The document summarizes key findings from the FICCI-KPMG Report 2015 on the Indian Media & Entertainment Industry. It finds that the industry was valued at over US$16.2 billion in 2015, with television being the largest segment accounting for 46% of the market. The film industry, while largest globally by output, relies heavily on domestic box office revenues. Digital media such as online streaming is growing rapidly and expected to double its market share by 2019. The television industry is transitioning to digital with rising cable and satellite penetration while broadcasters face challenges around revenue sharing.
An overview of the Indian Media & Entertainment industry and its key segments of TV, OTT/Digital, Film, Gaming, Animation, VFX, Radio, Music, Events and other aspects...
Trends & Analysis of the Past, Present & Future of the Indian Media & Entertainment industry as of 2019, covering areas of Film, TV, OTT, Animation, VFX, Music, Radio, Gaming, Sports & E-Sports...
Overview, Trends & Analysis of the Indian Media & Entertainment industry as of Jan 2020.
P.S. The impact of the lockdown has not been built into the 2020 & beyond numbers...
An overview of the Indian Media & Entertainment industry and its key segments of TV, OTT/Digital, Film, Gaming, Animation, VFX, Radio, Music, Events and other aspects...
Trends & Analysis of the Past, Present & Future of the Indian Media & Entertainment industry as of 2019, covering areas of Film, TV, OTT, Animation, VFX, Music, Radio, Gaming, Sports & E-Sports...
Overview, Trends & Analysis of the Indian Media & Entertainment industry as of Jan 2020.
P.S. The impact of the lockdown has not been built into the 2020 & beyond numbers...
Trends & Analysis of the Past, Present & Future of the Indian Film, TV, Digital, Animation, Music, Radio, Media & Entertainment Industry as of June 2018.
Trends & Analysis of the Past, Present & Future of the Indian Film, TV, Digital, Animation, Music, Radio, Media & Entertainment Industry as of July 2018.
Deviprasad Goenka Management college of Media Studies
http://www.dgmcms.org.in/
Subject:BRAND BUILDING
Lesson :Size of m&e industry
Faculty Name: Vishal Desai
Trends & Analysis of the Past, Present & Future of the Indian Media & Entertainment industry as of 2019, covering areas of Film, TV, OTT, Animation, VFX, Music, Radio, Gaming & Sports...
Trends & Analysis of the Past, Present & Future of the Indian Media & Entertainment industry as of 2019, covering areas of Film, TV, OTT, Animation, VFX, Music, Radio, Gaming, Sports & E-Sports...
Trends & Analysis of the Past, Present & Future of the Indian Film, TV, Digital, Animation, Music, Radio, Media & Entertainment Industry as of June 2018.
Trends & Analysis of the Past, Present & Future of the Indian Film, TV, Digital, Animation, Music, Radio, Media & Entertainment Industry as of July 2018.
Deviprasad Goenka Management college of Media Studies
http://www.dgmcms.org.in/
Subject:BRAND BUILDING
Lesson :Size of m&e industry
Faculty Name: Vishal Desai
Trends & Analysis of the Past, Present & Future of the Indian Media & Entertainment industry as of 2019, covering areas of Film, TV, OTT, Animation, VFX, Music, Radio, Gaming & Sports...
Trends & Analysis of the Past, Present & Future of the Indian Media & Entertainment industry as of 2019, covering areas of Film, TV, OTT, Animation, VFX, Music, Radio, Gaming, Sports & E-Sports...
A newspaper article analysis and based on other five articles, the viability of the writer's claim regarding the main reasons behind share market crash 2010 were assessed.
Take a look at how Broadway impacts the economy, how inflation affects Broadway, and the current Broadway-Hollywood relationship.
(Every slide features a production shot of a Broadway musical, and, for fun, you can play "Guess that show!" whilst watching!)
25 Disruptive Technology Trends 2015 - 2016Brian Solis
Brian Solis explores some of the biggest technology trends and possible twists on the horizon for 2015 and 2016.
Topics include cyber security, mobile payments, drones, bitcoin, social media, digital, omnichannel, attribution, cx, music, movies, Hollywood
An overview including trends & analysis thereof, of the Indian Media & Entertainment industry in 2022, and its key segments, namely Film, TV, OTT/Digital, Gaming, Animation, VFX, Sports, Events, Music, Radio, etc.
Media and Entertainment Industry - 2016 By Roshni TrivediRoshni Trivedi
Learning Objective:
How M&E Industry is changing its strategy and grabbing the opportunities to exist their presence
Mobility and digitization has changed and become dominance access over M&E industry
Market Research Report : Digital broadcasting market in india 2015 - SampleNetscribes, Inc.
For the complete report, get in touch with us at: info@netscribes.com
Abstract :
The report highlights the analysis of the drivers and explains the factors for growth of the industry. Emerging middle class and rising disposable income, Increase in television and radio penetration, complete digitization of TV services and Increase in sale of LCD and LED TVs, are the key drivers of this market. Rise in disposable income of the working class coupled by the new digital wave will overlook the price factor of most forms of digital broadcasting media vis-à-vis analogue cable. Rapid evolution of new technologies such as High Definition (HD), STBs (Set Top Boxes) with inbuilt recorders and delivery platforms, create further opportunities for innovation and growth. Government of India has passed a bill aiming at complete digitization of the cable industry by Dec 31, 2014. Upgrade to LCD (Liquid Crystal Display) TVs has shifted viewership trend to DTH/digital broadcast
There are various challenges too that the Digital Broadcasting Market faces, High costs involved in digital conversion, Shortage of set top boxes are the major challenges faced by the auto ancillary industry. Costs in digital conversion primarily centres on costs of providing duplicate transmission equipment and distribution infrastructure. Digitization process entails internal costs to broadcasters for upgrading their program creation and presentation; High costs involved in digital broadcasting mechanism poses as a challenge that the sector needs to overcome. As the nation gears up for a switch from analogue to digital transmission, set top boxes are required to continue watching cable television. Operators are facing a crunch in the supply of set-top boxes for the entire population base in India. Further India is going digital at the same time as other nations including Brazil, Russia, China and South Korea, which is making the situation bleak in terms of meeting demands of set top boxes.
The Telecom Regulatory Authority of India (TRAI) has proposed a 50% reduction in the airtime of television advertisements which will eventually result in halving the amount of ad inventory and render a better viewership experience. The government has liberalized the broadcast sector ahead of India's shift to digital carriage of television channels, raising foreign direct investment (FDI) ceiling to 74 % in direct-to home (DTH) and multi-system operators (MSOs0029.
Table of Contents :
Slide 1: Executive Summary
Introduction
Slide 2: Digital Broadcasting Sector in India – Introduction
Macro Economic Indicators
Slide 3: GDP at Factor Cost: Quarterly (2011-12 - 2014-15), Inflation Rate: Monthly (Jul-Dec 2013)
Slide 4: Gross Fiscal Deficit: Monthly (Feb 2013 - Jul 2013), Exchange Rate: Half Yearly (Apr 2014- Sep 2014)
Slide 5: Lending Rate: Annual (2011-12 - 2014-15), Trade Balance: Annual (2010-11 – 2013-14), FDI Annual (2009-10 - 2012-13)
Market Overview
Slide 6: Digital Bro
The Indian film industry is the largest in the world in terms of number of films produced with between 1.500 to 2.000 films produced every year in more than 20 languages. In terms of revenue, the industry has gross box office realizations of $2.1 billion which is expected to grow at 11% CAGR reaching $3.7 billion by 2020.
India , 2015
Growth in Smartphone penetration and improvement in Internet speed in India provide opportunities for Over-the-Top (OTT) providers but the market is still in an emerging state
KPMG Report 2020- 'A year off script: Time for resilience'Social Samosa
KPMG Report 2020- 'A year off script: Time for resilience', highlights the performance of the M & E industry in India during the ongoing pandemic & its future.
Amazing Growth of Indian Entertainment & Media – The Reel Story | An Aranca I...Aranca
Registering an amazing 11.8% growth rate, the Indian entertainment and media industry grew to reach 14.8 billion USD. The big contributing factors are rapid digitization, growth of regional media, healthy film sector and opening up of new media businesses.
Cinematic VR, VR Concerts, Sports in VR, Metaverse, Virtual Production, Photogrammetry, Volumetric Capture... These are all terms that we hear of and are spoken about a lot nowadays. They are looked upon as disparate separate from each other. That is however not the case. In reality, they are all a part of the Immersive industry - the 4th content industry after Cinema, TV & Digital/OTT.
In this presentation, we talk about a comprehensive approach to the Immersive industry.
What’s up with the Metaverse!? A film school’s approach to immersive engageme...Chaitanya Chinchlikar
The metaverse may seem like something that has appeared all of a sudden but it's actually not. Over the past 50 years almost all the technological advances in content consumption & creation have lead us to this point. Over the past decades our goal has been to draw the viewer closer & closer to the content and make the content experience more & more immersive. And the metaverse is the current answer to the question “What Next?”
Fiction / Narrative Storytelling in 360 VR.
The approach, methodology and process undertaken by the Whistling Woods Jio VR Lab, of creating india's first generation of Cinematic VR filmmakers in India...
Whistling Woods International - Institutional presentation 2019Chaitanya Chinchlikar
Institutional presentation of Whistling Woods International - Institute for Film, Communication & Creative Arts...
The presentation outlines the Management Team, Faculty, Programs, Achievements, Technology Partnerships, Academic Affiliations, Research & Development Activities and all round information about Whistling Woods International as of December 2019.
A detailed presentation on Cinematic VR (Fiction/Narrative Storytelling in 360VR) and what India's only lab is doing to ensure that we train & educate both students and the industry in Cinematic VR!
India under Narendra Modi - 2014-2018 - 48 months of Development!!!Chaitanya Chinchlikar
A compilation of the excellent work undertaken by the Narendra Modi Government in the past 4 years from 2014-2018!!!
In 2019, let's all gear up for a second term to the indefatigable NaMo!!!
Hollywood Actress - The 250 hottest galleryZsolt Nemeth
Hollywood Actress amazon album eminent worldwide media, female-singer, actresses, alhletina-woman, 250 collection.
Highest and photoreal-print exclusive testament PC collage.
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The sheer afterlife of the work is activism-like hollywood-actresses point com.
173 Illustrate, 250 gallery, 154 blog, 120 TV serie logo, 17 TV president logo, 183 active hyperlink.
HD AI face enhancement 384 page plus Bowker ISBN, Congress LLCL or US Copyright.
Are the X-Men Marvel or DC An In-Depth Exploration.pdfXtreame HDTV
The world of comic books is vast and filled with iconic characters, gripping storylines, and legendary rivalries. Among the most famous groups of superheroes are the X-Men. Created in the early 1960s, the X-Men have become a cultural phenomenon, featuring in comics, animated series, and blockbuster movies. A common question among newcomers to the comic book world is: Are the X-Men Marvel or DC? This article delves into the history, creators, and significant moments of the X-Men to provide a comprehensive answer.
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
The Indian Media & Entertainment Industry 2015 (Revision1)
1. The Indian Media &
Entertainment Industry
2015
Presentation by
Trends & Analysis - Past, Present & Future
2. Source: FICCI-KPMG Report 2015
The Indian M&E Industry
The Indian Media & Entertainment Industry includes
Television, Film, Print, Radio, Music, Digital Media, Animation, Gaming,
Events & Live Media, Out-of-home & other ancillary media.
• Valued at over US$
16.2bn (1,02,600Cr INR)
which is 0.9% of the
global M&E industry
(estimated at US$ 1.8tn)
• Its growth (11.7%) is
nearly double the growth
of the global M&E industry
(at 6.1%)
• High-volume, low-value.
580 587
652
728
821
918
1026
1160
1330
1532
1740
1964
0
200
400
600
800
1000
1200
1400
1600
1800
2000
2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
INRBillions
11.7%
13.9%
3. Source: FICCI-KPMG Report 2015
Indian M&E Industry – % Breakdown
TV to grow from 46% to 50% market-share by 2019.
Film is expected to drop from 12% in 2008 to 10% in 2018.
Digital is expected double its share of the M&E market in the next 5 years.
2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
42% 44% 46% 45% 45% 45% 46% 47% 47% 48% 49% 50%
30%
30%
30% 29% 27% 26% 26% 25% 23% 22% 21% 20%
18% 15% 13% 13% 14% 14% 12% 12% 12% 11% 11% 10%
1% 1% 2%
2% 2% 2%
2%
2% 2%
2% 2% 2%
1% 1% 1%
1% 1% 1%
1%
1% 1%
1% 1% 1%
3% 2% 2%
2% 2% 2%
2%
2% 2%
2% 2% 2%
3% 3% 4%
4% 4% 4%
4%
4% 4%
5% 5% 5%
1% 1% 2% 2% 2% 2%
2%
2% 2%
2% 2% 2%
1% 1% 2% 2% 3% 3% 4% 5% 6% 8% 8% 8%
TV Print Motion Picture Radio Music OOH Animation & VFX Gaming Digital
4. Source: FICCI-KPMG Report 2015
The Indian Film Industry
• Largest in the world by
films released theatrically
or tickets sold (over 1,400
films released & over
3.25bn tickets sold)
• 2014 was a year of
introspection when the
‘star-backed’ films
performed average and
the ‘script-backed’ films
did great, marking a
coming of age of
Bollywood.
1913-2000 2000-2004 2004-2010 2010-2014
Production Analog Analog Analog Analog & Digital
Post-Production Analog Digital Digital Digital
Distribution Analog Analog Analog & Digital Analog & Digital
The Digital-isation of the Industry
105
89
83
93
113
125 126
136
156
171
186
204
0
50
100
150
200
2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
INRBillions
Film
0.9%
10%
5. Source: FICCI-KPMG Report 2015
The Indian Film Industry =
‘Bollywood’
While‘Bollywood’ is a generally used term to define the Indian Film industry,
Hindi films accounted for only 16% of the 1,400+ films that released.
The South Indian Film industry accounts for almost 50% of the films
Language No of Films
Hindi 234
Tamil 210
Telugu 218
Kannada 157
Malayalam 108
Bengali 139
Marathi 122
Gujrati 67
Bhojpuri 84
Punjabi 9
Others 78
Total 1,426
6. Source: FICCI-KPMG Report 2015
Film Revenues Breakdown
Domestic Revenues have always accounted for over 90% of the Indian Film
industry’s revenues. The trend is expected to strengthen against International
revenues. This is THE double-edged sword for the industry.
Proving the digital
medium’s
dominance, Ancillary
revenues as a % of
total film revenue
will increase 1.5x
over the next 5
years.
Home Video, like in
the rest of the world,
is dying out fast. 0%
20%
40%
60%
80%
100%
2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
74% 74% 76% 75% 74% 73% 73% 72% 72% 71%
8% 7% 7% 7% 7% 7% 7% 7% 7% 7%
10% 11% 11% 12% 12% 11% 11% 11% 11% 11%
5% 5% 5% 6% 7% 8% 8% 9% 10% 11%
INRBillions
Film Revenues % Breakdown
Domestic Theatrical Overseas Theatrical Home Video Cable & Satellite Rights Ancillary Revenues
7. Source: FICCI-KPMG Report 2015
Film – Revenue Split
When you pay Rs 100 for a movie ticket, what is the split?
• Gross – 100% (Rs 100)
• Entertainment Tax – 30% (Rs 30)
• Exhibitor – 50% of balance 70% (Rs 35)
• Distributor – 50% of balance 70% (Rs 35)
• Lead Producer(s) – depends on what deal they have made with
distributor – Outright / MG / Commission
• Co-producer(s) – Last in First out.
• Talent – actors / director – points!
8. Source: FICCI-KPMG Report 2015
Exhibition needs to grow!
• India has one of the lowest screen
densities among global film markets
• Urgent & rapid infrastructure growth in
multiplex screens is needed
• Since the Box office is not as robust as
other countries, government
intervention is needed by way of SOPs.
125
85 82
61 57
26
13
7
0
20
40
60
80
100
120
140
Screens/Million
1 1.1
1.4
1.6 1.61.5
2
2.7
3.5
4.7
0
0.5
1
1.5
2
2.5
3
3.5
4
4.5
5
2010 2011 2012 2013 2014
Billion$
Domestic Box Office Size
India China
1,000 1,250 1,470 1,650 1,750
6,256
9,200
13,118
18,195
22,000
-
5,000
10,000
15,000
20,000
25,000
2010 2011 2012 2013 2014
Multiplex Screens
India China
9. Source: FICCI-KPMG Report 2015
Industry = Value x Volume
No of screens that a film plays in
has grown radically over the past
decade, curbing piracy and
augmenting theatrical revenues
239
127
95
56
0
50
100
150
200
250
300
High End
Multiplex
Multiplex Single Screen Low End Single
Screen
Ticket Rates (INR)
500
1000
3000
4500
0
500
1000
1500
2000
2500
3000
3500
4000
4500
5000
1994 - Hum
Aapke Hain Koun
2009 - 3 Idiots 2012 - Ek Tha
Tiger
2013 - Dhoom 3
No of Screens
Average ticket prices of
multiplexes are 3-4 times that of
single screen theatres.
10. Source: FICCI-KPMG Report 2015
The Indian Film Industry - Key points
• Realisation of the value of Film education. Scale needed. Urgently.
• Script-backed v/s Star-backed.
• Hollywood films account for less than 10% of the Indian Film industry.
• Over-reliance on Domestic Theatrical revenues for mid-range films.
• Increased in-film advertising – Tourism & products
• Increased no of domestic prints – 5000
• Increased no of overseas prints – 2000
• Share of Revenue from first week is highly critical (ranges from 55-
75% of box office collections)
• The industry lacks a globally merchandisable home-grown IP brand.
11. Source: FICCI-KPMG Report 2015
The Indian Television Industry
• The most consistently
performing sector of the
Indian M&E Industry.
• It is, presently, nearly 4
times the size of the Indian
Film industry and is the
largest employer in the M&E
space.
• India overtook the US in
2014 as the 2nd largest TV-
owning market in the world
(168 million TV households
– 82% penetration).
The potential: The Indian average subscription rate is
US$5-6 per month per TV for Cable TV / DTH against
US$40-100 in evolved markets like US / UK / Europe.
241 257
297
329
370
417
475
543
631
739
855
975
0
100
200
300
400
500
600
700
800
900
1000
2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
INRBillions
TV
13.8%
15.5%
12. Source: FICCI-KPMG Report 2015
TV Connectivity – A Digital blitz
With digitisation
primarily
successful for
Phase 1 & 2
(over 95%) and
the rest of the
country
underway on
the same path,
digital STBs
and DTH
connections are
the way of the
future. 0
20
40
60
80
100
120
140
160
180
200
2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
65
74 69 68 70
55
27
5 5 5
5
6 19 25
29
45
67
85 90 94
28
31
34
37
40
48 61 72
74
76
8
8
9
9
10
11
11
12
12
12
Subscribers
Analog Cable Digital Cable DTH Other Digital
13. Source: FICCI-KPMG Report 2015
TV Connectivity – A Digital blitz
TV households, C&S penetration & ARPUs are all expected to grow
over the next 5 years, enabling distribution-led growth in TV
161 168
196
80%
82%
90%
0
50
100
150
200
250
74%
76%
78%
80%
82%
84%
86%
88%
90%
92%
2013 2014 2019
TV Households (Millions) C&S penetration
175
196
225
248
273
301
200
220
242
266
292
322
150
170
190
210
230
250
270
290
310
330
350
2014 2015 2016 2017 2018 2019
ARPUs
Digital Cable DTH
14. Source: FICCI-KPMG Report 2015
TV Channels galore!
• Channel growth over
the past 14 years has
been significant. On
an average, India has
added 3.2 channels
per month for the
past 14 years.
• India has more than
400 news channels.
• Channel
differentiation is
weak.
0
100
200
300
400
500
600
700
800
1991 1995 2000 2005 2010 2014
5
55
130
263
550
800
No of Channels
15. Source: FICCI-KPMG Report 2015
GEC – GRP v/s Profitability
Low GRP High GRP
Low
Profitability
High
Profitability
Long running soaps
Low-cost game /
performance based
reality shows
Mythological series
Recently released movies
Celebrity-based shows
Why do we see what we see on TV?
How do funds available for content creation get allocated between building a viewer
base and then en-cashing on the base?
16. Source: FICCI-KPMG Report 2015
TV Revenues – Promising future!
The projected high growth of subscription revenue is expected to throw up
innovative, cutting edge, niche content as broadcasters would no longer need
to cater to advertisers (& hence to a mass audience) for all their content.
158 169
194
214
245
281
320
369
433
513
595
676
82 88
103 116 125 136
155
175
198
226
260
299
0
100
200
300
400
500
600
700
2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
INRBilions
TV Revenues
Subscription Revenue Advertising Revenue
17. Source: FICCI-KPMG Report 2015
TV Revenue Sharing – A concern!
Of an amount collected of INR 320 billion, ONLY INR 75 billion is reaching
the broadcasters, which is less than 25%. Ideally, it should be in reverse with
only 25-30% being retained by the LCOs, MSOs. However, underreporting of
subscribers, carriage fees & lack of digitisation is the reason for this.
245
281
320
369
433
513
595
676
57 69 75 90 114 145 174 201
23%
25%
23%
24%
26%
28%
29% 30%
0%
5%
10%
15%
20%
25%
30%
35%
0
100
200
300
400
500
600
700
800
2012 2013 2014 2015 2016 2017 2018 2019
INRBillions
Subscription Revenue
Paid by Consumers Recd by Broadcasters %
18. Source: FICCI-KPMG Report 2015
Viewership & Ad-Revenue
Disparity between viewership & Ad Revenue is stark, esp. in the case of English
content. English News has 0.1% viewership but gets a whopping 5.2% of the Ad
Revenue. Similarly, English Entertainment has 1.1% of the viewership but 4.5% of the
Ad Revenue pie. It reflects the SEC & spending capacity of its audience. Regional TV
is heavily discounted in pricing on account of the nature / SEC of its audience.
19. Source: FICCI-KPMG Report 2015
Indian Animation picks up
• Broadcasters are willing to pay
double for good quality Indian
Animated content as compared to
daily soaps / Hindi general
entertainment content, even though
this segment gets only 7.3% of the
viewership, as compared to 31.1%
for Hindi GECs.
• Also the fact that this segment
continues to be under-indexed, with
only 3.8% ad-revenue share doesn’t
bother broadcasters as this content
has long-tail revenue
• It offers repeat viewing value, multi-
language dubbing value and
merchandising value.
20. Source: FICCI-KPMG Report 2015
Hindi GEC Fiction content changing. Slowly.
• GECs have finally embraced the
tele-series format with season-
based programming
• The value:volume ratio is reversed
in such programming as compared
to the daily / weekly soaps.
• For the past 20-odd years, the
content has largely mirrored
American programming of the 70s-
80s, with our soaps comparable to
content like the Bold & The
Beautiful, Santa Barbara, Dallas,
etc.
21. Source: FICCI-KPMG Report 2015
TV – Key Points
• Digitisation – increased revenue for the broadcaster, should lead to
more investment in content (& hence better quality content)
• Global proliferation of Indian-origin content is increasing, albeit for
the Indian diaspora only. This is THE BIG opportunity.
• Indian animation on TV is starting to matter.
• Hindi GECs are exploring new content programming & a changed
value:volume mix in revenue models.
• Lack of quality viewership measurement systems is an issue.
Hopefully, digitisation should resolve this.
22. Source: FICCI-KPMG Report 2015
Focus: Digital
INR Billions
Digital is expected to triple in industry size in the next 5 years.
23. Source: FICCI-KPMG Report 2015
The Digital Business – A BLITZ of growth!
• India has the lowest net penetration
among all developing countries and
much lower than the developed ones.
• Despite that, India has more internet
users than the US.
• Increasing cellphone penetration, large
number of low-cost smartphones fuels
this growth.
0
100
200
300
400
500
600
2014 2015 2016 2017 2018 2019
20 22 25 27 30 32
210
273
337
402
469
528
MilionsofUsers
Internet Users
Wired Wireless
19%
53%
46%
60%
87%
90%
86%
0%
10%
20%
30%
40%
50%
60%
70%
80%
90%
100%
India Brazil China Russia USA UK Japan
Internet Penetration
0
50
100
150
200
250
300
350
400
450
500
2014 2015 2016 2017 2018 2019
173
232
286
342
399
457
116
188
249
299
369
435
MillionsofUsers
Net on Mobile
Net on Mobile Smartphones
21%
24. Source: FICCI-KPMG Report 2015
Telecom Base – Volume galore!
The overall tele-
density in India was
81.83
Urban tele-density
was 153.45 and
rural teledensity was
49.94
As of December 2015
Telecom Service
Providers
Active
subscribers
Bharti Airtel 243,289,404
Vodafone 193.600,085
IDEA 171,912,608
Reliance 100,890,431
Aircel 85,632,249
BSNL 82,507,640
Tata 60,727,856
Telenor 50,702,396
Sistema 8,006,814
Videocon 6,958,178
MTNL 3,614,439
Quadrant 3,047,100
TOTAL 1,010,889,200
25. Source: FICCI-KPMG Report 2015
TV v/s Digital
Digital is the medium
for the future.
The web user base is expected to
grow at an incredible 18% annual
growth rate over the next 5 years as
compared to 3% of TV.
AD Spend on Digital platforms is
growing at four times the rate of TV.
825
857
886
913
938 960
281
348
420
494
570
640
0
100
200
300
400
500
600
700
800
900
1000
2014 2015 2016 2017 2018 2019
MillionsofUsers
TV Internet
18%
38.3
54.8
72.4
98.6
116.1
135.4
5.2
7.7
11.6
16.8
22.1
27.1
0
20
40
60
80
100
120
140
160
180
2014 2015 2016 2017 2018 2019
INRBillions
Digital Advertising Growth
Web Mobile
30.16%
26. Source: FICCI-KPMG Report 2015
Digital – Key Points
• The Digital platforms of web, mobile & web-connected smart TVs
are the future.
• Content consumption modes & patterns are already starting to
change with a large number of sub-18-yr-olds are switching to
YouTube to find their new ‘stars’
• YouTube is taking the Indian market very seriously and has set up
a ‘YouTube space’ in India, in partnership with Whistling Woods
International
• YouTube has ‘approved’ a credit-based semester-long training
course for ‘Content Creation, Audience Development &
Monetisation for digital platforms’ developed by Whistling Woods.
27. Source: FICCI-KPMG Report 2015
Music
• The Music industry has
plateaued over the last 2
years, after dropping by
10% in 2013.
• Over 50% of Indian web
users access unlicensed
services.
• Music-on-cloud is expected
to gather steam as it rides
the 3G/4G wave to deliver
streamed music, ad
supported, free of cost as
well as ‘freemium’ music,
hopefully denting piracy.
7
8
9 9
11
10 10 10
12
14
17
19
0
2
4
6
8
10
12
14
16
18
20
2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
INRBillions
Music
14%
2.3%
28. Source: FICCI-KPMG Report 2015
Music - Consumption
• The consumption % reversed
from 2009 to 2014 between
physical & digital.
• Bollywood fuels over 80% of
the Music industry
• Indian non-Bollywood music
(Indie / pop / rock / regional) is
struggling, with only Religious
& Indian Classical music
managing to survive.
• Hardly ANY innovation in
Music, since AR Rahman.
• Hardly any proper music
schools
58%
33%
6%
3%
20%
55%
15%
10%
0%
10%
20%
30%
40%
50%
60%
70%
Physical Digital TV & Radio Public
Performance
Music Consumption
by Source
2009
2014
81.0%
10.0%
4.0%2.2% 2.8%
Music Consumption
by Genre
Bollywood
International
South Indian
Punjabi
Others
29. Source: FICCI-KPMG Report 2015
Gaming
• Grew over 20%, on the back of
mobile gaming.
• With 960 mn+ users & a young
population, India is one of the
fastest growing mobile gaming
markets in the world
7 8
10
13
15
19
24
28
32
35
40
46
0
5
10
15
20
25
30
35
40
45
50
2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
INRBillions
Gaming
14.3%
46% 49% 51% 52% 55% 57%
39% 35% 32% 30% 28% 26%
15% 16% 17% 18% 18% 17%
0%
10%
20%
30%
40%
50%
60%
70%
80%
90%
100%
2014 2015 2016 2017 2018 2019
Mobile Console PC & Online
22.4%
30. Source: FICCI-KPMG Report 2015
Radio
• Small industry size, primarily
on account of restriction of
content by the government (no
news radio, talk radio allowed)
• Hence every FM radio station
sounds the same.
• The growth in 2014 has been
built around increased ad-ex
by e-commerce, real estate
and retail.
• The shift to radio is as it is a
cost-effective advertising
vehicle, as compared to TV.
8 8
10 11
13
15
17
20
22
27
33
40
0
5
10
15
20
25
30
35
40
45
2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
INRBillions
Radio
18.1%
17.6%
21
266
401
1232
12 98
167
431
0
200
400
600
800
1000
1200
1400
Phase 1 (1990s) Phase 2 (2006-
07)
Phase 3 - 1
(2015)
Phase 3 - 2
(2015-16)
Licences available Cities
31. Source: FICCI-KPMG Report 2015
Animation, VFX & Post-Production
• The industry has shown decent
growth, on the back of VFX / post-
prodn, not Animation.
• Increased consumption of VFX &
digital post production in Film & TV.
• Lack of original IP creation is a major
reason of the stagnation of the
Animation industry.
18 20
24
31
35
40
45
51
59
69
81
96
0
10
20
30
40
50
60
70
80
90
100
2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
INRBillions
Animation & VFX
16.3%
13.1%
1 1
2 2
4
6
1
4
1
5
3 3
0
1
2
3
4
5
6
7
1992 2000 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014
Animated Films Released
Theatrically
32. Source: FICCI-KPMG Report 2015
Animation, VFX & Post-Production
The industry has split with itself, with the Animation industry tanking and
the VFX / post-prodn growing.
From a 60:40 ratio in 2010, the industry reaches a 80:20 ratio in 2019.
26% 23% 22% 20% 18% 16% 15% 14% 13% 12%
16%
14%
13%
12%
11%
11% 10% 9% 9% 8%
19%
20% 22% 23% 25% 27% 29% 30% 32% 34%
38%
44% 44% 45% 45% 46% 46% 46% 46% 46%
0%
10%
20%
30%
40%
50%
60%
70%
80%
90%
100%
2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
Animation Services Animation Product Creation VFX Post-Prodn
33. Source: FICCI-KPMG Report 2015
Animation on Indian Screens
Only 3 out of the top-10 characters on Indian TV are of Indian origin!
34. Source: FICCI-KPMG Report 2015
Jobs in M&E
• By 2022, as per the NSDC, the
Media & Entertainment industry
would be requiring 12.9 lakh
skilled professionals, over 80% of
these in the Film & TV vertical.
• The media industry as a whole still
lacks sufficient world-class
training facilities to enable
professionalism and best
practices.
• Significant government-
intervention and private
investments will be needed to
correct this imbalance
1.60
2.40
4.40
1.40
2.80
6.40
0.60 0.70
1.30
0.20 0.30 0.40
0.20 0.30 0.40
-
1.00
2.00
3.00
4.00
5.00
6.00
7.00
2014 2017 2022
Employment
Growth
Film
TV
Print
Radio
Animation,
VFX, Gaming
35. Source: FICCI-KPMG Report 2015
What are the pain-points of the Indian M&E Industry?
• Lack of original Intellectual Property creation leading to lack of a globally
merchandisable brand.
• M&E Education & Training
o Of the 4 lakh people employed, nearly 75% involved in content creation have
no formal training.
o Very few world-class Film & Media institutes with a combined output of
approx 500 graduates a year, with 200 of them being from a single institute.
• Innovation – we are followers, not leaders when it comes to formats or
technical / narrative innovation.
• Piracy - Affects every sector of the industry & causes nearly 35%
revenue reduction
36. Source: FICCI-KPMG Report 2015
The Great Opportunities in M&E
• Digital – with an increasing youth population who are open to new
platforms and new content ideas, the next generation of Indian
consumers are ready and waiting for content for the digital
platforms.
• In the M&E industry, building volume is hard. India already has the
volume. We now need to build value to each unit of the already
existing volume. This is done by enhancing quality. The best way to
build quality is be educating & training the industry.