A presentation given at the UCDA 2009 Design Education Summit. The slides present a process for introducing motion design into a print-focus curriculum. Student motion examples can be found at http://www.chrisstcyr.com
These exclusive low-rise and mid-rise buildings by Meraas will feature 1, 2, 3 and 4-bedroom apartments, including duplexes and penthouses.
http://www.citywalkdubai.ae/
Tendencias de la arquitectura contemporáneadoris93
The document summarizes various architectural trends of contemporary architecture including Romanticism, Postmodernism, Modernity, and New Modernity. It provides examples of works for each trend and the key characteristics. Some of the trends covered include Organic Romanticism, Social Romanticism, Regionalism, Rationalism, Historicism, Classical Modernism, and High Technology. The works highlighted span from the early 20th century to the late 20th century and include buildings by architects like Hans Hollein, Robert Venturi, Richard Meier, and Tadao Ando.
Media and Information Literacy
Multimedia Information and Media
A. What is Multimedia: Types, Formats, Sources, Advantages, Limitations, Value
B. Selection Criteria
C. Design Principles and Elements
These slides provide a few tips for teaching in the 21st century. They might be useful for those who are new in the education sector and they show what you might need to make your lessons more exciting. These include a set of methods which might be a bit unorthodox but teaching is all about creativity after all.
The document discusses magazine design and layout. It explains that the grid system is used to organize content into rows and columns. The grid provides structure and allows a consistent layout across pages. Different types of grids exist, such as two, three, or four column grids. It is important to consider hierarchies, white space, and spreads (two facing pages) when designing magazine layouts. Pull quotes, jump lines, and end signs are used to highlight and organize information. Consistency is key to effective magazine design.
The document discusses magazine cover design. It states that the goal of a magazine cover is to visually stand out and represent the magazine's contents. It notes that the standard size for magazines in the US is letter size (8.5x11 inches), which is folded in half from tabloid size. Key elements of an effective magazine cover mentioned include the masthead, selling line, date, cover image, cover lines, and bar code. Bleed is also discussed as extending past the edge to allow for trimming during printing.
The document discusses various editorial and design issues that need troubleshooting for an upcoming summit, including page-invading advertising, unexciting editorial content, and less-than-perfect imagery. It provides suggestions for separating advertising from editorial content, rethinking the approach to editorial pieces through adding additional elements, and conceptualizing imagery through typographic manipulation, illustration, mixing stock and original photos, and cropping. The overall document appears to be brainstorming solutions to improve the design and content of a publication for an upcoming event.
These exclusive low-rise and mid-rise buildings by Meraas will feature 1, 2, 3 and 4-bedroom apartments, including duplexes and penthouses.
http://www.citywalkdubai.ae/
Tendencias de la arquitectura contemporáneadoris93
The document summarizes various architectural trends of contemporary architecture including Romanticism, Postmodernism, Modernity, and New Modernity. It provides examples of works for each trend and the key characteristics. Some of the trends covered include Organic Romanticism, Social Romanticism, Regionalism, Rationalism, Historicism, Classical Modernism, and High Technology. The works highlighted span from the early 20th century to the late 20th century and include buildings by architects like Hans Hollein, Robert Venturi, Richard Meier, and Tadao Ando.
Media and Information Literacy
Multimedia Information and Media
A. What is Multimedia: Types, Formats, Sources, Advantages, Limitations, Value
B. Selection Criteria
C. Design Principles and Elements
These slides provide a few tips for teaching in the 21st century. They might be useful for those who are new in the education sector and they show what you might need to make your lessons more exciting. These include a set of methods which might be a bit unorthodox but teaching is all about creativity after all.
The document discusses magazine design and layout. It explains that the grid system is used to organize content into rows and columns. The grid provides structure and allows a consistent layout across pages. Different types of grids exist, such as two, three, or four column grids. It is important to consider hierarchies, white space, and spreads (two facing pages) when designing magazine layouts. Pull quotes, jump lines, and end signs are used to highlight and organize information. Consistency is key to effective magazine design.
The document discusses magazine cover design. It states that the goal of a magazine cover is to visually stand out and represent the magazine's contents. It notes that the standard size for magazines in the US is letter size (8.5x11 inches), which is folded in half from tabloid size. Key elements of an effective magazine cover mentioned include the masthead, selling line, date, cover image, cover lines, and bar code. Bleed is also discussed as extending past the edge to allow for trimming during printing.
The document discusses various editorial and design issues that need troubleshooting for an upcoming summit, including page-invading advertising, unexciting editorial content, and less-than-perfect imagery. It provides suggestions for separating advertising from editorial content, rethinking the approach to editorial pieces through adding additional elements, and conceptualizing imagery through typographic manipulation, illustration, mixing stock and original photos, and cropping. The overall document appears to be brainstorming solutions to improve the design and content of a publication for an upcoming event.
The document describes the 10 stages of designing a movie poster. It traces the evolution of the poster design through changes to elements like the background color, image size, placement of text, and addition of sponsor logos. The designer experiments with different layouts and font choices before arriving at the final poster design.
This document provides 120 tips for using Photoshop more efficiently and effectively. It is organized into 10 categories including Interface Tips, Tool Tips, Command Tips, Selection Tips, Layer Tips, Tips for Guides & Rulers, Navigation & Hotkey Tips, Tips for Duplicating, Type Tips, and ImageReady Tips. The tips cover a wide range of Photoshop functions and techniques for streamlining work, performing complex tasks more quickly, and utilizing hidden functionality that users may not be aware of.
32 Killer PhotoShop Tips & Tricks that Make You an Expert.CPZ Media
Check out our top 32 Killer photoshop shortcut tips and tricks that make your photoshop work more easy and comfortable. If you do any mistake then use these tips and tricks in Adobe photoshop and drawback your work again.
Visit our blog site to get more tips.
http://clippingpathzone.com/blog/
Follow us and get all latest slides quickly.
This document discusses the importance of understanding one's target market and ensuring visual balance in designs. It notes that knowing the rules of design allows one to purposefully break them for effect.
The document provides guidance on effective poster design in 3 steps: 1) Preparation such as defining the audience, distilling the core message, and organizing information. 2) Design for impact including using color and space effectively, using legible text in a readable flow, and including clear graphics. 3) Assessment such as using a rubric to self-evaluate and have others review the poster before finalizing. The goal is to catch viewers' attention within 3 seconds and engage them for 30 seconds through a well-prepared and visually impactful design.
This document describes the process of designing three posters for a found footage horror film called "Occult". For each poster design, the artist chose an image from the film shoot, adjusted colors and lighting in Photoshop to give a horror film feel, and added elements like static, motion blur, and cuts/smeared makeup on the character to match horror film poster conventions. The titles were placed in the camera screen area to look like the "REC" symbol was replaced. Minor adjustments were made to finalize each poster design.
The document summarizes the poster design process for a film. It describes how the group tried different colors before selecting red to suit the thriller theme. They experimented with placement of the title and tag line. Effects were added like a red gradient fill to give an impression of blood. The stars' names were added in black or white fonts to stand out. Minor amendments were made before finalizing on the design.
Jules Cheret was known as the "Father of the Poster" in France in the mid-19th century. He helped establish posters as advertisements for new products and events like theater and opera shows. Cheret created almost 1,000 posters using the technique of lithography, which allowed mass production through printing with ink on stone or metal carvings. Posters became an important form of graphic arts and mass communication due to their ability to convey information to the public through printing techniques.
The document provides instructions for designing two campaign posters, specifying that each poster must include five key elements: an image, strapline, campaign logo, campaign information, and contact information. It also offers basic design tips, advising that a successful poster should communicate a message, attract attention, and provide information, while maintaining readability through techniques like varying type sizes and character spacing.
The document describes the poster design process for a movie poster. It discusses extracting a figure from its background in InDesign, placing it on a black background with a title. Colors and fonts were tested to make the title and text stand out. Details like name sizes and colors, background effects, and drop shadows were tweaked. The final poster features a crimson red fading diagonal background, white stroked title with drop shadow, and white stroked actor names.
Hints and tips for designing an academic poster - presented at Edinburgh Napier University School of Computing Research Student Conference, 11th May 2016. The content centres on critiquing an old poster from 2006 and identifying its main weaknesses.
The document discusses the design choices made for a film poster. Key elements like the main image, actors' names, tagline, title, director credit, and certification rating were placed prominently to attract audience attention. Awards and reviews were included at the top to establish the film's quality upfront. The credit block and release date were placed at the bottom as is conventional, without obstructing the main visuals. The website was also included at the bottom for additional online promotion opportunities.
This document provides guidance for creating a research poster that is A0 size and horizontal orientation. It recommends including the title, problem statement, justification, research question, objectives, constructs, paradigm, type of research, participants, context, and references.
Graphic design is the art of combining text and images to aid communication. It involves problem solving through creativity and technical skills to translate a client's goals into a visual solution using elements like shape, color, imagery, typography and space. Effective poster design considers these principles by carefully planning layout and using memorable words, contrasting colors and impactful images to attract attention and leave an impression on viewers. The document provides a design brief and checklist for students to create a poster defining graphic design.
This document provides instructions for creating a film poster in Photoshop. It explains how to set up the file dimensions, import images, create layers, edit images by removing backgrounds, add and style text, and includes some tips. The key steps covered are: 1) Setting up the file and importing images onto separate layers, 2) Editing images by resizing and removing backgrounds, 3) Adding text and applying effects like shadows, and 4) Saving the file in the appropriate format for editing or submission.
This document provides an overview of the basics of using Photoshop. It discusses exploring the interface and common tools, performing simple tasks like photo editing and collages, and practicing exercises to crop and resize photos. The document emphasizes organizing documents with layers and naming layers to stay organized. It encourages experimentation to learn the software.
The document discusses the history and design of posters. It notes that posters originated from new printing techniques that allowed images and text to be combined, making posters an economical advertising format. The artist Cheret is considered the inventor of the modern poster, while other artists like Toulouse-Lautrec and Alphonse Mucha produced high quality poster art. In the early 20th century, industrialization and modern art movements like Cubism, Futurism, and Art Deco influenced poster design. The document recommends that effective posters have contrasting elements, formal simplicity, and a clear composition.
Photo retouching tips and tricks in photoshopRemon Mia
If you want to redefine the foreground and background colors, use the Eyedropper tool to select the foreground color, and then switch the position with the background color, maybe by using the shortcut X, and pick up the next color. But there is an easier way. First, define the foreground color just as you’re accustomed to, but then define the background color by holding the Alt/Option key. Instead of changing the foreground color, you’ll redefine the background color with just one click.
https://goo.gl/pwqYM7
The document describes instructions for completing activities in Adobe Photoshop, including adding text to a poster, replacing colors in an image, generating passport photos from an existing photo by cropping and resizing, removing objects without altering the background using the patch tool, and different ways to remove backgrounds such as with the lasso, eraser, wand, and pen tools.
A presentation given at the UCDA 2009 Design Education Summit. The slides present an overview of web 2.0 technologies, how they can be connected and a case study for using them to communicate course content and to generate a design discussion between faculty and students outside of the classroom.
This document is Jed Cracknell's 2018/2019 professional portfolio showcasing his architectural work experience and education. It includes projects from his time at international practices like Cracknell Design and HOK, as well as university projects. The portfolio consists of project descriptions, diagrams, plans, sections, perspectives and renderings to demonstrate Jed's skills in BIM/Revit modeling, design, and visualization. It aims to support his goal of obtaining temporary roles as an architectural designer or BIM technician.
The document describes the 10 stages of designing a movie poster. It traces the evolution of the poster design through changes to elements like the background color, image size, placement of text, and addition of sponsor logos. The designer experiments with different layouts and font choices before arriving at the final poster design.
This document provides 120 tips for using Photoshop more efficiently and effectively. It is organized into 10 categories including Interface Tips, Tool Tips, Command Tips, Selection Tips, Layer Tips, Tips for Guides & Rulers, Navigation & Hotkey Tips, Tips for Duplicating, Type Tips, and ImageReady Tips. The tips cover a wide range of Photoshop functions and techniques for streamlining work, performing complex tasks more quickly, and utilizing hidden functionality that users may not be aware of.
32 Killer PhotoShop Tips & Tricks that Make You an Expert.CPZ Media
Check out our top 32 Killer photoshop shortcut tips and tricks that make your photoshop work more easy and comfortable. If you do any mistake then use these tips and tricks in Adobe photoshop and drawback your work again.
Visit our blog site to get more tips.
http://clippingpathzone.com/blog/
Follow us and get all latest slides quickly.
This document discusses the importance of understanding one's target market and ensuring visual balance in designs. It notes that knowing the rules of design allows one to purposefully break them for effect.
The document provides guidance on effective poster design in 3 steps: 1) Preparation such as defining the audience, distilling the core message, and organizing information. 2) Design for impact including using color and space effectively, using legible text in a readable flow, and including clear graphics. 3) Assessment such as using a rubric to self-evaluate and have others review the poster before finalizing. The goal is to catch viewers' attention within 3 seconds and engage them for 30 seconds through a well-prepared and visually impactful design.
This document describes the process of designing three posters for a found footage horror film called "Occult". For each poster design, the artist chose an image from the film shoot, adjusted colors and lighting in Photoshop to give a horror film feel, and added elements like static, motion blur, and cuts/smeared makeup on the character to match horror film poster conventions. The titles were placed in the camera screen area to look like the "REC" symbol was replaced. Minor adjustments were made to finalize each poster design.
The document summarizes the poster design process for a film. It describes how the group tried different colors before selecting red to suit the thriller theme. They experimented with placement of the title and tag line. Effects were added like a red gradient fill to give an impression of blood. The stars' names were added in black or white fonts to stand out. Minor amendments were made before finalizing on the design.
Jules Cheret was known as the "Father of the Poster" in France in the mid-19th century. He helped establish posters as advertisements for new products and events like theater and opera shows. Cheret created almost 1,000 posters using the technique of lithography, which allowed mass production through printing with ink on stone or metal carvings. Posters became an important form of graphic arts and mass communication due to their ability to convey information to the public through printing techniques.
The document provides instructions for designing two campaign posters, specifying that each poster must include five key elements: an image, strapline, campaign logo, campaign information, and contact information. It also offers basic design tips, advising that a successful poster should communicate a message, attract attention, and provide information, while maintaining readability through techniques like varying type sizes and character spacing.
The document describes the poster design process for a movie poster. It discusses extracting a figure from its background in InDesign, placing it on a black background with a title. Colors and fonts were tested to make the title and text stand out. Details like name sizes and colors, background effects, and drop shadows were tweaked. The final poster features a crimson red fading diagonal background, white stroked title with drop shadow, and white stroked actor names.
Hints and tips for designing an academic poster - presented at Edinburgh Napier University School of Computing Research Student Conference, 11th May 2016. The content centres on critiquing an old poster from 2006 and identifying its main weaknesses.
The document discusses the design choices made for a film poster. Key elements like the main image, actors' names, tagline, title, director credit, and certification rating were placed prominently to attract audience attention. Awards and reviews were included at the top to establish the film's quality upfront. The credit block and release date were placed at the bottom as is conventional, without obstructing the main visuals. The website was also included at the bottom for additional online promotion opportunities.
This document provides guidance for creating a research poster that is A0 size and horizontal orientation. It recommends including the title, problem statement, justification, research question, objectives, constructs, paradigm, type of research, participants, context, and references.
Graphic design is the art of combining text and images to aid communication. It involves problem solving through creativity and technical skills to translate a client's goals into a visual solution using elements like shape, color, imagery, typography and space. Effective poster design considers these principles by carefully planning layout and using memorable words, contrasting colors and impactful images to attract attention and leave an impression on viewers. The document provides a design brief and checklist for students to create a poster defining graphic design.
This document provides instructions for creating a film poster in Photoshop. It explains how to set up the file dimensions, import images, create layers, edit images by removing backgrounds, add and style text, and includes some tips. The key steps covered are: 1) Setting up the file and importing images onto separate layers, 2) Editing images by resizing and removing backgrounds, 3) Adding text and applying effects like shadows, and 4) Saving the file in the appropriate format for editing or submission.
This document provides an overview of the basics of using Photoshop. It discusses exploring the interface and common tools, performing simple tasks like photo editing and collages, and practicing exercises to crop and resize photos. The document emphasizes organizing documents with layers and naming layers to stay organized. It encourages experimentation to learn the software.
The document discusses the history and design of posters. It notes that posters originated from new printing techniques that allowed images and text to be combined, making posters an economical advertising format. The artist Cheret is considered the inventor of the modern poster, while other artists like Toulouse-Lautrec and Alphonse Mucha produced high quality poster art. In the early 20th century, industrialization and modern art movements like Cubism, Futurism, and Art Deco influenced poster design. The document recommends that effective posters have contrasting elements, formal simplicity, and a clear composition.
Photo retouching tips and tricks in photoshopRemon Mia
If you want to redefine the foreground and background colors, use the Eyedropper tool to select the foreground color, and then switch the position with the background color, maybe by using the shortcut X, and pick up the next color. But there is an easier way. First, define the foreground color just as you’re accustomed to, but then define the background color by holding the Alt/Option key. Instead of changing the foreground color, you’ll redefine the background color with just one click.
https://goo.gl/pwqYM7
The document describes instructions for completing activities in Adobe Photoshop, including adding text to a poster, replacing colors in an image, generating passport photos from an existing photo by cropping and resizing, removing objects without altering the background using the patch tool, and different ways to remove backgrounds such as with the lasso, eraser, wand, and pen tools.
A presentation given at the UCDA 2009 Design Education Summit. The slides present an overview of web 2.0 technologies, how they can be connected and a case study for using them to communicate course content and to generate a design discussion between faculty and students outside of the classroom.
This document is Jed Cracknell's 2018/2019 professional portfolio showcasing his architectural work experience and education. It includes projects from his time at international practices like Cracknell Design and HOK, as well as university projects. The portfolio consists of project descriptions, diagrams, plans, sections, perspectives and renderings to demonstrate Jed's skills in BIM/Revit modeling, design, and visualization. It aims to support his goal of obtaining temporary roles as an architectural designer or BIM technician.
The document is Margaret Gammill's design portfolio, which outlines her studio work including projects for an advanced interdisciplinary studio, interior studio B, and transdisciplinary studio 1. It focuses on her design of the Fort Point Kyudojo, a Japanese archery destination in Boston. The Kyudojo design aims to balance experiences for indoor and outdoor archers through principles inspired by the ancient practice of Kyudo archery and the site's relationship between historic and modern elements.
Angela Grossi is an Italian fashion designer born in 1986 who currently resides in Hong Kong. She received a Master's Degree in Fashion Design from Politecnico di Milano in 2010 and a Bachelor of Science in Fashion Design from the same institution in 2008. Her work experience includes positions as a fashion consultant, shoe designer, event manager, and assistant photographer. She is proficient in design software such as Adobe Photoshop as well as sewing, draping, and sketching techniques.
In this talk presented at the Swipe x PAGE Academy (http://page-online.de), we gave an overview of the Swipe workflow building mobile products, from an UX/UI point of view.
http://swipe.de
This document provides information on multimedia and media formats. It discusses types of multimedia information such as text, graphics, audio, video, animation, and interactive content. It also covers advantages and disadvantages of multimedia in education. Formats discussed include plain text, rich text, images, audio files, video files, animations, and interactive programs. The document concludes with basic design principles for multimedia like alignment, proximity, contrast, and principles for integrating text, graphics, audio, video, and animation into multimedia content.
The document describes mapping strategies and techniques used at the Claremont Colleges library. It discusses mapping the learner experience, contexts like the 7 Claremont campuses, curriculum mapping, and using maps for assessment, planning, community building, and visualization. A case study describes creating a map of the Environmental Analysis program that informed instruction strategies and outcomes like integrating the map into the program's website. The library then scaled up its mapping efforts using an IMLS grant.
This document contains information about Melvil Donnart's education and experience. It lists principal computer science courses including algorithms, data analysis, data mining, databases, programming languages like Java, C++, and Python. It details Melvil's Master's degree in computer science, Bachelor's degree, and semester abroad studying artificial intelligence, data science, blockchain, and programming languages. It also lists Melvil's internships and projects developing websites, applications, and databases using technologies like MongoDB, NodeJS, Java, Swift, and JavaScript.
Assigned to assist: Robots are not here to take your job (Industry)Gestalt Robotics
Following last year's talk at IFA that focussed more on service robotics, Gestalt Robotic's Prof. Dr.-Ing. Jens Lambrecht again took to the stage at WearIt to talk about the future role of robots in a human environment.
Modern human-centric automation makes manual tasks easier in order to perform daily processes & routines more intuitive & efficient.
Ensuring the consistent adoption of brand elements across various channels can be a problem for many large organizations. As West Virginia University rolls out a new brand campaign our central Digital Services unit is sharing tools with our web development community to help them make this shift. In this talk you will learn how we’re using patterns to:
* modernize and standardize toolsets
* encourage broad and fast adoption of the new brand elements
* make it easier to incorporate future changes to brand elements
This process has not been without its challenges so expect many pitfalls and missteps to be shared.
Computational Thinking & STEM = PBL in actionSusan S. Wells
Learn how integrating Computational Thinking and STEM result in authentic project based learning for your students. Utilize edtech tools to insure high learner engagement. Tools include- web and app-based coding apps and games; robotics for all ages including the Finch, Dash & Dot, and Cubetto; and digital & physical play integration tools including the OSMO, Cardboard VR/AR, and 3D printers. Don't miss this fast-paced discussion of STEM in action!
The document discusses ways that teachers can adjust their teaching methods to incorporate modern digital technologies and media. It provides examples of using tools like Vine, Snapchat, online video lectures, MOOCs, Google Hangouts, online discussions and blogs to engage students. The overall message is that teaching should adapt to current developments in technology rather than focus only on new media or tech itself.
The document discusses challenges that can arise when migrating a monolithic application to a more modern architecture. It notes that while monolithic applications may have started out small and focused, they often become large and unwieldy over time as new features are added without consideration for maintainability. Migrating such a legacy application is difficult due to issues like tightly coupled code, complex dependencies, and architectural inconsistencies. The document outlines some of the key challenges that would need to be addressed as part of such a migration, such as adopting a multi-tenant architecture, properly separating the application into domains, restructuring data models, and supporting various deployment scenarios."
This document discusses multimedia information and media. It defines multimedia as a combination of different media formats like text, graphics, audio, photos and videos with the help of computers. It provides examples of different forms of multimedia information like text, visuals, audio, motion, manipulative and multimedia information. It also discusses the advantages and disadvantages of multimedia information in education. Finally, it discusses basic design principles and the five elements of multimedia - text, graphics, audio, video and animation.
This document discusses effective collaboration through using a three-legged stool approach. It emphasizes using a common language and shared understanding between product owners, technical leads, and designers. Examples provided include using a lean canvas or framework to facilitate discussions around customer desirability, business viability, and technical feasibility. The document encourages attendees to contribute their favorite collaboration tools to an online DesignOps community channel.
The document outlines various architectural projects designed by Bhumika Chudiwala. It includes 7 real estate and infrastructure projects she contributed to in roles such as design, master planning, and construction drawings. The projects showcase her skills in site analysis, concept development, client coordination, and delivering high quality design and construction drawings.
The document outlines various architectural projects designed by Bhumika Chudiwala. It includes 7 real estate and infrastructure projects she worked on in roles involving design, planning, execution and coordination. For each project, her responsibilities and contributions are highlighted. The projects cover typologies like vocational training centers, town centers, housing and township master planning. Diagrams, drawings and photographs from project design and execution are included.
This document discusses the use of cross-laminated timber (CLT) in construction. It lists various stakeholders involved in CLT projects, from quantity surveyors and valuers to builders and financiers. It also touches on sustainability topics like renewable resources, carbon reduction, and the United Nations' Principles for Responsible Investment. The document acknowledges that while CLT construction currently has some cost and scheduling challenges compared to traditional methods, it provides benefits like lighter weight, shorter construction periods, and reduced development risk.
This mapa mental provides information about vanguardist Latin American literature from 1920 to 1940. It notes that vanguardism was an artistic movement that originated in Latin America with a provocative and rebellious attitude. The word "vanguard" gained prominence during World War I from 1914 to 1917. The mapa mental also lists ismos, characteristics, artists, and genres associated with vanguardist literature. It was created by María Carolina Hernández for her Latin American Literature course taught by Professor Celia Sánchez.
The document summarizes an urban intervention project in the center of Morón, Argentina. It provides context on the location and connectivity of Morón. It analyzes the existing land uses and issues in the project area, such as the dominance of educational and commercial activities, lack of green spaces, and traffic conflicts. The objectives are to create independent complementary activities, articulate cultural and educational buildings, add recreation areas, improve environmental sustainability, and prioritize pedestrians over vehicles. The proposal aims to consolidate the educational-cultural identity of the area through an open, sustainable urban campus that encourages solidarity and development without creating dependence.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
MATATAG CURRICULUM: ASSESSING THE READINESS OF ELEM. PUBLIC SCHOOL TEACHERS I...NelTorrente
In this research, it concludes that while the readiness of teachers in Caloocan City to implement the MATATAG Curriculum is generally positive, targeted efforts in professional development, resource distribution, support networks, and comprehensive preparation can address the existing gaps and ensure successful curriculum implementation.
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
1. C H R I S S T.C Y R P R I N T I N M OT I O N
P R I N T I N M OT I O N
U C DA D E S I G N E D U C AT I O N S U M M I T
0 5 . 2 9.0 9
W E LCO M E .
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
2. C H R I S S T.C Y R P R I N T I N M OT I O N
INTRO
hi! this is me
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
3. C H R I S S T.C Y R P R I N T I N M OT I O N
INTRO
hi! this is me
faculty: ringling college of
art + design
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
4. C H R I S S T.C Y R P R I N T I N M OT I O N
INTRO
hi! this is me
faculty: ringling college of
art + design
teach: 1st + 2nd year design courses
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
5. C H R I S S T.C Y R P R I N T I N M OT I O N
INTRO
hi! this is me
faculty: ringling college of
art + design
teach: 1st + 2nd year design courses
likes: the intersection of fixed,
motion + interactive design
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
6. C H R I S S T.C Y R P R I N T I N M OT I O N
INTRO
hi! this is me
faculty: ringling college of
art + design
teach: 1st + 2nd year design courses
likes: the intersection of static,
motion + interactive design
department: graphic + interactive
communication
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
7. C H R I S S T.C Y R P R I N T I N M OT I O N
INTRO
hi! this is me
faculty: ringling college of
art + design
teach: 1st + 2nd year design courses
likes: the intersection of static,
motion + interactive design
department: graphic + interactive
communication (aka G.I.C.)
leas ant,
unp ment
G.I. C. very epar t
nds ce d
sou a ni
(y es. it uite
but it’s q .)
teac h in
to
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
8. C H R I S S T.C Y R P R I N T I N M OT I O N
INTRO
hi! this is me
faculty: ringling college of
art + design
teach: 1st + 2nd year design courses
likes: the intersection of static,
motion + interactive design
department: graphic + interactive
communication (aka G.I.C.)
(aka graphic design)
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
9. C H R I S S T.C Y R P R I N T I N M OT I O N
INTRO
hi! this is me
faculty: ringling college of
art + design
teach: 1st + 2nd year design courses
likes: the intersection of static,
motion + interactive design
department: graphic + interactive
communication (aka G.I.C.)
(aka graphic design)
focus: print-based design
books, packaging, posters
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
10. C H R I S S T.C Y R P R I N T I N M OT I O N
INTRO
hi! this is me
faculty: ringling college of
art + design
teach: 1st + 2nd year design courses
likes: the intersection of static,
motion + interactive design
department: graphic + interactive
communication (aka G.I.C.)
(aka graphic design)
focus: print-based design
books, packaging, posters, posters, posters, posters, posters,
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
11. C H R I S S T.C Y R P R I N T I N M OT I O N
INTRO
hi! this is me
faculty: ringling college of
art + design
teach: 1st + 2nd year design courses
likes: the intersection of static,
motion + interactive design
department: graphic + interactive
communication (aka G.I.C.)
(aka graphic design)
focus: print-based design
books, packaging, posters, posters, posters, posters, posters, posters, posters, posters, posters, posters, posters, po
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
12. C H R I S S T.C Y R P R I N T I N M OT I O N
INTRO
hi! this is me
faculty: ringling college of
art + design
O N E CO U R S E
teach: 1st + 2nd year design courses
likes: the intersection of static, 2 0 S E AT S
motion + interactive design
20 STUDENTS
department: graphic + interactive
communication (aka G.I.C.) WHY?
(aka graphic design)
M OT I O N I S S E X Y CO O L
focus: print-based design
books, packaging, posters
motion: as elective course
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
13. C H R I S S T.C Y R P R I N T I N M OT I O N
INTRO
hi! this is me
faculty: ringling college of
art + design
D E S I G N STAT E S
teach: 1st + 2nd year design courses
likes: the intersection of static, MAKE THE DESIGN FIXED
motion + interactive design
M A K E T H E D E S I G N M OV E
department: graphic + interactive
communication (aka G.I.C.) M A K E T H E D E S I G N I N T E R ACT I V E
(aka graphic design)
focus: print-based design
books, packaging, posters
motion: as elective course
curricular challenge: prepare students
to design for multiple delivery
channels
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
14. C H R I S S T.C Y R P R I N T I N M OT I O N
T H R E E D E S I G N D E L I V E RY C H A N N E L S
PRINT
WEB
E N V I RO N M E N TA L
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
15. C H R I S S T.C Y R P R I N T I N M OT I O N
THREE DESIGN DELIVERY CHANNELS
print: domus
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
16. C H R I S S T.C Y R P R I N T I N M OT I O N
THREE DESIGN DELIVERY CHANNELS
print: domus
web: www.leoburnett.com
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
17. C H R I S S T.C Y R P R I N T I N M OT I O N
THREE DESIGN DELIVERY CHANNELS
print: domus
web: www.leoburnett.com
environmental: museum of arts
and design
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
18. C H R I S S T.C Y R P R I N T I N M OT I O N
M OT I O N P R I N C I P L E S
A P P E A R A N C E / T R A N S I T I O N / D E PA RT U R E
C H A R ACT E R I S T I C M OT I O N
A X I A L M OT I O N
S PAT I A L M OT I O N
S E Q U E N T I A L S T RU CT U R E S
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
19. C H R I S S T.C Y R P R I N T I N M OT I O N
APPEARANCE/ TRANSITION/ DEPARTURE
instantly
size
transparency
in/out frame
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
20. C H R I S S T.C Y R P R I N T I N M OT I O N
CHARACTERISTIC MOTION
size
shape
color
transparency
proportion
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
21. C H R I S S T.C Y R P R I N T I N M OT I O N
AXIAL
x-axis
y-axis
z-axis
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
22. C H R I S S T.C Y R P R I N T I N M OT I O N
SPATIAL
x-plane
y-plane
z-plane
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
23. C H R I S S T.C Y R P R I N T I N M OT I O N
SEQUENTIAL STRUCTURES
node
string
loop
tree
web
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
24. C H R I S S T.C Y R P R I N T I N M OT I O N
ST U D E N T E X A M P L E S
APPEARANCE
A X I A L + S PAT I A L M OT I O N
TRANSITION
LO O P
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
25. C H R I S S T.C Y R P R I N T I N M OT I O N
APPEARANCE
ringling logo
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
26. C H R I S S T.C Y R P R I N T I N M OT I O N
AXIAL + SPATIAL MOTION
moving words
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
27. C H R I S S T.C Y R P R I N T I N M OT I O N
TRANSITION
interactive package
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
28. C H R I S S T.C Y R P R I N T I N M OT I O N
LOOP
screen-based poster
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
29. C H R I S S T.C Y R P R I N T I N M OT I O N
M A K I N G P R I N T D E S I G N M OV E
KEYFRAME - THE PRINT PIECE IS A POINT IN TIME.
B E G I N - H OW W I L L T H E S E PA R AT E T Y P E + I M AG E O B J E CT S G E T TO T H AT P O I N T.
M I D D L E - D O T H E D E S I G N O B J E CT S PAU S E , S TO P O R CO N T I N U O U S LY TO M OV E .
E N D - H OW D O E S T H E S E Q U E N C E E N D … O R N OT I N T H E C A S E O F T H E LO O P.
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
30. C H R I S S T.C Y R P R I N T I N M OT I O N
T H A N K YO U
LET’S KEEP IT MOVING, QUESTIONS, COMMENTS
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9
31. C H R I S S T.C Y R P R I N T I N M OT I O N
T H A N K YO U
LET’S KEEP IT MOVING, QUESTIONS, COMMENTS
LINKS
W W W.C H R I S S TC Y R .C O M
W W W. D E L I C I O U S .C O M / C H R I S S TC Y R / U C D A E D U 0 9
U C DA D E S I G N E D U C AT I O N S U M M I T / 0 5. 2 9.0 9