Sectional views show the interior details of an object by imagining a cutting plane passes through it. A cutting plane line indicates where the object was cut. Cross hatching in the section shows the cut surface, following rules like not hatching adjacent areas or parallel to features. Section views replace standard views and help dimension interior areas clearly by breaking hatching lines.
this is an essential originally power point created notes in section view of engineering graphics and drawing hope you enjoy this and take its benefits....
Basics of Different views, first and third angle projection in detail, examples of orthographic views, basics and rules of sectional views, types of sectional views, solved examples and to solve problems for sectional views.
Professional Salon Hair Color Education - Level 3Scott Mitchell
Salon education for hair color specialist. Ideal for stylists, colorists, cosmetologists, or other salon professionals interested in expanding their horizons and skills. Focuses on the use or more natural, organic, and effective products rather than harsh chemical based salon products that often do not perform well.
this is an essential originally power point created notes in section view of engineering graphics and drawing hope you enjoy this and take its benefits....
Basics of Different views, first and third angle projection in detail, examples of orthographic views, basics and rules of sectional views, types of sectional views, solved examples and to solve problems for sectional views.
Professional Salon Hair Color Education - Level 3Scott Mitchell
Salon education for hair color specialist. Ideal for stylists, colorists, cosmetologists, or other salon professionals interested in expanding their horizons and skills. Focuses on the use or more natural, organic, and effective products rather than harsh chemical based salon products that often do not perform well.
Getting a Girlfriend - Learning Marketing in a fun way!Amandeep Singh
Learning basic principles of sales and marketing presented in a fun and engaging way. A case study based on a MBA student called Dukhiram who needs your genius inputs to get himself a girlfriend. With application of basic STP model, you can solve this case study and may be get some help for yourself too!
About The Cover
The front cover is an image by Eric J. Heller depicting electron flow over a microscopically
bumpy surface. The paths of the 100,000 electrons b"gin at the upper right but branch and
fold back on one another in a surprising pattern as they spread toward the lower left.
Electron flow is the subject of several chapters in this book and is especially important in
the discussion of electric sparks. Some sparks are amusing, such as those generated when
someone chomps down on a wintergreen LifeSaver-the brief blue glow that illuminates
the mouth can be seen in a dark room (Chapter 21). Other sparks are quite dangerous,
such as those in electrostatic discharges that can accidentally cause airborne dust to
explode (Chapter 25).
Take Your Seat-The Show's About To Begin!
This 8th edition of Fundamentals of Physics includes hundreds of items
about curious effects in the everyday world, written in the spirit of Jearl
Walker's The Flying Circus of Physics. The original edition of The Flying
Circus of Physics-in print for over 30 years in l0languages-is a cult
classic among physics students, physics instructors, and the general prblic.
Electronic links to the new 2nd Edition of The Flying Circus of Physics are
available in the electronic version of 8th edition of Fundamentals of
Physics that is part of WileyPLUS, one of the online homework systems
available with this book. WileyPLUS also includes electronic versions of all
the end-of-chapter problems in Fundamentals of Physics and the interactive tutorials (several hundred) and hints (several thousand) written by
author Jearl Walker.
You can find out more about The Flying Circus of Physics at
www.fl yi n g ci rcu sofp hysics.co m.
Get A Better 6rade ln Physics!
lntroductory Physics With Calculus As A Second Language by Thomas E. Barrett (0-47 1-
7391 0-3) helps you understand the basic concepts, break down problems into simple steps,
and improve your problem-solving skills! Find out more at www.wiley.com/collegeibarret.
@WILEY
I 8O7.2OO7 KNOWLEDGE FOR GENERATIONS
www.wil"y.com /col leg e/hallidryAbout The Cover
The front cover is an image by Eric J. Heller depicting electron flow over a microscopically
bumpy surface. The paths of the 100,000 electrons b"gin at the upper right but branch and
fold back on one another in a surprising pattern as they spread toward the lower left.
Electron flow is the subject of several chapters in this book and is especially important in
the discussion of electric sparks. Some sparks are amusing, such as those generated when
someone chomps down on a wintergreen LifeSaver-the brief blue glow that illuminates
the mouth can be seen in a dark room (Chapter 21). Other sparks are quite dangerous,
such as those in electrostatic discharges that can accidentally cause airborne dust to
explode (Chapter 25).
Take Your Seat-The Show's About To Begin!
This 8th edition of Fundamentals of Physics includes hundreds of items
about curious e
1. Overview
Sections are used to show interior details clearly.
A cutting-plane line shows where object was cut
Sectional Views to obtain the section view.
Cross hatching in the section view shows the
solid surface of the object which were cut through
to produce the section.
Section views may replace standard views.
Conventional practices, such as not showing
hatching on ribs and webs, help make sections
easier to interpret correctly.
Full Section Lines in Sectioning
Imagine the object cut through by the cutting plane.
Think of the two halves pulled apart and a view looking
on to the cut half.
Full Sections The Cutting Plane Line
The cutting plane line is a thick dark line which
uses one of the special patterns shown above.
The cutting plane line can be left out when it is
Full sections show the object cut in half
obvious where it must lie from the appearance
Cutting plane line can be left out because it of the section itself.
is understood to be through center
Usually replaces a standard view
1
1
2. Hatch Patterns Cutting Plane
Cutting Planes & Sections Lines in the Section View
show lines that may have been previously hidden, but are
now visible behind cutting plane
usually don’t show hidden lines in section-- section views
are to make interior details clear without hidden lines
show hidden lines only when the object would be
misinterpreted if they were not shown.
Some Rules for Hatching Dimension Values & Hatching
Adjacent areas divided by a visible line in a section
view never both contain hatching.
Hatching is never bounded by a hidden line.
Hatching should not run parallel or perpendicular to a
major feature.
Sectional views are often used to show interior
features clearly for dimensioning. If dimension values
or extension lines cross hatched areas, you should
break the hatching behind the dimension. The best
practice is to place dimensions outside the object
outline.
2
2
3. Half-Sections Broken-out Sections
Half-section
Removed Section
with break around a keyway
Removed Section Revolved Sections
Revolved sections are used to show the cross-
sectional shape of a bar, spoke, or arm in a single
view. The cross-section is taken perpendicular to the
view and then revolved 90 degrees around the center
axis.
3
3
4. More revolved Sections Revolved Sections
Examples of
Offset Sections
Revolved Sections
Three Offset Sections Do not hatch ribs & webs
When ribs, webs, and
other thin flat parts
are hatched, it gives a
false impression of
the object’s solidity.
Leave the hatching of
such features even
though the cutting
plane passes through
Notice the ends of the cutting plane labeled with letters and them.
the sections views neatly arranged and labeled to match.
4
4
5. Aligned Sections Examples of Aligned Sections
Aligned sections use
an angled cutting
plane to pass
through angled
features. The plane
and feature are then
imagined to be
revolved into the
original plane and
the section projected
from there
Revolve Symmetrical Features Conventional Breaks
Isometric Half-Sections
5
5