Research Into Digipaks
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The document discusses the packaging design of digipaks for albums by three punk bands: The Clash, The Jam, and The Sex Pistols. For The Clash album, the digipak uses a militaristic font in red and green colors with the album art showing a band member kicking radios. The inside features the message "Play Loud." For The Jam, the album art shows the band by the Thames with abstract shapes and the inside includes an excerpt about the band. The Sex Pistols digipak stands out with a yellow, pink, and black color scheme and features no information about the band, just a jumbled track listing designed to look cut out from newspapers.
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Research Into Digipaks
The document discusses and compares the digipak designs of three albums:
1) The Clash - Hits Back uses a militaristic green and red color scheme with a member kicking radios to convey an anti-establishment message. The inside simply says "Play Loud."
2) The Jam - Snap! features a photo of the band laughing by the Thames in misshapen fonts to present them as quirky. The inside includes an excerpt about the band from a subsequently published book.
3) The Sex Pistols - Never Mind The Bollocks uses a bright yellow, pink, and black color scheme with no extra information, just the title and band name, both on simple album and CD
Digipak analysis green day american idiot
- The digipak for Green Day's album "American Idiot" uses a black background with the band name in large white text and the album name in red to stand out, reflecting the pop punk genre.
- The heart-shaped grenade image on the front can symbolize the passion of American soldiers being "exploded" by the lies of war, or the American public's "heart" being controlled by the government.
- Additional images on the back and inside depict the government "pulling the pin" and destroying the public, reflecting the album's political messages criticizing the US government.
Digipak analysis green day american idiot
- The digipak for Green Day's album "American Idiot" uses a black background with the band name in large white text and the album name in red to make them stand out.
- The heart-shaped grenade image on the cover represents either the passion of American soldiers corrupted by war or the American public's heart being controlled by the government.
- Lyrical themes of anti-government sentiment are portrayed through the political images and symbols used in the album art.
Album advert analysis
The document analyzes and compares two album advertisement posters.
The first poster is for All Time Low's "The Party Scene" album. It follows conventions like placing the band logo and album title across the top and information at the bottom. It catches viewers' attention with a special DVD/album edition and plays on themes of partying to appeal to teenagers.
The second poster is for Blink-182's "Neighborhoods" album. It seamlessly blends the album title into the band logo made of houses. The font is shaped like streets to tie into the title. Key information is in large font while descriptors are smaller. It promotes a previously released single to hype the album.
Both posters
Digi-pack deconstruction
This poster advertises the 2010 alternative rock album "Hold Me Down" by the band "You Me At Six". The poster features a large image of the album artwork but does not include photos of the band, adding an air of mystery. Text on the poster is written on ripped paper and sellotaped on, giving the band a raw, edgy look. Pertinent information is provided such as the release date, how and where to purchase the album, and a link to the band's website to generate more hype around their new album.
Second Magazine Advert Analysis - Fall Out Boy
Fall Out Boy released a new album called "Save Rock and Roll" after taking a hiatus from 2010-2013. The back cover magazine advert for the album shows the band throwing records into a fire, referencing their first music video since returning. The dull white and grey background makes the band in black clothes and the fire stand out. The lack of color is meant to attract a more mature audience that relates to their genre. The band name takes up a third of the page to ensure old fans recognize the advert. The advert's visual style is meant to catch the attention of their target audience.
Digipack analysis
The document analyzes and summarizes the album covers of three albums:
1) Ed Sheeran's "X" album cover has a simplistic green and black design consistent with his other albums, helping create brand recognition.
2) Twenty One Pilots' "Blurryface" cover has cryptic red and white patterns on a black background that create intrigue, along with the group and album names.
3) Bruno Mars' "Doo-wops and Hooligans" cover has a simplistic pop art-inspired yellow, white, and black design meant to look worn, helping it stand out.
Analysis of digi packs
The document analyzes and compares the packaging (digi packs) of albums from different genres: Green Day's rock album "Bullet in a Bible", Sum 41's punk album "Underclass Hero", and pop artist Shayne Ward's self-titled debut album. Key similarities across genres include prominently displaying the band/artist name and album title on the front cover, including track listings and production details on the back cover, and maintaining consistent color schemes throughout. Differences are also noted, such as Shayne Ward's album having plain interior packaging compared to the other albums showcasing band members and maintaining a live concert atmosphere. Overall conventions are observed but packaging is tailored to each genre's style and intended audience.
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Research Into Digipaks
The document discusses and compares the digipak designs of three albums:
1) The Clash - Hits Back uses a militaristic green and red color scheme with a member kicking radios to convey an anti-establishment message. The inside simply says "Play Loud."
2) The Jam - Snap! features a photo of the band laughing by the Thames in misshapen fonts to present them as quirky. The inside includes an excerpt about the band from a subsequently published book.
3) The Sex Pistols - Never Mind The Bollocks uses a bright yellow, pink, and black color scheme with no extra information, just the title and band name, both on simple album and CD
Digipak analysis green day american idiot
- The digipak for Green Day's album "American Idiot" uses a black background with the band name in large white text and the album name in red to stand out, reflecting the pop punk genre.
- The heart-shaped grenade image on the front can symbolize the passion of American soldiers being "exploded" by the lies of war, or the American public's "heart" being controlled by the government.
- Additional images on the back and inside depict the government "pulling the pin" and destroying the public, reflecting the album's political messages criticizing the US government.
Digipak analysis green day american idiot
- The digipak for Green Day's album "American Idiot" uses a black background with the band name in large white text and the album name in red to make them stand out.
- The heart-shaped grenade image on the cover represents either the passion of American soldiers corrupted by war or the American public's heart being controlled by the government.
- Lyrical themes of anti-government sentiment are portrayed through the political images and symbols used in the album art.
Album advert analysis
The document analyzes and compares two album advertisement posters.
The first poster is for All Time Low's "The Party Scene" album. It follows conventions like placing the band logo and album title across the top and information at the bottom. It catches viewers' attention with a special DVD/album edition and plays on themes of partying to appeal to teenagers.
The second poster is for Blink-182's "Neighborhoods" album. It seamlessly blends the album title into the band logo made of houses. The font is shaped like streets to tie into the title. Key information is in large font while descriptors are smaller. It promotes a previously released single to hype the album.
Both posters
Digi-pack deconstruction
This poster advertises the 2010 alternative rock album "Hold Me Down" by the band "You Me At Six". The poster features a large image of the album artwork but does not include photos of the band, adding an air of mystery. Text on the poster is written on ripped paper and sellotaped on, giving the band a raw, edgy look. Pertinent information is provided such as the release date, how and where to purchase the album, and a link to the band's website to generate more hype around their new album.
Second Magazine Advert Analysis - Fall Out Boy
Fall Out Boy released a new album called "Save Rock and Roll" after taking a hiatus from 2010-2013. The back cover magazine advert for the album shows the band throwing records into a fire, referencing their first music video since returning. The dull white and grey background makes the band in black clothes and the fire stand out. The lack of color is meant to attract a more mature audience that relates to their genre. The band name takes up a third of the page to ensure old fans recognize the advert. The advert's visual style is meant to catch the attention of their target audience.
Digipack analysis
The document analyzes and summarizes the album covers of three albums:
1) Ed Sheeran's "X" album cover has a simplistic green and black design consistent with his other albums, helping create brand recognition.
2) Twenty One Pilots' "Blurryface" cover has cryptic red and white patterns on a black background that create intrigue, along with the group and album names.
3) Bruno Mars' "Doo-wops and Hooligans" cover has a simplistic pop art-inspired yellow, white, and black design meant to look worn, helping it stand out.
Analysis of digi packs
The document analyzes and compares the packaging (digi packs) of albums from different genres: Green Day's rock album "Bullet in a Bible", Sum 41's punk album "Underclass Hero", and pop artist Shayne Ward's self-titled debut album. Key similarities across genres include prominently displaying the band/artist name and album title on the front cover, including track listings and production details on the back cover, and maintaining consistent color schemes throughout. Differences are also noted, such as Shayne Ward's album having plain interior packaging compared to the other albums showcasing band members and maintaining a live concert atmosphere. Overall conventions are observed but packaging is tailored to each genre's style and intended audience.
Fall Out Boy - Folie A Deux Analysis
The album cover uses simplistic colors like red, brown, and white to emphasize hidden meanings and distance the band from the album's themes of madness. The front cover features two characters - one dressed as a bear carrying the other - representing the "madness shared by two" described by the album's title, Folie à Deux. Throughout the album packaging, the use of font, color schemes, and imagery continue connecting elements to the idea of a madness that is spreading and taking over.
Digipak CD Analysis
The document analyzes several album covers, noting similarities and differences in their design elements. Common conventions included featuring the artist prominently, using consistent typography for the artist and album names, and including song listings on the back cover. Genre differences were also highlighted, with rock albums tending towards darker themes versus brighter colors for dance/pop albums. Flo Rida's album placement and his shirtless portrayal related to his personal brand and inspiration for the album.
5sos digipak analysis
This album cover follows conventions typical of album covers by including the band's name and logo prominently. There is a central image of the band that helps identify the album as theirs. Elements of the band's clothing and style reflect the pop-punk genre they are associated with. As the deluxe edition, doodles drawn by the band surround their image to distinguish it from the standard edition. The cover and packaging aim to give a consistent style and feel continuity through similar colors, fonts, and references back to elements on the front cover.
Magazine Analysis
This document provides an analysis of magazine advertisements for various music albums and bands. It examines elements like font, album art, logos, and additional information included for several examples. Key aspects discussed include the use of thirds to divide content, prominence of the band or album name, minimalist versus colorful designs, quotes and images featured, and how conventions are both followed and subverted in different ads. Analysis also covers meanings potentially conveyed by design choices and how strategies like these viral ads build anticipation for Daft Punk's return and tour.
Analysis of Magazine Posters and Digipaks
The document analyzes magazine posters and digital packages (digipaks) for various albums. It summarizes the key elements included in the posters and digipaks such as the artist name, album name, release date, featured songs, and graphics. The document notes that the posters and digipaks use similar graphics, fonts, and color schemes to create synergy between the promotional materials and final album product.
Fall Out Boy Folie A Deux
The Fall Out Boy album cover uses simplistic colors and imagery to disguise the hidden meanings and themes of madness within the album. The front cover features two characters - a bear and a person in a bear suit - positioned to represent the album's title "Folie a Deux" which refers to a rare psychiatric syndrome of shared psychosis. Throughout the album packaging, the use of colors, fonts, and mirrored/backward text reinforce themes of madness being portrayed or gradually taking over.
Fall 1
This image shows the cover of Fall Out Boy's greatest hits album "Believers Never Die Greatest Hits Bonus Edition", which includes a CD with bonus tracks and a DVD of their music videos. The album contains some of their most popular songs. The cover displays panels showing information about the band, pictures of their album covers, and images of the band members over the years. As a greatest hits compilation, it is aimed at existing Fall Out Boy fans familiar with their previous work.
Take that digipak analysis
The band Take That's target demographic is women aged 30+ as well as a new audience of 15+ mainly females. The front cover features a long shot of the five band members in different positions to show their unity and evolution. Robbie Williams is situated in the center to highlight his return and focus as the front man. The bright yellow background suggests intellect, freshness and joy relating to the band's reinvention and track "Happy Now". The sans serif font creates an informal feel about their established popularity and youthfulness in their reunion. The inside maintains the color scheme suggesting progression from bright to dark tones. The back positions information clearly and the sans serif track list font maintains an informal feel to attract audiences.
Artist Research
The album covers for Bastille's two albums, Bad Blood and All This Bad Blood, feature a continuous theme depicting a man running from an oncoming car surrounded by blood. This reinforces the album titles and creates a dramatic feel like a film poster. While the band has not used traditional magazine ads, their social media and tour posters continue this theme to promote ticket sales. The single "Things We Lost in the Fire" also depicts the car crash scene from the music video, tying it to the album artwork branding.
Magazine Article Analysis
The magazine advertisement analyzes Rolling Stones' "Exile on Main ST" album. The main image is blurred and distorted in yellow and orange tones, unlike the original black and white photo. It includes the iconic tongue logo and small album cover image. The handwritten font style matches the album design and gives a personal feel. The imagery and text work well together to represent the band's blues music style from the American South. As a re-release, the audience aims to attract new younger fans as well as older fans interested in experiencing the album again.
Iconography – the killers
The document analyzes and compares several images representing the band The Killers to understand their evolving iconography and style. The album covers show contrasting images that suggest an abstract musical style and themes that blend cheerful and gloomy topics. Fan art of the band is colorful but lacks consistency. Concert posters establish the band's logo and black-and-white schemes as recognizable traits, while their unconventional depiction in a boxing context reinforces their unpredictability as a group that supports each other.
Digipak analysis
The document provides analysis of the album artwork and packaging for three albums:
1) Kendrick Lamar's "To Pimp a Butterfly" reflects social and political issues of police brutality through imagery of a black revolution on the White House lawn. Song titles are written in Lamar's handwriting.
2) Cream's "Disraeli Gears" has psychedelic artwork reflecting their genre and the 1960s/70s era. The CD contrasts the colorful cover with purple and black artwork.
3) The Horrors' "Strange House" uses monochrome black and white fitting their dark image and garage rock/gothic punk genre. Band members are stylized consistently with their genre
Bands Website analysis
The Paramore website provides fans with exclusive access to information through a member account system. It features many photos of the band both in concerts and behind the scenes. The website also hosts a "Paramore Yard Sale" to raise money for charity by selling the band's old clothing and items. The website is tailored for different countries with currency and release date changes. It links to the band's social media accounts to give fans insight into their personal lives.
Catfish and the bottlemen website analysis
The Catfish and The Bottlemen website homepage features their latest music video and options to buy music, follow their social media, and sign up for their mailing list. The website uses a black and white color scheme and prominently displays the band's logo and photos. Key pages allow fans to view the band's tour dates and videos, read lyrics, purchase albums and merchandise, see tour diary videos, and contact the band's management. The website aims to connect fans to the band through behind-the-scenes content and a casual, indie style.
Vampire weekend website analysis
Vampire Weekend is an American indie rock band formed in 2006 in New York City. The band consists of Ezra Koenig, Rostam Batmanglij, Chris Tomson, and Chris Baio. They have released three studio albums between 2008-2013. The document analyzes the band's website, noting its simple black and white design. The homepage advertises their new album and features music videos. Other pages include news, their shop, tour dates, contact information, lyrics, and links to social media.
Genre Research
Punk rock originated in the mid-1960s and was characterized by fast, hard-edged music and anti-establishment lyrics. Key pioneering bands included the Velvet Underground, the Stooges, Ramones, Sex Pistols, and the Clash. While punk rock instrumentation generally involved guitars, bass, drums and shouted vocals, the genre has since blurred with alternative rock and evolved to include bands like Green Day, NOFX, and Sum 41. The documentary explored the musical and lyrical elements of classic punk rock bands as well as how the genre has progressed and influenced modern music styles.
Digi pack research
The CD cover features the band members in front with the band name above and album title below in red and pale yellow colors, symbolizing passion for their music. The back has the same color theme with band and album name in the middle and a list of songs. The inside booklet contains song credits, band images, record label details, lifestyle information, a Q&A, and thank you notes from each band member.
All Time Low advert analysis
The document analyzes an advertisement for the new album by the pop punk band All Time Low. The ad features the band's logo and skull and crossbones imagery to identify their style. As the band is signed to Hopeless Records, the ad uses the label's signature black and yellow colors. The jagged yellow border around the band is meant to convey their fun image. While promoting All Time Low's album, the ad also advertises other similar albums from Hopeless Records to increase visibility. The body language or poses of the band members are intended to appeal mainly to female audiences.
Digipak analysis
The digipak features a close up of the artist on the front cover so that fans instantly recognize it. It has a minimal design that fits the indie/pop genre. The artist's name stands out in white against the background image, while the album name is smaller and less prominent. The digipak contains a gatefold paper back with lyrics inside. The back cover uses the same color scheme and font as the front, listing the song titles, barcode, and copyright information. The spine features the album name for easy identification when stored.
Digipack
The document provides an analysis of the design elements on the cover, inside, and spine of a Green Day album titled "She's a Rebel". Some of the key design elements analyzed include newspaper clippings used for text, spray painted words on a wall, punk imagery and colors, and images of the band members performing that represent rebellion and underground music scenes. The analysis discusses how these visual elements create intertextual links to punk bands of the 1970s and help position the album and music as rebellious and subversive.
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Fall Out Boy - Folie A Deux Analysis
The album cover uses simplistic colors like red, brown, and white to emphasize hidden meanings and distance the band from the album's themes of madness. The front cover features two characters - one dressed as a bear carrying the other - representing the "madness shared by two" described by the album's title, Folie à Deux. Throughout the album packaging, the use of font, color schemes, and imagery continue connecting elements to the idea of a madness that is spreading and taking over.
Digipak CD Analysis
The document analyzes several album covers, noting similarities and differences in their design elements. Common conventions included featuring the artist prominently, using consistent typography for the artist and album names, and including song listings on the back cover. Genre differences were also highlighted, with rock albums tending towards darker themes versus brighter colors for dance/pop albums. Flo Rida's album placement and his shirtless portrayal related to his personal brand and inspiration for the album.
5sos digipak analysis
This album cover follows conventions typical of album covers by including the band's name and logo prominently. There is a central image of the band that helps identify the album as theirs. Elements of the band's clothing and style reflect the pop-punk genre they are associated with. As the deluxe edition, doodles drawn by the band surround their image to distinguish it from the standard edition. The cover and packaging aim to give a consistent style and feel continuity through similar colors, fonts, and references back to elements on the front cover.
Magazine Analysis
This document provides an analysis of magazine advertisements for various music albums and bands. It examines elements like font, album art, logos, and additional information included for several examples. Key aspects discussed include the use of thirds to divide content, prominence of the band or album name, minimalist versus colorful designs, quotes and images featured, and how conventions are both followed and subverted in different ads. Analysis also covers meanings potentially conveyed by design choices and how strategies like these viral ads build anticipation for Daft Punk's return and tour.
Analysis of Magazine Posters and Digipaks
The document analyzes magazine posters and digital packages (digipaks) for various albums. It summarizes the key elements included in the posters and digipaks such as the artist name, album name, release date, featured songs, and graphics. The document notes that the posters and digipaks use similar graphics, fonts, and color schemes to create synergy between the promotional materials and final album product.
Fall Out Boy Folie A Deux
The Fall Out Boy album cover uses simplistic colors and imagery to disguise the hidden meanings and themes of madness within the album. The front cover features two characters - a bear and a person in a bear suit - positioned to represent the album's title "Folie a Deux" which refers to a rare psychiatric syndrome of shared psychosis. Throughout the album packaging, the use of colors, fonts, and mirrored/backward text reinforce themes of madness being portrayed or gradually taking over.
Fall 1
This image shows the cover of Fall Out Boy's greatest hits album "Believers Never Die Greatest Hits Bonus Edition", which includes a CD with bonus tracks and a DVD of their music videos. The album contains some of their most popular songs. The cover displays panels showing information about the band, pictures of their album covers, and images of the band members over the years. As a greatest hits compilation, it is aimed at existing Fall Out Boy fans familiar with their previous work.
Take that digipak analysis
The band Take That's target demographic is women aged 30+ as well as a new audience of 15+ mainly females. The front cover features a long shot of the five band members in different positions to show their unity and evolution. Robbie Williams is situated in the center to highlight his return and focus as the front man. The bright yellow background suggests intellect, freshness and joy relating to the band's reinvention and track "Happy Now". The sans serif font creates an informal feel about their established popularity and youthfulness in their reunion. The inside maintains the color scheme suggesting progression from bright to dark tones. The back positions information clearly and the sans serif track list font maintains an informal feel to attract audiences.
Artist Research
The album covers for Bastille's two albums, Bad Blood and All This Bad Blood, feature a continuous theme depicting a man running from an oncoming car surrounded by blood. This reinforces the album titles and creates a dramatic feel like a film poster. While the band has not used traditional magazine ads, their social media and tour posters continue this theme to promote ticket sales. The single "Things We Lost in the Fire" also depicts the car crash scene from the music video, tying it to the album artwork branding.
Magazine Article Analysis
The magazine advertisement analyzes Rolling Stones' "Exile on Main ST" album. The main image is blurred and distorted in yellow and orange tones, unlike the original black and white photo. It includes the iconic tongue logo and small album cover image. The handwritten font style matches the album design and gives a personal feel. The imagery and text work well together to represent the band's blues music style from the American South. As a re-release, the audience aims to attract new younger fans as well as older fans interested in experiencing the album again.
Iconography – the killers
The document analyzes and compares several images representing the band The Killers to understand their evolving iconography and style. The album covers show contrasting images that suggest an abstract musical style and themes that blend cheerful and gloomy topics. Fan art of the band is colorful but lacks consistency. Concert posters establish the band's logo and black-and-white schemes as recognizable traits, while their unconventional depiction in a boxing context reinforces their unpredictability as a group that supports each other.
Digipak analysis
The document provides analysis of the album artwork and packaging for three albums:
1) Kendrick Lamar's "To Pimp a Butterfly" reflects social and political issues of police brutality through imagery of a black revolution on the White House lawn. Song titles are written in Lamar's handwriting.
2) Cream's "Disraeli Gears" has psychedelic artwork reflecting their genre and the 1960s/70s era. The CD contrasts the colorful cover with purple and black artwork.
3) The Horrors' "Strange House" uses monochrome black and white fitting their dark image and garage rock/gothic punk genre. Band members are stylized consistently with their genre
Bands Website analysis
The Paramore website provides fans with exclusive access to information through a member account system. It features many photos of the band both in concerts and behind the scenes. The website also hosts a "Paramore Yard Sale" to raise money for charity by selling the band's old clothing and items. The website is tailored for different countries with currency and release date changes. It links to the band's social media accounts to give fans insight into their personal lives.
Catfish and the bottlemen website analysis
The Catfish and The Bottlemen website homepage features their latest music video and options to buy music, follow their social media, and sign up for their mailing list. The website uses a black and white color scheme and prominently displays the band's logo and photos. Key pages allow fans to view the band's tour dates and videos, read lyrics, purchase albums and merchandise, see tour diary videos, and contact the band's management. The website aims to connect fans to the band through behind-the-scenes content and a casual, indie style.
Vampire weekend website analysis
Vampire Weekend is an American indie rock band formed in 2006 in New York City. The band consists of Ezra Koenig, Rostam Batmanglij, Chris Tomson, and Chris Baio. They have released three studio albums between 2008-2013. The document analyzes the band's website, noting its simple black and white design. The homepage advertises their new album and features music videos. Other pages include news, their shop, tour dates, contact information, lyrics, and links to social media.
Genre Research
Punk rock originated in the mid-1960s and was characterized by fast, hard-edged music and anti-establishment lyrics. Key pioneering bands included the Velvet Underground, the Stooges, Ramones, Sex Pistols, and the Clash. While punk rock instrumentation generally involved guitars, bass, drums and shouted vocals, the genre has since blurred with alternative rock and evolved to include bands like Green Day, NOFX, and Sum 41. The documentary explored the musical and lyrical elements of classic punk rock bands as well as how the genre has progressed and influenced modern music styles.
Digi pack research
The CD cover features the band members in front with the band name above and album title below in red and pale yellow colors, symbolizing passion for their music. The back has the same color theme with band and album name in the middle and a list of songs. The inside booklet contains song credits, band images, record label details, lifestyle information, a Q&A, and thank you notes from each band member.
All Time Low advert analysis
The document analyzes an advertisement for the new album by the pop punk band All Time Low. The ad features the band's logo and skull and crossbones imagery to identify their style. As the band is signed to Hopeless Records, the ad uses the label's signature black and yellow colors. The jagged yellow border around the band is meant to convey their fun image. While promoting All Time Low's album, the ad also advertises other similar albums from Hopeless Records to increase visibility. The body language or poses of the band members are intended to appeal mainly to female audiences.
Digipak analysis
The digipak features a close up of the artist on the front cover so that fans instantly recognize it. It has a minimal design that fits the indie/pop genre. The artist's name stands out in white against the background image, while the album name is smaller and less prominent. The digipak contains a gatefold paper back with lyrics inside. The back cover uses the same color scheme and font as the front, listing the song titles, barcode, and copyright information. The spine features the album name for easy identification when stored.
Digipack
The document provides an analysis of the design elements on the cover, inside, and spine of a Green Day album titled "She's a Rebel". Some of the key design elements analyzed include newspaper clippings used for text, spray painted words on a wall, punk imagery and colors, and images of the band members performing that represent rebellion and underground music scenes. The analysis discusses how these visual elements create intertextual links to punk bands of the 1970s and help position the album and music as rebellious and subversive.
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The album artwork and design for Blink-182's Enema of the State features bright red, white, and blue colors with a hospital and medicine theme. The cover features porn star Janine Lindemulder dressed as a nurse. Some pressings originally included the Red Cross logo before it was edited out. La Dispute's Wildlife album artwork consists of dark, digitally enhanced landscape photos suggesting darker themes. Parkway Drive's Deep Blue uses blue, white, and black colors with water imagery relating to the album title. Brand New's The Devil and God Are Raging Inside Me has unconventional artwork not clearly relating to the album title, implying the music is more important. Green Day's American Idiot takes influence from
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Paramore released their second album "Riot" in 2007 featuring hit songs like "Misery Business" and "CrushCrushCrush". The album cover depicts the band in a cartoon-like, black-and-white style from above, reflecting the album's punk theme. Text on the cover including the album title is in a bold, capitalized handwritten font to emphasize the idea of a riot. The CD and back cover continue this theme through repetition of the word "riot" and a similar black-and-white aesthetic.
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- 1. Research Into Digipaks David Jeffery-Hughes
- 2. The Clash – Hits Back The fonts is almost military which would explain why the overriding colours are green and red. This contributes to the grunge feel about their branding. The digipak for this compilation album consists of the album cover and the track listing. There is only four colours within the album cover and that is green, red, white and black. A band member is kicking radios which sends out an anti establishment anti pop message to people. Which would appeal to their angry adolescent audience. The inside cover has a message “Play Loud” it is a comical message or order to those who buy the album. You would typically find this sort of message on a Punk album. There is no extra information about the band or backstage promotional images as you would typically see in a digipak. Generally the branding is plain and simple.
- 3. The Jam – Snap! The band members stand laughing by the river Thames. Around them are malty coloured shapes on a black background. The inside booklet consists of an in-depth excerpt about the band from a book that was subsequently released after this album. So within this album there is more band merchandise publicity On the back it features more promotional photos of the band and a track listing of the songs that are on this album. There is more abstract graphic design quirks of malty coloured triangles and rectangles.
- 4. The Sex Pistols – Never Mind The Bollocks The front cover shows only the controversial title of the album and the name of the band. The colour scheme is yellow, pink and black so it particularly stands out on a shop shelf. The CD itself follows the same colours, the background is yellow to so it merges in with the background. This album features no extra information about the band nor any promotional pictures. The back of the album features a jumbled list of the tracks. The way it has been made makes it look like the letters have been ripped off various news papers to spell out the titles of the songs. The inside booklet features the same picture but it folds out has a more detailed list of the track.