The document analyzes and summarizes the visual themes and symbolism presented across images in Rihanna's "Loud" album packaging. Red is a prominent theme throughout, representing passion and sex appeal. Photos show Rihanna with red hair and lips on the cover and in close-up shots inside the package, emphasizing her beauty. Softer pink tones and images of roses symbolize love and vulnerability. Color themes and contrasts between images are used to tie the package design together and convey the album's narrative of romance and heartbreak.

1. Ri hanna Di gi pack -
Loud

2. The a l bum c ove r ha s
a t he me of t he
c ol our r e d a s s e e n
i n Ri ha nna ’ s ha i r
a nd l i ps . Ri ha nna i s
known f or a l wa ys
c ha ngi ng he r ha i r
a nd t hi s c ol our
be c a me ve r y popul a r
e ve n s e t t i ng a t r e nd
l i nki ng i n wi t h my
c onve nt i ons of pop
vi de os . He r s t a r
i ma ge r e vol ve d
a r ound t hi s a nd i t
ha s be e n s hown
t hr ough he r whol e
a l bum wi t h t he t he me
r e d.
The c ol our r e d
i s a l s o
t ypi c a l l y a
ve r y s e xy.
Se duc t i ve
c ol our .
The r e d i s us e d
t o dr a w
a t t e nt i on t o t he
a udi e nc e ma ki ng
t he CD popul a r .
The pi c t ur e i s ve r y
t i ght l y f r a me d i n
t he c l os e up i ma ge
s howi ng of t he
a r t i s t . He r e ye s
a r e a l s o c l os e d
ma ki ng t he pl ump
r e d l i ps t he ma i n
f oc us of t hi s
pi c t ur e . The c l os e
i ma ge s hows of
Ri ha nna ’ s be a ut y
a nd s e x a ppe a l
l i nki ng s t r a i ght t o
he r t a r ge t
a udi e nc e .
Re d i s l i nke d
wi t h da nge r ,
l ove , s e x a nd
powe r a l l
t hi ngs Ri ha nna
ha s s hown i n
he r mus i c
vi de os
Al t hough t he
t e xt i s ve r y
s i mpl e i t s t i l l
s t a nds out . The
whi t e a ga i ns t
t he r e d a nd
Ri ha nna ' s s ki n
The whi t e
t e xt l i nks
wi t h t he i de a
of pur i t y a nd
l ove goi ng
bot h a ga i ns t
t he s e xi ne s s
Li nks i n wi t h
c onve nt i ons of a pop
a l bum c ove r s howi ng
a por t r a i t i ma ge of
t he s t a r .

3. The r e d
c ol our
t he me
c ont i nue s
i ns i de t he
pa c k.
The l i ght e r pi nk
dr e s s i s a l ot
mor e gi r l y a nd
i nnoc e nt t ha n
t he s e duc t i ve
r e d c ol our s on
t he f r ont of t he
a l bum.
The r os e s
c onnot e t he t he me
of l ove , pa s s i on
a nd he a r t br e a k
s ome t hi ng t ha t
r uns t hr ough t he
di gi pa c k a nd i t s
s ongs .
He r l a y down
body s hows s ome
s or t of s e x
a ppe a l
a t t r a c t i ng ma l e
a udi e nc e s
howe ve r s he i s
not i n ove r l y
s e xy c l ot hi ng or
r e ve a l i ng
a nyt hi ng
t he r e f or e s he i s
s t i l l a ppe a l i ng
t o he r f e ma l e
a udi e nc e by not
l ooki ng
t hr e a t e ni ng.
The whol e a l bum
ha s a na r r a t i ve
ba s e d t he me
t hr oughout . On
t he f r ont c ove r
t he a r t i s t s
f a c i a l
e xpr e s s i ons s how
wor r y. The t he me
t hr oughout i s
Thi s i ma ge i n
t he di gi pa c k
s hows a l ot of
e mot i on, i t s
bol d a nd bus y
ba c kgr ound
c ont r a s t wi t h
t he s of t l ook
of t he a r t i s t
Thr oughout t he
pa c k Ri ha nna i s
pi c t ur e d wi t h
he r e ye s c l os e d
t hi s i s
a t ypi c a l t o a
a l bum c ove r a s
us ua l l y t he
a r t i s t wa nt t o
ma ke s ome s or t
of c onne c t i on
t o i t s a udi e nc e
t hr ough t he
e ye s .

4. The CD i t s e l f
i s de s i gne d t o
l ook l i ke a
pa l e pi nk
r os e . The r os e
a ga i n c onnot e s
t he t he me of
l ove / pa s s i on.
The pa l e pi nk
c ol our ma t c he s
t he c ol our of
Ri ha nna ’ s dr e s s
i n t he pr e vi ous
pi c t ur e l i nki ng
t he a l bum
t oge t he r
t hr ough c ol our
t he me s .
The CD s a ys
t he a r t i s t s
na me a nd
a l bum na me
i n whi t e a nd
pi nk l i nki ng
wi t h t he
t he me of t he
f r ont .
The pi nk r os e
l i nks i n wi t h
t he i de a of
be a ut y a nd
de l i c a c y c r e a t e
a s e ns e of
l ove / pa s s i on.
Thr oughout t he
di gi pa c k
f e mi ni ne
c ol our s a r e
us e d s uc h a s
pi nks a nd r e ds
t a r ge t i ng i t s
f e ma l e
a udi e nc e .
Thi s pa r t i c ul a r
pi c t ur e s hows of
a s of t e r s i de t o
Ri ha nna a s
nor ma l l y s he i s
s e e n t o be e dgy
a nd t ough. The
t he me of
l ove / pa s s i on
c ont i nue s t hr ough
he r s ongs i n t he
a l bum a s t he y a r e
a l mos t a l l t o do
wi t h t hi s t he me .
For e xa mpl e
‘ Ca l i f or ni a ki ng
be d’ i s a ve r y
s l ow s of t s ong
The r os e i t s e l f
i s n’ t c l e a r a nd
c r i s p i t l ooks
s of t a nd de l i c a t e
wi t h wa t e r
dr opl e t s on. Thi s
c oul d r e pr e s e nt a
r os e f i r s t t hi ng

5. The ba c k of
t he a l bum
t i e s t he
whol e a l bum
t oge t he r
us i ng s of t e r
c ol our s wi t h
a f a de d l ook
ove r t he
whol e t hi ng
a nd t he
da r ke r t one s
s e e n on t he
f r ont of t he
a l bum down
t he s i de a nd
t he t e xt .
The ba c k of
t he a l bum
s hows wha t
r e c or d l a be l
Ri ha nna i s
s i gne d t o ‘ De f
J a m’ a nd ot he r
i nf or ma t i on
l i ke
pr oduc e r s .
Thi s
i nf or ma t i on
f ol l ows t he
c ol our t he me s
of t he a l bum
i n da r k pi nk
a nd whi t e .
Ba r c ode i s on
t he ba c k of
t he a l bum.
Thi s i s
nor ma l l y s e e n
on t he f r ont
or ba c k of t he
a l bum.
Al t hough
Ri ha nna ' s e ye s
a r e ope n on t hi s
pi c t ur e s he onc e
a ga i n i s n’ t
ma ki ng e ye
c ont a c t wi t h t he
a udi e nc e s howi ng
i nnoc e nc e ,
vul ne r a bi l i t y or
a hi dde n s e c r e t
a l l of whi c h
i nt r i gue t he
The whi t e dr e s s
c onnot e s
i nnoc e nt howe ve r
t hi s c ont r a s t
wi t h t he a r t i s t s
br i ght r e d me s s y
ha i r .
The pur e whi t e
s he e t s i n t he
ba c kgr ound
c ont r a s t a ga i ns t
Ri ha nna ’ s s ki n
Thi s i ma ge
c ont r a s t i n
e ve r y wa y t o
t he f r ont
c ove r . I t i s a
me di um/ l ong
s hot a nd t he
pa l e t one s a nd
Sa me t e xt a s f r ont
c ove r i s us e d.

6. The ba c k of
t he a l bum
t i e s t he
whol e a l bum
t oge t he r
us i ng s of t e r
c ol our s wi t h
a f a de d l ook
ove r t he
whol e t hi ng
a nd t he
da r ke r t one s
s e e n on t he
f r ont of t he
a l bum down
t he s i de a nd
t he t e xt .
The ba c k of
t he a l bum
s hows wha t
r e c or d l a be l
Ri ha nna i s
s i gne d t o ‘ De f
J a m’ a nd ot he r
i nf or ma t i on
l i ke
pr oduc e r s .
Thi s
i nf or ma t i on
f ol l ows t he
c ol our t he me s
of t he a l bum
i n da r k pi nk
a nd whi t e .
Ba r c ode i s on
t he ba c k of
t he a l bum.
Thi s i s
nor ma l l y s e e n
on t he f r ont
or ba c k of t he
a l bum.
Al t hough
Ri ha nna ' s e ye s
a r e ope n on t hi s
pi c t ur e s he onc e
a ga i n i s n’ t
ma ki ng e ye
c ont a c t wi t h t he
a udi e nc e s howi ng
i nnoc e nc e ,
vul ne r a bi l i t y or
a hi dde n s e c r e t
a l l of whi c h
i nt r i gue t he
The whi t e dr e s s
c onnot e s
i nnoc e nt howe ve r
t hi s c ont r a s t
wi t h t he a r t i s t s
br i ght r e d me s s y
ha i r .
The pur e whi t e
s he e t s i n t he
ba c kgr ound
c ont r a s t a ga i ns t
Ri ha nna ’ s s ki n
Thi s i ma ge
c ont r a s t i n
e ve r y wa y t o
t he f r ont
c ove r . I t i s a
me di um/ l ong
s hot a nd t he
pa l e t one s a nd
Sa me t e xt a s f r ont
c ove r i s us e d.