last Supper fresco and Mona Lisa.
3) The Northern Renaissance spread ideas to Germany and Flanders through artists like Durer, Holbein, and van Eyck, blending Renaissance techniques
Unit 6. reformation & renaissance
The Renaissance began in 15th century Italy and spread across Europe, reviving principles of classical antiquity. Architects designed buildings with harmonious proportions inspired by ancient Greece and Rome, using elements like domes, columns, and pediments. The Renaissance style is exemplified in the architecture of figures like Brunelleschi, Bramante, and Palladio. Renaissance art featured ideals of beauty, realism, and humanism as seen in the works of artists like Michelangelo, Leonardo da Vinci, Raphael, and Botticelli. The movement had influences across different regions of Europe through various architectural styles and artists.
Early & High Renaissance
This document provides an overview of important artworks from the Early Renaissance period in 15th century Florence and the High Renaissance period between 1495-1527. It lists influential artworks such as Filippo Brunelleschi's dome for the Florence Cathedral, Lorenzo Ghiberti's bronze baptistry doors in Florence, Donatello's bronze David statue, and Masaccio's fresco of The Tribute Money. It also highlights works by Botticelli, Leonardo da Vinci including the Mona Lisa and The Last Supper, Michelangelo's sculptures of David and frescoes in the Sistine Chapel, and Raphael's School of Athens fresco.
Chapter 7 renaissance
This document provides information on numerous artists and artworks from the late 14th to early 16th centuries in Europe. It discusses Italian Renaissance painters like Leonardo da Vinci, Michelangelo, Raphael, and Titian. It also mentions architects like Brunelleschi and Donatello. Key artworks highlighted include da Vinci's Mona Lisa and Last Supper, Michelangelo's Sistine Chapel ceiling and David, and Raphael's School of Athens. The document additionally references writers such as Boccaccio and developments in music during this period.
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Applications of artificial Intelligence in Mechanical Engineering.pdf
Historically, mechanical engineering has relied heavily on human expertise and empirical methods to solve complex problems. With the introduction of computer-aided design (CAD) and finite element analysis (FEA), the field took its first steps towards digitization. These tools allowed engineers to simulate and analyze mechanical systems with greater accuracy and efficiency. However, the sheer volume of data generated by modern engineering systems and the increasing complexity of these systems have necessitated more advanced analytical tools, paving the way for AI.
AI offers the capability to process vast amounts of data, identify patterns, and make predictions with a level of speed and accuracy unattainable by traditional methods. This has profound implications for mechanical engineering, enabling more efficient design processes, predictive maintenance strategies, and optimized manufacturing operations. AI-driven tools can learn from historical data, adapt to new information, and continuously improve their performance, making them invaluable in tackling the multifaceted challenges of modern mechanical engineering.
一比一原版(uofo毕业证书)美国俄勒冈大学毕业证如何办理
原版一模一样【微信：741003700 】【(uofo毕业证书)美国俄勒冈大学毕业证成绩单】【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
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◇面对父母的压力，希望尽快拿到；
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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办理(uofo毕业证书)美国俄勒冈大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(uofo毕业证书)美国俄勒冈大学毕业证【微信：741003700 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(uofo毕业证书)美国俄勒冈大学毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
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一比一原版(爱大毕业证书)爱荷华大学毕业证如何办理
原版一模一样【微信：741003700 】【(爱大毕业证书)爱荷华大学毕业证成绩单】【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(爱大毕业证书)爱荷华大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(爱大毕业证书)爱荷华大学毕业证【微信：741003700 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(爱大毕业证书)爱荷华大学毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(爱大毕业证书)爱荷华大学毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
Data Driven Maintenance | UReason Webinar
Discover the latest insights on Data Driven Maintenance with our comprehensive webinar presentation. Learn about traditional maintenance challenges, the right approach to utilizing data, and the benefits of adopting a Data Driven Maintenance strategy. Explore real-world examples, industry best practices, and innovative solutions like FMECA and the D3M model. This presentation, led by expert Jules Oudmans, is essential for asset owners looking to optimize their maintenance processes and leverage digital technologies for improved efficiency and performance. Download now to stay ahead in the evolving maintenance landscape.
Prediction of Electrical Energy Efficiency Using Information on Consumer's Ac...
Energy efficiency has been important since the latter part of the last century. The main object of this survey is to determine the energy efficiency knowledge among consumers. Two separate districts in Bangladesh are selected to conduct the survey on households and showrooms about the energy and seller also. The survey uses the data to find some regression equations from which it is easy to predict energy efficiency knowledge. The data is analyzed and calculated based on five important criteria. The initial target was to find some factors that help predict a person's energy efficiency knowledge. From the survey, it is found that the energy efficiency awareness among the people of our country is very low. Relationships between household energy use behaviors are estimated using a unique dataset of about 40 households and 20 showrooms in Bangladesh's Chapainawabganj and Bagerhat districts. Knowledge of energy consumption and energy efficiency technology options is found to be associated with household use of energy conservation practices. Household characteristics also influence household energy use behavior. Younger household cohorts are more likely to adopt energy-efficient technologies and energy conservation practices and place primary importance on energy saving for environmental reasons. Education also influences attitudes toward energy conservation in Bangladesh. Low-education households indicate they primarily save electricity for the environment while high-education households indicate they are motivated by environmental concerns.
Generative AI Use cases applications solutions and implementation.pdf
Generative AI solutions encompass a range of capabilities from content creation to complex problem-solving across industries. Implementing generative AI involves identifying specific business needs, developing tailored AI models using techniques like GANs and VAEs, and integrating these models into existing workflows. Data quality and continuous model refinement are crucial for effective implementation. Businesses must also consider ethical implications and ensure transparency in AI decision-making. Generative AI's implementation aims to enhance efficiency, creativity, and innovation by leveraging autonomous generation and sophisticated learning algorithms to meet diverse business challenges.
https://www.leewayhertz.com/generative-ai-use-cases-and-applications/
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Filippo brunelleschi (1377 1446)
- 2. Youth From a wealthy family of Florence Literary and mathematical education Arte de la Seta : master goldsmith Florentine School : painting
- 3. Beginning as an sculptor 1401: First competition to design a new set of bronze doors for the Florence Baptistery. Lorenzo Ghiberti
- 4. Change of way Travel to Roma with Donatello Then, definitively, architecture Donatello Pantheon of Roma
- 5. Building of « Duomo » 1418 : New competition to build the dome of the cathedral of Florence. “I assure you that it is impossible to raise it [the dome] in any other way. You may well laugh at me, but you must understand, unless you are obstinate, that it neither should nor could be done otherwise . . . I can already envisage the completed vaulting and I know there is no method or way of doing it other than as I am explaining.”
- 6. Building of « Duomo » Size of the dome : ◦ New machines ◦ New ships Failure : Bad Alone ship First to have a patent to protect his ideas
- 7. Building of « Duomo » Finished in 1446, almost 30 years
- 8. Some figures about « Duomo » More than 100 meters high Stairs with 463 steps to reach the summit 42 meter of diameter 4 millions of brique 37 000 tons For more technical information about the building of this dome, click here.
- 9. His tool : Perspective Click here to watch the experiment. Baptistry of Florence
- 10. Conclusion Breaking with his time : Design + Building Keep The Big Picture in mind Perpective Inspired Raphael, Leonardo, Michelangelo, etc…
- 11. A little exercise What were they thinking when they created : ◦ Great Pyramids ◦ Palace at Versailles ◦ Empire State Building
- 12. Thank for your attention lisa.fumat(AT)etu.emse.fr
Editor's Notes
- Well-educated to follow the way of his father (lawyer) However, strong interest for arts : sculpture, architecture, painting Arte de la seta : included goldsmiths, metalworkers, and bronze workers. He became a master goldsmith in 1398. Florentine school
- 1401 : Two last finalist to do it, but Brunelleschi refused to associate himself with Lorenzo Ghiberti who became his rival
- Not many elements that coul explain this change of way. The more astonishing is the kind of archotecture Brunelleschi did, because it was very different from the Gothic style.
- Very innovative plan : no structure inside the dome, building based on balance of forces and double shell of herringbone brickwork. Called The man mad. Arrogant : his way was the only way to build the dome. Cf quote. Brunelleschi proposed a test to determine the better suited to the building : make an egg stant upright on marble giving one end a blow on the flat piece of marble, made it stand upright. Protestation (they said they could do it too) : Brunelleschi said he had the solution to build the dome, and that they could build the dome with its plans the same way. Brunelleschi + 3 other men which include Ghiberti
- Need to hoist marble, very heavy material very high. Keep the big picture. Histoire du bateau qui a coulé. 7 ans pour le construire : 35 miles to sink with his load. Designing of ship to transport the marble : one sank : great failure for Brunelleschi, but he continued his work Continue to experiment : ox hoist machine So innovative : no change up to the 19eme century Engineering skill « divinio inginio » : first allusion to god in architecture
- His mastery was such that ultimately he was able to convince the wardens that he alone held the secrets of the dome’s completion. Filippo demonstrated that all his rivals were dispensable, and eventually their roles and recompense were reduced Equivalent, for this time, to put a man on the moon (architecture historian) Thus Brunelleschi was able to savor the fulfillment of his dream before a short illness claimed his life on May 15, 1446. He was laid to rest in his beloved cathedral in a tomb created from a simple slab of marble, like the ones he had hoisted for decades to construct his masterpiece.
- More space with less material, not the feeling of being insignificant, small because of strutures everywhere. Feeling of space, liberty, you are not overwhelmed by something. Power of individual : Renaissance : artirst began to sign their work
- Idea that seems to us evident, but not at this time. To prove that it is possible to draw things like they are in real life, he did an experiment : He drew the ??? And put the drawing on panel, with a hole to see through it. Then, he put a mirror in front of him and see in the mirror the drawing he did, and he could superpose the drawing and the real monument Theorical proof was done later (1435)
- His perspective, and all his work, inspired a lot of artist from the renaissance Perseverance, creative problem solving He demonstrated that form is a structural element Leonardo, Michelangelo, and Raphael, who are responsible for so many of the images we now associate with the Renaissance
- Brunelleschi : a great spirit, arrogant, sure of himself. Willing to prove that he was right.