PVR is India's largest cinema exhibition company with 557 screens across 121 properties. In FY2015-16, PVR achieved revenues of INR 18,971 million and EBITDA of INR 3,582 million. PVR has a diversified business model with box office contributions, F&B sales, and advertising revenues being the major drivers of growth. PVR has demonstrated consistent financial performance with rising revenues, occupancy rates, and spend per head. The company aims to continue its expansion strategy and strong track record of returns.
Report - Analysis of Customers' Perception towards PVR & Grande CinesSivanu Narah
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This presentation provides information about Squids Visual Arts (services - portfolio - contact information) a VFX studio based in Egypt that provides visual effects services for cinema and television.
Report - Analysis of Customers' Perception towards PVR & Grande CinesSivanu Narah
A descriptive report on the analysis of of customers' perception towards PVR and Grande Cines in the Greater Guwahati Area and making a comparative analysis between the two brands.
Study on Customer Satisfaction of Anjali - Big Cinema Multiplex TheaterOmkar Deshpande
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This presentation provides information about Squids Visual Arts (services - portfolio - contact information) a VFX studio based in Egypt that provides visual effects services for cinema and television.
An overview of the Indian Media & Entertainment industry and its key segments of TV, OTT/Digital, Film, Gaming, Animation, VFX, Radio, Music, Events and other aspects...
Plan Estratégico RTVE Digital (2012-2022)
Estrategia presentada al Presidente de RTVE en Septiembre 2012 de cara desarrollar un Plan 2012-2022.
Contiene la re distribución del presupuesto y de Recursos Humanos para conseguir un superávit económico (para RTVE Digital) de 42 MM de Euros en 2022
Se muestran los despliegues de proyectos en 4 áreas para abordar en 4 áreas:
• Desarrollo de Negocio y Ventas Internacionales (Biz Dev & Sales)
• Tecnología (Technology)
• Contenidos y Posicionamiento de Marca (Content & Branding)
• I+D+i y Experiencia de Usuario (Analytics & User Experience & R&D)
Las pinceladas del Plan Estratégico expuesto nos llevarán a:
• Convertir a RTVE Digital en un referente nacional e internacional en Digital Media. Incluyendo actividades I+D+i como canalizador de la industria audiovisual y locomotora europea (proyectos UE).
• Internacionalizar las actividades digitales de RTVE para aumentar el Branding y conseguir mayores ingresos:
* 2014: 1% ingresos sobre presupuesto de RTVE (10 MM €)
* 2016: 2% ingresos sobre presupuesto de RTVE (20 MM €)
* 2022: 10% ingresos sobre presupuesto de RTVE (100 MM €)
• Conseguir mayores ingresos implica una correcta estrategia de Monetización (más usuarios es DISTINTO de más ingresos). La estrategia correcta consiste en diversificar ingresos (común denominador de las empresas con más ingresos en Digital Media)
• Estrategia 4 pantallas (1@4; 1 contenido en 4 pantallas) (receta de cocina)
• Convertirse en un referente en cobertura en móviles y tablets con el fin de poder conseguir parte de los 250 billones de € de ingresos en el mercado OTT en 2017. Estrategia SoLoMo (Social Local and Mobile).
• Liderar los proyectos en Redes Sociales (Command Center) servirán para capturar y cautivar la audiencia más juvenil y digital.
• Prestar especial atención a la parte de ANALÍTICA [Por cada 1 € invertido en adquirir nuevos usuarios
(acquire), SÓLO se invierten 0,02 € en ENGAGEMENT. Seguir la TEORÍA: Acquire + Engage + Convert]
• HAY QUE DIMENSIONAR EN PRESUPUESTO Y RECURSOS A RTVE DIGITAL PARA ALCANZAR LOS OBJETIVOS ANTERIORES; INICIANDO EL CAMINO DE UNA RECUPERACIÓN DE INGRESOS
EMPRESARIALES EN RTVE
CROWNING Ceremony for the winner of the Pageant titled: MISS senZasianalUSA 2009 will go through to our FINAL heat for Miss senZasianal2009 in Mumbai event to gain further work in Bollywoodas well as standing a chance to win a lead role in a Bollywoodfeature film.
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The task
What should Zee do from a content and marketing strategy perspective to regain audiences.
How can Zee through innovation and creativity reinstate its No. 1 position.
An overview of the Indian Media & Entertainment industry and its key segments of TV, OTT/Digital, Film, Gaming, Animation, VFX, Radio, Music, Events and other aspects...
Plan Estratégico RTVE Digital (2012-2022)
Estrategia presentada al Presidente de RTVE en Septiembre 2012 de cara desarrollar un Plan 2012-2022.
Contiene la re distribución del presupuesto y de Recursos Humanos para conseguir un superávit económico (para RTVE Digital) de 42 MM de Euros en 2022
Se muestran los despliegues de proyectos en 4 áreas para abordar en 4 áreas:
• Desarrollo de Negocio y Ventas Internacionales (Biz Dev & Sales)
• Tecnología (Technology)
• Contenidos y Posicionamiento de Marca (Content & Branding)
• I+D+i y Experiencia de Usuario (Analytics & User Experience & R&D)
Las pinceladas del Plan Estratégico expuesto nos llevarán a:
• Convertir a RTVE Digital en un referente nacional e internacional en Digital Media. Incluyendo actividades I+D+i como canalizador de la industria audiovisual y locomotora europea (proyectos UE).
• Internacionalizar las actividades digitales de RTVE para aumentar el Branding y conseguir mayores ingresos:
* 2014: 1% ingresos sobre presupuesto de RTVE (10 MM €)
* 2016: 2% ingresos sobre presupuesto de RTVE (20 MM €)
* 2022: 10% ingresos sobre presupuesto de RTVE (100 MM €)
• Conseguir mayores ingresos implica una correcta estrategia de Monetización (más usuarios es DISTINTO de más ingresos). La estrategia correcta consiste en diversificar ingresos (común denominador de las empresas con más ingresos en Digital Media)
• Estrategia 4 pantallas (1@4; 1 contenido en 4 pantallas) (receta de cocina)
• Convertirse en un referente en cobertura en móviles y tablets con el fin de poder conseguir parte de los 250 billones de € de ingresos en el mercado OTT en 2017. Estrategia SoLoMo (Social Local and Mobile).
• Liderar los proyectos en Redes Sociales (Command Center) servirán para capturar y cautivar la audiencia más juvenil y digital.
• Prestar especial atención a la parte de ANALÍTICA [Por cada 1 € invertido en adquirir nuevos usuarios
(acquire), SÓLO se invierten 0,02 € en ENGAGEMENT. Seguir la TEORÍA: Acquire + Engage + Convert]
• HAY QUE DIMENSIONAR EN PRESUPUESTO Y RECURSOS A RTVE DIGITAL PARA ALCANZAR LOS OBJETIVOS ANTERIORES; INICIANDO EL CAMINO DE UNA RECUPERACIÓN DE INGRESOS
EMPRESARIALES EN RTVE
CROWNING Ceremony for the winner of the Pageant titled: MISS senZasianalUSA 2009 will go through to our FINAL heat for Miss senZasianal2009 in Mumbai event to gain further work in Bollywoodas well as standing a chance to win a lead role in a Bollywoodfeature film.
Restoring ZEE to former glory
Zee TV created the private broadcasting space and held leadership position throughout the 90’s. It subsequently lost the pole position to other broadcasters and hasn’t been able to gain ground thereafter. With the launch of new GECs and diverse programming from the other channels Zee has been lagging behind.
The task
What should Zee do from a content and marketing strategy perspective to regain audiences.
How can Zee through innovation and creativity reinstate its No. 1 position.
Media and Internet Preview Q4FY24 Elara CSocial Samosa
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An overview including trends & analysis thereof, of the Indian Media & Entertainment industry in 2022, and its key segments, namely Film, TV, OTT/Digital, Gaming, Animation, VFX, Sports, Events, Music, Radio, etc.
Creating your own Over-The-Top (OTT) platform is a comprehensive and intricate endeavor that requires careful planning, dedication, and a deep understanding of the ever-evolving landscape of digital media consumption. OTT platforms have emerged as a disruptive force in the entertainment industry, changing the way people consume video and audio content by delivering it over the Internet and circumventing traditional cable and satellite TV services. To embark on this journey successfully, you need to go beyond the basics and delve into the multifaceted aspects of building and managing your OTT platform. In this comprehensive discussion, we will explore the critical steps, offer valuable tips, and examine the latest OTT statistics and industry trends to help you navigate this dynamic landscape of online content distribution.
How to Build Your OTT Platform in 2023_ A Step-By-Step Guide.pdfvideocryptsoft
Are you planning to enter the lucrative OTT market? This is the correct time to develop an OTT platform. In this digital age, the number of internet and smartphone users is dramatically increasing. At the same time, the demand for the perfect OTT platforms is also on the spike.
Remote sensing and monitoring are changing the mining industry for the better. These are providing innovative solutions to long-standing challenges. Those related to exploration, extraction, and overall environmental management by mining technology companies Odisha. These technologies make use of satellite imaging, aerial photography and sensors to collect data that might be inaccessible or from hazardous locations. With the use of this technology, mining operations are becoming increasingly efficient. Let us gain more insight into the key aspects associated with remote sensing and monitoring when it comes to mining.
Explore our most comprehensive guide on lookback analysis at SafePaaS, covering access governance and how it can transform modern ERP audits. Browse now!
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"𝑩𝑬𝑮𝑼𝑵 𝑾𝑰𝑻𝑯 𝑻𝑱 𝑰𝑺 𝑯𝑨𝑳𝑭 𝑫𝑶𝑵𝑬"
𝐓𝐉 𝐂𝐨𝐦𝐬 (𝐓𝐉 𝐂𝐨𝐦𝐦𝐮𝐧𝐢𝐜𝐚𝐭𝐢𝐨𝐧𝐬) is a professional event agency that includes experts in the event-organizing market in Vietnam, Korea, and ASEAN countries. We provide unlimited types of events from Music concerts, Fan meetings, and Culture festivals to Corporate events, Internal company events, Golf tournaments, MICE events, and Exhibitions.
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"𝐄𝐯𝐞𝐫𝐲 𝐞𝐯𝐞𝐧𝐭 𝐢𝐬 𝐚 𝐬𝐭𝐨𝐫𝐲, 𝐚 𝐬𝐩𝐞𝐜𝐢𝐚𝐥 𝐣𝐨𝐮𝐫𝐧𝐞𝐲. 𝐖𝐞 𝐚𝐥𝐰𝐚𝐲𝐬 𝐛𝐞𝐥𝐢𝐞𝐯𝐞 𝐭𝐡𝐚𝐭 𝐬𝐡𝐨𝐫𝐭𝐥𝐲 𝐲𝐨𝐮 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐚 𝐩𝐚𝐫𝐭 𝐨𝐟 𝐨𝐮𝐫 𝐬𝐭𝐨𝐫𝐢𝐞𝐬."
As a business owner in Delaware, staying on top of your tax obligations is paramount, especially with the annual deadline for Delaware Franchise Tax looming on March 1. One such obligation is the annual Delaware Franchise Tax, which serves as a crucial requirement for maintaining your company’s legal standing within the state. While the prospect of handling tax matters may seem daunting, rest assured that the process can be straightforward with the right guidance. In this comprehensive guide, we’ll walk you through the steps of filing your Delaware Franchise Tax and provide insights to help you navigate the process effectively.
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It is crucial for the taxpayers to understand about the TDS Return Filing Due Date, so that they can fulfill your TDS obligations efficiently. Taxpayers can avoid penalties by sticking to the deadlines and by accurate filing of TDS. Timely filing of TDS will make sure about the availability of tax credits. You can also seek the professional guidance of experts like Legal Pillers for timely filing of the TDS Return.
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As an Army veteran dedicated to lifelong learning, I bring a disciplined, strategic mindset to my pursuits. I am constantly expanding my knowledge to innovate and lead effectively. My journey is driven by a commitment to excellence, and to make a meaningful impact in the world.
The world of search engine optimization (SEO) is buzzing with discussions after Google confirmed that around 2,500 leaked internal documents related to its Search feature are indeed authentic. The revelation has sparked significant concerns within the SEO community. The leaked documents were initially reported by SEO experts Rand Fishkin and Mike King, igniting widespread analysis and discourse. For More Info:- https://news.arihantwebtech.com/search-disrupted-googles-leaked-documents-rock-the-seo-world/
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Enterprise excellence and inclusive excellence are closely linked, and real-world challenges have shown that both are essential to the success of any organization. To achieve enterprise excellence, organizations must focus on improving their operations and processes while creating an inclusive environment that engages everyone. In this interactive session, the facilitator will highlight commonly established business practices and how they limit our ability to engage everyone every day. More importantly, though, participants will likely gain increased awareness of what we can do differently to maximize enterprise excellence through deliberate inclusion.
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2. Disclaimer
Safe Harbor: - Some information in this report may contain forward-looking statements. We have based these forward looking statements on our
current beliefs, expectations and intentions as to facts, actions and events that will or may occur in the future. Such statements generally are identified
by forward-looking words such as “believe”, “plan”, “anticipate”, “continue”, “estimate”, “expect”, “may”, “will” or other similar words. A forward-
looking statement may include a statement of the assumptions or bases underlying the forward-looking statement. We have chosen these assumptions
or bases in good faith, and we believe that they are reasonable in all material respects. However, we caution you that forward-looking statements’ and
assumed facts or basis almost always vary from actual results, and the differences between the results implied by the forward-looking statements and
assumed facts or bases and actual results can be material, depending on the circumstances. You should also keep in mind that any forward-looking
statement made by us in this report or elsewhere speaks only as of the date on which we made it. New risks and uncertainties come up from time to
time, and it is impossible for us to predict these events or how they may affect us. We have no duty to, and do not intend to, update or revise the
forward-looking statements in this report after the date hereof.
The risks and uncertainties relating to these statements include, but are not limited to, risks and uncertainties regarding fluctuations in earnings, our
ability to manage growth, intense competition in multiplex business due to the entry of new players, including those factors which may affect our cost
advantage, lack of good quality content, onset of new technologies such as DTH, IPTV and increasing penetration of Home-video, which may impact
overall industry growth, wage increases in India, real estate costs increases, delay or failure In handover of properties from real estate developers, the
success of our subsidiary companies, withdrawal of entertainment tax exemption granted by government and general economic conditions affecting our
industry.
In light of these risks and uncertainties, any forward-looking statement made in this report or elsewhere may or may not occur and has to be
understood and read along with this disclaimer.
Others: In this report, the terms “we”, “us”, “our”, “PVR”, “PVRL” or “the Company”, unless otherwise implies, refer to PVR Limited (“PVR Limited”) and
its subsidiaries, PVR Pictures Limited, PVR bluO Entertainment Ltd, PVR Leisure Limited, Zea Maize Pvt Ltd.
2
3. Company Overview
121
Theatres
48
Cities
557
1
Screens
75
Million
Guests
India’s largest cinema chain
Leadership position in India with approx. 35% share of
Hollywood Box Office and approx. 22% share of Bollywood Box
Office
5 mn sq.ft of operational retail space, another 3 mn sq.ft under
development
INR 18,971 million in revenue
2
INR 3,582 million in EBITDA2
[1] Including DT Cinemas
[2] For FY15-16
1
5. India – A High Growth Box Office Market
Movie going is the number 1 entertainment option for people in India
Largest number of movies released in the world (1,000 movie releases and over
1.93 billion movie goers annually) 1
Domestic box office collections contribute almost 3/4th of the film industry
revenue2
[1]CRISIL Research Report May, 2015
[2]KPMG FICCI Report 2016 5
6. Source: MPAA Theatrical Market Statistics Report 2015
Source: KPMG FICCI Report 2016
Industry is projected to grow @ 10% CAGR in next 5 years
6th Largest movie market in the world
6
2015 2016(E) 2017(E) 2018 (E) 2019(E) 2020(E)
138
159
174
190
208
227
India – A High Growth Box Office Market
7. Under screened market with huge potential for growth
Modern day Multiplexes are growing & single
screens are shutting down
Source: CRISIL Research Report May, 2015 7
6
23
27
58
60
84
87
123
India – A High Growth Box Office Market
9. Diversified Product Offerings
Caters to Tier 2 & Tier 3 markets
Hygienic environment with basic facilities
Premium seating
7.1 Dolby Surround System
4k digital projection with 3D screens
Comfortable seating, with wider legroom
Mainstream cinema with latest amenities
7 Star movie experience along with fine dining
One of a Kind movie experience
Luxurious comfortable Reclining seats
Gourmet menu with live kitchen
Intended for an audience who desire a great, exclusive experience
Total 557 Screens
4 Screens
28 Screens
119 Screens
386 Screens
20 Screens
9
10. Strong Location and Product Strategy
“A+ Site” real estate locations providing
competitive advantage
Anchor tenant in more than 50% of top 20
Malls in India
5 mn sq.ft. of existing real estate with another 3
mn signed for future rollout
Opened 52 screens in FY15-16, acquired 32
screens of DT Cinemas (29 operational screens
and 3 upcoming screens) and expect to add 65
1
screens in FY16-17
10[1] 14 Screens have already been added till 5th Aug, 2016
11. Cutting Edge Technology
100% Digital Screens using 4K and 2K DCI compliant projectors
DIGITAL SCREENS
DOLBY ATMOS
Largest partnership with Dolby Atmos in India
Highest 3D installations in India
All properties are 3D enabled
3D Technology
11
Revolutionary cinematic experience stimulating all five senses
4DX Technology
Dream world for kids with child themed colorful wall art
Bean bag sitting sets and Audi slider & handpicked kids menu
Playhouse
Magnificent lobby space with interactive kiosks and large video walls
Best technology and premium experience
PVR ICON
Largest IMAX installations in India – 4 IMAX screens
IMAX
12. 12
Cinema Chains ADMISSIONS
(000) SCREENS
ADMISSIONS
PER SCREEN
(000)
PVR1 69,600 516 135
US & MEXICO MARKET
Regal2 217,000 7,307 30
AMC2 197,000 5,426 36
Cinemark2 264,000 5,840 45
Carmike2 59,100 2931 20
Cinepolis3 116,900 3,000 39
ASIA MARKET
Major- Thailand3 29,718 610 49
CGV- Korea3 101,000 833 121
EUROPEAN MARKET
Cineworld- UK3 82,900 1875 44
Odeon and UCI Cinemas-UK3 78,500 2,227 35
[1] Figures are for FY 2016
[2] Figures are for CY 2015
[3] Figures are for CY 2014
Highest Admissions Per Screen Across The Globe
13. 40
46
53
64
72
FY11-12 FY12-13 FY13-14 FY14-15 FY15-16
F&B Spend per patron (INR)
Best in Class Concessions
Enhanced F&B offerings
Highest F&B spend per patron
13
14. 25%
28%
29%
32%
36%
38%
FY11 FY12 FY13 FY14 FY15 FY16
Best in Class Concessions
Huge potential for growth
PVR
F&B Spend Per Head as a % of
Average Ticket Price
27% 31% 36%
42% 48%
59%
CJ CGV Major
Cineplex
Cineworld Regal AMC Cineplex
F&B Spend Per Head as a %
of Average Ticket Price
Data: Company Financials (12 months CY15)
International Chains
USA CanadaUKKorea Thailand
14
15. Strong Same Store Growth
15
Quarter
Ended
Admits ATP
Gross Box
Office
SPH Gross F&B
June’16 1% 5% 6% 4% 5%
Mar’16 18% 9% 27% 17% 35%
Dec’15 -1% 9% 8% 12% 11%
Sept’15 14% 4% 18% 10% 24%
June’15 16% 5% 21% 16% 32%
5 consecutive quarters of impressive same store growth
16. 2,145
1,771
537 478
FY16 FY15 Q1, FY17 Q1, FY16
Advertisement Revenue 1 (INR mn)
531
654
859
1,517
1,771
2,145
FY10-11 FY11-12 FY12-13 FY13-14 FY14-15 FY15-16
Advertisement Revenue1 (INR mn)
Leader in Advertisement Revenues
Premium brand recognition leading to pricing premium
Partnership with multiple brands across sectors
Advertisement revenues 2X of the nearest competitor
16
21%
12%
[1] Consolidated
17. 10,054 10,569
13,198
3,770
23%
33%
41% 42%
-20%
-10%
0%
10%
20%
30%
40%
50%
-
5,000
10,000
15,000
20,000
FY13-14 FY14-15 FY15-16 Q1, FY16-17
Overall GBOC (Rs mn) Online GBOC %
60 59
70
21
19%
26%
34%
39%
-20%
-10%
0%
10%
20%
30%
40%
50%
-
50
100
150
200
FY13-14 FY14-15 FY15-16 Q1, FY16-17
Overall Admits (mn) Online Admits %
Comfort and Convenience – Rising Online Penetration
17
Online ticket booking is extremely convenient, saves time and make
cinemas more accessible to consumers
PVR’s own mobile app allows consumers to select movie, cinema,
time slot, seat and also pre order food and beverages
Rising online penetration will continue to boost convenience fee
revenue and footfalls
Tied up with BookMyShow, Paytm & Justdial to leverage growth in online penetration
18. 18
Particulars (INR mn)
Q11
FY 2016-17 FY 2015-16 Growth
Income 5,702 4,860 17%
Expenses 4,536 3,754 21%
Operating Profit 1,167 1,107 5%
Operating Profit Margin 20.5% 22.8% -2.3%
Other Income 63 25 151%
EBITDA 1,230 1,132 9%
EBITDA Margin 21.3% 23.2% -1.9%
Depreciation 331 267 24%
EBIT 899 865 4%
Finance Cost 192 218 -12%
PBT before Exceptional item 707 647 9%
Exceptional Item2
(26) (33) -21%
PBT after Exceptional item 681 615 11%
Tax 249 175 42%
PAT 432 439 -2%
[1] With effect from 1st April, 2016 PVR has adopted new accounting standard “Ind-AS”. The
financial results summary for the period ended 30 June 2015 is prepared in accordance with Ind-AS
[2] Exceptional items in financial results includes write-off of assets on discontinuance of operations
at a property and expenses related to DT acquisition
Q1, FY16-17 Performance Snapshot - Consolidated
Box Office
53%
F&B
25%
Sponsorship
Revenues
11%
Other
Businesses
7%
Other
Operating
Income
3%Other
Income
1%
FY 15-16 Revenue Mix
Film Hire
Charges
22%
Cost of Food
& Beverages
7%
Personnel
Expenses
10%
Rent
17%
Repairs and
Maintenance
4%
Electricity &
CAM
11%
Other
Expenses
11%
EBITDA
19%
FY15-16 Expenditure Mix (% of Revenues)
20. 77
74
78
74
Q1, FY16-17 Q1, FY15-16 Q1, FY16-17 Q1, FY15-16
Comparable Total
Spend Per Head (INR)
23.1%
24.9%
FY15-16 FY14-15
COGS
1,475
1,298
FY15-16 FY14-15
Net F&B (INR mn)
F&B Performance – Q1, FY 2016-17
14%
-1.8%
4%
6%
F&B Performance – FY 2015-16
24.9%
28.8%
FY15-16 FY14-15
COGS
73
64
72
64
FY15-16 FY14-15 FY15-16 FY14-15
Comparable Total
Spend Per Head (INR)
4,667
3,482
FY15-16 FY14-15
Net F&B (INR mn)
34%
-3.9%
14%
13%
21. Revenue & Expenditure Analysis – FY15-16
% Share FY15-16 FY14-15
Net Box Office 57.4% 59.3%
Food & Beverages 26.4% 25.1%
Advertising 11.7% 12.1%
Other Revenues 4.4% 3.4%
10,143
8,245
4,667
3,482
2,065
1,687
783
478
FY15-16 FY14-15
12 Months (INR mn)
Net Box Office Food & Beverages Advertising Other Revenues
7.9% 5.7%
11.3% 13.8%
3.9% 4.1%
17.2% 19.7%
9.5%
10.3%
FY15-16 FY14-15
Fixed Overheads (% of Total Income)
Other Expenses CAM & Electricity
Repair & Maintenance Rent
Personnel Expenses
34% 34%
43% 43%
FY15-16 FY14-15
Film Hire %
Film Hire as a % of Gross Box Office
Film Hire as a % of Net Box Office
22. 22
ROCE Analysis - As on 31st Mar, 2016
1. Properties > 2 years - Stabilized
2. Properties < 2 years – Yet to Stabilize
3. Properties under construction
Particulars (INR Lacs)
Net Capital
Employed
Revenue
Property Level
After Allocation of Corporate
Overheads
EBIT ROCE EBIT ROCE
Properties > 2 years (A) 90,222 172,307 28,117 31.2% 21,632 24.0%
Properties < 2 years (B) 20,253 17,402 2,183 10.8% 1,668 8.2%
Operational Properties Total (A+B) 110,474 189,709 30,300 27.4% 23,300 21.1%
Properties under construction (C) 17,121
Grand Total (A+B+C) 127,595 189,709 30,300 23.7% 23,300 18.3%
Cash and Cash Equivalents (D) 31,814
Company Total (A+B+C+D) 159,409 189,709 30,300 19.0% 23,300 14.6%
[1] Net Capital Employed is as on 31st Mar, 2016 . Net Capital Employed = Shareholders’ funds + Debt + Non current liabilities
[2] EBIT for the year FY 15-16
23. 8,695
4,092
6,623
7,470
March 31, 2016 March 31, 2015
Gross Debt / Equity
(Consolidated)
Equity (Rs mn) Gross Debt (Rs mn) D/E Ratio
0.8
1.8
23
Consolidated Balance Sheet
1.8
3.6
As on 31st Mar'16 As on 31st Mar'15
Gross Debt / EBITDA
(Consolidated)
Particulars (INR mn) March 31, 2016 March 31, 2015
Total Shareholder funds 8,695 4,092
Share Capital 467 415
Reserves & Surplus 8,228 3,677
Minority Interest & Others 401 383
Total Debt1
6,623 7,470
Other Non Current Liabilities 222 94
Total Sources of Funds 15,941 12,039
Net Fixed Assets 10,655 9,408
Long-term loans and advances 3,175 3,075
Deferred tax assets 42 -
Other Non Current Assets 251 237
Cash & Cash Equivalents2
3,181 261
Current Assets 1,845 1,308
Less: Current Liabilities 3,209 2,249
Net Current Assets (1,364) (942)
Total Assets 15,941 12,039
Return on Equity (INR Lacs) March 31, 2016 March 31, 2015
Shareholders Equity3
90,959 44,751
Average Shareholders Equity – (A) 67,855
Consolidated PAT after Minority
Interest– (B)
11,873
ROE (B/A) 17.5%
[1] Current Portion of Long Term Liabilities has been added to Total Debt
[2] Money lying in Escrow Account relating to DT acquisition has been reclassified from Non Current Assets to Cash & Cash Equivalents
[3] Shareholders Equity = Shareholders Funds + Minority Interest
24. 24
GST - Game changer for the Exhibition Industry
GST will replace the multiciplity of taxes such as Entertainment Tax, VAT and Service Tax with one single GST rate
Will benefit from reduction in effective indirect tax rate
Input tax credit will be available for set off against the output tax liability (Service tax paid today on Rent, CAM,
electricity, Security, Housekeeping etc is not available for set off against output liability of Entertainment tax and VAT )
GST rate is expected to be in between 18% - 20%
Ticket Sales
(Positive Impact)
The entertainment
tax of 27% will
reduce to GST rate
2% to 2.5%
impact on margin
F&B Sales
(Negative Impact)
VAT of 8% will
increase to GST
rate
-1.5% to -2.0%
impact on margin
Expenses
(Positive Impact)
Tax Credit
available on most
of the expenses
3.0% to 3.6%
impact on margin
Overall impact on EBITDA Margin expected to be 3.5% - 4.0%