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Donatello:




      By: Laura Lop
          Aina Cobos
          Ariadna Carreté
          Ariadna Fontcuberta
          Ariadna Ramal
The most importan works

The most importan works :
- David
- Púlpit de Prato
- Estatua esqüeste de Gattamelata.
Donatello is from quattrocento o
          cinquecentto ?
Donatello is from quattrocento because the
 characterists are the same of this periode.


Charecterstics of quattrocento:
   - Are in Florence (Italy).
   - In the segle XV.
   - In the etap of renaixense.
SOURCE OF QUATTROCENTO:
    SOURCE:
●
    The doctors, permit the development of the Renaissance from the city of Florence
    with its great wealth.
●
     Throughout the Middle Ages due to the accumulation of wealth in bourgeois
    Italian trade routes through the Mediterranean, gave money and culture.
●
    In this abundance of money and culture was the source of a movement
●
    Italian arts. The popes funded the beautification of the city of Roman emperors.
●
    As part of this process, teachers taught numerous workshops disciples, the
    disciples sometimes paint the sides of them.
●
    The figure of the great artist, and abandon anonymity. Comes the workshop of the
    master, who is receiving the orders of customers. The man is the most perfect of
    God. The art of this period is of higher quality compared to trecento. Painting
    techniques evolve, getting perspective.
ARCHITECTURE:
●
    Due to the crisis caused by the plague in 1348 many works of S. XIV
    were not finished. After the crisis, the unions, municipal authorities and
    the families were allocated money to finish the work begun.
●
    Architecture is the artistic manifestation which is the influence of
    classical antiquity in two aspects:

       - The use of formal elements of Greek and Roman art.
       - The rationalization of space.
●
    It again uses the arch and the dome half sphere, the aquitrau, the
    entaulaments and pediments, ...
●
    It gives importance to the basic geographic forms: the circle and
    square, sphere and cube. It gives importance to the cornices, columns...
SCULPTURE:
●
    It manifests the Classical Renaissance. Could not take the classical
    buildings as a model because its function was different and not had
    Facing beyond the descriptions of classical writers. The ancient
    sculpture was very abundant and were many nude figures, was one of
    the most important sculpture renaxentista.
●
    The sculptors apply perspective to relief.
●
    They were naked human figure, capturing the anatomy, body
    movement and its relation to space. Religious images, the funerary
    monuments and portrait genres are specified where new forms of
    representation.
●
    The materials and techniques are very different. The marble and
    bronze are highly prized, while banda alabaster or terracotta glazed.
PAINTING:
●
    Linear perspective.
●
    Volume figures and the domain of the crust.
●
    Although religious painting is still important, emergence of new
    themes and genres: portrait, allegory, landscape and mythological
    subjects.
●
    The techniques also evolve both the media: the canvas is
    increasingly important as far as the painting techniques with the
    introduction of oil painting, tempera and oil mixtures and glazes.
●
    Using tonal gradations in color to create effects of light and
    shadow.

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Quattrocento

  • 1. Donatello: By: Laura Lop Aina Cobos Ariadna Carreté Ariadna Fontcuberta Ariadna Ramal
  • 2. The most importan works The most importan works : - David - Púlpit de Prato - Estatua esqüeste de Gattamelata.
  • 3. Donatello is from quattrocento o cinquecentto ? Donatello is from quattrocento because the characterists are the same of this periode. Charecterstics of quattrocento: - Are in Florence (Italy). - In the segle XV. - In the etap of renaixense.
  • 4. SOURCE OF QUATTROCENTO: SOURCE: ● The doctors, permit the development of the Renaissance from the city of Florence with its great wealth. ● Throughout the Middle Ages due to the accumulation of wealth in bourgeois Italian trade routes through the Mediterranean, gave money and culture. ● In this abundance of money and culture was the source of a movement ● Italian arts. The popes funded the beautification of the city of Roman emperors. ● As part of this process, teachers taught numerous workshops disciples, the disciples sometimes paint the sides of them. ● The figure of the great artist, and abandon anonymity. Comes the workshop of the master, who is receiving the orders of customers. The man is the most perfect of God. The art of this period is of higher quality compared to trecento. Painting techniques evolve, getting perspective.
  • 5. ARCHITECTURE: ● Due to the crisis caused by the plague in 1348 many works of S. XIV were not finished. After the crisis, the unions, municipal authorities and the families were allocated money to finish the work begun. ● Architecture is the artistic manifestation which is the influence of classical antiquity in two aspects: - The use of formal elements of Greek and Roman art. - The rationalization of space. ● It again uses the arch and the dome half sphere, the aquitrau, the entaulaments and pediments, ... ● It gives importance to the basic geographic forms: the circle and square, sphere and cube. It gives importance to the cornices, columns...
  • 6. SCULPTURE: ● It manifests the Classical Renaissance. Could not take the classical buildings as a model because its function was different and not had Facing beyond the descriptions of classical writers. The ancient sculpture was very abundant and were many nude figures, was one of the most important sculpture renaxentista. ● The sculptors apply perspective to relief. ● They were naked human figure, capturing the anatomy, body movement and its relation to space. Religious images, the funerary monuments and portrait genres are specified where new forms of representation. ● The materials and techniques are very different. The marble and bronze are highly prized, while banda alabaster or terracotta glazed.
  • 7. PAINTING: ● Linear perspective. ● Volume figures and the domain of the crust. ● Although religious painting is still important, emergence of new themes and genres: portrait, allegory, landscape and mythological subjects. ● The techniques also evolve both the media: the canvas is increasingly important as far as the painting techniques with the introduction of oil painting, tempera and oil mixtures and glazes. ● Using tonal gradations in color to create effects of light and shadow.