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Music Video Analysis – M83 ‘Midnight City’ 
The music video for M83’s song ‘Midnight City’ follows a group of mysterious kids with 
prominent ESP powers, such as telekinesis. Unlike Fineshrine, the video does not follow the 
lyrics of the song and instead follows its own narrative, and is the first in a trilogy of story-based 
music videos. As soon as the video begins there is an evident intertextual reference to 
the animated movie ‘Akira’ that links into Andrew Goodwin’s theory, which also features 
psychic children, using the same camera shots (such as tracking shots, extreme close ups 
and cross cuts) and using the same experimental methods on the children. Something that is 
also featured from the beginning is the videos focus on eyes, using many extreme close ups 
on the children’s faces to showcase their eyes which light up when they are using their 
powers. The young boy is shown to be a beacon hope to the other children, as is shown in 
the next scene where they all wake him up at night and use his powers to blow the door to 
their room off it’s hinges, allowing them to escape. 
As with Fineshrine, the video is also predominantly shown in slow motion, which adds to the 
surrealistic theme. There is also a prominent feature of light versus darkness shown through 
the dark night and the children’s glowing eyes, as well as the children hiding in the darkness 
from their captor’s flashlights. Many medium shots are used during their escape in order to 
portray their emotions, mainly fear, as they are pursued. The video makes use of long shots 
that feature all the children together as a group, showing how, despite their short time 
together, they have already come together as friends and will protect each other. Many 
tracking shots are used during the factory scene to show all the children chasing each other 
and playing together, demonstrating that they are in fact just kids and shouldn’t be s tored 
away and experimented on. 
The final scene is used to solidify the unity between the children, standing atop a roof, 
giving an establishing shot to a vast city. The theme of light versus dark is further 
represented here, showing the sun setting on the city and darkness enveloping the children, 
leaving only their glowing eyes as a group. This give’s the final shot a eerie, unsettling and 
almost ‘Invasion of the Body Snatchers’ feeling to it as it zooms out on the scenario, showing 
that despite the fact that they are all children, they are also extremely dangerous.

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Music video analysis 2 midnight city

  • 1. Music Video Analysis – M83 ‘Midnight City’ The music video for M83’s song ‘Midnight City’ follows a group of mysterious kids with prominent ESP powers, such as telekinesis. Unlike Fineshrine, the video does not follow the lyrics of the song and instead follows its own narrative, and is the first in a trilogy of story-based music videos. As soon as the video begins there is an evident intertextual reference to the animated movie ‘Akira’ that links into Andrew Goodwin’s theory, which also features psychic children, using the same camera shots (such as tracking shots, extreme close ups and cross cuts) and using the same experimental methods on the children. Something that is also featured from the beginning is the videos focus on eyes, using many extreme close ups on the children’s faces to showcase their eyes which light up when they are using their powers. The young boy is shown to be a beacon hope to the other children, as is shown in the next scene where they all wake him up at night and use his powers to blow the door to their room off it’s hinges, allowing them to escape. As with Fineshrine, the video is also predominantly shown in slow motion, which adds to the surrealistic theme. There is also a prominent feature of light versus darkness shown through the dark night and the children’s glowing eyes, as well as the children hiding in the darkness from their captor’s flashlights. Many medium shots are used during their escape in order to portray their emotions, mainly fear, as they are pursued. The video makes use of long shots that feature all the children together as a group, showing how, despite their short time together, they have already come together as friends and will protect each other. Many tracking shots are used during the factory scene to show all the children chasing each other and playing together, demonstrating that they are in fact just kids and shouldn’t be s tored away and experimented on. The final scene is used to solidify the unity between the children, standing atop a roof, giving an establishing shot to a vast city. The theme of light versus dark is further represented here, showing the sun setting on the city and darkness enveloping the children, leaving only their glowing eyes as a group. This give’s the final shot a eerie, unsettling and almost ‘Invasion of the Body Snatchers’ feeling to it as it zooms out on the scenario, showing that despite the fact that they are all children, they are also extremely dangerous.