This is all of the research i conducted into existing music magazines of the indie genre, so that i could plan my own music magazine. This contains an analysis of 3x Double page spreads, 3x front covers and 3x contents pages. As well as this the readership and circulation of all 3 magazines.
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Paper: https://eprint.iacr.org/2023/1886
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2. Firstly the masthead
which is in the same
colour scheme as the
entire magazine is
hidden behind Tinie
Tempah’s head. This
suggests that this
magazine has a large
fan base as the
masthead is
recognisable from
behind his head. The
typography is modern
and slightly rigid.
3. The main cover line is
a word play on the
image of the main
artist, “tears it up”. By
having such a short
cover line it implies a
sense of mystery.
4. In addition the
additional cover lines
are simply artist
names implying they
are well known by
the readers enforcing
the idea that this is a
popular magazine as
well as the fact that it
is the “100th issue
special”.
5. The mise en scene of the music
magazine work effectively as
well. The pose of the artist with
his arms fold holding the pages
together could also illustrate
defence; he is untouchable.
Also upon closer inspection the
pose on the picture that is
ripped is boring and dull
compared to the pose of the
artist breaking out and tearing
the pages which could
connote a revival of this artist.
6. The glasses not only
make him look cool but
facilitate the idea of
mystery as we cannot
see his eyes and is part
of his signature look.
Finally the t shirt which is
his own brand clothing
label can suggest
independence as it is
the artist’s own brand.
7. The website ad just at
the bottom of the
page suggests that
the music magazine
caters for the online
readers and
incorporates new
technologies.
8. Thisexample is similar to my genre. The
font cover works effectively as there is a
subtle cool colours scheme that is the
same throughout. Also it does not look as
cluttered because of the limited amount
of additional cover line as the magazine
focuses mainly on the main cover li