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Presented by: Maha Ounis.
Faculty of Letters and Humanties of Sfax- Tunisia.
2021
"The creative person is willing to
live with ambiguity. He doesn’t
need problems solved
immediately and can afford to
wait for the right ideas.“
Abe Tannenbaum
Research about creativity is gaining ground
throughout the world:
1- The pioneers assumed that this construct was a
fundamental trait of gifted people for their scientific
discoveries.
2- Nowadays, this “supernatural” assumption is no
longer feasible, as creativity studies have reached
many contexts, the most considerable of which is the
educational one.
We are living in a world full of ambiguous
situations:
1- It is our inner ability to face ambiguity which
facilitates our choices.
2- We can consider a new language as a new construct
which cannot be deciphered unless the student is
skillful at tolerating ambiguity.
3- Some researchers (Zenasni et al. 2008, Mclain 2009
and Tuggy 1993) from different disciplines like arts,
business and languages focus on Tolerance of
Ambiguity as a prerequisite for creativity.
- Some previous studies link creativity to tolerance of
ambiguity (Plucker and Ranzulli (1999), Urban
(2003)).
- They claim that the more a person tolerates
ambiguity, the more he becomes creative.
- ESP context reveals more interesting findings at
vocabulary level, as it encompasses technical, core and
semi-technical vocabulary
- In this study, I dealt with semi-technical
vocabulary (polysemous words) in Business
English.
Business English.
 Pickett (1986) highlights the polysemous nature of B.E words as
they take the core meaning of the general English and add an
extra-meaning specific to the language of business.
 Several authors have pointed out that the language of economics
is highly metaphorical (Henderson, 1982, 1986; McCloskey, 1983;
Mason, 1990….)
 Examples of metaphorical themes in economics:
MECHANISMS and MACHINES, ANIMALS, PLANTS
and GARDENING, HEALTH and FITNESS, FIGHTING
and WARFARE, SHIPS and SAILING, and SPORTS.
Metaphorical polysemy?
“In metaphorical polysemy, in which a relation of
analogy is assumed to hold between the senses, the
basic sense is literal, whereas he secondary sense was
originally figurative when this use of the word
emerged.” They further maintain that : “Although
polysemy is much more frequent in language, most
psycholinguistic and neurolinguistic studies to date
have focused mainly on homonymy”
Klepousniotou et al. (2012)
Hypothesis.
If second year Business English students are
creative and so able to tolerate ambiguity, they
will understand metaphorical polysemous words
in both prototype theory and translation tests.
Methods.
-The participants were required to answer the Multiple
Stimulus Types Ambiguity Tolerance Scale II (MSTAT II)
according to a five point likert scale.
- Subsequently, Wallach and Kogan Creativity Test (1965)
was then used to calculate Tolerance of ambiguity-
creativity correlation.
* The goal of this research is to find the most suitable
strategy to learn polysemous words or at least to help in
understanding their core/ peripheral meanings according
to their context.
Berendi et al. (2008) ’s experiment:
- Tends to “examine whether explicit knowledge of
the motivations behind (1) The multiple senses of
polysemous words “hold” and “keep” and (2)
idioms including these words help learners
comprehend and remember these words better
than other learners who learn the words via
translation”.
Findings.
1- Creativity test scores: There is a considerable
difference between sub-criteria scores as students got
the highest scores in fluency and the least ones in
elaboration.
2-Three students out of four almost got convergent
results (40-41-46). They seem to be similarly tolerating
ambiguity.
3- There is a slight positive relationship between
creativity and tolerance of ambiguity r= +0.104, [0.0,
0.2].
4- A slight positive relationship between creativity and
translation tests r= +0.143, [0.0 , 0.2].
5- A very high relationship between tolerance of
ambiguity and translation tests.
6-There is a high positive relationship between creativity
and prototypical meanings tests .
7-The relationship between tolerance of ambiguity and
prototypical meanings tests is very weak .
Discussion.
• The relationship between creativity and tolerance of
ambiguity is positive but weak.
• A positive relationship between creativity and semi-
technical vocabulary tests scores.
• A clear support for the marked relationship between
creativity level and understanding the prototypical
meanings of words.
• TA/ Prototypical meanings tests scores correlation is very
weak. Understanding prototypical meanings does
not depend on one’s TA level, as all meanings were
presented in advance leaving no room for ambiguity.
Conclusion.
 The results showed that there is a slight correlation
between creativity and tolerance of ambiguity.
 The prototypical meanings of words helped students
to deal with polysemous words.
 Business English is metaphorical entailing a detailed
analysis of polysemous words categories.
Relationship between Creativity and Tolerance of Ambiguity to Understand Metaphorical Polysemy: A Pilot Study

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Relationship between Creativity and Tolerance of Ambiguity to Understand Metaphorical Polysemy: A Pilot Study

  • 1. Presented by: Maha Ounis. Faculty of Letters and Humanties of Sfax- Tunisia. 2021
  • 2. "The creative person is willing to live with ambiguity. He doesn’t need problems solved immediately and can afford to wait for the right ideas.“ Abe Tannenbaum
  • 3. Research about creativity is gaining ground throughout the world: 1- The pioneers assumed that this construct was a fundamental trait of gifted people for their scientific discoveries. 2- Nowadays, this “supernatural” assumption is no longer feasible, as creativity studies have reached many contexts, the most considerable of which is the educational one.
  • 4. We are living in a world full of ambiguous situations: 1- It is our inner ability to face ambiguity which facilitates our choices. 2- We can consider a new language as a new construct which cannot be deciphered unless the student is skillful at tolerating ambiguity. 3- Some researchers (Zenasni et al. 2008, Mclain 2009 and Tuggy 1993) from different disciplines like arts, business and languages focus on Tolerance of Ambiguity as a prerequisite for creativity.
  • 5. - Some previous studies link creativity to tolerance of ambiguity (Plucker and Ranzulli (1999), Urban (2003)). - They claim that the more a person tolerates ambiguity, the more he becomes creative. - ESP context reveals more interesting findings at vocabulary level, as it encompasses technical, core and semi-technical vocabulary - In this study, I dealt with semi-technical vocabulary (polysemous words) in Business English.
  • 6. Business English.  Pickett (1986) highlights the polysemous nature of B.E words as they take the core meaning of the general English and add an extra-meaning specific to the language of business.  Several authors have pointed out that the language of economics is highly metaphorical (Henderson, 1982, 1986; McCloskey, 1983; Mason, 1990….)  Examples of metaphorical themes in economics: MECHANISMS and MACHINES, ANIMALS, PLANTS and GARDENING, HEALTH and FITNESS, FIGHTING and WARFARE, SHIPS and SAILING, and SPORTS.
  • 7. Metaphorical polysemy? “In metaphorical polysemy, in which a relation of analogy is assumed to hold between the senses, the basic sense is literal, whereas he secondary sense was originally figurative when this use of the word emerged.” They further maintain that : “Although polysemy is much more frequent in language, most psycholinguistic and neurolinguistic studies to date have focused mainly on homonymy” Klepousniotou et al. (2012)
  • 8. Hypothesis. If second year Business English students are creative and so able to tolerate ambiguity, they will understand metaphorical polysemous words in both prototype theory and translation tests.
  • 9. Methods. -The participants were required to answer the Multiple Stimulus Types Ambiguity Tolerance Scale II (MSTAT II) according to a five point likert scale. - Subsequently, Wallach and Kogan Creativity Test (1965) was then used to calculate Tolerance of ambiguity- creativity correlation. * The goal of this research is to find the most suitable strategy to learn polysemous words or at least to help in understanding their core/ peripheral meanings according to their context.
  • 10. Berendi et al. (2008) ’s experiment: - Tends to “examine whether explicit knowledge of the motivations behind (1) The multiple senses of polysemous words “hold” and “keep” and (2) idioms including these words help learners comprehend and remember these words better than other learners who learn the words via translation”.
  • 11. Findings. 1- Creativity test scores: There is a considerable difference between sub-criteria scores as students got the highest scores in fluency and the least ones in elaboration. 2-Three students out of four almost got convergent results (40-41-46). They seem to be similarly tolerating ambiguity. 3- There is a slight positive relationship between creativity and tolerance of ambiguity r= +0.104, [0.0, 0.2].
  • 12. 4- A slight positive relationship between creativity and translation tests r= +0.143, [0.0 , 0.2]. 5- A very high relationship between tolerance of ambiguity and translation tests. 6-There is a high positive relationship between creativity and prototypical meanings tests . 7-The relationship between tolerance of ambiguity and prototypical meanings tests is very weak .
  • 13. Discussion. • The relationship between creativity and tolerance of ambiguity is positive but weak. • A positive relationship between creativity and semi- technical vocabulary tests scores. • A clear support for the marked relationship between creativity level and understanding the prototypical meanings of words. • TA/ Prototypical meanings tests scores correlation is very weak. Understanding prototypical meanings does not depend on one’s TA level, as all meanings were presented in advance leaving no room for ambiguity.
  • 14. Conclusion.  The results showed that there is a slight correlation between creativity and tolerance of ambiguity.  The prototypical meanings of words helped students to deal with polysemous words.  Business English is metaphorical entailing a detailed analysis of polysemous words categories.