Presentation outlining topline five-year revenue and audience forecasts for the UK commercial radio broadcasting sector, written by Grant Goddard in November 2007 for Guardian Media Group plc.
'UK Commercial Radio Market Context: April 2007' by Grant GoddardGrant Goddard
Presentation outlining significant business and economic market trends within the UK commercial radio broadcasting sector, written by Grant Goddard in April 2007 for EMAP plc.
'UK Commercial Radio Trends: February 2007' by Grant GoddardGrant Goddard
Presentation outlining significant business and economic market trends within the UK commercial radio broadcasting sector, written by Grant Goddard in February 2007 for Fidelity Investments International.
'UK Commercial Radio: A Personal Perspective: January 2008' by Grant GoddardGrant Goddard
Presentation outlining the business, economic, regulatory and technological issues facing the UK commercial radio sector, written by Grant Goddard in January 2008 for RadioCentre Members' Conference.
'UK Commercial Radio Sector: Current Indicators & Forecasts: January 2008' by...Grant Goddard
This document provides an overview of the current state of the UK commercial radio sector and forecasts for its future. It summarizes key indicators such as declining commercial radio revenues since 2005, uneven profitability among stations, and falling revenue yields. It also reviews listening trends, noting that commercial radio is losing share of listening to the BBC in important demographics like 25-34 year olds. The document aims to analyze the commercial radio sector and provide forecasts for revenues and listening in the coming years.
'UK Commercial Radio Sector: Current Indicators & Forecasts: November 2007' b...Grant Goddard
Presentation outlining significant business and economic market trends within the UK commercial radio broadcasting sector, with detailed five-year forecasts for revenues and audiences, written by Grant Goddard in November 2007 for GCap Media plc.
'UK Commercial Radio Sector: Current Indicators & Forecasts: December 2007' b...Grant Goddard
Presentation outlining significant business and economic market trends within the UK commercial radio broadcasting sector, with detailed five-year forecasts for revenues and audiences, written by Grant Goddard in December 2007 for Radiocentre Limited.
'UK Commercial Radio Sector Current Indicators & Forecasts: September 2007' b...Grant Goddard
Presentation outlining significant business and economic market trends within the UK commercial radio broadcasting sector, with detailed five-year forecasts for revenues and audiences, written by Grant Goddard in September 2007 for Guardian Media Group plc.
Radio continues to be a highly effective advertising medium. It reaches over 235 million weekly listeners in the US, including 93% of Americans. Radio listening is growing while other media like newspapers are declining. Americans spend the majority of their listening time with AM/FM radio compared to other audio platforms. Case studies show that radio advertising can significantly boost sales for retailers like Walmart and drive new business leads and accounts for financial services companies. Testimonials from companies like Google, Citigroup, and Scion affirm radio's effectiveness compared to other advertising media.
'UK Commercial Radio Market Context: April 2007' by Grant GoddardGrant Goddard
Presentation outlining significant business and economic market trends within the UK commercial radio broadcasting sector, written by Grant Goddard in April 2007 for EMAP plc.
'UK Commercial Radio Trends: February 2007' by Grant GoddardGrant Goddard
Presentation outlining significant business and economic market trends within the UK commercial radio broadcasting sector, written by Grant Goddard in February 2007 for Fidelity Investments International.
'UK Commercial Radio: A Personal Perspective: January 2008' by Grant GoddardGrant Goddard
Presentation outlining the business, economic, regulatory and technological issues facing the UK commercial radio sector, written by Grant Goddard in January 2008 for RadioCentre Members' Conference.
'UK Commercial Radio Sector: Current Indicators & Forecasts: January 2008' by...Grant Goddard
This document provides an overview of the current state of the UK commercial radio sector and forecasts for its future. It summarizes key indicators such as declining commercial radio revenues since 2005, uneven profitability among stations, and falling revenue yields. It also reviews listening trends, noting that commercial radio is losing share of listening to the BBC in important demographics like 25-34 year olds. The document aims to analyze the commercial radio sector and provide forecasts for revenues and listening in the coming years.
'UK Commercial Radio Sector: Current Indicators & Forecasts: November 2007' b...Grant Goddard
Presentation outlining significant business and economic market trends within the UK commercial radio broadcasting sector, with detailed five-year forecasts for revenues and audiences, written by Grant Goddard in November 2007 for GCap Media plc.
'UK Commercial Radio Sector: Current Indicators & Forecasts: December 2007' b...Grant Goddard
Presentation outlining significant business and economic market trends within the UK commercial radio broadcasting sector, with detailed five-year forecasts for revenues and audiences, written by Grant Goddard in December 2007 for Radiocentre Limited.
'UK Commercial Radio Sector Current Indicators & Forecasts: September 2007' b...Grant Goddard
Presentation outlining significant business and economic market trends within the UK commercial radio broadcasting sector, with detailed five-year forecasts for revenues and audiences, written by Grant Goddard in September 2007 for Guardian Media Group plc.
Radio continues to be a highly effective advertising medium. It reaches over 235 million weekly listeners in the US, including 93% of Americans. Radio listening is growing while other media like newspapers are declining. Americans spend the majority of their listening time with AM/FM radio compared to other audio platforms. Case studies show that radio advertising can significantly boost sales for retailers like Walmart and drive new business leads and accounts for financial services companies. Testimonials from companies like Google, Citigroup, and Scion affirm radio's effectiveness compared to other advertising media.
'DAB Radio Switchover In The United Kingdom' by Grant GoddardGrant Goddard
76-page presentation addressing issues concerning the United Kingdom government's proposed switchover from analogue to DAB digital radio broadcasting, written by Grant Goddard for Bauer Radio in January 2012.
'The Communications Market 2004 - Radio' by OfcomGrant Goddard
The first public report by UK media regulator Ofcom about the UK radio broadcasting industry, published in August 2004, including research and analysis by Grant Goddard.
'Virgin Radio: A Pig In A Poke' by Grant GoddardGrant Goddard
Analysis of the announcement by United Kingdom media conglomerate Scottish Media Group plc that it will sell its national commercial radio station 'Virgin Radio' whose dismal performance it failed to turn around in the seven years since its acquisition, written by Grant Goddard for Enders Analysis in May 2007.
'Privatising Radios One And Two: How To Kill Commercial Radio With Kindness' ...Grant Goddard
Analysis of the debate advocating the privatisation of BBC radio stations Radio One and Radio Two in the United Kingdom, stimulated by commentaries by former Endemol UK Ltd Chairman Peter Bazalgette and outgoing GCap Media plc Chairman Richard Eyre, written by Grant Goddard for Enders Analysis in June 2008.
The document summarizes key points from a presentation given by Damian Radcliffe at Birmingham City University on November 26, 2009. The presentation covered Ofcom's role as the UK communications regulator, the state of the communications market, issues around public service broadcasting, local media, and the Digital Economy Bill. It provided an overview of Ofcom's duties and focus areas, trends in digital technologies, challenges facing public service broadcasters, and the goals and main elements of the Digital Economy Bill.
'The UK Commercial Radio Industry' by Tom Andrews, Henry Devereux, Grant GoddardGrant Goddard
A presentation that analyses the UK commercial radio industry, written by Tom Andrews, Henry Devereux, Grant Goddard in July 2003 for The London Institute M.A. Media Management course.
'Channel 4: Radio Ambitions Aim Too High' by Grant GoddardGrant Goddard
Analysis of the award by United Kingdom media regulator Ofcom to Channel 4 Television of a new licence to build a national transmission network for DAB digital radio broadcasting that highlighted (correctly) significant flaws in its intended strategy, written by Grant Goddard for Enders Analysis in July 2007.
The document summarizes the history and current state of the cable television industry in South Korea. It discusses key events like industry deregulation in the late 1990s and 2000s, the growth of digital cable and subscribers reaching 15 million households by 2008. Currently, five major cable media groups dominate the industry, providing cable services to around 14.8 million subscribers. The government regulates the industry through two agencies and aims to promote fair competition among cable, IPTV, and satellite through deregulation and consistent regulations across services.
Radio broadcasting can be done through various methods including satellite, cable, local networks, and streaming. The BBC operates numerous national and regional radio stations in the UK that provide a variety of music genres and talk programming. It is publicly funded and has over 23,000 employees. Commercial radio stations generate revenue through advertisements and air a mix of music and talk shows.
This document provides information about radio broadcasting and the BBC. It discusses the different types of radio signals and how the BBC World Service broadcasts internationally via shortwave, internet, satellite, and other methods. It also describes the BBC's national and local radio stations in the UK, how they are funded mainly through television licensing fees, and how this allows the BBC to operate without commercials. Commercial radio stations rely on advertising revenue and must attract large audiences to support themselves.
The BBC operates numerous national and local radio stations in the UK. It is publicly funded through television license fees rather than advertising revenue. This allows it to provide a wide range of programming without commercial influence. The BBC also operates the BBC World Service, broadcasting internationally in many languages through radio, television and online platforms. Commercial radio stations in the UK rely on advertising revenue, which can impact their programming decisions based on listenership and ratings. Major radio groups like Global own multiple stations both in the UK and other countries.
The document discusses radio broadcasting by the BBC. It describes the BBC World Service, which broadcasts in 28 languages to 188 million people per week through shortwave, internet, satellite, FM, and MW radio. It is politically independent and non-commercial. The BBC also operates national and local radio stations across the UK focused on regional issues and lighter talk shows. It is primarily funded through television licensing fees.
The document discusses radio broadcasting and the BBC. It notes that the BBC operates both domestic and international radio stations across different platforms like analog, digital, internet, and satellite. The BBC is funded by an annual license fee paid by UK households watching live TV broadcasts. It provides high-quality, diverse programming across its TV channels, radio stations, and interactive websites without commercials. The document also discusses commercial radio stations that are funded through advertisements.
The BBC owns numerous television and radio stations that broadcast across the UK, including BBC One, BBC Two, Radio 1, Radio 2, and more. All of the BBC's stations have a public service mandate to broadcast programming that benefits the public, rather than focusing solely on commercial concerns. The BBC ensures its digital content is available to audiences however, wherever, and whenever they want. BBC local services and channel numbers on digital platforms provide regional programming and news for Northern Ireland, Scotland, and Wales.
The BBC is a major public service radio broadcaster in the UK that reaches millions of people. It operates numerous national, regional, local, and digital radio stations. Unlike commercial radio stations, the BBC is funded through an annual license fee paid by households rather than through advertisements, allowing it to produce programming for public benefit rather than commercial purposes.
'UTV & Scottish Media Group Merger Could Revive Commercial Radio Sector' by G...Grant Goddard
Analysis of the potential of a merger between United Kingdom media conglomerates UTV plc (formerly Ulster Television) and Scottish Media Group plc to revitalise the performances of their national commercial radio stations 'TalkSport' and 'Virgin Radio', written by Grant Goddard for Enders Analysis in August 2006.
'KISS FM: From Radical Radio To Big Business: The Inside Story Of A London Pi...Grant Goddard
The document provides an excerpt from a book about the history of pirate radio station KISS FM in London. It describes how KISS FM was launched in 1985 by Gordon McNamee, formerly of JFM, to fill the void left by other soul stations that had closed. However, KISS FM struggled immensely with frequent raids by the DTI that disrupted their broadcasts and equipment. By December 1985, a major raid had forced KISS FM off the air completely after only two months. The document also discusses several other London pirate stations that emerged such as TKO and K-Jazz during this period, as well as ongoing legal issues and raids targeting pirate radio across the UK.
'An Independent Review Of The Rules Governing Local Content On Commercial Rad...Grant Goddard
A report by John Myers 'An Independent Review Of The Rules Governing Local Content On Commercial Radio' commissioned by the United Kingdom government's Digital Britain consultation, 'ghosted' by Grant Goddard in 2009.
'The Vilnius, Lithuania Radio Market; October 1997' by Grant GoddardGrant Goddard
The document summarizes the radio market in Vilnius, Lithuania. It finds that the market is dominated by three stations - the state radio channel LR1 and two commercial pop music stations, M-1 and Radiocentras. The ratings data is limited as it only provides reach figures and not time spent listening. When examining the Vilnius market specifically, two additional stations, M-1 Plus and Znad Wilii, perform respectably. The programming of the stations is analyzed, finding that Ultravires and Radiocentras play the most dance music, appealing to younger audiences, while LR1 and LR2 skew older. Znad Wilii, broadcasting in Polish, attracts non-Lithuanian listeners
'DAB Radio Switchover In The United Kingdom' by Grant GoddardGrant Goddard
76-page presentation addressing issues concerning the United Kingdom government's proposed switchover from analogue to DAB digital radio broadcasting, written by Grant Goddard for Bauer Radio in January 2012.
'The Communications Market 2004 - Radio' by OfcomGrant Goddard
The first public report by UK media regulator Ofcom about the UK radio broadcasting industry, published in August 2004, including research and analysis by Grant Goddard.
'Virgin Radio: A Pig In A Poke' by Grant GoddardGrant Goddard
Analysis of the announcement by United Kingdom media conglomerate Scottish Media Group plc that it will sell its national commercial radio station 'Virgin Radio' whose dismal performance it failed to turn around in the seven years since its acquisition, written by Grant Goddard for Enders Analysis in May 2007.
'Privatising Radios One And Two: How To Kill Commercial Radio With Kindness' ...Grant Goddard
Analysis of the debate advocating the privatisation of BBC radio stations Radio One and Radio Two in the United Kingdom, stimulated by commentaries by former Endemol UK Ltd Chairman Peter Bazalgette and outgoing GCap Media plc Chairman Richard Eyre, written by Grant Goddard for Enders Analysis in June 2008.
The document summarizes key points from a presentation given by Damian Radcliffe at Birmingham City University on November 26, 2009. The presentation covered Ofcom's role as the UK communications regulator, the state of the communications market, issues around public service broadcasting, local media, and the Digital Economy Bill. It provided an overview of Ofcom's duties and focus areas, trends in digital technologies, challenges facing public service broadcasters, and the goals and main elements of the Digital Economy Bill.
'The UK Commercial Radio Industry' by Tom Andrews, Henry Devereux, Grant GoddardGrant Goddard
A presentation that analyses the UK commercial radio industry, written by Tom Andrews, Henry Devereux, Grant Goddard in July 2003 for The London Institute M.A. Media Management course.
'Channel 4: Radio Ambitions Aim Too High' by Grant GoddardGrant Goddard
Analysis of the award by United Kingdom media regulator Ofcom to Channel 4 Television of a new licence to build a national transmission network for DAB digital radio broadcasting that highlighted (correctly) significant flaws in its intended strategy, written by Grant Goddard for Enders Analysis in July 2007.
The document summarizes the history and current state of the cable television industry in South Korea. It discusses key events like industry deregulation in the late 1990s and 2000s, the growth of digital cable and subscribers reaching 15 million households by 2008. Currently, five major cable media groups dominate the industry, providing cable services to around 14.8 million subscribers. The government regulates the industry through two agencies and aims to promote fair competition among cable, IPTV, and satellite through deregulation and consistent regulations across services.
Radio broadcasting can be done through various methods including satellite, cable, local networks, and streaming. The BBC operates numerous national and regional radio stations in the UK that provide a variety of music genres and talk programming. It is publicly funded and has over 23,000 employees. Commercial radio stations generate revenue through advertisements and air a mix of music and talk shows.
This document provides information about radio broadcasting and the BBC. It discusses the different types of radio signals and how the BBC World Service broadcasts internationally via shortwave, internet, satellite, and other methods. It also describes the BBC's national and local radio stations in the UK, how they are funded mainly through television licensing fees, and how this allows the BBC to operate without commercials. Commercial radio stations rely on advertising revenue and must attract large audiences to support themselves.
The BBC operates numerous national and local radio stations in the UK. It is publicly funded through television license fees rather than advertising revenue. This allows it to provide a wide range of programming without commercial influence. The BBC also operates the BBC World Service, broadcasting internationally in many languages through radio, television and online platforms. Commercial radio stations in the UK rely on advertising revenue, which can impact their programming decisions based on listenership and ratings. Major radio groups like Global own multiple stations both in the UK and other countries.
The document discusses radio broadcasting by the BBC. It describes the BBC World Service, which broadcasts in 28 languages to 188 million people per week through shortwave, internet, satellite, FM, and MW radio. It is politically independent and non-commercial. The BBC also operates national and local radio stations across the UK focused on regional issues and lighter talk shows. It is primarily funded through television licensing fees.
The document discusses radio broadcasting and the BBC. It notes that the BBC operates both domestic and international radio stations across different platforms like analog, digital, internet, and satellite. The BBC is funded by an annual license fee paid by UK households watching live TV broadcasts. It provides high-quality, diverse programming across its TV channels, radio stations, and interactive websites without commercials. The document also discusses commercial radio stations that are funded through advertisements.
The BBC owns numerous television and radio stations that broadcast across the UK, including BBC One, BBC Two, Radio 1, Radio 2, and more. All of the BBC's stations have a public service mandate to broadcast programming that benefits the public, rather than focusing solely on commercial concerns. The BBC ensures its digital content is available to audiences however, wherever, and whenever they want. BBC local services and channel numbers on digital platforms provide regional programming and news for Northern Ireland, Scotland, and Wales.
The BBC is a major public service radio broadcaster in the UK that reaches millions of people. It operates numerous national, regional, local, and digital radio stations. Unlike commercial radio stations, the BBC is funded through an annual license fee paid by households rather than through advertisements, allowing it to produce programming for public benefit rather than commercial purposes.
'UTV & Scottish Media Group Merger Could Revive Commercial Radio Sector' by G...Grant Goddard
Analysis of the potential of a merger between United Kingdom media conglomerates UTV plc (formerly Ulster Television) and Scottish Media Group plc to revitalise the performances of their national commercial radio stations 'TalkSport' and 'Virgin Radio', written by Grant Goddard for Enders Analysis in August 2006.
'KISS FM: From Radical Radio To Big Business: The Inside Story Of A London Pi...Grant Goddard
The document provides an excerpt from a book about the history of pirate radio station KISS FM in London. It describes how KISS FM was launched in 1985 by Gordon McNamee, formerly of JFM, to fill the void left by other soul stations that had closed. However, KISS FM struggled immensely with frequent raids by the DTI that disrupted their broadcasts and equipment. By December 1985, a major raid had forced KISS FM off the air completely after only two months. The document also discusses several other London pirate stations that emerged such as TKO and K-Jazz during this period, as well as ongoing legal issues and raids targeting pirate radio across the UK.
'An Independent Review Of The Rules Governing Local Content On Commercial Rad...Grant Goddard
A report by John Myers 'An Independent Review Of The Rules Governing Local Content On Commercial Radio' commissioned by the United Kingdom government's Digital Britain consultation, 'ghosted' by Grant Goddard in 2009.
'The Vilnius, Lithuania Radio Market; October 1997' by Grant GoddardGrant Goddard
The document summarizes the radio market in Vilnius, Lithuania. It finds that the market is dominated by three stations - the state radio channel LR1 and two commercial pop music stations, M-1 and Radiocentras. The ratings data is limited as it only provides reach figures and not time spent listening. When examining the Vilnius market specifically, two additional stations, M-1 Plus and Znad Wilii, perform respectably. The programming of the stations is analyzed, finding that Ultravires and Radiocentras play the most dance music, appealing to younger audiences, while LR1 and LR2 skew older. Znad Wilii, broadcasting in Polish, attracts non-Lithuanian listeners
'An Application To Ofcom For The FM Independent Local Radio Licence For Hull ...Grant Goddard
Application to Ofcom for a local commercial FM radio broadcast licence for Hull by Hull Local Radio, written by Grant Goddard in March 2006 for Laser Broadcasting Limited.
'An Application To Ofcom For The FM Independent Local Radio Licence For North...Grant Goddard
Application to Ofcom for a local commercial FM radio broadcast licence for Northallerton by Hambleton Radio, written by Grant Goddard in August 2005 for Laser Broadcasting Limited.
'Digital Radio In The UK: Progress & Challenges' by Grant GoddardGrant Goddard
A presentation made to the EBU Digital Radio Conference in June 2009 by Grant Goddard that assesses the progress made to date and the challenges ahead for DAB digital radio broadcasting in the UK market.
'Low Digital Take-Up Of Local Commercial Radio Prevents Digital Radio Switcho...Grant Goddard
Data within the annual Digital Radio Report published by UK media regulator Ofcom demonstrate that the low take-up of listening to local commercial radio stations via digital platforms practically prevents the public policy of DAB digital radio switchover from being implemented in the UK, written by Grant Goddard in October 2012 for Seeking Alpha.
'34 Facts About DAB Radio Switchover' by Grant GoddardGrant Goddard
Analysis of available market data to demonstrate that a UK government decision in December 2013 to implement DAB digital radio switchover will be a practical impossibility, written by Grant Goddard in September 2013 for UKRD Group Ltd.
'Digital Radio UK Explains The State Of DAB Digital Radio Switchover: Talkin'...Grant Goddard
Analysis of assertions by lobbyist group Digital Radio UK on the progress of DAB digital radio switchover in the UK, written by Grant Goddard in April 2011 for Grant Goddard: Radio Blog.
'Commercial Radio: Growth Ambitions Quashed By Economic Realities' by Grant G...Grant Goddard
Analysis of the new 'R.A.D.I.O.' strategy for growth launched by the United Kingdom trade association for commercial radio broadcasters and its likely failure due to the industry's declining audiences/revenues as a result of poor management decisions, written by Grant Goddard for Enders Analysis in March 2007.
'Virgin Radio: New Owner, New Name, New Beginning' by Grant GoddardGrant Goddard
- Bennett, Coleman & Company Limited (BCCL), India's largest media conglomerate, acquired Virgin Radio from Scottish Media Group for £53.2 million.
- As part of the acquisition, BCCL will re-launch the station under a new name and with a £15 million marketing budget later in 2008, as they did not acquire the rights to continue using the Virgin brand name.
- While Virgin Radio broadcasts nationally on AM radio, its audience is heavily skewed towards London, where it also broadcasts on FM radio. The acquisition value is largely due to the London-wide FM license, which BCCL intends to use to build a successful classic rock station in London.
Andrew Harrison, Radio Advertising Bureau – “The Future Of Commercial Radio”UMLondon
- An overview of the current commercial radio market and what it means for advertisers.
- A presentation that covers all of the bases (revenue, audience, digital etc) of what is currently happening in the commercial radio industry. An excellent starting point for anyone who would like some form of context for the industry as a whole.
The document summarizes key hyper-local developments in the UK in 2011, including the growth of local TV, community radio, newspapers moving online, and challenges with funding models. Local TV licences were awarded, community radio continued expanding, and newspapers saw print declines but growth online. New models for local news are being tested, including advertising, franchising, and philanthropic funding.
'A PRX For The UK?: A Scheme To Improve The Sales Of Audio From Producers To ...Grant Goddard
Presentation by the Radio Independents Group proposing an online marketplace for the sale of UK radio programmes to broadcasters, made at the Broadcast Video Expo in London on 14 February 2012, written by Mike Hally, Daniel Nathan and Grant Goddard.
'Submission To The House Of Lords Select Committee On Communications re: Digi...Grant Goddard
This document provides evidence from Grant Goddard to the Select Committee on Communications regarding digital switchover of radio broadcasting in the UK. Goddard believes complete digital switchover is unlikely due to factors such as the robustness of the existing FM radio system, shortcomings of DAB that is intended to replace FM, and lack of consumer interest in DAB. While television viewers were dissatisfied with limited analog choices and willing to pay for satellite content, radio listeners are satisfied with FM choices and there is no evidence they will pay for exclusive digital content. As a result, FM radio is likely to remain dominant, supplemented by internet radio for specialized content.
The document discusses several aspects of the radio industry in Britain. It outlines that major media companies own most regional and national radio stations, with emap owning over 70 stations. It also discusses public service broadcasting done by the BBC without commercial costs. New technologies like mobile and internet radio are allowing people to listen on more devices and catch up on shows. The roles of various professional bodies in radio are also outlined, with Ofcom regulating content and MCPS collecting music royalties.
'Options For Radio Broadcasting In The UK' by Grant GoddardGrant Goddard
Report outlining potential options available to acquire a broadcast radio station to target the Chinese community in the United Kingdom, written by Grant Goddard in January 2014 for Propeller TV.
This document provides information about broadcast media, including television and radio. It discusses what broadcast media is, the types of information available, advantages and disadvantages of television, top television advertisers, how digital video recorders are impacting television, and factors that make television advertising effective. It also covers radio formats, similarities and differences between radio and television, measures of television audiences, and examples of leading broadcast networks, cable networks, and local radio stations in the Philippines.
The document discusses different types of radio stations in the UK, including commercial radio stations that are funded through advertising, public service broadcasting (PSB) stations like BBC radio that are funded by television licenses, and non-profit community radio stations. It also covers new technologies that have expanded how people can listen to radio, such as digital audio broadcasting (DAB) and internet radio, as well as various professional organizations and job roles within the radio industry.
The document provides information on radio consumption habits, the history and platforms of radio, types of radio stations, and statistics on radio listening and revenue. It notes that while radio listening peaks in the mornings, 16-24 year olds spend more equal time listening to radio, streaming music, and personal digital audio. The BBC made cuts to specific radio programs and services between 2013-2016, with the largest percentage decreases for Radio 1Xtra, Radio 4 Extra, and decreases generally in the 1-7% range for other services.
The satellite industry grew 4% in 2014 to $203 billion globally. Satellite services was the largest segment at $122.9 billion, growing 4% led by consumer services. Launch industry revenues grew 9% on more commercial launches, while satellite manufacturing grew 1% and ground equipment grew 5%. In earth observation, new competitors have emerged using smallsats and data analytics to provide real-time imagery, while commercial meteorology is emerging.
This document provides an overview of different types of radio industries in the UK, including commercial radio, public service broadcasting, new technologies, and non-profit radio. It discusses major commercial radio stations like Capital FM and Radio Aire. It also outlines various job roles in the radio sector, including managers, sales executives, reporters, producers, and presenters. Employment in the radio industry involves around two-thirds graduates and is centered mainly in London, the Southeast, Northwest, and Scotland.
Analysis of the dismal performance of the United Kingdom's largest commercial radio group GCap Media plc, created earlier in 2005 from the doomed merger of Capital Radio Group plc and GWR Group plc, and (correct) prediction that it would soon become a takeover target, written by Grant Goddard for Enders Analysis in November 2005.
Commercial radio stations in Yorkshire include Capital, Real Radio, and Radio Aire. They aim to make profits through advertising revenue. BBC radio stations like Radio 1, 2, 3, 4, 5 Live serve public purposes like educating and informing audiences. New technologies have changed radio listening - many now listen online or via digital television. Non-profit radio serves communities. Organizations like Ofcom regulate broadcasting standards while PRS ensures artists are paid for music use. Around 22,400 work in the radio industry across commercial, BBC and community stations.
Similar to 'UK Commercial Radio Sector: Five-Year Forecasts: November 2007' by Grant Goddard (20)
'Response By UKRD Group Limited To Ofcom Consultation On Proposed Format Chan...Grant Goddard
Response by UKRD Group Limited to United Kingdom media regulator Ofcom consultation on proposed Format change of ‘Heart Cornwall’ local commercial radio station, written by Grant Goddard for UKRD Group Ltd in August 2012.
'Response By UKRD Group Limited To United Kingdom Government Department For C...Grant Goddard
Response by UKRD Group Limited to United Kingdom government Department For Culture Media & Sport's Communications Review of Radio Regulation, written by Grant Goddard for UKRD Group Limited in September 2012.
'Complaint By 'Pirate FM' To Ofcom That The Broadcast Output Of 'Heart Cornwa...Grant Goddard
Formal complaint by Cornwall local commercial radio station 'Pirate FM' submitted to United Kingdom broadcast regulator Ofcom arguing that the broadcast output of competitor 'Heart Cornwall' had not complied with the requirements of its licensed Format, written by Grant Goddard for UKRD Group Ltd in June 2013.
'The Route To Secure Local Radio's Digital Future' by Grant GoddardGrant Goddard
Proposal for the UK government and media regulator Ofcom to adopt a multi-platform approach to the 'Digital Britain' future of local radio, in order to reflect the reality that many local radio stations will never broadcast on the DAB platform, written by Grant Goddard in March 2011 for UKRD Group.
'DAB Radio: UK Receiver Market Is Dead In The Water' by Grant GoddardGrant Goddard
Analysis of data demonstrating the slowing DAB radio receiver consumer market in the UK and statements by industry stakeholders that appear to contradict this evidence, written by Grant Goddard in January 2009.
'DAB Digital Radio Switchover In The UK: Q&A' by Grant GoddardGrant Goddard
The document discusses the digital radio switchover in the UK and provides answers to common questions on the topic. It makes the following key points:
1) There will be no switchover to DAB as the dominant radio platform, as the government has abandoned plans for a DAB radio switchover.
2) The push for DAB radio was never consumer-led and ignored consumer behaviors and preferences.
3) Investment in DAB radio has significantly harmed the UK radio industry by diverting funds away from content production.
'United Kingdom Commercial Radio In Numbers: Q4 2008' by Grant GoddardGrant Goddard
39-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q4 2008 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard in March 2009.
'United Kingdom Commercial Radio In Numbers: Q3 2009' by Grant GoddardGrant Goddard
80-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q3 2009 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard in December 2009.
'United Kingdom Commercial Radio In Numbers: Q2 2009' by Grant GoddardGrant Goddard
53-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q2 2009 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard in October 2009.
'United Kingdom Commercial Radio In Numbers: Q1 2009' by Grant GoddardGrant Goddard
43-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q1 2009 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard in Jun 2009.
'United Kingdom Commercial Radio: Q2 2008' by Grant GoddardGrant Goddard
34-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q2 2008 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard for Enders Analysis in September 2008.
'United Kingdom Commercial Radio: Q4 2007' by Grant GoddardGrant Goddard
28-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q4 2007 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard for Enders Analysis in March 2008.
'United Kingdom Commercial Radio: Q1 2008' by Grant GoddardGrant Goddard
31-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q1 2008 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard for Enders Analysis in June 2008.
'United Kingdom Commercial Radio Consolidation' by Grant GoddardGrant Goddard
Analysis of the potential for further consolidation through mergers and acquisitions of the United Kingdom commercial radio broadcasting industry and the lack of evidential data that previous consolidation produced the promised benefits for owners, listeners or advertisers, written by Grant Goddard for Enders Analysis in September 2007.
'The Second National Digital Radio Multiplex' by Grant GoddardGrant Goddard
Analysis of the dwindling prospects of success for the United Kingdom's second national commercial DAB (digital audio broadcasting) radio multiplex and (correct) prediction that it might never be launched by Channel 4 Television which had been awarded the licence by media regulator Ofcom 15 months earlier, written by Grant Goddard for Enders Analysis in October 2008.
'The Future Of Digital Radio: Is It 'DAB'?' by Grant GoddardGrant Goddard
This document summarizes the state of digital radio in the UK, focusing on the Digital Audio Broadcasting (DAB) platform. It notes that while DAB was initially heavily invested in and promoted by the radio industry, its growth has stagnated with low consumer adoption rates. Recently many digital-only radio stations on DAB have closed down or reduced services. The viability of the two national DAB multiplexes, operated by Digital One and the upcoming Channel 4 multiplex, are now in serious question as the commercial radio groups reduce their commitments to DAB. The future of DAB and digital radio is uncertain, with a government working group tasked with addressing the issues.
'The Digital One Radio Multiplex: Desperately Seeking Subsidy' by Grant GoddardGrant Goddard
The document discusses the viability of the Digital One radio multiplex in the UK. It notes that Channel 4's decision not to pursue radio plans has left many slots on the multiplex unused, threatening its commercial viability. It suggests the multiplex may need to be transferred to the BBC or Arqiva to ensure its continued operation. It also argues that subsidy will likely be needed in the short term to boost adoption of digital radio and ensure the multiplex's survival, possibly through redirecting funds from the BBC's digital television switchover budget.
'Scottish Media Group: The Only Way Is Up?' by Grant GoddardGrant Goddard
Analysis of the limited opportunities for turnaround of ailing United Kingdom TV/radio/online/billboard conglomerate Scottish Media Group plc following a boardroom coup led by institutional shareholders, written by Grant Goddard for Enders Analysis in March 2007.
'Radio: Last.fm Is Not The Problem' by Grant GoddardGrant Goddard
Analysis of the impact of personalised music internet service Last.fm on the United Kingdom commercial radio industry and the desperate attempts by some commercial radio stations to emulate the former's DJ-free offerings instead of focusing on its significant loss of audience to BBC radio, written by Grant Goddard for Enders Analysis in July 2007.
'GCap Media: One Previous Owner, Needs Serious Attention' by Grant GoddardGrant Goddard
Analysis of the acceptance by shareholders of a second acquisition offer of £375m made for the United Kingdom's largest commercial radio group GCap Media plc by Global Radio Ltd, the turnaround challenges facing its new owner and the potential impact on the commercial radio broadcasting sector, written by Grant Goddard for Enders Analysis in April 2008.
Best practices for project execution and deliveryCLIVE MINCHIN
A select set of project management best practices to keep your project on-track, on-cost and aligned to scope. Many firms have don't have the necessary skills, diligence, methods and oversight of their projects; this leads to slippage, higher costs and longer timeframes. Often firms have a history of projects that simply failed to move the needle. These best practices will help your firm avoid these pitfalls but they require fortitude to apply.
NIMA2024 | De toegevoegde waarde van DEI en ESG in campagnes | Nathalie Lam |...BBPMedia1
Nathalie zal delen hoe DEI en ESG een fundamentele rol kunnen spelen in je merkstrategie en je de juiste aansluiting kan creëren met je doelgroep. Door middel van voorbeelden en simpele handvatten toont ze hoe dit in jouw organisatie toegepast kan worden.
HR search is critical to a company's success because it ensures the correct people are in place. HR search integrates workforce capabilities with company goals by painstakingly identifying, screening, and employing qualified candidates, supporting innovation, productivity, and growth. Efficient talent acquisition improves teamwork while encouraging collaboration. Also, it reduces turnover, saves money, and ensures consistency. Furthermore, HR search discovers and develops leadership potential, resulting in a strong pipeline of future leaders. Finally, this strategic approach to recruitment enables businesses to respond to market changes, beat competitors, and achieve long-term success.
The APCO Geopolitical Radar - Q3 2024 The Global Operating Environment for Bu...APCO
The Radar reflects input from APCO’s teams located around the world. It distils a host of interconnected events and trends into insights to inform operational and strategic decisions. Issues covered in this edition include:
4 Benefits of Partnering with an OnlyFans Agency for Content Creators.pdfonlyfansmanagedau
In the competitive world of content creation, standing out and maximising revenue on platforms like OnlyFans can be challenging. This is where partnering with an OnlyFans agency can make a significant difference. Here are five key benefits for content creators considering this option:
Dive into this presentation and learn about the ways in which you can buy an engagement ring. This guide will help you choose the perfect engagement rings for women.
Cover Story - China's Investment Leader - Dr. Alyce SUmsthrill
In World Expo 2010 Shanghai – the most visited Expo in the World History
https://www.britannica.com/event/Expo-Shanghai-2010
China’s official organizer of the Expo, CCPIT (China Council for the Promotion of International Trade https://en.ccpit.org/) has chosen Dr. Alyce Su as the Cover Person with Cover Story, in the Expo’s official magazine distributed throughout the Expo, showcasing China’s New Generation of Leaders to the World.
Profiles of Iconic Fashion Personalities.pdfTTop Threads
The fashion industry is dynamic and ever-changing, continuously sculpted by trailblazing visionaries who challenge norms and redefine beauty. This document delves into the profiles of some of the most iconic fashion personalities whose impact has left a lasting impression on the industry. From timeless designers to modern-day influencers, each individual has uniquely woven their thread into the rich fabric of fashion history, contributing to its ongoing evolution.
The Most Inspiring Entrepreneurs to Follow in 2024.pdfthesiliconleaders
In a world where the potential of youth innovation remains vastly untouched, there emerges a guiding light in the form of Norm Goldstein, the Founder and CEO of EduNetwork Partners. His dedication to this cause has earned him recognition as a Congressional Leadership Award recipient.
Industrial Tech SW: Category Renewal and CreationChristian Dahlen
Every industrial revolution has created a new set of categories and a new set of players.
Multiple new technologies have emerged, but Samsara and C3.ai are only two companies which have gone public so far.
Manufacturing startups constitute the largest pipeline share of unicorns and IPO candidates in the SF Bay Area, and software startups dominate in Germany.
Anny Serafina Love - Letter of Recommendation by Kellen Harkins, MS.AnnySerafinaLove
This letter, written by Kellen Harkins, Course Director at Full Sail University, commends Anny Love's exemplary performance in the Video Sharing Platforms class. It highlights her dedication, willingness to challenge herself, and exceptional skills in production, editing, and marketing across various video platforms like YouTube, TikTok, and Instagram.
How are Lilac French Bulldogs Beauty Charming the World and Capturing Hearts....Lacey Max
“After being the most listed dog breed in the United States for 31
years in a row, the Labrador Retriever has dropped to second place
in the American Kennel Club's annual survey of the country's most
popular canines. The French Bulldog is the new top dog in the
United States as of 2022. The stylish puppy has ascended the
rankings in rapid time despite having health concerns and limited
color choices.”
Presentation by Herman Kienhuis (Curiosity VC) on Investing in AI for ABS Alu...Herman Kienhuis
Presentation by Herman Kienhuis (Curiosity VC) on developments in AI, the venture capital investment landscape and Curiosity VC's approach to investing, at the alumni event of Amsterdam Business School (University of Amsterdam) on June 13, 2024 in Amsterdam.
The Steadfast and Reliable Bull: Taurus Zodiac Signmy Pandit
Explore the steadfast and reliable nature of the Taurus Zodiac Sign. Discover the personality traits, key dates, and horoscope insights that define the determined and practical Taurus, and learn how their grounded nature makes them the anchor of the zodiac.