Risk assessment
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This document identifies and analyzes potential risks associated with filming locations and activities. It notes that running, jumping, climbing walls, using a car for blocking, splashing water on the floor, and filming at night all carry risks of crew members falling or getting injured. It recommends being careful of footing, stationary vehicles, and avoiding dangerous areas at night to mitigate these risks. The overall goal is to safely film the scenes while avoiding anything that could harm crew/equipment or prevent distribution and marketing of the final film.
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This risk assessment document provides a template for identifying potential hazards during a photography shoot and assigning a risk level. It involves considering hazards, who or what may be harmed, existing controls, and determining a risk level. Further actions may then be identified depending on the risk level. The document lists some example hazards that could be encountered during different scenes of a shoot along with potential harms, controls, risk levels, and further actions.
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This document outlines several potential health and safety issues at Waterloo Park and provides steps to avoid risks:
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This document provides a template for conducting a risk assessment for a film photography shoot. It explains that all potential hazards should be considered, including who or what may be harmed and any existing risk controls. A chart is included to assess risk levels based on likelihood and consequences of each hazard, ranging from extreme to low. The template then lists example hazards that may be present at a shoot in Manchester town centre, who or what is at risk, existing controls, and assessed risk level along with any further actions needed.
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This document identifies and proposes resolutions for several safety risks associated with filming equipment and locations. It discusses risks from cars on the road, tripping hazards in the forest, improperly assembled tripods, hazardous objects on location, collisions with pedestrians, and interactions with animals. The resolutions proposed include only filming on clear roads, removing debris from forests, properly assembling tripods, scouting locations for hazards, stopping filming briefly if pedestrians approach, and keeping distance from and stopping filming if animals are nearby.
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This document outlines several potential health and safety issues at Waterloo Park and provides steps to avoid risks:
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This document provides a template for conducting a risk assessment for a film photography shoot. It explains that all potential hazards should be considered, including who or what may be harmed and any existing risk controls. A chart is included to assess risk levels based on likelihood and consequences of each hazard, ranging from extreme to low. The template then lists example hazards that may be present at a shoot in Manchester town centre, who or what is at risk, existing controls, and assessed risk level along with any further actions needed.
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This document provides a template for conducting a risk assessment for a film photography shoot. It explains that the risk assessment should consider all potential hazards, who may be harmed, property that could be damaged, and existing risk controls. For each hazard, the likelihood, potential harm, existing controls, and risk level should be recorded, along with any further actions needed based on the risk level. A chart is provided to determine the risk assessment level based on the likelihood and consequences of a hazard. The template then lists some example hazards that may be encountered during a shoot in Manchester town centre, along with the relevant details for each hazard.
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Photography shoot risk assessment form
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This document provides a template for conducting a risk assessment for a photography shoot. It lists potential hazards to consider, including falling into a canal, tripping and falling, moving vehicles, weather, and fire. For each hazard, it evaluates who may be harmed, what property may be damaged, existing risk controls, the risk assessment level according to a provided chart, and any further actions needed to reduce risk. The goal is to identify risks and take steps to protect safety and equipment.
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This document provides a template for conducting a risk assessment for a photography shoot. It lists potential hazards to consider, including who may be harmed, property that could be damaged, existing risk controls, and a risk assessment level. For hazards rated moderate or higher, further actions to mitigate the risks are recommended. Examples of hazards addressed include a camera dropping in water, bad weather damaging equipment, hostility from the general public being photographed, traffic accidents, camera theft, and getting lost.
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The document provides a template for conducting a risk assessment for a film production. It involves identifying hazards, who or what may be harmed, existing controls, assigning a risk level, and further actions needed. Hazards identified for an outdoor shoot include slippery wooden platforms and tripping hazards, water and weather conditions like rain and ice increasing slip hazards, the possibility of lightning, wind interfering with filming, disruptions from dogs or people, and injury from climbing trees for shots. High risks include the wooden platforms, bridge that may break, weather conditions like ice and lightning, disruptions from people, and climbing trees, and further actions are identified like using grips on platforms and bridge, rescheduling shoots based on weather, and considering
Film production risk_assessment_ig2_
The document provides a template for conducting a risk assessment for a film production. It involves identifying hazards, who or what may be harmed, existing controls, assigning a risk level, and any further actions needed. Hazards identified for an outdoor shoot include slippery wooden platforms and tripping hazards, water and weather conditions like rain and ice increasing slip risks, the possibility of lightning, wind interfering with filming, disruptions from dogs or people, and injury risks from climbing trees for shots. High risks require extra controls while low risks may require minimal further action.
Film opening title sequence shoot risk assessment form
This document provides a template for conducting a risk assessment for filming an opening title sequence. It lists potential hazards to consider for each scene, including who may be harmed, what property may be damaged, existing risk controls, and a risk assessment level. Hazards addressed include tripping/falling, rain, miss-stepping, sharp objects, filming near a road, tripping on wires, and use of knives. For each hazard, the document recommends further actions to take based on the risk level. A risk assessment chart is also included to define risk levels from extreme to low based on likelihood and consequences of each hazard.
Risk assessment for our music video
This document summarizes various risks identified during the filming of a project in different locations and the mitigation steps taken to lower the risk levels. The risks included slipping in mud or wet leaves, injuries from tree branches, falling down stairs, cuts from broken glass, interactions with drunk people or moving vehicles/machinery, falling from bridges or onto train tracks, and falling off a table. For each risk, the initial risk level is stated and then actions like moving shoots to safer areas, adding warnings and barriers, and using stable equipment are described as lowering the risk levels.
Health, safety and risk assessment
The risk assessment evaluates potential hazards that could endanger those involved in the film production. It details the location, personnel, and hazards identified during a scout of Claybury Forest, where footage for the production "Survivor" would be filmed on November 14th, 2013. Tripping over logs/branches or a falling branch was given a risk factor of 4, as this could lead to actors injuring themselves on set. The camera falling off the tripod also received a 4 due to the cost and stop in production if damaged. Tripping over the tripod or slipping in mud were both rated a 3, as it could damage equipment or injure actors.
Film opening title sequence shoot risk assessment form
This document provides a template for conducting a risk assessment for filming an opening title sequence. It lists several potential hazards for different scenes, including tripping/falling, rain, miss-stepping, sharp objects, filming near a road, and tripping on wires. For each hazard, it identifies who or what may be harmed, existing risk controls, and a risk assessment level based on likelihood and consequences. Potential further actions are identified to reduce risks, such as checking weather, practicing camera movements, positioning props safely, and ensuring actors are aware of wire locations.
Risk assesmentformlandscape
This document provides a template for conducting a risk assessment for a photography shoot. It lists several potential hazards to consider, including electrical equipment, public transportation, open water, theft, bad weather, interactions with the general public, tripping, getting lost, and assault. For each hazard, it evaluates who may be harmed, what property could be damaged, existing risk controls, the risk assessment level, and any further actions needed to reduce risk. An accompanying chart defines risk assessment levels from extreme to low based on the likelihood and severity of consequences.
Risk assesment
This document provides a template for conducting a risk assessment for a film production. It includes sections to identify potential hazards during different scenes, who or what may be harmed, existing risk controls, risk assessment levels, and further actions needed. The risk assessment chart defines the risk levels as extreme, high, moderate, or low based on the likelihood of an incident and its potential consequences from serious injury to minor delays. Conducting a thorough risk assessment of hazards is important for film productions to help prevent injuries and property damage.
Risk assessment
The risk assessment identifies several risks to equipment, personnel, and filming associated with shooting a video on location at London Bridge. It outlines precautions for equipment like keeping cameras in cases when not in use to prevent loss or damage. It also addresses safety issues that may arise from public spaces like cars, pedestrians, and adverse weather. Travel is discussed as well, with the group planning to take trains and drive carefully while wearing seatbelts. The document provides a thorough risk assessment to help ensure a safe and successful filming location.
Risk assessment
The risk assessment outlines several risks to filming on location at London Bridge and measures to mitigate those risks. Key risks included losing or damaging equipment, issues with traveling and traffic, interacting with the public, and adverse weather. To address these risks, the group plans to keep equipment in cases when not in use, follow a strict schedule, be aware of their surroundings near the road and train stations, remain calm with the public and show their school letter if needed, and postpone filming if weather poses safety issues.
Film openingtitlesequenceshootriskassessmentform
This document provides a template for conducting a risk assessment for a film opening title sequence shoot. It involves identifying hazards, who or what may be harmed, existing controls, and determining the risk level. Several specific hazards are identified such as tripping, rain, miss-stepping, sharp objects, filming near roads, and tripping on wires. For each hazard, the risk level is assessed and further actions are proposed to reduce the risk. A risk assessment chart is also provided to define the different risk levels.
Photography shoot risk assessment form
This document provides a template for conducting a risk assessment for a film photography shoot. It lists several potential hazards to consider, including dropping equipment, falling into water, building collapse, dog attacks, and more. For each hazard, it involves considering location, individuals affected, potential property damage, existing risk controls, and level of risk. The risk assessment chart defines risk levels from extreme to low based on likelihood and severity of consequences to help determine appropriate further actions.
Film opening title sequence shoot risk assessment form
This document provides a template for conducting a risk assessment for a film opening title sequence shoot. It involves identifying hazards, who or what may be harmed, existing controls, and determining a risk level. Three hazards identified include actors slipping/falling during a running scene up a hill, improper use of a prop stick as a weapon, and ensuring safe actor landing during a stunt. Controls for each include running technique, prop inspection, and placing protective padding. Risk levels are determined to be high or extreme, and further actions are outlined such as alternate shooting methods.
Health and Safety
This document outlines several health and safety risks identified for a two minute movie opening and measures to address them:
1) Tripping over the tripod during filming could injure actors, so locations of the tripod will be communicated to prevent this.
2) Filming by a road risks actors being hit by traffic, so they will be informed of risks and filming will avoid roads.
3) Members of the public could be hit during chase scenes, so filming will keep distance from the public and allow them to pass.
4) The camera dropping could damage equipment or injure people, so it will remain securely attached to the tripod.
Risk Assessment
The document summarizes the potential risks identified for various filming locations for a project. For a park location, risks included uneven ground that could cause slipping or unsteady camera footage. Filming on a road carried risks of being hit by cars. Indoor locations like a waiting room and office presented risks of background noise ruining audio. Filming at a house presented acoustic challenges. A car scene location included risks from moving vehicles and blocking a driveway. Mitigation strategies for each location were outlined, such as timing shoots to avoid traffic and closing doors to reduce noise.
Risk assessment
CaitlynCleanthi is filming a student production titled "Penelope" with a crew that includes JackGallant, OliverPeal, and Max Mcshee. The filming will take place at Reigate College and Castlefield studios. Potential hazards include rain during filming, tripping over equipment cables, traffic during driving scenes, power cuts, and illness. Control measures to manage the risks include having umbrellas, organizing cables to prevent tangling, filming driving scenes with the car stopped, ensuring safe evacuation during power cuts, and making sure everyone is well-rested and hydrated.
Similar to Risk assessment (20)
Film opening title sequence shoot risk assessment form
Film opening title sequence shoot risk assessment form
Film opening title sequence shoot risk assessment form
Film opening title sequence shoot risk assessment form
Film opening title sequence shoot risk assessment form
Film opening title sequence shoot risk assessment form
More from conner3326
Question 4
- The document discusses the various media technologies used at each stage of the author's A2 project, which involved creating a music video.
- Technologies used included Blogger for planning and sharing progress updates, SlideShare and YouTube for sharing research and the final video, and Photoshop and Sony Vegas for editing images and video footage.
- The author used a Canon 600D camera provided by the college to film high-quality 1080p footage and photos for the project. A tripod was also used to keep the camera steady.
Question 3
The artist conducted audience research through an online questionnaire to understand what would appeal to their target audience of people who enjoy synthpop and new wave genres. The questionnaire asked about respondents' music preferences, why they watch music videos, and their preferences for video styles. Though the response was low, it helped the artist refine their plans for the music video, packaging, and advertising. Feedback from showing an early cut to classmates also provided useful guidance on lighting, shots, and capturing the mood of the song. This additional research helped the artist further improve their work.
Call Sheet - Outside (complete)
The call sheet is for a music video shoot for the song "Chloroform" by the band Phoenix. It will be directed by Conner Abbey and shot on November 18th 2014 in Hartlepool, UK. The shoot will take place outside on Chester Road and the alley behind Richie Humphreys Drive from 4:30pm to 6:20pm. Conner Abbey will direct, produce, and act in the video, while Jake Pickering will also act. Equipment needed includes a camera, tripod, and props like a skateboard, cigarettes, sunglasses, backpack, and fake blood.
Call Sheet - Inside (complete)
The call sheet is for a music video shoot for the song "Chloroform" by Phoenix. The synthpop/new wave song will be shot over 4 hours on November 29th at a location in Hartlepool. The director/producer Conner Abbey has assembled a small crew including actor Jake Pickering to film inside a bathroom location and use props like fake blood and a mirror.
Audience Research Evaluation
The survey responses provided helpful information for planning Conner Abbey's music video:
- The audience was equally male and female, allowing the video to avoid catering to a specific gender.
- Most respondents were around Conner's age, but one was older, so the video will need to appeal to a wider age range.
- The most popular genres - R&B, electric/synth, and dance - informed the genre choice, beneficial as electric/synth is Conner's focus.
- Respondents prefer performance or narrative-based videos over those strictly relating the lyrics or focusing on artistic meaning. This guidance supported Conner's initial plans.
Digipak analysis 1 - metric fantasies
The document analyzes the album artwork for Metric's 2009 album "Fantasies". The front cover features a dim light bulb in darkness, representing either sinister thoughts or hope. The inside features a moth on the second disc and inserts, symbolizing negativity, while the first disc has a turquoise butterfly symbolizing beauty and the human soul. The different images on the discs may indicate the band felt the bonus tracks on the second disc were not as high quality as the main album on the first disc.
Digipak analysis 2 - m83 hurry up, we're dreaming
This document analyzes the album artwork for M83's 2011 album "Hurry Up, We're Dreaming". The front cover features two children sitting on a bed wearing obscure clothing illuminated by neon colors, giving it a dream-like feel that is common in M83's music videos. The goblin creature the boy is holding is also seen on the single "Midnight City", implying the children are the same. The inside features a hazy picture of the band members performing live with sullen expressions, reflecting the album's title of being in a dream wanting to escape.
Treatment Sheet
The document provides details on the concept, narrative, and goals for a music video. The video will follow a non-linear format, interspersing scenes from different points in time. It will tell the story of a protagonist who meets a mysterious man in an alley to exchange a backpack, only to have an epiphany and flee, getting beaten up as a result. The video aims to disconnect the viewer from reality and tell a reasonably comprehensible story in a non-conventional format.
Risk Assessment
This document outlines various risks associated with filming a video and responsibilities for mitigating those risks. It identifies risks of injuries to actors during filming, scheduling conflicts that could cause inconveniences, unpredictable weather impacting outdoor filming, potential damage to equipment, trip/fall hazards when filming outdoor scenes, insufficient storage on SD cards compromising footage, low camera battery preventing filming, and inaccessible shooting locations. The document states that the filmmaker is responsible for taking precautions to prevent injuries during filming, choosing shooting times that don't conflict with actors' schedules, checking weather forecasts for outdoor filming, protecting equipment from damage, being careful when handling gear outdoors, maintaining adequate SD card storage, ensuring camera batteries are fully charged, and selecting alternative locations
Call sheet inside (if jakes, to be updated)
The call sheet is for a music video shoot for the song "Chloroform" by the artist Phoenix. The genre of the song is listed as synthpop, new wave, and alt. rock. Conner Abbey will direct and produce the video, with the scenario titled "Inside". The shoot date is undecided and will take place at 213 Park Road in Hartlepool. Conner Abbey and Jake Pickering are listed as director/producer and actor respectively, with wardrobe and call times to be determined. Required equipment includes a camera, tripod, fake blood, mirror, sink, and bathroom light.
Call sheet inside (if mine, to be updated)
The call sheet is for a music video for the song "Chloroform" by the artist Phoenix. The genre is listed as synthpop, new wave, and alt. rock. The director and producer is Conner Abbey and the shoot location is a house in Hartlepool. It includes details on the cast and crew roles and call times, as well as the equipment and props needed which include a camera, tripod, fake blood, mirror, sink, and light.
Call Sheet Outside (to be updated)
The call sheet is for a music video for the song "Chloroform" by Phoenix, to be directed by Conner Abbey. It will be shot in Hartlepool, UK on an undecided date featuring Conner Abbey and Jake Pickering. The synthpop song is 4 minutes and 4 seconds long. Equipment needed includes a camera, tripod, car, cigarettes, lighter, sunglasses, paper bag, and fake blood.
Music video analysis 2 midnight city
The music video for M83's "Midnight City" follows a group of children with psychic abilities who escape from captors experimenting on them. It references the film "Akira" by using similar shots and focusing on the children's glowing eyes when using their powers. The video shows the children working together to blow open a door with their mind and flee across a factory, playing as normal kids despite their situation. The final scene depicts the children standing together on a roof at dusk, their glowing eyes the only visible parts of their darkened figures and leaving an unsettling impression of their potential danger.
Audience Research Evaluation
The document summarizes the results of a 10 question audience research evaluation about music video preferences:
- The responses were equally split between male and female.
- Most responses came from people around the same age as the researcher, though one person was older between 21-25.
- The most listened to genres were R&B, electric/synth and dance, which will influence the genre for the music video.
- Electric/synth and dance were the most favored genres, helping with the music choice.
- Responses showed interest in the entertainment aspect of music videos and surrealism, which will guide the planning and filming.
- The audience was generally open-minded about new music
Lyrical breakdown - phoenix 'chloroform'
This document analyzes the lyrics of the song "Chloroform" by the band Phoenix. The lyrics describe a relationship where the singer says they don't always tell the truth and their love is cruel. The chorus repeats that their love is cruel. Overall, the lyrics portray a complex relationship with elements of distrust, manipulation, and cruelty.
Lyrical breakdown metric - 'twilight galaxy'
The document provides lyrics from the Metric song "Twilight Galaxy". The lyrics describe feeling like an outsider who doesn't conform to societal expectations and wants to follow their own path, as well as finding comfort and support from a romantic partner who will lift them up. The lyrics are repeated throughout with the themes of going against the grain, singing along, and finding support in another.
Advert analysis 1 - daft punk 'lose yourself to dance'
This document analyzes an advertisement for Daft Punk's single "Lose Yourself To Dance" from their 2013 album "Random Access Memories". The poster takes the form of a 1970s-1980s movie poster, showing portraits of Daft Punk members and Pharrell Williams above a cheering crowd. The black background and metallic clothing makes the group seem to radiate light. The poster's style pays tribute to late 1970s and early 1980s music. It represents Daft Punk's ties to electro and synth genres through their android suits while displaying instruments associated with the funk genre that the album pays homage to.
9 frame analysis - Phoenix 'Trying To Be Cool'
The document summarizes and analyzes a music video. It notes that the video is performed live, with numbers counting down between camera shots. It also discusses how the video objectifies women, such as by showing a woman's underwear branded with the band's logo. Towards the end, the video uses a comedic cross-cut to make it seem like the bassist instantly changed outfits while singing in place.
Personal skills audit
Conner Abbey completed a personal skills audit to assess the skills developed and used during the creation of a digital media production. The skills audit identified skills in digital technology like using Adobe Photoshop and video equipment. Post-production skills with Final Cut Pro software were also developed for editing video and audio. Research and planning tasks like researching the noir genre and creating storyboards helped the smooth progression of the film. Conventions from analyzed media texts provided inspiration. Creativity was exercised in steering ideas away from conventions to make the portfolio and storyboard more original. Conner hopes to further develop these skills during the next project.
Digipak analysis 2 m83 hurry up, we're dreaming
The document analyzes the digipak for M83's 2011 album "Hurry Up, We're Dreaming". It notes that the album artwork features two children sitting on a bed in obscure, brightly colored clothing meant to give off a dream-like feel, as is often present in M83's music videos. The inside features a live photo of the band members performing on stage with a hazy, dream-like quality. The analysis of this digipak was chosen because M83's genre and dream-like visuals could provide inspiration for the student's own final project design.
More from conner3326 (20)
Advert analysis 1 - daft punk 'lose yourself to dance'
Advert analysis 1 - daft punk 'lose yourself to dance'
Risk assessment
- 1. Risk Assessment The location that served as a primary place of filming, the alleyway behind Jamie’s house, presented a number of potential risks that could harm the group members or technical equipment outside of or during filming. This document will take note of all the prominent risks within the set and how we could take care to avoid them. Running, sprinting and jumping were seen as prominent dangers during filming as the person could easily slip or trip over while running or jumping. The only way this could be avoided is to make sure that said person is careful with their footing and do not fall over. Climbing up onto a high wall was necessary to record a scene from a certain angle, which presents the risk of said person falling from a height. The only way this could be avoided is to make sure that said person is careful while atop the wall and does not fall or drop equipment. A car was used during filming to create a blockade and to produce light for the shot. Obviously, using a car can be very dangerous as it could easily run one of us over, so we made sure that the car was stationary during recording and was moved away straight after. During one of the scenes a cigar is used as a prop. Obviously smoking is a bad habit and is hazardous to your health, but as it was only used as a prop during shooting it would not cause harm towards us or other people. Water was splashed onto the cobble flooring in order to create a puddle and a shiny surface, which also leads to the possibility of our crewmembers slipping over and harming themselves or our equipment. The only way this can be avoided is to make sure that said member is careful on their feet and handling the equipment.
- 2. Most of our scenes were recorded during the nighttime, which presents a lot of potential risks such as mugging and lesser risks such as tripping over in the dark. This was avoided by staying out of dangerous places at night and by being careful with our footing. With reference to the above we need to ensure that our film is one which distributors would approve and market to the maximize revenue stream.