This document contains a shot list for a film titled "R.A.T" with 61 shots described through various camera angles, movements, locations and actions. The shots involve characters like Sal, Carlo, Antonio and Dwayne in scenes at an Italian bar, Sal's house, a forest, basement and other locations as the story progresses. Violent actions like people being shot, suffocated or thrown into ditches are referenced. The shot list concludes with title cards for the film's release date, cast/crew credits and website URL.

1. Shot List
Shot
Number
Shot Description Scene Description Production
Notes
1 LS, slow zoom. Of shop window
that SAL, CARLO and ANTONIO
are seated at.
EXT. ITALIAN BAR - NIGHT
2 MCU, slight high angle. Of
CARLO leaning in and talking
to SAL.
INT. ITALIAN BAR – ROUND
TABLE – NIGHT
3 MCU. Of SAL looking into
CARLO’S eyes.
INT. ITALIAN BAR – ROUND
TABLE – NIGHT
4 LS, ANTONIO holds his hand out
to SAL who is lying on the
floor.
EXT. ELEMENTRY SCHOOL
PLAYGROUND – DAY
5 MCU, ANTONIO is pulling SAL up
from the floor.
EXT. ELEMENTRY SCHOOL
PLAYGROUND – DAY
6 MCU, Slight Low Angle. Of
ANTONIO leaning back in his
chair talking to SAL.
INT. ITALIAN BAR – ROUND
TABLE – NIGHT
7 CU, High Angle. Of the package
being pushed across the table.
INT. ITALIAN BAR – ROUND
TABLE – NIGHT
8 MCU. Looking into the car. Of
SAL in the car, head leaning
on hand.
EXT. SALVATORE’S CAR –
PARKED ON AN EMPTY
STREET – NIGHT
9 CU, Slight High Angle. Of the
empty package with a handgun a
photograph on top.
INT. SALVATORE’S CAR –
PARKED ON AN EMPTY
STREET – NIGHT
10 CU, Focus on SAL’S leg. Camera
rises to Over Shoulder Shot.
Switch Focus to LS, Slight
High Angle. Of SAL aiming gun
at debtor’s head.
INT. DEBTOR’S HOUSE –
LIVING ROOM DOOR WAY –
NIGHT
11 BAAM PRODUCTIONS TITLE
SEQUENCE
12 MLS, Slight Low Angle. Of
ANTONIO and CARLO walking up
to door.
EXT. SALVATORE’S HOUSE -
SUBURBAN NEIGHBOURHOOD –
DAY
13 MCU, Very High Angle. Of CARLO
smashing his fist against the
door and shouting.
EXT. SALVATORE’S HOUSE -
SUBURBAN NEIGHBOURHOOD –
DAY
14 LS zooms into MLS, as ANTONIO
breaks down front door and
walks into house
INT. SALVATORE’S HOUSE –
DAY
15 MCU, High Angle. Of HAZEL
crawling away on the floor
shouting.
INT. SALVATORE’S HOUSE –
DAY
16 CU. Of HAZEL, head held up by
ANTONIO with a gun to her
head.
INT. SALVATORE’S HOUSE –
DAY
17 BLACK OUT
18 ECU, Slight Low Angle. Of
ANTONIO’S mouth as he speaks
into phone.
INT. SALVATORE’S HOUSE –
DAY
19 MS, Slight Low Angle. Of SAL
hitting the wall.
INT. OFFICE ROOM - DAY
20 BLACK OUT
21 MS. Of SAL walking quickly and
looking over his shoulder.
EXT. CITY STREET –
EVENING
22 CU of phone being picked out
of SAL’S pocket. Follow phone
from pocket to ear.
EXT. CITY STREET –
EVENING
23 MCU, Slight Low Angle. DWAYNE
on the phone at his desk.
INT. DWAYNE’S HOME
OFFICE - EVENING

2. 24 LS. Of car pulling up beside
SAL and SAL being hit and
thrown into the car.
EXT. CITY STREET –
EVENING
25 MS, Low Angle. Of SAL landing
on the back seat of the car.
INT. HITMAN’S BLACK CAR
– EVENING
26 CU, Slight High Angle. Of
SAL’S cell phone falling under
the seat.
INT. HITMAN’S BLACK CAR
– EVENING
27 CU, Slight High Angle. Of
HITMAN tying SAL’S hands.
EXT. DARK FOREST – NIGHT
28 MS, High Angle. Of HITMAN
throwing SAL into a ditch.
EXT. DARK FOREST – NIGHT
29 MLS, Low Angle. Looking up at
HITMAN shovelling dirt into
the ditch.
EXT. DARK FOREST – NIGHT
30 MS. Of DWAYNE stepping out if
shadows and shooting his gun.
EXT. DARK FOREST – NIGHT
31 LS. Of HITMAN falling from the
gunshot.
EXT. DARK FOREST – NIGHT
32 MS. Of DWAYNE holding his gun
out and talking to SAL.
EXT. DARK FOREST – NIGHT
33 LS, Zooming in slowly. SAL and
DWAYNE open the garage and
look in.
INT.SAL’S PRIVATE
GARAGE – DAY
34 MS, Slight Low Angle. Of
DWAYNE pulling out a map from
his pocket.
INT.SAL’S PRIVATE
GARAGE – DAY
35 CU, High Angle. Of DWAYNE
pointing to a location on a
map.
INT.SAL’S PRIVATE
GARAGE – DAY
36 ES. Helicopter flyover of New
York City.
EXT. NEW YORK CITY – DAY
37 Low Angle. MCU, of HOSTAGE
tied to chair. LS, of DWAYNE
pointing a gun at HOSTAGE.
INT. SECLUDED
UNDERGROUND BASEMENT –
DAY
38 MS, Side On Slight Low Angle.
Of DWAYNE pointing gun and
shouting at HOSTAGE.
INT. SECLUDED
UNDERGROUND BASEMENT –
DAY
39 CU. Of HOSTAGE looking up at
DWAYNE.
INT. SECLUDED
UNDERGROUND BASEMENT –
DAY
40 MCU, Slight High Angle.
Looking at ANTONIO walking
beside the table.
INT. THE FIBONACCI
HOUSEHOLD – THE DINNING
ROOM - DAY
41 MCU, Slight Low Angle looking
from across the table as he
talks to the other mobsters.
INT. THE FIBONACCI
HOUSEHOLD – THE DINNING
ROOM - DAY
42 MS, Low Angle. Of DWAYNE
crouched beside a parked car,
holding a gun.
EXT. STREET IN LITTLE
ITALY – DAY
43 MCU, Slight Low Angle. SAL
running threw a forest.
EXT. FOREST – DAY
44 MS, Over Shoulder Shot. Of SAL
looking at HAZEL dead on the
forest floor.
EXT. FOREST – DAY
45 MLS, Zooming out slowly to LS.
SAL knelt down beside HAZEL
and holding her in his arms.
EXT. FOREST – DAY
46 MLS, Slight Low Angle. Of
Carlo hitting a man in the
face
INT. WEARHOUSE - DAY
47 MCU, Slight Low Angle. Looking
across the bar top at SAL
loading his gun.
INT: BAR - EVENING
48 CU. SAL looking round a wall
corner with a gun.
EXT. ALLEY WAY - DAY

3. 49 MLS. SAL running through
street shooting hand gun.
EXT. STREET - DAY
50 MCU. DWAYNE driving his car at
the steering wheel.
EXT. EMPTY STREET – DAY
51 MLS. DWAYNE running and
talking someone down.
INT. ABANDONED WEARHOUSE
– DAY
52 CU, High Angle. Of photo that
ANTONIO is holding.
INT. ANTONIO’S OFFICE -
DAY
53 MCU, Low Angle. ANTONIO
ripping the photo in two.
INT. ANTONIO’S OFFICE -
DAY
54 MS. ANTONIO slamming fists on
a table.
INT. WORK OFFICE ROOM -
DAY
55 CU, Slight High Angle. CARLO
suffocating person with
cushion.
INT. MOTEL ROOM - NIGHT
56 CU. CARLO picking a dead body
up off the floor.
INT. MOTEL ROOM - NIGHT
57 TITLE: ‘R.A.T’- Appears
on the screen
58 TITLE: Date- ‘In Cinemas
23/03/16’
59 TITLE: ‘Cast and Crew’
Credits
60 TITLE: Website-
‘WWW.RAT/film.co.uk’
61 BLACK SCREEN