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ISRag‟e Ali
RIHANNA POSTMODERN?
By
How did music become so
postmodern?


With a growing connection to media outlets –
particularly social networks – most celebrities
feel that they can use these new platforms to
draw awareness to something at the forefront
of they‟re attention, for example in the S&M
video Rihanna directly references the theme of
articles written about her (inter texuality). In
summary it could be said that celebrities are
blurring the hyper texual lines of music and
celebrity.
Rihanna: the controversial
queen






Rihanna is arguably one of the most controversial
artists in pop culture at the moment. With her being
the first artist to have a billion views on video sharing
site, VEVO – it‟s clear that she is at the forefront of
pop culture
Her video video banned in 11 countries may not have
been the Barbadian pop star‟s goal, Rihanna
seemingly welcomed the fanfare and controversy
surrounding the video.”
“The controversies surrounding these highly visible
stars and the images they put forth in their videos
have led to countless discussions amongst fans and
journalists about just what counts as indecent in a
culture that has seemingly grown numb to the shock
Lyrics of the song
Rihanna straight away gives a glint of her rebellious attitude with the opening line. I think that the inter textual reference to
her being „bad‟ is effective because Rihanna was making a real attempt to stay away from being a role model and many
critics say said that she should‟ve kept it clean due to a considerable proportion of her fanbase being young and
impressionable, but Rihanna pushes the boundaries again

Na na na
Come on
Na na na
Come on
Na na na na
na
Come on
Na na na
Come on
Come on
Come on
Na na na na
Come on
Na na na
Come on
Na na na na
na
Come on
Na na na
Come on
Come on
Come on
Na na na na

Feels so good being
bad
There's no way I'm
turning back
Now the pain is my
pleasure
Cause nothing could
measure
Love is great, love is
fine
Out the box, out of line
The affliction of the
feeling
Leaves me wanting
more

[Chorus x2:]
Love is great, love is fine
Cause I may be bad
Out the box, out of line
But I'm perfectly good at it
The affliction of the feeling
Sex in the air
Leaves me wanting more
I don't care
I love the smell of it
[Chorus:]
Sticks and stones
Cause I may be bad
May break my bones
But I'm perfectly good at it
But chains and whips
Sex in the air
Excite me
I don't care
*GOES BACK TO NA NA NA*
I love the smell of it
Sticks and stones
May break my bones
But chains and whips
Excite me
*GOES BACK TO NA NA NA*

She directly references sexual
acts, once again emphasising her
status as a controversial artist
Lyrics continued….
S...S...S

Cause I may be bad
S...S...S
But I'm perfectly good atAnd
it
And M...M...M
Sex in the air
M...M...M
S...S...S
I don't care
S...S...S
And M...M...M
I love the smell of it
And
Oh
Sticks and stones
M...M...M
S...S...S
I love the feeling May break my bones
But chains and whips And
You bring to me
Excite me
M...M...M
Oh, you turn me on *GOES BACK TO INTRO*
S...S...S
It's exactly what
And
M...M...M
I've been yearning for
Give it to me strong
And meet me in my
Boudoir

Make my body say
ah, ah,
Ah
I like it
Like it

Rihanna could be said
to be postmodernism
because there‟s no
clear image with
her, distorting our view
of acceptable and non
acceptable
Goodwin‟s view of a music video
(applied to S&M)








Andrew Goodwin identifies 5 key aspects of
music videos that we as an audience should
look out for:
Thought beats – seeing the sound
Narrative and performance
The star image
Relations of video to song
Technical aspects of music video
Strengths



Everything is face value
She fits into
Conclusion: she is post modern!



She fits into Andrew Goodwin
She fits into the basic convention

How would you describe Rihanna?

The meeting point of high
culture with pop culture

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Rihanna

  • 2. How did music become so postmodern?  With a growing connection to media outlets – particularly social networks – most celebrities feel that they can use these new platforms to draw awareness to something at the forefront of they‟re attention, for example in the S&M video Rihanna directly references the theme of articles written about her (inter texuality). In summary it could be said that celebrities are blurring the hyper texual lines of music and celebrity.
  • 3. Rihanna: the controversial queen    Rihanna is arguably one of the most controversial artists in pop culture at the moment. With her being the first artist to have a billion views on video sharing site, VEVO – it‟s clear that she is at the forefront of pop culture Her video video banned in 11 countries may not have been the Barbadian pop star‟s goal, Rihanna seemingly welcomed the fanfare and controversy surrounding the video.” “The controversies surrounding these highly visible stars and the images they put forth in their videos have led to countless discussions amongst fans and journalists about just what counts as indecent in a culture that has seemingly grown numb to the shock
  • 4. Lyrics of the song Rihanna straight away gives a glint of her rebellious attitude with the opening line. I think that the inter textual reference to her being „bad‟ is effective because Rihanna was making a real attempt to stay away from being a role model and many critics say said that she should‟ve kept it clean due to a considerable proportion of her fanbase being young and impressionable, but Rihanna pushes the boundaries again Na na na Come on Na na na Come on Na na na na na Come on Na na na Come on Come on Come on Na na na na Come on Na na na Come on Na na na na na Come on Na na na Come on Come on Come on Na na na na Feels so good being bad There's no way I'm turning back Now the pain is my pleasure Cause nothing could measure Love is great, love is fine Out the box, out of line The affliction of the feeling Leaves me wanting more [Chorus x2:] Love is great, love is fine Cause I may be bad Out the box, out of line But I'm perfectly good at it The affliction of the feeling Sex in the air Leaves me wanting more I don't care I love the smell of it [Chorus:] Sticks and stones Cause I may be bad May break my bones But I'm perfectly good at it But chains and whips Sex in the air Excite me I don't care *GOES BACK TO NA NA NA* I love the smell of it Sticks and stones May break my bones But chains and whips Excite me *GOES BACK TO NA NA NA* She directly references sexual acts, once again emphasising her status as a controversial artist
  • 5. Lyrics continued…. S...S...S Cause I may be bad S...S...S But I'm perfectly good atAnd it And M...M...M Sex in the air M...M...M S...S...S I don't care S...S...S And M...M...M I love the smell of it And Oh Sticks and stones M...M...M S...S...S I love the feeling May break my bones But chains and whips And You bring to me Excite me M...M...M Oh, you turn me on *GOES BACK TO INTRO* S...S...S It's exactly what And M...M...M I've been yearning for Give it to me strong And meet me in my Boudoir Make my body say ah, ah, Ah I like it Like it Rihanna could be said to be postmodernism because there‟s no clear image with her, distorting our view of acceptable and non acceptable
  • 6.
  • 7. Goodwin‟s view of a music video (applied to S&M)       Andrew Goodwin identifies 5 key aspects of music videos that we as an audience should look out for: Thought beats – seeing the sound Narrative and performance The star image Relations of video to song Technical aspects of music video
  • 9. Conclusion: she is post modern!   She fits into Andrew Goodwin She fits into the basic convention How would you describe Rihanna? The meeting point of high culture with pop culture