Salvatore is asked by mobsters Carlo and Antonio to carry out a hit, but he refuses. They threaten him and kill his girlfriend Hazel. Salvatore flees and gets help from detective Dwayne to escape Carlo and Antonio and expose their criminal activities. They work together to gather evidence against the mobsters from secret documents as the mobsters pursue them violently. In the end, Salvatore and Dwayne engage in a final confrontation with Carlo and Antonio.

1. 1
EXT. ITALIAN BAR – NIGHT
In the heart of Little Italy New York, three men discussing are seated in
a VIP seating lounge.
INT. ITALIAN BAR – TOKO LOUNGE – NIGHT
ANTONIO, CARLO and SALVATORE are all discussing on a round table. Carlo
wearing an extravagant suit leans into Salvatore with authority.
CARLO:
You know Sal, we’ve always looked
out for you right?
INT. SCHOOL PLAYGROUND – DAY
SAL, CARLO and ANTONIO are with one another
INT. ITALIAN BAR – TOKO LOUNGE – NIGHT
CARLO:
We hope that you agree
SALVATORE:
You guys are brothers to me.
ANTONIO:
We want you to do a little
something for us.
Carlo and I have an unorthodox job
for you.
SALVATORE:
A job?
He looks puzzled and alarmed at both of the twins
CARLO:
A certain client, Sal; black
listed, let’s say.
SAL:
You want me to kill him?
That’s for me Carlo
CARLO:
Take this package; inside there’s a
note. You’d better get used to the
plan, Sal. No cock-ups
CARLO and ANTONIO leave the bar, and SAL is on his own
SALVATORE’S CAR – NIGHT
He goes home, opens a safe containing documents and exits.
INT: ANTONIO’S CAR- DAY
Antonio:
Squeezing the Binoculars fiercely and shakes his head
He’s taking too damn long…?

2. 2
Carlo:
He would’ve told us by now.
EXT: NEAR THE DEBTOR’S HOME- DAY
Antonio (V.O):
I ain’t waiting anymore
INT: CAR-DAY
SALVATORE THROWS A GUN AND A PHOTOGRAPH ON THE BACKSEAT
EXT: DEBTOR’S STREET- CONT’D
ANTONIO GETS OUT OF THE CAR AND WALKS TO THE DEBTORS HOME
The DEBTOR OPENS the door, calmly
DEBTOR:
(Screams)
No
CARLO SHOOTS THE DEBTOR IN THE STOMACH TWICE
EXT: SAL’S STREET
Carlo:
Open up Sal, we know you’re in there
HAZEL:
Sal’s not here. Go. Get away
Antonio:
Don’t lie to us, Broad.
Hazel:
I know everything
Antonio:
You know too much
Pushes her backwards and shoots her dead
(PHONE Ringing)
CARLO Reaches into HAZEL’s pocket and pulls out her phone
Salvatore (On the PHONE):
Hazel
Antonio:
Sal?
Salvatore:
Where’s Hazel?
Antonio:

3. 3
Listen up; we’re coming for you
now
(Hangs up)
EXT. SUBURBAN STREET – EVENING
The street is lighted by street lights. To one side is a park enclosed by
a gate; to the other, the road and a block of buildings.
SALVATORE – Wearing a dark brown jumper, white shirt with a black tie and
black trousers. He is carrying a brief case in one hand and in the other,
a mobile phone.
SALVATORE is walking down the street.
In his left hand he holds a mobile phone to his ear. In his right hand he
holds a brief case.
INT. DWAYNE’S HOME OFFICE - EVENING
DWAYNE – Black, wearing a dark blue suit and purple tie with a cream
overcoat.
DWAYNE has his mobile phone raised to his ear in his right hand.
DWAYNE
How can I trust you?
EXT. SUBURBAN STREET – EVENING
HITMAN – Wearing a black leather jacket, black jeans and black shoes.
SALVATORE is walking down the street.
Black car pulls up beside SALVATORE.
HITMAN exits the car and hits SALVATORE in the stomach.
DWAYNE:
Hello?
INT. HITMAN’S BLACK CAR – EVENING
SALVATORE is thrown into the backseat of the car.
SALVATORE’S mobile phone fall onto the floor of the car below the back
seat.
INT. DWAYNE’S HOME OFFICE – EVENING
DWAYNE (CONT’D):
Sal?
DWAYNE pulls the phone away from his ear and looks at it
DWAYNE LOOKS AT HIS COMPUTER FINDS AN ADDRESS AND RUNS OUT WITH A GUN
EXT. DARK FOREST – NIGHT
HITMAN ties a not in the thick rope that is wrapped around SALVATORE.
HITMAN uses a shovel to thrown dirt into the ditch on SALVATORE.

4. 4
DWAYNE has his gun pointed at the HITMAN and shoots.
DWAYNE produces a knife and cuts the rope around SALVATORE’S hands.
SALVATORE
They’re looking for the
evidence I was meant
to destroy
DWAYNE
That evidence can charge
these men for life
INT. DWAYNE’S LIVING ROOM – NIGHT
DWAYNE and SALVATORE are sitting on a sofa at a brown wooden coffee
table.
DWAYNE unfolds a map of the city onto his desk.
DWAYNE
I may need your help
INT: A CAR-DAY
CARLO:
He won’t hold back and
neither will we
ANTONIO:
We’ve got to get those damn
files back
EXT: A CAR PARK- NIGHT
DWAYNE is inside his car, on the PHONE to SAL.
DWAYNE:
Listen to me, you’re
being paranoid.
INT: MOTEL ROOM- NIGHT
SAL is lying on a BED with black DUVET COVERS, on his PHONE
SAL:
Have you ever been so darn
scared in your life,
Dwayne?
EXT: THE CITY- DAY
CARLO and ANTONIO are outside a BUILDING and waiting
ANTONIO covers his arm with a newspaper, hiding his PISTOL
DWAYNE (V.O):
Yes, I have; I’ve also
busted men like them
before?

5. 5
INT: THE FIBONACCI HOUSE, OFFICE-DAY
CARLO and ANTONIO are looking at a piece of PAPER
CARLO:
The word’s out; Sal’s got a
rookie detective in on all
of this
ANTONIO:
Someone’s in trouble
INT: OFFICE- EVENING
PHOTOS of DWAYNE and SAL are on the MONITOR
INT: THE FIBONACCI HOUSE, OFFICE-DAY
CARLO (CONT’D):
Check that number
INT: MOTEL ROOM- NIGHT
SAL is on the FLOOR, in a small room.
ANTONIO (V.O CONT’D):
I’d rather have a shell-
check before I start
shooting
EXT: CAR PARK-EVENING
ANTONIO SHOOTS HIS FIREARM
INT: IN AN ABANDONED WAREHOUSE- DAY
DWAYNE is interrogating a MAN, BLEEDING in a CHAIR
DWAYNE:
Where are they
hiding?
EXT: FORREST- EVENING
SAL a BODY BAG with HAZEL’s BODY inside and takes out a PHONE and a GUN
INT: AN ABANDONED LOCATION- DAY
DWAYNE SHOOTS THE MAN IN THE CHAIR
INT: OFFICE-NIGHT
DWAYNE (On the Phone):
Trust me
INT: CAR-DAY
CARLO IS DRIVING HIS CAR, IN A CHASE
INT: EMPTY ROOM OFFICE- NIGHT
ANTONIO and CARLO cover the ROOM in a FLAMMABLE LIQUID and spark a
MATCH on fire
INT: SAL’S HOME- DAY
DOCUMENTS and PAPERS are laid around the FLOOR, messy and disrupted

6. 6
DURING THE CREDITS
ANTONIO (V.O):
If he wants to rat on us,
he’d better watch his back
before I put a bullet in
him
MAIN CREDITS: CAST’S NAMES
‘AGATINO D’AGATE- AS SALVATORE VITTI’
EXT: ABANDONED LOCATION- NIGHT
SAL is running through a WAREHOUSE holding a PISTOL
INT: BAR LOCATION- EVENING
SAL is sitting around a TABLE with BULLET SHELLS around it
‘BEN OGLIBIO- AS DWAYNE PALMA
EXT: CAR PAR- EVENING
DWAYNE is sitting beside his CAR, on the GROUND, and is BLEEDING
slightly on his CHEEK
INT: ABANDONED LOCATION- DAY
DWAYNE is standing by the tied up CORPSE in a CHAIR
DWAYNE HOLDS HIS HAT ON HIS HEAD AND NODS TO THE DEAD BODY
‘ALESSIO PETULLA’- AS ANTONIO FIBONACCI’
INT: THE FIBONACCI HOME- NIGHT
ANTONIO is in an OFFICE, staring at a PHOTO of himself, CARLO and SAL
looking happy together
ANTONIO TEARS THE PHOTO OF SAL TO SHREDS
EXT: THE FORREST- DAY
ANTONIO and CARLO, with a MAN, tied up with a STRAW BAG over his head
ANTONIO SHOOTS THE MAN IN THE HEAD
‘MARCO PETULLA’- AS CARLO FIBONACCI’
INT: MOTEL ROOM- EVENING
CARLO with a GUN, DISPOSABLE PLASTIC GLOVES and a BODY soaked in BLOOD
CARLO WALKS OUT OF THE ROOM
EXT: GREENLAND SPACE-EVENING
CARLO and ANTONIO with SHOVELS, standing around a HOLE, with a BODY BAG
CARLO AND ANTONIO ARE DIGGING A HOLE TO BURY THE BODY
TITLE: ‘R.A.T’- Appears on the screen
TITLE: Date- ‘In Cinemas 16/01/16’
TITLE: ‘Cast and Crew’ Credits
TITLE: Website- ‘WWW.RAT/film.co.uk’

7. 6
DURING THE CREDITS
ANTONIO (V.O):
If he wants to rat on us,
he’d better watch his back
before I put a bullet in
him
MAIN CREDITS: CAST’S NAMES
‘AGATINO D’AGATE- AS SALVATORE VITTI’
EXT: ABANDONED LOCATION- NIGHT
SAL is running through a WAREHOUSE holding a PISTOL
INT: BAR LOCATION- EVENING
SAL is sitting around a TABLE with BULLET SHELLS around it
‘BEN OGLIBIO- AS DWAYNE PALMA
EXT: CAR PAR- EVENING
DWAYNE is sitting beside his CAR, on the GROUND, and is BLEEDING
slightly on his CHEEK
INT: ABANDONED LOCATION- DAY
DWAYNE is standing by the tied up CORPSE in a CHAIR
DWAYNE HOLDS HIS HAT ON HIS HEAD AND NODS TO THE DEAD BODY
‘ALESSIO PETULLA’- AS ANTONIO FIBONACCI’
INT: THE FIBONACCI HOME- NIGHT
ANTONIO is in an OFFICE, staring at a PHOTO of himself, CARLO and SAL
looking happy together
ANTONIO TEARS THE PHOTO OF SAL TO SHREDS
EXT: THE FORREST- DAY
ANTONIO and CARLO, with a MAN, tied up with a STRAW BAG over his head
ANTONIO SHOOTS THE MAN IN THE HEAD
‘MARCO PETULLA’- AS CARLO FIBONACCI’
INT: MOTEL ROOM- EVENING
CARLO with a GUN, DISPOSABLE PLASTIC GLOVES and a BODY soaked in BLOOD
CARLO WALKS OUT OF THE ROOM
EXT: GREENLAND SPACE-EVENING
CARLO and ANTONIO with SHOVELS, standing around a HOLE, with a BODY BAG
CARLO AND ANTONIO ARE DIGGING A HOLE TO BURY THE BODY
TITLE: ‘R.A.T’- Appears on the screen
TITLE: Date- ‘In Cinemas 16/01/16’
TITLE: ‘Cast and Crew’ Credits
TITLE: Website- ‘WWW.RAT/film.co.uk’