Presentation by the Radio Independents Group proposing an online marketplace for the sale of UK radio programmes to broadcasters, made at the Broadcast Video Expo in London on 14 February 2012, written by Mike Hally, Daniel Nathan and Grant Goddard.
This PPT gives a general overview on the landscape of mobile TV. It also gives a discussion on the business opportunity and buisness model of broadcast mobile TV.
This PPT gives a general overview on the landscape of mobile TV. It also gives a discussion on the business opportunity and buisness model of broadcast mobile TV.
'TotallyRadio: Music Licensing For Radio' by Grant Goddard & Daniel NathanGrant Goddard
Presentation of prototype online one-stop web application serving multiple music licences to radio businesses, commissioned by the Technology Strategy Board for a planned UK 'copyright hub', developed by TotallyRadio, written by Daniel Nathan & Grant Goddard in June 2012 for a TSB one-day conference.
'UK Commercial Radio Sector: Five-Year Forecasts: November 2007' by Grant God...Grant Goddard
Presentation outlining topline five-year revenue and audience forecasts for the UK commercial radio broadcasting sector, written by Grant Goddard in November 2007 for Guardian Media Group plc.
With Radionomy, everyone can create its webradio for his community. It’s easy, free and fun. It’s easy because Radionomy provides free software to create and manage the radio, vast music, jingles and content libraries. The Radio Creator can integrate his own music, creations & audio content. It’s free. Radionomy covers Streaming and Rights. Radionomy inserts 4 minutes of advertising in the radio to cover its costs.
The Broadcasting Board of Governors and Voice of America, in partnership with the Aid and Development Forum, held a pre-conference training on media response during disasters. Topics included:
Improving the interaction between media and response teams: how to communicate and develop relationships with humanitarian agencies and address challenges that humanitarian groups face when collaborating with media during a disaster.
Effective communication and new trends: applying social media in disaster relief, how to make the most of new technologies and social networks
How to collaborate with the private sector: using case studies, the session will focus on utilizing partnerships with the private sector companies to rebuild local communities
How to better engage communities and local governments: managing partnerships during a disaster
'TotallyRadio: Music Licensing For Radio' by Grant Goddard & Daniel NathanGrant Goddard
Presentation of prototype online one-stop web application serving multiple music licences to radio businesses, commissioned by the Technology Strategy Board for a planned UK 'copyright hub', developed by TotallyRadio, written by Daniel Nathan & Grant Goddard in June 2012 for a TSB one-day conference.
'UK Commercial Radio Sector: Five-Year Forecasts: November 2007' by Grant God...Grant Goddard
Presentation outlining topline five-year revenue and audience forecasts for the UK commercial radio broadcasting sector, written by Grant Goddard in November 2007 for Guardian Media Group plc.
With Radionomy, everyone can create its webradio for his community. It’s easy, free and fun. It’s easy because Radionomy provides free software to create and manage the radio, vast music, jingles and content libraries. The Radio Creator can integrate his own music, creations & audio content. It’s free. Radionomy covers Streaming and Rights. Radionomy inserts 4 minutes of advertising in the radio to cover its costs.
The Broadcasting Board of Governors and Voice of America, in partnership with the Aid and Development Forum, held a pre-conference training on media response during disasters. Topics included:
Improving the interaction between media and response teams: how to communicate and develop relationships with humanitarian agencies and address challenges that humanitarian groups face when collaborating with media during a disaster.
Effective communication and new trends: applying social media in disaster relief, how to make the most of new technologies and social networks
How to collaborate with the private sector: using case studies, the session will focus on utilizing partnerships with the private sector companies to rebuild local communities
How to better engage communities and local governments: managing partnerships during a disaster
'An Application To Ofcom For The FM Independent Local Radio Licence For Swans...Grant Goddard
Application to Ofcom for a local commercial FM radio broadcast licence for Swansea by SAfm, written by Grant Goddard in July 2005 for Laser Broadcasting Limited.
Aimia launches Nectar, a platform-free ecommerce loyalty programeTailing India
Aimia Inc, a global loyalty analytics company, today launched Nectar, an e-commerce loyalty program in India modeled on their highly successful loyalty program with the same name in UK. The program has been launched in the form of a online e-commerce page which aggregates products and prices across multiple online retailers, also highlighting the points you will earn by choosing a specific one. To complete the transaction, the user is redirected to the product page on the respective platform, and once the transaction is done, points are awarded to the user’s account. With this operational model, it essentially acts as a rewarding shopping assistant.
Patrick Collins' presentation to Piedmont parents about how to support your kids' minecraft play. We covered everything from play modes to servers, skins and mods.
Why and How to Build a Mobile First Web StrategyTechBlocks
With the rise in mobile web browsing, there has been a shift in website design philosophies from responsive to mobile first. We'll tell you what this means for your business, what the benefits are and how you can implement your own mobile first web strategy.
Introduction to hyper local media: full 12 inch versionDamian Radcliffe
Full slide pack offering a personal take on hyper-local in the UK. Would very much welcome comments, feedback and suggestions. A cut down version of these slides was presentation at Birmingham City University on 1st December and is also available on SlideShare, as is this pack broken into three due to file size.
Personal round up of developments in the hyper-local space across the UK and US during Nov-Dec 2011. Curation of stories covering local media, location based services, research and journalism. Comments and feedback welcome.
Memnon / BNF : Public Private Partnerships as a way to accelerate the preser...MemnonArchiving
French Government and National Library of France (BNF) announce new partnerships with Memnon Archiving Services to digitize 200.000 recordings - 33 rpm and 78 rpm.
Over 700,000 tracks (in many genres) will become available on major digital music distribution services
TuneIn presentation @ European Radio and Digital Audio Show 2018ACTUONDA
TuneIn presentation @ European Radio and Digital Audio Show 2018
A look at TuneIn’s core benefits – one directory multiple platforms. Devices, reach, models, developments.
A review of the drivers and appetite for subscription models in Europe.
By Miles Palmer, representative of TuneIn for Europe.
The program of The European Radio and Digital Audio Show 2018 is coorganized by Nicolas Moulard (Actuonda) and Xavier Filliol (Les Editions de l'Octet) in collaboration with Phiippe Chapot (Editions HF).
www.salondelaradio.com
www.european-show.radio
'DAB Radio Switchover In The United Kingdom' by Grant GoddardGrant Goddard
76-page presentation addressing issues concerning the United Kingdom government's proposed switchover from analogue to DAB digital radio broadcasting, written by Grant Goddard for Bauer Radio in January 2012.
'Response By UKRD Group Limited To Ofcom Consultation On Proposed Format Chan...Grant Goddard
Response by UKRD Group Limited to United Kingdom media regulator Ofcom consultation on proposed Format change of ‘Heart Cornwall’ local commercial radio station, written by Grant Goddard for UKRD Group Ltd in August 2012.
'Response By UKRD Group Limited To United Kingdom Government Department For C...Grant Goddard
Response by UKRD Group Limited to United Kingdom government Department For Culture Media & Sport's Communications Review of Radio Regulation, written by Grant Goddard for UKRD Group Limited in September 2012.
'Complaint By 'Pirate FM' To Ofcom That The Broadcast Output Of 'Heart Cornwa...Grant Goddard
Formal complaint by Cornwall local commercial radio station 'Pirate FM' submitted to United Kingdom broadcast regulator Ofcom arguing that the broadcast output of competitor 'Heart Cornwall' had not complied with the requirements of its licensed Format, written by Grant Goddard for UKRD Group Ltd in June 2013.
'The Route To Secure Local Radio's Digital Future' by Grant GoddardGrant Goddard
Proposal for the UK government and media regulator Ofcom to adopt a multi-platform approach to the 'Digital Britain' future of local radio, in order to reflect the reality that many local radio stations will never broadcast on the DAB platform, written by Grant Goddard in March 2011 for UKRD Group.
'DAB Radio: UK Receiver Market Is Dead In The Water' by Grant GoddardGrant Goddard
Analysis of data demonstrating the slowing DAB radio receiver consumer market in the UK and statements by industry stakeholders that appear to contradict this evidence, written by Grant Goddard in January 2009.
'DAB Digital Radio Switchover In The UK: Q&A' by Grant GoddardGrant Goddard
Commentary in Q&A format on the prospects for DAB digital radio switchover in the UK after the government's decision in December 2013 to postpone indefinitely its date, written by Grant Goddard in April 2014.
'United Kingdom Commercial Radio In Numbers: Q4 2008' by Grant GoddardGrant Goddard
39-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q4 2008 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard in March 2009.
'United Kingdom Commercial Radio In Numbers: Q3 2009' by Grant GoddardGrant Goddard
80-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q3 2009 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard in December 2009.
'United Kingdom Commercial Radio In Numbers: Q2 2009' by Grant GoddardGrant Goddard
53-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q2 2009 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard in October 2009.
'United Kingdom Commercial Radio In Numbers: Q1 2009' by Grant GoddardGrant Goddard
43-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q1 2009 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard in Jun 2009.
'United Kingdom Commercial Radio: Q2 2008' by Grant GoddardGrant Goddard
34-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q2 2008 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard for Enders Analysis in September 2008.
'United Kingdom Commercial Radio: Q4 2007' by Grant GoddardGrant Goddard
28-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q4 2007 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard for Enders Analysis in March 2008.
'United Kingdom Commercial Radio: Q1 2008' by Grant GoddardGrant Goddard
31-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q1 2008 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard for Enders Analysis in June 2008.
'Virgin Radio: New Owner, New Name, New Beginning' by Grant GoddardGrant Goddard
Analysis of the acquisition from Scottish Media Group plc of United Kingdom national commercial radio station 'Virgin Radio' by Indian media conglomerate Bennett Coleman & Company Limited and (correct) prediction that its contracted consultant Absolute Radio will struggle to turn around the consistently under-performing business, written by Grant Goddard for Enders Analysis in June 2008.
'Virgin Radio: A Pig In A Poke' by Grant GoddardGrant Goddard
Analysis of the announcement by United Kingdom media conglomerate Scottish Media Group plc that it will sell its national commercial radio station 'Virgin Radio' whose dismal performance it failed to turn around in the seven years since its acquisition, written by Grant Goddard for Enders Analysis in May 2007.
'UTV & Scottish Media Group Merger Could Revive Commercial Radio Sector' by G...Grant Goddard
Analysis of the potential of a merger between United Kingdom media conglomerates UTV plc (formerly Ulster Television) and Scottish Media Group plc to revitalise the performances of their national commercial radio stations 'TalkSport' and 'Virgin Radio', written by Grant Goddard for Enders Analysis in August 2006.
'United Kingdom Commercial Radio Consolidation' by Grant GoddardGrant Goddard
Analysis of the potential for further consolidation through mergers and acquisitions of the United Kingdom commercial radio broadcasting industry and the lack of evidential data that previous consolidation produced the promised benefits for owners, listeners or advertisers, written by Grant Goddard for Enders Analysis in September 2007.
'The Second National Digital Radio Multiplex' by Grant GoddardGrant Goddard
Analysis of the dwindling prospects of success for the United Kingdom's second national commercial DAB (digital audio broadcasting) radio multiplex and (correct) prediction that it might never be launched by Channel 4 Television which had been awarded the licence by media regulator Ofcom 15 months earlier, written by Grant Goddard for Enders Analysis in October 2008.
'The Future Of Digital Radio: Is It 'DAB'?' by Grant GoddardGrant Goddard
Analysis of progress with the transition from analogue to digital radio broadcasting in the United Kingdom and the multiple factors mitigating against success of government policy to switch broadcasters and listeners to the DAB (Digital Audio Broadcasting) platform, written by Grant Goddard for Enders Analysis in January 2008.
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Digital Transformation and IT Strategy Toolkit and TemplatesAurelien Domont, MBA
This Digital Transformation and IT Strategy Toolkit was created by ex-McKinsey, Deloitte and BCG Management Consultants, after more than 5,000 hours of work. It is considered the world's best & most comprehensive Digital Transformation and IT Strategy Toolkit. It includes all the Frameworks, Best Practices & Templates required to successfully undertake the Digital Transformation of your organization and define a robust IT Strategy.
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The world of search engine optimization (SEO) is buzzing with discussions after Google confirmed that around 2,500 leaked internal documents related to its Search feature are indeed authentic. The revelation has sparked significant concerns within the SEO community. The leaked documents were initially reported by SEO experts Rand Fishkin and Mike King, igniting widespread analysis and discourse. For More Info:- https://news.arihantwebtech.com/search-disrupted-googles-leaked-documents-rock-the-seo-world/
An introduction to the cryptocurrency investment platform Binance Savings.Any kyc Account
Learn how to use Binance Savings to expand your bitcoin holdings. Discover how to maximize your earnings on one of the most reliable cryptocurrency exchange platforms, as well as how to earn interest on your cryptocurrency holdings and the various savings choices available.
Putting the SPARK into Virtual Training.pptxCynthia Clay
This 60-minute webinar, sponsored by Adobe, was delivered for the Training Mag Network. It explored the five elements of SPARK: Storytelling, Purpose, Action, Relationships, and Kudos. Knowing how to tell a well-structured story is key to building long-term memory. Stating a clear purpose that doesn't take away from the discovery learning process is critical. Ensuring that people move from theory to practical application is imperative. Creating strong social learning is the key to commitment and engagement. Validating and affirming participants' comments is the way to create a positive learning environment.
Kseniya Leshchenko: Shared development support service model as the way to ma...Lviv Startup Club
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Top mailing list providers in the USA.pptxJeremyPeirce1
Discover the top mailing list providers in the USA, offering targeted lists, segmentation, and analytics to optimize your marketing campaigns and drive engagement.
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'A PRX For The UK?: A Scheme To Improve The Sales Of Audio From Producers To Broadcasters' by Radio Independents Group
1. A ‘PRX’ for the UK?
A scheme to improve the sales of audio from
producers to broadcasters
Broadcast Video Expo, London
14 February 2012
2. Mike Hally
• Chair, Radio Independents Group, the trade body for
independent radio production companies
• Independent radio producer & company owner since 2001
Panellists:
Daniel Nathan
• Festival Productions, producer of syndicated new music
radio, ad campaigns, drama & documentaries since 1990
• Juice 107.2, radio made in Brighton since 1998
• totallyradio.com, pioneering internet radio since 2000
Grant Goddard
• Media analyst, radio specialist
• Author of 2010 report on independent radio production
sector commissioned by BBC Trust
3. Indie Radio Production
•
•
•
•
Creative industries increasingly important to UK plc
An established multi-million pound UK creative industry
Approx 150 active companies, across the UK
Thousands of staff and freelancers
Sector Value
BBC
• BBC Radio spends £638 million p/a (BBC Annual Report 10/11)
• Circa £18 million spent in indie sector (<3% of total budget)
• 6% to 8% of total network broadcast hours are indie produced
Commericial
• RIG members report 31% of total income is non-BBC
Total value of indie sector circa £26 million per annum
4. RIG History
•
•
•
•
•
•
•
•
Formed in 2004, won back programme rights for indies in 2005
Not-for-profit trade body (company limited by guarantee)
100+ member companies across the UK
Directors drawn from and elected by member companies
Voice for the sector, negotiating with broadcasters
Communicates with Government, Ofcom & Parliament
Various member services including standard legal contracts
Patron of Radio Academy
Heritage
•
•
•
•
Began with supply to commercial radio
BBC began commissioning in the early 1990’s
Quality now recognised by audience, critics & major awards
Over 20% of Sony Award Golds won by indies in recent years –
well above our share of programme output
5. Production
BBC
All radio networks
Commercial
Radio - podcasts - audio books - corporate audio - general digital
media
International
Many countries outside the UK have taken UK indie radio
programming
Genres
•
•
•
•
•
Music
Drama
Features
Daily strands
Weekly strands
•
•
•
•
•
Events
Current Affairs
History
Sport
Science
• Spiritual
• Comedy
• Readings
6. RIG Member Objectives
Creative Innovation
• Break new creative ground
• Thrive on and respond to media change
• Best and most cost effective radio & related content possible
Growth
• Use full current capacity whilst offering great scalability
• Establish new commercial markets for creative expertise
• Fully meritocratic access to UK radio schedules
7. Radio/audio usage remains ubiquitous
Volume of listening (hrs/day) to all audio
5
3.8
3.7
3.6
3.7 3.7
4.4
3.9
3.9
3.5 3.7
3.8
3.8
Female 25-34
15-18
4.0
4.1 4.2
4.1
Female 15-18
3.6
3.6 3.7
Women
4 3.8
4.0
3.4 3.3
3.6
3
2
1
Source: BBC Share of Ear survey, 2009
Female 65+
Female 55-64
Female 45-54
Female 35-44
Female 15-24
Male 65+
Male 55-64
Male 45-54
Male 35-44
Male 25-34
Male 15-24
Male 15-18
65+
55-64
45-54
35-44
25-34
15-24
Men
Total
0
8. Live radio no longer the only ‘radio’
Source of audio usage (%) by age group
100
6
4
5
20
75
38
2
4
3
14
12
81
82
85
82
35-44
45-54
55-64
65+
16
7
11
34
Almost half of 15-18
year olds’ consumption
of audio is not live radio
50
76
25
55
60
0
15-18
live radio
15-24
non-radio
25-34
catch-up radio
Source: BBC Share of Ear survey, 2009
podcasts
unclassified radio
9. Radio is revolutionised by the internet
• The internet transforms the nature of information – people
interact with media, and each other, in new ways
• Traditional print and broadcast media are profoundly changed
or disrupted - long established business models are smashed
• ‘Linear’ broadcast radio is now supplemented by disaggregation
of music, news, features, ads etc and then ‘re-aggregation’
with listen on-demand / catch-up / listen-again, podcasts,
time-shifting etc
• Tabletop, portable or in-car radio receivers are supplemented
by mobile phones, tablet computers, connected TVs, PCs and
games consoles
• ‘Broadcast’ radio’s ‘share of ear’ is increasingly and seamlessly
blended with more personally directed ‘audio’ entertainment –
much of it streamed or downloaded via IP
10. Radio works whatever else you do!
• Radio is a ‘secondary’ medium - you can do other stuff while you
listen. An enduring strength in an age of multi-tasking and
permanent connection via social networks, e-mail and
telecommunications
• Radio/audio is ideally suited to IP delivery, even on a poor or
degraded connection (minimal bandwidth, minimal caching or
permanent storage)
• Not surprisingly, an increasing proportion of this radio / audio
consumption is ‘beyond broadcast’ - particularly among younger
demographics
11. A revolution in radio production
• The tools to make radio are cheaper and easier to use than ever
• Dozens of easy-to-use online applications exist to produce and
then host online audio content
• Local radio and niche community of interest programmes are
available globally
• Web sites & blogs feature groundbreaking non-broadcast ‘radio’
• Established brands – newspapers, magazines, food, fashion,
academic institutions and individual performing artists – are
producing audio & video podcasts
• There are new entrants / plural voices and innovation all around
and the broadcast barrier to entry is falling away, but...
12. Consumer discovery of radio
All this radio / audio has to be:
• Made available on different media platforms
• Made playable on an extensive range of consumer devices that use
a variety of operating systems
• Searchable (using accurate metadata)
• ‘Click-and-play’ for instant consumption
• Aggregated for a consumer offering of sufficient scale
13. What content ?
• UK independent radio production sector started in 1992
• Possibly 70,000 hours of content to date
• Most commissioned by the BBC for UK broadcast once or twice
• Archive presently gathering ‘dust’ on shelves and hard drives
• Lost secondary revenue opportunities for producers
• Archive unavailable to potential audiences
• Current independent radio productions include Gardeners’
Question Time R4, Weekend Wogan R2, Jazz on 3 for R3...
14. What solution ?
• Make this radio production discoverable – encourage
producers to create and align their metadata to make content
findable online, building on best practice
• Open up a viable marketplace – growth in the discovery of
and listening to IP-delivered radio will lead to increased
revenue flows across the value chain
• A hosting / distribution solution that could be a UK / RIG
version of the American ‘PRX’ model
15. ‘PRX’ in the US
“Public Radio Exchange is an online marketplace for distribution,
review, and licensing of public radio programming. PRX is also
a growing social network and community of listeners,
producers, and stations collaborating to reshape public radio.”
PRX statistics
•
•
•
•
•
•
Launched in 2003
Hosts 50,000 audio pieces from 2,000 radio producers
Paid $1m+ to radio producers from sales
43% of audio has been licensed at least once
100,000+ public users
3m+ downloads of its Public Radio Player ‘app’ since 2008
(offering users 500 stations + 1,000 on-demand programmes)
16.
17. Proposal for a UK model
An online marketplace for listening, distribution, review and
licensing of independently produced UK radio
• The creation of an online radio platform that aggregates UK radio
from beyond BBC and commercial radio in-house productions
• The creation of a business-to-consumer platform enabling the free
consumption of this radio through search and metadata and
personalised radio ‘stations’
• The creation of a business-to-business platform enabling radio
stations to purchase full productions or programme elements
(interviews, features etc) for broadcast and offering seamless endto-end transaction and rights processing
• Developing consumer applications and APIs that enable listening
across multiple platforms and devices
• The creation of online interfaces for public engagement, discussion
and participation around radio listening and production
18. Objective: secondary revenues
UK independent television production sector:
• £1,356m primary UK commissions
• £590m international programme sales
UK independent radio production sector:
• £20m primary UK commissions
• <£1m international programme sales
Source: PACT (2010), Grant Goddard (2010), DCMS Creative Industries Mapping
19. Objective: consumer usage
• Unlock a vast archive of UK independent radio productions,
much of which has a timeless value (eg drama and
documentary)
• Unlock content previously broadcast on BBC radio, though not
part of the BBC’s own archive of in-house productions
• Create an online destination for consumers to listen to and
review all independently produced UK radio
• Making this radio production discoverable
• Put independently produced UK productions into the online
space and global market
20. Next steps
Identify suitable partners that can provide:
•
•
•
•
•
•
•
Technology licensing
Audio hosting
Bandwidth
Developer resources
Transaction software
Radio production (beyond RIG members)
Marketing expertise
Create consortium